Meghan Smooth Handwritten Font is a casual and elegant handwritten font. Meghan Smooth Handwritten Font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Brushcrazy is a crazy brush font. Yes, you read that right! It comes with a lot of attitude, serious brush strokes, nice detail and a handful of alternate glyphs and ligatures as well!

Building Script is a modern calligraphy design, including Regular. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.

Advertisements in the September, 1936 French movie publication “La Cinématographie Française” featured a hand lettered slab serif type design that is now available as Cinema Serif JNL in both regular and oblique versions.

This font was inspired by the swirling and spiraling art from various cultures such as the ancient Celtic and Pictish tribes of Ireland and Scotland, and the Maori moko tattoos of New Zealand.

Bendita could evoke the didones of the 19th century. It has and an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

The Black Shapes" are a collection of decorative single forms good to use as background of graphic design projects, like covers of books, headpieces at books and magazines, cd-covers, and many others.

Introducing Something! A stylish signature font. designed to display luxury and shopisticated writing. With this font, you can built an amazing work. Such as stylish branding & logos, packaging, handwritten quotes, merchandising, advertising, etc.

A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.

Hello Beauty is a script in a hand-lettered, modern, calligraphy style. It is suitable for a variety of uses such as in design, weddings, events, t-shirt, logos, badges, sticker, and more.

Jamaistevie black is a very grungy but interesting 3D font, definitely better for a title than journaling, but particularly good for digital layouts as overlay text. It contains both Latin and Cyrillic alphabets.

Voklea is a cool, bold and trendy looking display font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation.

AZ Brand was inspired from a need to develop a display typeface with a hand drawn feel to it. This font was designed for use as a fun bold headline or sub headline.

Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.

The hand-lettered name of the "Junior Showcard Printer" (a 1930s-era rubber stamp printing set manufactured by the Superior Marking Equipment Company of Chicago) served as the prototype for Junior Printer JNL.

Sunny Days is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc.

Bucknord is a cool and playful handmade marker font. This font is designed to help your needs such as logos, product packaging, invitations, branding, headlines, signage, labels, book covers, posters, quotes, and more.

Faqro is a cool and casual looking display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.

Allista is a fancy handwritten font, carefully handcrafted to become a true favorite. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Florentino - a Renaissance Era calligraphic-inspired serif with a touch of elegance. Specially designed for retro, elegant projects, Florentino is perfectly suitable for creating classic design such as logos, packaging, editorial, and more.

Vessagio is an elegant and modern sans serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Czech Stencil JNL was modeled from examples of a 1930s-era typeface from Czechoslovokia called "Patrona Grotesk" as seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Werble JNL is a wiggly, wavy, novelty font that can be used for anything that needs to show movement. It also lends itself well to spooky themes such as Halloween or horror films.

Catalina Village - a chic & elegant display of modern serif with beautiful contrast. Specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle designs such as logos, titles, magazines, and more.

Scholarly Ambition is a cute and fun display font perfect for adding a playful element to your next craft or design project. It is compatible with cutting machines such as Cricut and Silhouette.

Vilanovas Modern Calligraphy Font that inspires friendliness and elegance. It is perfect to use for any of your wonderful creations such as branding projects, logos, brochures, business cards, wedding invitations, and many others.

