Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Hand-drawn with calligraphy ink and an antique dip pen, Mignonette is ready for all uses charming and rustic. She's heavy on the bottom and hairline at the top, and includes all sorts of additional numerals, currency figures as well as multi-language support. Mignonette shines in both correspondence and display; she has a particular affinity for offbeat and heartfelt branding.

Present to you new handwriting font, Glovy! Glovy - Made from my own actual handwriting. It’s not supposed to be neat... because I don’t write neat. It doesn’t align and it’s annoyingly all in caps (but it's kinda charming right?). Glovy - Includes 2 font styles for both regular and bold (A-Z and numerals), as well as standard and accented characters.

Due to some grease on a menu, I misread "Spicy Avocado" as "Spacy Avocado" which led me to the name of this font. I love Avocados and I love things that are a bit spacy, and I love the combination of these two! Space Avocado is my handdrawn, layered headline font. Mix the layers or use them as a single font - you choose!

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

I've been really tryin', baby, tryin' to hold back this Rounded Sans for so long. ND Nudel is the food-positive typeface you have been (secretly or not so secretly) waiting for! Stop beatin' 'round the bush and get into all the (20) tasty, yummy, and shameless zesty stylistic variations. Vanilla or with as many tangy alternates as you could imagine.

Barrowboy was inspired by the handwritten sales tickets that are still to be found on market stalls and fruit barrows, and are as familiar as the street cries that accompany them. The signage is mostly confined to numerals, so translating it into a font is pretty much a work of imagination. See also my other fun fonts Bebopalula, Calypso and Pier Arcade.

Longing is a modern, sans-serif typeface with floral ornaments. It was supposed to have a smart and elegant style and to have a good readability. In addition to the long stems, ascenders and descenders, the oval form is the prime characteristic feature of this beautiful ornamental font. The typeface was designed to work for headlines as well as for short copy.

Bold, free-flowing and confident, Whortle is guaranteed to add an eye-catching appeal to your designs. Irregular shapes and dancing baseline make it feel much more personal. It looks great in both all-caps as well as lowercase. Whortle comes with upper and lowercase characters, large set of punctuation glyphs, numerals, and supports international languages. Hope you like it!

Groovy Soumaya Font is a beautiful and flowing handwritten font. Use it for wall displays, wedding invitations, social media post logos, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project that requires impressive typography. To achieve that authentic handwritten feel, Groovy Soumaya Font comes with a full set of lowercase alternates as well as 34 ligatures.

Bridgewater is a hand-drawn, brush font with contextual alternates to help with flow and readability. Each letter and number has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Giane Gothic sans is stylish sans serif font with Gothic touch, Giane Gothic is a younger brother of the original "Giane" family font. Giane Gothis is perfectly matching pair with Giane Serif Giane Gothic sans Perfectly suited for graphic design and any display use ( for the logos, t-shirts, the web as well as for print, and also great for headings), Thank You

Ephemera Fascia is a typeface inspired from facade sign of historical building. 5 layer styles available from outline, inset, base, shadow 01, shadow 02. Opentype features support such as Stylistic set 01, Stylistic set 02, Stylistic set 03, and Discretionary Ligature. This typeface was created for Display needs, such as headlines, menu board, signage, logotype, badges design, packaging, etc. Caps only fonts.

Stitch Warrior is a a gothic style stitch font. It's made of cross stitches ("x") even the kerning - the distance between the letter pairs varies between 1, 2 or 3 stitches distance. I was trying to be as accurate and close to reality as possible. It can be pefectly used for stitch lettering or text pattern to create visual effects.

Browar is a display Grotesk typeface which has Latin & Cyrillic scripts. It comes in 1 weight and it contains 416 characters. Browar includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines, game ui as well as for editorial design.

Squidy Club is a fun display font, fresh & modern style. Squidy Club Font suitable for logo, branding, greeting card, poster and any design that you create. Thank you for checking and i hope you enjoy it. Always put your heart into it and don’t worry to try. I hope you have as much fun using it as i did making it.

Roadblock JNL is the solidified and slanted version of Patriotica JNL --a stars and stripes font based on lettering by the late Alf R. Becker as commissioned by Signs of the Times® magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinati, Ohio for providing source material for use as a work model.

WIP Sugar Baby depicts the handwriting of a young woman with opulent curves that spread juvenile charm and warms the hearts of all of us. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Mixed Tape Rough is a simplified version of the Mixed Tape font family. It’s a rough calligraphic font duo which includes 2 Styles: Regular and Capitals. It doesn’t have as many alternates as Mixed Tape and supports more languages. Mixed Tape Rough is a dynamic calligraphic font so it can be used for posters, t-shirts, menus, packaging, headlines, etc.

Vanrott is an old font with two styles: Regular and Destroyed. Both styles have a bold, prominent, old-fashioned but modern look! Vanrott is perfect for those of you who need fonts for titles, logos, clothing, invitations, branding, packaging, advertisements, and more. Vanrott includes uppercase and lowercase letters, punctuation, symbols, numbers, stylistic sets, alternate, ligatures as well as multi-lingual support.

