IA Airship Captain is a good readable comic book dialogue font made with a marker with wavy lines, giving it uniqueness and recognition. The family includes Regular, Italic, Bold, and Bold Italic. And contains a large number of kerning pairs. Added extended Latin, extended Cyrillic and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Time to EMbrace the new EMerging typeface from WiltonFoundry : EM consisting of EM Regular, EM Italic, EM Bold, EM Bold Italic. Loosely based on our very popular Cyan typeface, EM is EMphatically the most distinctive and modern typeface we’ve created yet. Slight variations between thick and thin with stenciled effects, and Flared stem EMphasis for character. Go get’EM!!

IngrianaCasual features a hand-drawn sans-serif family with an italics that has semi-script lower-case letters. The five upright weights are relaxed and informal and the five italics styles are decorative and elegant. The family is very legible and can be be used for many purposes including brochures and advertising, though probably not for book text.

Claude Sans is the work of British designer Alan Meeks. The conservative roman weight is complemented by a more extravagant italic. The proportions are based on those of the original Garamond typeface of Claude Garamond, from whom this type gets its name. Claude Sans can be used alone or combined with Claude Sans italic and bold weights.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

NixonScript is a display typeface inspired by the typographic emancipation given voice by 1950s and '60s north American vernacular type. NixonScript's starting point was lettering found on a 1960s camera found in a Chicago junk shop, but its development saw it transformed from a punchy sans-serif to a more thoughtful serif, with a lowered x-height and a vibe of almost priestly piousness. Rather than a simple regular italic, a bold italic is offered. During its development, the regular version seemed almost placid but with the double emphasis of bold and italic, NixonScript gained an energetic, self-congratulatory form.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

Palo is a 72 style utility type system built around 4 widths and 9 weights plus matching italics. It's semi grotesque appearance gives it a unique personality while the stylistic alternates give a true sense of flexibility and customisation. Design features within Palo are evident without being excessive. 3 stylistic sets provide a range of functional to fluid design approaches. Case sensitive punctuation & ligatures offer a professional feel. The italics have been optically adjusted to improve their weight balance and on select lower case glyphs they feature unique designs to make the italics a feature unto their own.

Kidyzen is a sans handwritten typeface. Inspired from the character of kids writing in their book. Kidyzen have unique style because it like same with typing of children. Kidyzen is perfect for comic, illustration, cartoon, kids design and very suitable for speech bubble text. It have very fun, cute, easy communication, easy reading and unique styles. You can use it for kids t-shirt, cover book, tagline, poster, branding, advertising, wall painting letter and graphic designs that use kids character . Kidyzen have 6 styles, there are regular, italic, bold, bold italic, thin and thin italic. Be enjoy it with my fonts.

A cute and funny kid-friendly typeface inspired from bears and handmade with passion and joy. Will you believe if we say, HollaBear is made by bear cubs. The typeface is essentially simple but very uniquely expressive when it comes to the design of posters, flyers, cartoons graphics, logotype, web and display usage. Please see the examples shown above to get an idea about the capability of this typeface. HollaBear comes with Extended Latin character sets including Western European, Central European and South Eastern European character sets. The typeface comes in 6 variants (Regular, Italic, Outline, Outline Italic, 3D and 3D Italic).

Gageac is a classic "Didona" font, characterized by an extreme contrast in the thick and thin strokes, by the use of short serifs, and by the vertical stress of the letters. This typeface is slightly condensed, the ascenders were lowered, the thick strokes were exaggerated and enriched with a full set of OpenType features of tails, ligatures, alternates and swashes, giving them an excellent legibility and a very clear and elegant appearance. 
The italic version is a true "italic" so some glyphs were adjusted. Gageac Italic was carefully designed and drawn to be combined with Gageac Regular.

Risoluto is an italic font made to mimic the beautiful italic typefaces used in the 19th and 20th century by music publishers. It was based on an italic typeface found in a publication by Max Eschig from the 1950s. Hundreds of specimen for each glyph were studied and carefully drawn in a way to have a sharp rendering without losing any of the old charm. The oblique "g" is one of the characteristics of such old typefaces. Risoluto covers a large range of languages and symbols and offers stylistic alternates for numerals, contextual ligatures and music accidentals.

Ribbon Cursive was developed largely from Mercator's Italic Hand, which originated from Italy, during the Renaissance. Ribbon Cursive is fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text. It should be noted that, due to the heavy embellishment of all the capital letters, this font will not work well if your text is set in all capitals! Ribbon Cursive is contains the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it. Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full range to explore a whole host of applications, while the fonts outlined give a real modern feel to any project. Any specific license questions or questions, feel free to contact zamjump@gmail.com zamjump

A Bold new re cut of Bodoni, designed with a more contemporary look. Also has matching Italic.

A redesign of Torino, a great feel with many possible uses. Also has a matching Italic version.

Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words. This font family was first inspired by an experiment to try to make a legible upper and lower alphabet with the smallest grid possible that would still describe the letterforms. The original conclusion was that it could be done in a 3x6 grid. This made a fun design exercise, but it makes a lousy font. The grid was expanded a bit for aesthetic reasons to a 3x8 grid, But not restricted so severely and so occasionally goes wider than 3 for the certain letterforms. From this a whole family of widths and weights was born, and rather than simply obliquing for italics, a true italic of sorts was created. Cypher is a versatile family of 24 fonts – 4 widths, each with 3 weights and their accompanying italics.

Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space. Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great. Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time. Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design. Three free sample basic fonts are available which are fully functional minus the alternates.

Please welcome Frock! It is a sans serif typeface for broad range of usage. It is designed with a slightly slanted oval shaped counters, medium contrast and based on American gothic typefaces with "not so formal" feel. The italic styles are flowy and almost true italic. Swash alternates for some uppercases and lowercases are useful for logo, display and poster. This family comes with 16 styles, uprights and matching italics, consisting of 8 weights from thin to ultra. It is also equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Proportional Lining Figures, Standard Ligatures, Discretionary Ligatures, Fractions, Numerators & Denominators. Each font has 770+ glyphs including swash alternates which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Frock will be suitable for many creative projects. This typeface will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more!

The Exileon is a Script&Serif Font with a modern style. Soft curves are combined with high contrast glyphs, conveying both feminine and masculine qualities. This font consists of 3 Regular Serif Fonts, Italic Serif and Script, with many unique ligatures provided. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Mix between Script and Serif to create a unique and very beautiful look, and add italics to complete the sentence you want. What do you get: The Exileon Serif Regular and Italic, Exileon Script, Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Encoded Characters Fully accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. Feel free to follow, like and share. thank you very much for checking my store!

Mucho Sans is a geometric sans serif type family that comes in six weights with matching Italics. The design is very clean, yet friendly and modern. Some of its characteristics are the generous x-height, the Ascender-height that matches the Cap-height, the friendly looking real italics and the low contrast. The result is a contemporary versatile type family that is excellently suited for both display and text uses and that supports a wide range of languages. Mucho Sans is equipped with many Opentype features such as five numeral styles, numerators, denominators, superiors, inferiors, automatic fractions, alternative a and g, case sensitive forms and ordinals.

Introducing Ruminate - serif typeface - regular and italic fonts Ruminate is feminine and elegant typeface with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol 3 fonts - regulat, alternate, italic alternate glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

Monofontis is a contemporary, monospaced display typeface full of ligatures and glyphs to keep your designs stylish, modern, and standing out in a crowd. Monofontis typeface has a contrasting character that combines laconic technical forms, extraordinary details, and calligraphic grace, most noticeable in Italic. As a monospaced typeface, Monofontis will be indispensable for magazine titles, headlines, and short text fragments, logos and branding, web and interface design, posters, and advertising due to its unique nature. Furthermore, Monofontis is an excellent match for a tabular design, columns, clear and rigid layouts, and programming code.Monofontis consists of 18 styles: 9 styles in the Basic family, 9 styles in Italics.

Fresh artsy and classy serif, so we present to you, Stager! Stager - A stylish serif with an artistic and classy touch so brings us to the nostalgic era. Thin letter anatomy collaborate with unique alternates and beautiful ligature so makes any project seem chic, luxurious, unique, artistic and little retro vibes Stager - Come with italic version, so perfectly suitable for creating elegant, simple, retro design such as branding, poster design, books, fashion, social media design, logos, etc. What you get Letters, numbers, punctuation, multilingual support, alternates, and beautiful ligatures Regular and Italic version Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

Courage Display is a very versatile font, unique modern serif bold & Italic typeface with loads of style font that uses ligatures and many alternates. You will get classy, elegant, and certainly unique logos with this font. it is perfect for handling design jobs that cover a wide range of types such as elegant projects, luxurious branding, wedding invitations, poster design and so on. Courage Display is also included full set of: Uppercase & Lowercase letters, Stylistic Alternates Character, Multilingual Support, Numerals, Punctuation Ligatures Collection. What will you get? Courage Display Regular & Italic. Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help.

A Sans serif that we created special for elegant branding needs, with extra style will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more elegant and modern. And specially for this font, We prepared any Styles to help you create unlimited variations for your creative needs. Magic Growing Elegant Sans Serif Font ready with: Any styles to get creative variations (regular, bold, italic, bold italic) Preview as a inspirations that you can do with Magic Growing font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Introducing Footle - serif font Footle is gentle and elegant font combined in it regular and italic styles, loaded with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, numeral, punctuation & Symbol Uppercase letters - regular glyphs Lowercase letters - italic glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Sauna Mono Pro is a monospaced typeface with an unusual amount of personality. Monospaced fonts are supposed to be bland, universal, clean and smooth, right? Well, Sauna Mono is everything except that. It has the same touch of curves and warmness as the other existing fonts. Sauna Mono comes in 4 styles: Regular, Italic, Bold and Bold Italic. Sauna Mono belongs to the Sauna Pro family, a set of text and display fonts accompanied by multi-coloured dingbat fonts. Sauna Mono brings the total amount of fonts of the complete Sauna family to 15 styles all together. Comes with Underware’s Latin Plus character set with a support for 219 languages.

