In the days when sheet music was as popular as phonograph records for home entertainment, a song album was a folio of collected works. The hand-lettering on the 1940s-era cover for "The Sigmund Romberg Song Album, Book II" served as the model for Song Album JNL. Romberg was a noted composer of Broadway show tunes.

British type designer Jonathan Hitchen created this display FontFont in 2002. The family has 5 weights, ranging from Light to Regular and is ideally suited for film and tv, poster and billboards, software and gaming as well as sports. FF Snafu provides advanced typographical support with features such as ligatures. It comes with tabular lining and proportional lining figures.

Purenotes is a cool and funny handwritten font, made as natural as possible in human handwriting which is suitable for use for quotes on Instagram, Pinterest, Tik Tok and other social media, you can also use it as a lyric video that you will upload on YouTube. You will get a natural feel in your design.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

German type designer Steffen Sauerteig created this display and sans FontFont in 2000. The family has 6 weights, and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Jigger provides advanced typographical support with features such as alternate characters. It comes with tabular lining and proportional lining figures.

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

German type designer Critzla created this display FontFont in 1997. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as music and nightlife. FF Bionic provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Ten Oldstyle is a four-weight type family from Principal Designer Robert Slimbach at Adobe. He designed it as the Latin component of Ten Mincho, a Japanese typeface by Adobe?s Chief Designer Ryoko Nishizuka. As it began to take the form of a small type family, Robert decided to release Ten Oldstyle on its own as well.

German type designer Matthias Rawald created this display FontFont in 1996. The family contains 3 weights and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Burokrat provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

The Bossman is a display font with a graffiti-like appearance, this font only uses uppercase letters and the standard number as well as the standard punctuation. This font is good for various design purposes, such as: title posters, banners, logotypes, apparel, wall displays, crafting, packaging, advertising, or whatever. make your design more attractive with this font.

German type designer Jürgen Brinckmann created this blackletter FontFont in 1993. The font is ideally suited for advertising and packaging, poster and billboards as well as software and gaming. FF Humanist provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures.

Fitzgerald is a classic and elegant retro serif with a modern twist. With its decent readability, Fitzgerald is perfect for both displays as well as body text. Inspired by all the retro aesthetics making a comeback, Fitzgerald is perfectly suitable for creating nostalgic yet still clean and elegant designs such as logos, packaging, editorial, and more.

Pristina is the work of British designer Phill Grimshaw. It is a calligraphic typeface that displays all the natural, unrestrained qualities of cultured penmanship. Pristina's capitals should be used exclusively as initials. The font is ideal for both large display sizes as well as small text sizes, and it lends personal touch to projects it accompanies.

American type designer Joel Decker created this script FontFont in 1997. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, poster and billboards as well as software and gaming. FF Inkling provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Trivette is an ‘All Capitals’ calligraphic display face, where all upright strokes are rendered as curves and where everything approaching the vertical are rendered in threes. That’s probably as clear as mud, but the results combine charm and legibility with a decorative period air. Recommended for poster work where a sense of dignified fun is important.

British type designers David Crow and Ian Wright created this display FontFont in 2002. The family contains 2 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Beadmap provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Anadolu was inspired by the distinct style of sign lettering in rural Turkey, and refined based on sign lettering in Hungary. Shown here are samples in Turkish and Hungarian, as well as Finnish and Estonian, two other languages in the Finno-Ugric language group with Hungarian. The slight curve at the tops of ascenders and bottoms of descenders is inspired by the linguistic process of "vowel harmony" in Turkish and Hungarian. Anadolu is the Turkish name for Anatolia, the peninsula where Turkey lies. The name recalls another sans-serif typeface named for its country of origin. The tittle on the i is reimagined as a diacritic, and the dotless ı is reimagined as the basic, prototypical i. Too many typefaces treat diacritics as afterthoughts. Since diacritics are integral to the languages that inspired Anadolu, they were designed as core components of the typeface.

