Our new product the name is Street Urban Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, children book, cartoon, comic etc MULTILINGUAL ACCENT : ØÆøæ¢ÐŒœÁĂÂÀÄĄÅÃǼĆČÇĈĊĎÉĔĚÊËĖÈĘĞĜĢĠĤÍĬÎÏİÌĮĨĴĶĹĽĻĿŃŇŅÑÓŎÔÖÒŐǾÕŔŘŖŚŠŞŜȘ ŤŢÚŬÛÜÙŰŲŮŨẂŴẄẀÝŶŸỲŹŽŻáăâäàąåãǽćčçĉċďéĕěêëėèęğĝģġĥíîïìįĩĵķĺľļŀńʼnňņñóŏôöòőǿõŕřŗśšşŝșťţ ŭûüűùųůũẃŵẅẁýŷÿỳźžż FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Introducing, Break Snooze fonts. Break Snooze have a unique shape, rounded and fun. Comes with 3 style Regular, Outline and Extrude, then can mix and match with Stylistic Set. What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals Stylistic Set 1 Stylistic Set 2 European Multilingual Thank you, Regards!

Beachbuoy floats on the foamy surface of fun, rising & falling with the waves. Lower case characters take a siesta when it comes to the baseline, an oasis away from mainland rules. Tropical and relaxed with an island attitude, Beachbuoy is a unicase font with a full character set.

Introducing of our new product the name is Hello Valentica a Beauty Script Font. Hello Valentica inspired by modern script this font is a fun theme very good for book cover, wedding invitation, t-shirt, quote, logotype, craft and etc. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Fun and quirky yet highly legible, Peach Fuzz invokes a sense of playfulness to your documents or projects. The varying slant of the letters and its rough edges give it an energetic quality. Great for scrapbook pages or for those times when you want to communicate a casual feeling.

MASYTE by Holyline is a sans serif display typeface with reguler and italic style . It's very bold and fun with a unique shape. Perfect for headline, custom logo, or anything for your creativity and MASYTE is perfect typeface if you want something new with your project. Happy creating!

Introducing the Big Alphabet Tracing Font – a font designed to help kids learn the alphabet in a fun way. The font looks friendly and playful, making learning feel like a game. It is perfect for teachers, parents, and anyone who wants to make learning the alphabet exciting and interactive.

Say hello to Giecella Kids font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful Includes: Giecella Kids (OTF, TTF, WOFF) Bonus (Cute Background) Features: Character Set Numerals and Punctuation (OpenType Standard) I hope you can enjoy the font :)

Potpourri was based on an energetic alphabet written by expert calligrapher Gottfried Pott. To create the elegant yet rugged strokes, Pott cut a pen with a unique fringed tip — from a drinking straw! He then produced an huge series of drafts before deciding on the final alphabet for digitization.

Catshape is a font of dingbats, which in combinations with uppercase and lowercase you can generate multiple characters with different textures. In addition to a set of ornaments and a font called Alquitran Stencil, it was designed for different graphics. I hope you can have fun with this font!

Quick Baseball, contemporary of Serif font, Insipired by Baseball Club Logo, Quick Baseball it's retro, bold, and playful. Perfect if you need a dose of fun in your project. offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Every Friday is a clean, relaxed, and chunky lettered display font. It will fit perfectly in each of your urban designs. This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. Thanks and have fun!

Algarabía Display was created for titles or to highlight a particular text. It includes a set of accented capitals and accented lowercases, almost one hundred ligatures, entry and exit capitals, symbols, punctuation and numerals, and almost 50 different kinds of dingbats. It is a typeface to have fun.

Gremlish is a fun cartoon Christmas display font. You can use it for anything ranging from t-shirts, book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Croz Script is a raw and organic script typeface. Its cool appereance is carefully handcrafted to straight away grab the attention of the viewers. the shapes give this font a modern, chic, fun, funky vibe. Suitable if use for logos, posters, craft project, portfolio, headlines, brandings, apparel, etc.

Say hello to Komica Brought font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. Features: Uppercase and Lowercase Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encode I hope you can enjoy the font :) Regards Figuree Studio

Regular Bien is a display font that is created out of two shapes - a circle and a line. It has a plain and a mutated face, depending on the usage of lowercase or capital letters. Regular Bien can be used in various fun ways and connections between lines.

Rabenk is a fun quirky look serif. With a modern look, it looks perfect when paired with conventional serif/sans serifs. It can be used for mastheads, posters, business identities and just about anything. Use this font to beautify your designs and make your work look more beautiful.

Kidstar is a simple, fun and cute font for beautiful designs. Kidstar is great for branding design, kids product displays, logos, product packaging or simply quotes and design with stylish text overlay to any background image. It makes for a cute typeface with combination between uppercase and lowercase.

A signpainter's chapbook called this style Show Card Casual, although "casual" might be understating the case a bit. Guaranteed to put some fun, and a wee bit of mischief, into your headlines. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Zamenhof is a family of five fonts that can be used singly or in combination to create a variety of bold, yet elegant, display styles. Inspired by Russian hand-lettering that appears to have been based on Jakob Erbar’s Phosphor, Zamenhof is essentially a Latin interpretation (with Cyrillic and Greek) of a Cyrillic interpretation of a Latin type design, with many changes along the way. (For example, all the Latin-only letters are quite different between the two designs: D, F, G, J, K, N, Q, R, S, U, V, W, Y, Z.) The Inline and Inverse styles of Zamenhof are the basic fonts and can be used effectively on their own. The Plain and Outline fonts — which I recommend using only in combination with the main designs — were created specifically to be combined with Inline and Inverse, as underlay and overlay layers, respectively. (You will need an application that supports layers, such as Adobe InDesign or Photoshop.) Zamenhof supports most European languages as well as modern Greek, and of course, Russian and other languages that use the Cyrillic alphabet. Needless to say, as Zamenhof is named after the father of Esperanto, it also supports Esperanto (as do all fonts from CastleType).

