A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Aetna has thick stems and serifs, related to Roman and Doric, short descenders, tall x height.

Westcoast Letters is a fun hand painted headline font by Cultivated Mind. Westcoast Letters comes in four font styles, extras, frames and page rulers. Westcoast Letters is a sister typeface to the ever popular Pacific Northwest font family. Westcoast characters are wider than Pacific Northwest and offer a new style of letters. Extras include hand painted pacific ocean icons, wild animals, a set of numbers and symbols. Frames and page rulers are decorative and look great with the Westcoast fonts.

Zuume Rough is a textured, bold, condensed sans display family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. The fonts can be tightly spaced and stacked for a visual punch or loosened for a little more breath. A distinct characteristic is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

Meninas are the new comprehensive collection of innovative craft alphabets and ornaments researched in rare cross-stitch booklets from 1850 to 1930. This alphabet and ornaments series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. “Menina” means “Girl” in Portuguese. Menina Graciosa is a Graceful Girl. See too her sister fonts: Menina Formosa , Menina Carinhosa , Menina Poderosa Ornaments , Menina Espinhosa .

Meninas are the new comprehensive collection of innovative craft alphabets researched in rare cross-stitch booklets from 1850 to 1930. This alphabet series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. "Menina" means "Girl" in Portuguese. Menina Formosa is a Beautiful Girl. See too her sister fonts: Menina Carinhosa, Menina Poderosa Ornaments, Menina Espinhosa, Menina Graciosa Ornaments.

Zuume Soft is a high-impact, condensed sans serif family with a soft touch. A sister to Zuume, this version features round corners for a friendlier appearance. The lighter weights give a sharp, technical feel while the bold, blacker weights can be tightly spaced and stacked for a strong visual punch. The notched and extended ink traps add both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, sports, logos, and more.

Meninas are the new comprehensive collection of innovative craft alphabets researched in rare cross-stitch booklets from 1850 to 1930. This alphabet series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. "Menina" means "Girl" in Portuguese. Menina Carinhosa is a Loving Girl. See too her sister fonts: Menina Formosa, Menina Poderosa Ornaments, Menina Espinhosa, Menina Graciosa Ornaments.

Meninas are the new comprehensive collection of innovative craft alphabets and ornaments researched in rare cross-stitch booklets from 1850 to 1930. This alphabet and ornaments series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. “Menina” means “Girl” in Portuguese. Menina Poderosa is a Powerful Girl. See too her sister fonts: Menina Formosa , Menina Carinhosa , Menina Espinhosa , Menina Graciosa Ornaments .

Originally, Viktor Solt-Bittner developed Attorney as a custom font for a law firm, hence its name. Attorney shows a systematic, yet unconventional placing of its serifs, hard corners and a clean design. The typeface was produced by Schriftlabor’s type director, Lisa Schultz. Attorney consists of 7 weights, from Light to Black, each of them accompanied by an italic, totaling in 14 styles. All of them contain several figure sets, small caps and many alternative forms, which are accessible by OpenType features.

Goodnight London is a Duo Font with a blend of 2 fonts, namely the Sans & Script font. A luxurious font, with thick and thin sizes with a combination of handwritten script fonts, so that it adds an elegant, luxurious and classy impression. This typeface is perfect for logos, branding, travel promotions, social media posts, magazine layouts, product packaging, quotes, or simply as a stylish text overlay onto any background image. 5 Style Font : Regular Sans Italic Sans Bold Sans Bold Italic Sans Regular Script Goodnight London Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Bronson is a sans serif family that comes in 7 weights. The Bronson font has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Bronson Features : Uppercase Lowercase Numbers & Punctuation Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Phitagate is a signature script font with beautiful strokes. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, layout magazines, beauty products, business cards, weddings, quotes, or simply as a stylish text overlay onto any background image. 2 Style Font : - Regular - Italic Phitagate Features : - Uppercase - Lowercase - Numbers & Punctuation - Alternates - Ligatures - Swashes - Multilingual Support - Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Introducing Nandola Typeface Nandola typeface Inspired by ancient manuscripts in the European area. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or extravagant. Attempt calligraphy Desired, delight in those riches from claiming OpenType features and tell its exquisite fun and fervor make you euphoric What's more support your creativity! you might utilize this font precise undoubtedly. Elegant script “Nandola Typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Bestigia is an elegant and chic Sans Serif font. This font is impressive and features an clean and elegant, professionally shaped font, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 4 Style Font : Regular Italic Bold Bold Italic Bestigia Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Bellarosta is a signature script font with beautiful strokes. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, layout magazines, beauty products, business cards, weddings, quotes, or simply as a stylish text overlay onto any background image. 2 Style Font : Regular Italic Bellarosta Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Swashes Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