Alius is something else. Experimental shapes combined with traditional ones result in an extremely legible typeface that—because of its economically spaced characters—works extraordinarily well for copy texts as well as big striking headings. Alius has been created with great attention to detail which is particularly noticeable in smaller sizes where proportions and shapes remain intact. The Typeface includes stylistic alternates that provide the designer with endless possibilities for combinations and variations. Alius contains PS-Hinting and is therefore as legible on screen as it is on paper. The typeface comes with powerful OpenType features that will satisfy even the most demanding of designers. With more than 680 Glyphs and a coverage of over 130 languages, Alius is as versatile as it is beautiful. The development of the typeface started in the summer and concluded in the fall of 2021.

XPointedDesert and XSimpleHands do not have as much variety in the hands as XPhyngern, but their hands point in a lot more directions--up, down, and at 45-degree angles.

Letterpress Leftovers JNL gathers twenty-six vintage letterpress cuts on a variety of themes as well as an attractive wood type border in various positions on the 0-9 keys.

Athletico is a layered type family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

These playful letters are perfect for any whimsical designs. There are two versions- one with tickmarked tips and one without. Looks great in all caps as well as mixed-case.

Megaflakes™ 2011 is a geometric set. Looks like this might become a tradition for Baseline Fonts. They are terribly fun for the holidays as well as Christmas in July.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

Ann's Valentines are heart-shaped dingbats that are perfect for web design as well as print that you'll use 'til your heart's content. A dingbat to fall in love with.

XPointedDesert and XSimpleHands do not have as much variety in the hands as XPhyngern, but their hands point in a lot more directions--up, down, and at 45-degree angles.

The Collegium is a font family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

GS Frank is an uppercase display typeface inspired by the classics DIN, Eurostile and a dash of Futura. Perfect for prints, t-shirts, posters and such. Supports Basic, Western European, Central European and South Eastern European latin characters.

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

Introducing the "Stinko" font designed elegantly and simply, with a combination of bold, thick, and symmetrical. This font is suitable for your work needs. Web font Uppercase Lowercase Numbers & Punctuation Any Questions? just ask! Designed by hanief farandi

After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make. In short, I realized my son needed to be indoctrinated—I mean, introduced into the wonderfully wild world of fonts. So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here. I’ve made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart. And, as an added bonus, this children’s book has a custom designed font. I’m always looking for an excuse to design a new font, and this book created the perfect alibi. Drum roll, please. I now give you … Cabrito (“little goat” en Español). This new serif typeface incorporates the latest research on typographic legibility for children, features to make it—well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for children’s books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to children’s toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.

I would like to invite you to a party, wedding, birthday, event, gameshow, baby shower, housewarming ... ehh, what I mean is: this is an invitation to (almost) anything! As you may have read, “Indbydelse” is danish and means “invitation” - why? Well, because these four fonts have enough power to create an exciting invitation! Use them as single fonts, combine one, two, three or all four - that’s totally up to you! They all got multilingual support as well as contextual alternates with several different versions of each letter!

The sweetest thing is handmade fresh typeface, created with brush and ink. contemporary approach to design hand-painted natural and also a combination of delicate script with an irregular baseline. Suitable for use in watercolor design or as a hand brushed bold letters. Such as Novel tittle, Apparel, Invitations, Quotes, Books tittle, Stationery Design, Branding, Logos, Greeting Card, T-shirt, Packaging design, Poster and more. Includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures and alternative character.

Vintage Stencil Art JNL collects another twenty-six charming designs, all re-drawn from antique and vintage stencil sources. These images make for the perfect embellishment to typographic projects which utilize stencil type, or the designs can be applied as decorative thematic backgrounds (such as a flower show, nature walks and so forth). For reproduction as saleable commercial products such as stencils, decals, stickers, transfers, etc. please refer to the terms and conditions which are clearly stated in the font's End User License Agreement regarding specialized licensing.

The Lo-Res family of fonts is a synthesis of pixelated designs, including Emigre's earlier coarse resolution fonts, as well as bitmap representations of Base 9. It replaces the preexisting Emigre, Emperor, Oakland and Universal families and groups these related bitmap designs under one family name in the font menu, thereby simplifying their naming. The Lo-Res fonts also offer technical improvements, including a more complete character set, more consistent character shapes among styles and weights, as well as improved alignment among the various resolutions.