Introducing the elegant Adore Calligraphy Font! Adore Calligraphy was built with OpenType features and includes beginning and end swashes as well as alternate swash characters for all lowercase letters. Each character was thoughtfully crafted to create a timeless elegant look. For those of you who are needing a touch of elegance and modernity for your designs, this font is for you!

TS Kirt - variable sans-serif typeface with narrowed proportions. The font is suitable for titles, packaging, printing, websites, infographics, and advertising. The TS Kirt font family consists of 6 faces and as well as a variable version. The advantage of the font - the same width character in any style. When switching the face, the length of the line will not change.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

A light hearted comic and clumsy typestyle inspired by an old pulp novel called "The Astronaut". Several fun ornament characters can be accessed by turning on Discretionary alternates and typing "jones" for the Astronaut Head in an O, "atom" for a spirograph atom symbol, "little dipper" and "big dipper" for the constellations, as well as alternate "the", "and", and stacked "and the" characters.

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms from my teacher Milton Glaser who at the same time was influenced by the modernism of Paul Renner. Xtencil is a round letter to create funny signs, ideal for posters and headlines. Xtencil not come as a drawing template, but as OpenType typography.

Making some Star Wars stuff? This Aurebesh font is designed to look like something you would see on a piece of quick and dirty graphic design in the Star Wars universe, like a wanted poster or a warning sign. The font includes the additional Aurebesh glyphs beyond the 26 basic characters (all in lowercase & uppercase) as well as numbers and symbols.

Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces. According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926 Display Board JNL is available in both regular and oblique versions.

Square "robocap" typeface containing some little bit of experimental letters such as "t" or "f". Designed by Dusan Jelesijevic who wanted to make a font that would look heavy as building construction printed on your shirts. Even if it looks strong and stable, it is surprisingly very readable at small sizes which make it perfect for titles, posters or logotypes.

Headster is bold script font that is inspired by vintage signage designs. It consists of 5 weights which function as layers, and also includes alternate characters. You can mix and match your best combination. With all those things we mention about, this font is perfect for your many design projects, such as flyers, logo design, badges, packaging, invitations and more.

Inspired by the Luggage Labels from the 19th Century. Thick n thin with a condensed serif typeface that comes in an all-caps style. The OpenType feature supports stylistic alternate characters, which gives the typography composition a unique personality. Supports Latin-based multi-languages as well. Suitable for display needs such as signage, poster, logo, label, headline, cover design, etc

Dear All, here's comes Dear Jane. This lovely typeface was made from actual hand writing so it has the natural and romantic feel. Perfect to be used especially for signature, wedding invitation, greeting cards, logo, photography, quotes, apparel design, and any design needs. As usual, the font comes with many opentype features such as ligatures, stylistic set alternate, etc and also support multilingual.

Mr. Mixter designed to blend everything with everything. Mix Latin letters with Cyrillic letters, add numbers as letters — just have fun with the mixing process. As a result, you might get a funny and cute Christmas card. Attention! Work only by hand, using the Glyphs menu in Illustrator or InDesign. Look carefully and you will find a lot of fun.

A colorful floral book that I found at a flea market inspired me to make the font Herbarium. What started as floral letter illustrations in 2009 has now developed into a writable font. My main intention was to make each letter like a little artwork so that they all could fit as a drop cap. Herbarium is also a good choice for headlines.

Zapf Chancery font is a work of German designer Hermann Zapf. It was named after a typeface used in Anglo-Saxon lands during the Renaissance as well as inspired by such scripts. This font makes it possible to give printed items an individual character. The handwriting of the designer can be seen in the forms of this classic, elegant font.

We have created this font as a complement for the 825 Karolus. It is a set of decorated letters in the style of those used by the scribes during the early medieval era. It is inspired from a manuscript copy of "The Hobbit" (in Caroline style) that we obtained in the year 2000 as a present for our daughter’s 15th birthday.

Prestige Elite is a word processor face which offers clear and monospaced type. The slanted versions have kept the same design as the roman font. The word Elite denoted a specific size of typewriter face. The Prestige Elite font family is easy to read, even in small sizes and is useful for tabular material with narrow columns, such as directories and lists.

The inspiration for this typeface was discovered on a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps. Its odd blend of Art-Nouveau-meets-the-Old-West makes for fetching heads and subheads. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Belhampton is a lively display family, full of the spirit of the Edwardian era. Six typefaces are offered: regular, bold, light, oblique, embossed and outline. All include an extensive range of stylistic alternates and discretionary ligatures, as well as lining and old-style numerals. Belhampton is ideal for poster and display work, or just the thing for any piece of Belle Epoque design.

Frederick Cody, as known as Buffalo Bill, and his renowned travelling Western Circus are now celebrated through the creation of the Buffalo Circus and the Buffalo Western type fonts, both developed quite in the spirit of the stirring wood type fonts from the 19th century. All characters are fully hand traced and vectorized and provided with appealing glyphs and cool catchwords.

I have always enjoyed this typeface and have had fond memories from the time I originally drew its predecessor, Kari. Now with almost 100 new ligatures, alternate and swash characters, Kari Pro has a great deal more personality and versatility. Subsets from the original Kari have been integrated into each unified weight adding both lining and hanging (oldstyle) numerals as options as well.