DecoSpring is a decorative art-deco family that was inspired by one word in an advertisement in a 1978 edition of my local newspaper. I could not find a typeface that matched it so decided to create one, which became DecoSpring-Regular. It is caps only, with an alternative set of capitals on the lower-case keys. Characters with very thick stems invite interior decoration and I opted for floral decorations. DecoSpring-Flowers can be used alone or it can be layered on top of the regular style to create colored flowers. Changing the width of the bolder stem resulted in two more style, the light and thing styles. Another set of four styles, the Simple set, was formed by eliminating the split in the stems by merging the two parts. All the DecoSpring faces are display faces to be used in small doses, and especially the bolder ones, at large point sizes.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

Deep Mind font is a special appearance display type. You can easily create text, frames, and seamless patterns embedded in illusory type optical patterns in a variety of layouts. In addition to repeating and intertwining lines, the unique optical effect is provided by the use of variable line widths. Deep Mind basically uses two line widths. The base style pattern appears with a thicker line thickness. The other style is the opposite. The characters embedded in the pattern are rendered as a secondary image using a thinner thickness, which is provided by the use of a variable line width. This gives it a modern and unique look. All characters are the same width and height for easy and simpler use. The glyphs connect perfectly on both sides, also below and above each other. This guarantees the continuity and smoothness of the pattern. The basic pattern can also be selected and used with the thinner line thickness for variability and completeness of the optical illusion (by typing "z"). There are also tiles that provide a smooth transition from thin to thick or from thick to thin line thickness. Of course, in all four directions. You can access these tiles by typing the characters: “lmno and p". The negative version provides additional opportunities for versatile use. Type the same letter several times and the pattern will repeat. Type in: “zzzzzz". You can create a frame using the closing elements as follows: Type in: “abcdefgh and ijk" The font has a separate option for placing your own logo, in square and circular forms. Type in: “rs and tuvw and xy" The font contains 119 glyphs, which include uppercase, numbers, punctuation, symbols, patterns, frames, closing elements, and tiles that provide a continuous transition between different line widths. Deep Mind font is ideal for any use that has an innovative and modernist purpose, adaptable to display decorations, running borders or repeating patterns. It can be used in larger sizes as display fonts, as headers, and for attention-grabbing use. Small sizes are ideal for use in Security Printers as microtext and background printing system.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.

A revival of one of the popular serif wooden type fonts of the 19th century, tall x height, quite short descenders, thin, rounded serifs, thick stems, based on Roman styles, deliberate, accurate rendering of the original.

Developed from the STP Display Cyrillic, the STP Stencil Cyrillic Typeface follows the same characteristic premise as its sister, in addition to composing the same number of Cyrillic and Latin characters. What distinguishes them it’s that the STP Stencil Cyrillic can be applied more easily anytime, anywhere, increasing the possibility of being used in a more craft and artistic way. Since it has characteristics of a stencil font, it brings a more urban and contemporary look, which makes ideal to use it in public spaces with large circulation of people. In addition, wayfinding, architectural, advertising, packaging, posters, among others projects, are a good request for STP Stencil Cyrillic show its vigor and all its beauty. The STP Stencil Cyrillic is a modular feature source, perfect to use it in major event signaling projects or similar. It can also be useful in any demands that requires improvisation and quick solutions. The STP Stencil has very expressive forms and counterforms, but still counts with the practicality of a stencil source and its infinite possibilities of use.

Bitcrusher is not your ordinary typeface. It is a futuristic, ultra-compact sans-serif font that draws inspiration from the sleek design of automobiles and cutting-edge consumer electronics. Its unique compression capabilities allow you to pack more words into a single line than most techno typefaces can ever dream of. Available in five weights and four widths, Bitcrusher is a versatile font that gives you unprecedented control over your typography. If you need to fit more text into a tight space, Bitcrusher Condensed is the perfect choice. And if you want to push the limits of font compression, Bitcrusher Compressed has already reached the standard limit. For those who demand even more compactness, Bitcrusher Crammed has an abnormally small footprint, while Bitcrusher Crushed has an absurdly high density that defies all conventions. But no matter which variant you choose, you can be sure that Bitcrusher delivers consistent stem, space, and gap widths that allow you to break the rules of scaling and tracking. With Bitcrusher, you have complete control over your typography. Want thicker stems? Simply scale a narrower width to a bigger breadth. Need to go even tighter than Crushed? Make it even thinner. Bitcrusher is a font that cannot be broken. It is the ultimate tool for designers who demand precision and control over their typography. Choose Bitcrusher and discover the power of true compression. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, heavy stems, very thin serifs, short descenders. Heavily revised, very much improved, extensive kerning. Now in otf and ttf formats.

Galeb is simple geometric sans font family in 4 weights - Light, Regular, Bold and Black, ideal for corporate and editorial projects. With angled stem endings, Galeb gives enough impression to be used as display font as well.