A tasteful sans-serif with a delicate italics, ideal for branding and packaging design. Knedle [dumplings] are characterized by carefully balanced proportions and soft stroke endings, which gives the typeface credible yet friendly expression. Italics are not just slanted versions of roman styles, but with their delicate letter shapes and narrower proportions they form a taste-balanced counterpoint. With 14 styles (Latin & Cyrillic) more than 1460 glyphs per font and rich OpenType features (including many stylistic sets) Knedle are perfectly suited for the needs of branding or packaging design. Thanks to their excellent legibility and smart contextual alternates, they can also work surprisingly well as a signage font. Bon appetite!

Neotoxic Font Family has been published since 2022, and can be downloaded for free on the dafont website. This font supports interesting features such as small caps, ligatures, salts, etc. also consists of 6 font styles including thin, light, regular, bold, black, outline. WHAT YOU GET Features : Small Caps, Ligatures, Ligatures Contextual, Salt. 6 versions normal & italic (ttf + otf) 24 types of font files include Regular, Bold, Light, Hollows/Outlines, thin, Italic, light PUA Encode Characters, fully accessible without additional design software. Includes a range of multilingual characters. Neotoxic is suitable typeface for various purposes like logotype, signage, label, poster, dropcap, titles, letterhead, book cover and etc. Thank you!

Chopsee is a fun, fluid, versatile font family of 8 weights and matching italics designed by Dan Jones for TypeUnion. The font aims to encompass movement and fluidity with its accentuated curves and terminals. The raised x-height creates more synergy between the lowercase and uppercase characters thus enhancing the visual appearance. The family of 8 weights & italics means you have plenty of usage options whether digital, branding or print - Chopsee black is perfect for that new brand idea you have, while the lighter weights provide a subtle support to clean layouts whether it’s call out text on a website or in print applications such as posters or magazine layouts.

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point. Teimer's antiqua has less contrast; the overall construction of the characters is softer and more lively. The proportions of the italics are rather wide, making them stand out by their calm and measured rhythm. This was defined by the purpose of the typeface, as it was to be utilised for two-character matrices. The long serifs are a typical feature noticeable throughout the complete family of fonts. In 1967, a full set of basic glyphs, numerals and diacritics of Teimer's antiqua was submitted to the Czechoslovak Grafotechna type foundry. However, the face was never cast. At the beginning of 2005 we decided to rehabilitate this hidden gem of Czech typography. We used the booklet "Teimer's antiqua - a design of modern type roman and italics", written by Jan Solpera and Kl‡ra Kv’zov‡ in 1992, as a template for digitisation. The specimen contains an elementary set of roman and italics, including numerals and ampersands. After studying the specimen, we decided to make certain adjustments to the construction of the character shapes. We slightly corrected the proportions of the typeface, cut and broadened the serifs, and slightly strengthened the hair strokes. In the upper case we made some significant changes in the end serifs of round strokes in C, G and S, and the J was redrawn from the scratch. The top diagonal arm of the K was made to connect with the vertical stem, while the tail of Q has received a more expressive tail. The stronger hairlines are yet more apparent in the lower case, which is why we needed to further intervene in the construction of the actual character shapes. The drawing of the f is new, with more tension at the top of the character, and the overall shape of the g is better balanced. We also added an ear to the j, and curves in the r have become more fluent. To emphasise the compact character of the family, the lining numerals were thoroughly redrawn, with the finials being replaced by vertical serifs. The original character of the numerals was preserved in the new set of old-style figures. To make the uppercase italics as compact as possible, they were based on the roman cut rather than on the original design. The slope of lowercase italics needed to be harmonised. The actual letter forms are still broader than the characters in the original design, and the changes in construction are more noticeable. The lower case b gained a bottom serif, the f has a more traditional shape as it is no longer constricted by the demands of two-matrice casting, the g was redrawn and is a single storey design now. The serifs on one side of the descenders of the p and q were removed, the r is broader and more open. The construction of s, v, w, x, y, and z is now more compact and better balanced. Because Teimer was designed to make optimal use of the OpenType format, it was deemed necessary to add a significant amount of new glyphs. The present character set of one font comprisess over 780 glyphs, including accented characters for typesetting of common Latin script languages, small caps and a set of ligatures, tabular, proportional, old style and lining, superscript and fraction numerals. It also contains a number of special characters, such as arrows, circles, squares, boxed numerals, and ornaments. Because of its fine and light construction, the original digitised design remained the lightest of the family. Several heavier weights were added, with the family now comprising Light, Light Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, and Bold Italic.

Dogfight is a hand-crafted brush font which created from scratch by using a brush pen on a paper. It is not too sharp with sharp edges, but rather with a softer rounded shape. It is suitable as a display font for printed or digital products. Mainly as an advertisement or video production. It comes with Regular and Italic Multilingual characters AllCaps Ligatures Alternate characters

Don't be afraid to taste something sugar free - most times you will be surprised how good it tastes! My Sugar Free font may not look as very much at first glance - but play around with the Regular and Italic versions (and notice the 4 different versions of each letter, that automatically cycles as you type!) and you will see how lively the font is!

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.