Wood Type Catalogs of the 19th century often offered tools and accessories alongside alphabets of wood type. Probably the most closely related was wood type borders and ornaments. Decorative Borders were often sold by the foot and accompanied by corner pieces that matched the designs. These borders could be assembled in almost any size dimensions as needed. The digital version uses the same principals of modular assembly to create the exact size border that is needed. Along with the borders, included in this font are a selection of "streamers". These banners would have been made to order with the font designs reversed out along a horizontal banner with decorative end caps. The digital version allows for a modular assembly by selecting choice of end caps and then typing the = as many times as needed to achieve the desired length. 10 styles of 9 piece borders can be created in any size variations as well as 8 styles of streamers in any desired length. Some of the designs can be mixed and matched for unusual contemporary design interpretations of these historic styles. It is recommended that the line height (leading) is set to the same size as the point size setting, this will visually lock all elements together.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Talking about the numerous types that today bear the name of Giambattista Bodoni are a kind of tribute as much to his reputation as a printer as to his ability as designer and engraver. In fact, all of them tent to be more in the way or style of Bodoni than simply copy of his letterforms. Like many other type designers, we’ve been seduced also to develop our own point of view of his work, nowadays enriched by some features of OpenType format that allows a variety of combinations: standard ligatures, discretional ligatures, stylistic alternates and old styles figures. Whereas the Bodoni serif in the capitals was of the same weight as the thin stroke but joined with a very slight fillet (Bracket) and the lowercase serif were like his French rivals, the Didots, featured straight- edged serifs that were unbracketed. The ascenders and descenders of this new Bodoni are shorter, giving in this way, more space for enlarge x high. Specially designed for editorial design and advertising, can be used in magazines, annual reports and all kind of fine print materials or web pages. The beauty of his letterforms can enrich headlines; this font can also be used as body text for its good legibility and accurate kerning.

Vintage sheet music for a song from the 1941 animated feature "Mr. Bug Goes to Town" featured a casual, hand-lettered inline type style on its cover page. Recreated as the digital font Go to Town JNL, this design is presented in all the imperfect glory of pen and ink lettering. Go to Town JNL is available in the regular inline version as well as a solid version. A bit about the cartoon: The project was created by the legendary Fleischer Studios in Miami, Florida (they had relocated from New York City), after they could not obtain the rights to adapt Maurice Maeterlinck's "The Life of the Bee". Beset by the expenses of relocating to Florida, growing production costs on the full-length feature cartoon and other problems; mid-way through the making of "Mr. Bug Goes to Town" the Fleischer brothers were forced to sell their studio to their distributor (Paramount Pictures) in order to continue in operation. It was released on Dec. 5, 1941 - just two days before the Japanese attack on Pearl Harbor. The release [and subsequent re-release by Paramount as "Hoppity Goes to Town"] was a disappointing failure, earning [as late as 1946] only $241,000 of the initial cost of $713,511 it took to make the film.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Logotype lettering from 1896 for the Italian confection company Talmone provided the inspiration for this curvy, cuddly face. Warm up your headlines today with this antique charmer. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

In his book Brushstroke and Free-Style Alphabets, Dan X. Solo called this typeface "Tamarind Script" but, whatever its name, this sparkly little gem will add rollicking retro charm to any project it graces. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Puertofino is made as if it resembles a ballpoint pen so it looks thick and thin, Puertofino can also be used as a signature font. Puertofino has ligatures, alternates, and supports 68 Multilingual. Puertofino is a casual script font that suitable for various project, like branding, invitation, merchandise, website, advertisement, magazine, and more

Flirtation Walk JNL was inspired by the lettering on the covers of sheet music for songs taken from the 1934 Dick Powell-Ruby Keeler movie "Flirtation Walk". The typeface features some stylized characters as well as the more familiar Art Deco character designs, and is available in both regular and oblique versions.

Zepto is about as small as you can get with pixel fonts without sub-pixel rendering. Featured on Make: A tiny screen font you can actually download and use, free. For optimal use, please turn font anti-aliasing off and set at a size of 8px with image resolution set to 72ppi.

This font was inspired by Lviv ArtDeco architecture dominating in 1920s-30s. This collection of ornaments is a graphic representation of building decorative elements, mostly of metal tracery elements and wall bas-relief. This font can be used for a variety of purposes, in graphic design as well as in industrial design.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Amador. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Amador was refreshed (version2) and re-released as simple Open Type in 2012. A blackletter designed in the spirit of the Arts and Crafts movement. The works of Frederic Goudy and Rudolf Koch are also reflected in this design.

"Winter Style" is a display font with winter and Christmas themes. This font is decorated with a snowman as well as a Christmas hat. This font is equipped with uppercase, lowercase, uppercase alternates, swash, titling, lowercase alternates, numeral, punctuation and multilingual support. Perfect for Christmas, winter, valentines, movie titles, logos and more.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Home Sweet Home Dingbats is a 30 dingbat font of home things. Use them as dingbats or enlarge the small pictures and use them as clipart. Silhouettes include several lamps, clock, chaise, chairs, sofa, nightstand, chest, TV & remote, tables, stool, steps, beds, mirror, art, a fireplace and even a baby grand piano.

Harpsichord (as I have named it) is from the late 1940s and was designed at Lucian Bernhard Studios in New York for Bernhard's Magnetype Collection. It was originally published as 'Community Low' along with 'Community Condensed'. Many of his Magnetype Fonts have been dormant which I hope to revive in the near future.