Musical notes and letterforms, silences and white spaces, pentagrams and lines, music and writing have much in common and go beyond time, cultures, styles and locations. This new typeface emerges from the blend between the lyrics and the harmony, rhythm, femininity and luminosity of the traditional musical forms. It`s not about blues or rock, tango or salsa, instead it recovers the neoclassical characteristics of the current musical notation system and revitalize the essence of its signs. Taking care of both the function and the form, Elisetta has been specially designed for the writing of texts and musical sheets considering all its elements and communication needs. This source of inspiration also makes the font really good for extensive texts, since its design is based on situations that require high line performance, great readability and high aesthetic coherence. With 5 variables that vary in weight and style, the typography gathers asymmetry and organic nature in vertical structure, narrow horizontal proportions, high x height and extreme contrast between black and white. Elisetta Book has been created for the writing of clear texts and long lines composed in small sizes inside and outside the pentagram; Elisetta Italic intensifies the organic nature of the musical keys by offering softer signs, contextual alternates and initial caps; finally, Elisetta Display increase and emphasize the contrast between vertical stems and horizontal lines to highlight short texts and titles. For those who love music and for those who like romantic forms, this typography has a lot to offer: Elisetta is the best option to write light words with style, compose clear and rhythmic lines and read comfortable paragraphs with high performance. You can tell everybody this is your font, how wonderful life is while you're in the world! * This typeface was originally designed and supervised as «Elisa», the main project of the Master in Typography at University of Buenos Aires, Argentina.

Joachim Müller-Lancé's Uppercut is a rather sporting fellow, originally developed for the Krav Maga training center of San Francisco (Krav Maga is a simple and efficient self-defense system that has become equally popular in Hollywood and with law enforcement). Joachim has spent several years training, hitting things and people whenever he needs a break from kerning. Uppercut can be seen on the school's t-shirts and other articles. Despite bearing the same moniker as an upwards punch to the chin, the name actually fell together quite naturally as Uppercut is an all uppercase typeface, and the word "cut" is also historically used to describe a type style in hot metal type. For this slanted look, "Angle" felt just right (with thanks to Mia McHatton). The design idea sprang from pencil sketches for the center's new identity. Uppercut's shapes are not calligraphic or handwritten, more like lettering seen in comics or sports logos. Its brush movements are imaginary, not too literally brushy. During development, details were simplified and reduced until a bit of a cut-paper feel emerged, but more fluid like writing. The shapes are economical and efficient; simplicity makes the font versatile, holding up in small as well as big sizes. Uppercut is decidedly analog, muscular but not bulky, with the fluid but determined movements of a boxer or martial artist - not theatrical but powerful, fast, confident and dynamic. Well... it has punch. In the proportions, there is emphasis on a strong upper edge "keeping its guard up", while several stems protrude downward, giving the impression of leaping or being "light on the feet". Use Uppercut to pick up the pace, add snap, verve and drive - on movie posters for action and adventure, to advertise your dojo, rumble or prizefight, racing team or tuning shop, or invite friends to your barbecue with old time rock'n'roll and homemade hot pepper sauce.

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits. Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll. In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design. Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

Big Citee is a robust, industrial looking display font. Its name is linked to the characters' strong stems looking like a wall of sky scrapers. Big Citee is strong and impactful, making it ideal for headlines and signage.

The common Slavic word Osnova means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use. Look how people use it: http://use.type.org.ua/tagged/osnova

Drumonz is a death metal font made with a touch of darkness, featuring a heavy and death metal feel to compliment your design. Drumonz is very easy to use in any variation or writing combination, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/a0uHeXSmsCo Recomended Software to use: Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

HINOBIE is a Serif Display Font with a modern, classy, fun, unique, and versatile style. It looks amazing at display sizes and easy to read at text sizes. This font also has lots of unique alternatives and binders that will make for amazing design projects. HINOBIE - Glamor Serif Display Font works well for branding projects, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, or any other project you're working on.

Penicillin is a psuedo thematic/destructive typestyle, looking more like a grunge/deteriorated or stencil typestyle, but actually a typestyle made to look as if formed of bacteria cells. From the fungus that breeds the bacteria that heals, comes a highly readable typestyle to add a little offbeat degeneration look to any design. The end result, a little funky fungus of a font, easy to read and fun to look at...let Penicillin cure your design ailments!

Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

Capella is a beautiful and charismatic hand drawn font, it will emit your individuality in any project. It will draw attention to itself and highlight the main thing in your design. Ligatures and alternates will help create an impression of integrity. You can also use Capella to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more. This font is easy to use and has OpenType features.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Boena Serif. Boena Serif.is a Serif Display Font with a modern, classy, fun, unique and versatile style. It looks amazing at display size and is easy to read in text size. This font also has lots of unique alternatives and binders that will make for stunning design projects. Marselid Serif. works well for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, or any project you are working on.