Type designers are crazy people. Not crazy in the sense that they think we are Napoleon, but in the sense that the sky can be falling, wars tearing the world apart, disasters splitting the very ground we walk on, plagues circling continents to pick victims randomly, yet we will still perform our ever optimistic task of making some little spot of the world more appealing to the human eye. We ought to be proud of ourselves, I believe. Optimism is hard to come by these days. Regardless of our own personal reasons for doing what we do, the very thing we do is in itself an act of optimism and belief in the inherent beauty that exists within humanity. As recently as ten years ago, I wouldn't have been able to choose the amazing obscure profession I now have, wouldn't have been able to be humbled by the history that falls into my hands and slides in front of my eyes every day, wouldn't have been able to live and work across previously impenetrable cultural lines as I do now, and wouldn't have been able to raise my glass of Malbeck wine to toast every type designer who was before me, is with me, and will be after me. As recently as ten years ago, I wouldn't have been able to mean these words as I wrote them: It’s a small world. Yes, it is a small world, and a wonderfully complex one too. With so much information drowning our senses by the minute, it has become difficult to find clear meaning in almost anything. Something throughout the day is bound to make us feel even smaller in this small world. Most of us find comfort in a routine. Some of us find extended families. But in the end we are all Eleanor Rigbys, lonely on the inside and waiting for a miracle to come. If a miracle can make the world small, another one can perhaps give us meaning. And sometimes a miracle happens for a split second, then gets buried until a crazy type designer finds it. I was on my honeymoon in New York City when I first stumbled upon the letters that eventually started this Affair. A simple, content tourist walking down the streets formerly unknown to me except through pop music and film references. Browsing the shops of the city that made Bob Dylan, Lou Reed, and a thousand other artists. Trying to chase away the tourist mentality, wondering what it would be like to actually live in the city of a billion tiny lights. Tourists don't go to libraries in foreign cities. So I walked into one. Two hours later I wasn't in New York anymore. I wasn't anywhere substantial. I was the crazy type designer at the apex of insanity. La La Land, alphabet heaven, curves and twirls and loops and swashes, ribbons and bows and naked letters. I'm probably not the very first person on this planet to be seduced into starting an Affair while on his honeymoon, but it is something to tease my better half about once in a while. To this day I can't decide if I actually found the worn book, or if the book itself called for me. Its spine was nothing special, sitting on a shelf, tightly flanked by similar spines on either side. Yet it was the only one I picked off that shelf. And I looked at only one page in it before walking to the photocopier and cheating it with an Argentine coin, since I didn't have the American quarter it wanted. That was the beginning. I am now writing this after the Affair is over. And it was an Affair to remember, to pull a phrase. Right now, long after I have drawn and digitized and tested this alphabet, and long after I saw what some of this generation’s type designers saw in it, I have the luxury to speculate on what Affair really is, what made me begin and finish it, what cultural expressions it has, and so on. But in all honesty it wasn't like that. Much like in my Ministry Script experience, I was a driven man, a lover walking the ledge, an infatuated student following the instructions of his teacher while seeing her as a perfect angel. I am not exaggerating when I say that the letters themselves told me how to extend them. I was exploited by an alphabet, and it felt great. Unlike my experience with Ministry Script, where the objective was to push the technology to its limits, this Affair felt like the most natural and casual sequence of processions in the world – my hand following the grid, the grid following what my hand had already done – a circle of creation contained in one square computer cell, then doing it all over again. By contrast, it was the lousiest feeling in the world when I finally reached the conclusion that the Affair was done. What would I do now? Would any commitment I make from now on constitute a betrayal of these past precious months? I'm largely over all that now, of course. I like to think I'm a better man now because of the experience. Affair is an enormous, intricately calligraphic OpenType font based on a 9x9 photocopy of a page from a 1950s lettering book. In any calligraphic font, the global parameters for developing the characters are usually quite volatile and hard to pin down, but in this case it was particularly difficult because the photocopy was too gray and the letters were of different sizes, very intertwined and scan-impossible. So finishing the first few characters in order to establish the global rhythm was quite a long process, after which the work became a unique soothing, numbing routine by which I will always remember this Affair. The result of all the work, at least to the eyes of this crazy designer, is 1950s American lettering with a very Argentine wrapper. My Affair is infused with the spirit of filete, dulce de leche, yerba mate, and Carlos Gardel. Upon finishing the font I was fortunate enough that a few of my colleagues, great type designers and probably much saner than I am, agreed to show me how they envision my Affair in action. The beauty they showed me makes me feel small and yearn for the world to be even smaller now – at least small enough so that my international colleagues and I can meet and exchange stories over a good parrilla. These people, whose kindness is very deserving of my gratitude, and whose beautiful art is very deserving of your appreciation, are in no particular order: Corey Holms, Mariano Lopez Hiriart, Xavier Dupré, Alejandro Ros, