Delecta is a sans serif family of seven weights + matching italics. Influenced by the geometric-style sans serif faces. The font has a slightly geometric touch with a simple and clean personality which makes it suitable for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. It has some OpenType features like all new and modern fonts such as “stylistic alternates” which includes an elegant set of chars changing the feel of the font. The font also has an extended character set to support Central and Eastern European as well as Western European languages.

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).

This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 fonts that cover pretty much every style you could ever need, and if you do require more, this family is available as a single variable font that covers all the weights and widths in between. PG Gothique is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This type family has a style that will suit the purpose. There are 99 fonts in this family, ranging from Thin to Ultra weights across six widths in both roman and italic*. Activate Stylistic Set 1 and you will get the alternate slab serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique has an extensive character set that covers every Latin European language. If you would prefer PG Gothique as a single variable font, please choose PG Gothique Variable. Test drive PG Gothique today – both the Regular and Italic fonts are offered as a free download. See full details and hi-res examples at https://paulogoode.com/pg-gothique Key features: 9 Weights 6 Widths 99 Fonts Small Caps Old Style Figures European Language Support (Latin) 600+ Glyphs per font *Compressed weights do not include italics.

Zt. Sigata is an experiment where combining the two font styles into one, namely sans serif and serif, maybe this sounds very strange, don't worry this has been designed with very deep consideration with the serif style superti water droplets in the foliage that present coolness in every word and simple style sans serif with softness on each side, So when combined the two will be an extraordinarily beautiful design invention. Zt. Sigata comes with 6 styles (Regular/ italic, Kozi / italic, Rame / italic) that from each style have their own uniqueness, so it further expands your design experiment, and is great for poster design, packaging, logos, films and thanks to the uniqueness of each style may look good either in magazines or kompanye branding effectively. I hope you have a blast using zt.Sigata Thanks for use this font ~ Khaiuns X zelowtype

Vertebrata is a serif type family of six fonts, designed by Fulvio Bisca between 2011 and 2014. It embodies features from different ages of writing and history of typography: the solemnity of Capitalis Monumentalis in uppercase and small caps, rhythm of Textura in lowercase, sturdiness of 1800 Slab Serifs in the overall look and feel, and a contemporary modular approach to the construction process. In spite of the geometric genesis of the letterforms, special attention has been paid to optical corrections, in order to obtain a natural and legible design. With more than 500 glyphs per font and carefully designed small capitals, Vertebrata is a complete OpenType family, including multilingual and advanced typographic features. Regular, Italic, Bold and Bold Italic styles are intended for both text and display applications, whereas Black and Black Italic are more suitable for display size settings.

Eirene Sans is a sans serif type family inspired by grotesque typefaces with some humanistic characteristics. Simple, modern, and functional are the principal features of this type family; the uppercase glyphs present a sophisticated personality. There are 5 weights available and matching italics. It is a bit more condensed than normal width and the difference between thin and thick stems and the unique terminals make the type family have this humanistic personality. It has rounded forms in some letterforms and special characters (i, j, ., :, etc.), humanistic terminals, and very thin ink traps. Eirene Sans is perfect for digital and non-digital designs; it can be used in magazine titles, logo designs, packaging designs, and web designs. Features: 5 weights and matching italics Opentype features Arrow set Stylistic alternates (ft) Stylistic changes in italics Fractions Subscripts Inferior and superior numbers Language support (Latin extended)

Tahoma™ Family is one of Microsoft's most popular sans serif typeface families. The original Tahoma™ Family consisted of two Windows TrueType fonts (regular and bold), and was created to address the challenges of on-screen display, particularly at small sizes in dialog boxes and menus. In 2010 Ascender Corporation added italics, so now the Tahoma font family contains 4 fonts in total: Tahoma regular, italic, bold and bold italic. The Latin, Greek and Cyrillic characters were designed by world renowned type designer Matthew Carter, and hand-instructed by leading hinting expert, Tom Rickner. The Tahoma fonts set new standards in system font design. Tahoma is ideal for use in User Interface scenarios and other situations requiring the presentation of information on the screen. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Semlor is a great display comic advertising big font, coming in regular and italic style. This font has multi-lingual and Cyrillic support. We hope you enjoy using this font.

Episodian is a retro-modern san-serif family with a sci-fi, techno edge and contemporary elegance of its own. Episodian now includes regular and bold with corresponding italic fonts.

"Leaner" is uppercase sans-serif typeface. It’s clean and universal. Best for logos and heading. Extended latin glyphs Uppercase letters Thin / Regular / Bold weights + Same italics Numbers & punctuation That's it!

Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.

Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.

Franklin Gothic EF is a font family from the Elsner+Flake Library. It had its debut in 2000. In 2016 it was renovated and an additional weight "Italic“ was added.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.

Seriguela is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, each with 9 weights, as well as italics and reverse italics totaling 54 fonts. Seriguela is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. Seriguela followed a very distinctive recipe to design its alphabet: it started with a grotesque base and applied movement and joy in a very original way. The blacker and more contrasted, the tastier. The contrast in its display version is one of the most important features of Seriguela: the unconventional relationship between thick and thin lines, as it does not strictly follow any historical model of contrast construction and makes it noticeable. Its high contrast is not present in every single character and it is often in the “wrong” places. The original charm of Seriguela is maintained throughout all its styles. With peculiar details: the verticality and its proportions, as well as terminals that resemble hooks in some curves, a characteristic that breaks with the vertical modular rhythm. Seriguela is a versatile font system, designed primarily for display uses with a need of visual impact.

Addington CF is a graceful and reliable serif, useful in any application. Beautiful and practical, Addington is designed for excellence at small point sizes, while doubling as a capable, bold display typeface. Includes roman and italic sets across seven weights. Addington CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Artigo is an old style inspired typeface system for text. It was inspired by the handwriting aspect of the first roman types but it intends to be a contemporary interpretation. Its abilities are in small text with personality. The italics capture a lot of its dynamic feeling even more expressive on the display version that stands as the most handwritten one. It gives text a lot of personality and great readability.

blastand is a display font created by combining sharp edges and curves for a unique shape. This font also adopts a handwritten shape at the end of the letter to present a bold writing yet still creates a classy and friendly impression. This font is also created in italic style and has open types such as ligature, stylistic alternate, etc. to provide options for designers to create awesome work.

A Sans serif that we created special for unique branding needs, with extra ligatures in unique shape will be ready to add value of your brand. Anafiola - Inspired by Helvetica Font ready with: Any options to get creative variations (combination of Ligatures) Regular and Italic Version Preview as a inspirations that you can do with Anafiola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

From Latin aequālis (equal). The case conveying an equality with another noun. Equalis, sets its sights on applied mathematics. Equalis is a slab-serif typeface characterized by a tall x-height and very short ascenders / descenders. This OpenType font family comes in two weights and italics, with support for CE languages. Equalis can be used as display type. Suitable for body text, headlines, package & a wide range of projects.

Sebino family is a neutral sans-serif type family with 9 weights, from thin to black, with corresponding italics. Sebino has a large x-height with open apertures which make texts more legible at small sizes. Each font includes opentype features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Sebino will make your artworks better with its clean & clear shapes.

Cyntho Slab Pro is the slab serif companion to Cyntho Pro. It’s a modern geometric slab serif with extensive language support including Cyrillic and Greek scripts, rich with OpenType features, perfect for magazines, posters, advertising, corporate identity, and much more. It offers optional upright and real italic forms, wrapped in OpenType ‘stylistic alternates’ features, or stylistic set #02, where sets can be applied separately. Small caps are included as well.

Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.

Dreamy Romantic is the new serif typeface with clean curve and elegant look. It has two versions of the font, in regular and italic version, very suitable for your design needs such as creating nostalgic designs project. Dreamy Romantic is t for applying to poster designs, branding, magazines, merchandise, logos or any kind of advertising purpose. Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded

Royal Typeface is stylish copperplate fonts, combines from copperplate to contemporary font with a dancing baseline, classic and elegant touch. Can be used for various purposes. Such as headings, luxury, logos, wedding invitation, t-shirt, letterhead, lable, news, posters, badges etc. Royal Typeface features 1.500 glyphs. Support with Opentype: Unique glyphs, With cool Stylistic Alternates, Swash, Italics, Stylistic Sets 1-20, Ligatures, Multilingual characters, UPPERCASE, LowerCase, Numeric, Oldstyle Figures & Tabular Figures.

Double Pivot , a condensed sport inspired Regular, Low, & Mix typeface. Double Pivot has six Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin script support. Double Pivot is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.

Kleide is an elegant font inspired by handwriting. The Kleide family includes 6 weights, from Thin to Black, with their corresponding italics. This elegant family includes OpenType Features such as Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and a lot of ligatures. The fonts have extended characters set to support Central, Eastern and Western European languages. Kleide is perfectly suitable for cool & fresh work.

We’re in the process of buying a house. Our first bid was rejected, our second bid as well. Our third (and final) bid was accepted (yay!), so, for us, the old ‘third time lucky’ quote rings true! Third Time Lucky is a set of three distinct handmade fonts, each with its own italic. Use this wonderful set for your books, your packaging or even your ‘house for sale’ signs.

Valley is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out! Have a Regular & Italic style can be used various purposes such as magazine, logos, wedding invitations, headings, and so much more. If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

Cyntho Pro is a modern geometric sans with eight weights varying from Thin to Black and featuring Cyrillic and Greek scripts. Unlike most geometric sans faces, it offers optional upright and real italics, wrapped in OpenType ‘stylistic alternates’ features, or stylistic set #02, where sets can be applied separately. Small caps are included as well. This typeface can be used in magazines, posters, advertising, corporate identity, and more.

Stropha is compact slab serif font family that comes with matching Italics. With distinctive differences between letter stems and with five weights only, Stropha is imagined as small, but "all you really need" family. It's original, with characteristic serifs, with deep ink traps, curvy top diagonal endings and gentle curvy touches in details. Contains Extended Latin character set. Fully applicable in any situation, from branding and editorial design to webfont usage.

Qapitaly is a display sans serif typeface inspired by the beauty of modern sans serif and calligraphic style, fused with elegant appeal to blend with modern needs.This font has regular and italic style. Qapitaly offers many possibilities to be applied in many graphic or editorial projects. Qapitaly also include alternate and ligature. Suitable for short paragraph, headlines, and display purpose such as branding, editorial, book covers, and packaging.

Kathleen Sans is a geometric sans-serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. The Kathleen Sans font family has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Foda Egypt is a sans-serif font family comes with 6 main weights and their italics, with 599 glyphs that support many languages and cover many OTF features such as accents, ligatures, kerning and more … Foda Egypt is a stylish modern sans-serif suited for headlines, newspapers and many purposes thanks to the clean lines and sharp edges that render out so clearly on screens which increases legibility for all users.

Nokio Slab is the big brother to the popular Nokio & Nokio Sans fonts and provides even more uses for the Nokio range. Nokio Slab is made up of 5 weights + italics and also features an alternate font that uses more traditional character structures to offset the playful original. Nokio Slab is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.

Acosta is a serif typeface with high contrast and a refreshing look. From sheer to black with italics, Acosta offers many possibilities for application in many graphic or editorial projects. The lighter weight is suitable for short paragraphs, and the heavier weight is suitable for headlines, perfect for display purposes such as branding, book covers, and web titles. Acosta is also available latin character set which supports latin based languages.

Aysiano Regular and Italic is a casual sans serif typeface with its influence originating from Eastern broad brush style calligraphy. It includes selected swash caps to vary the settings where required. With a slick, fresh feel, capturing the spontaneity of brushed hand lettering, it will be suited to many applications especially as a display font although it can also be used in larger text sizes with great legibility.

Benton Modern was first prepared as a text face by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These display cuttings were prepared by Dyana Weissman and Richard Lipton; FB 2008

Presenting Running Back , a condensed sport inspired upper and lowercase typeface. Running Back has five Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin support. Running Back is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.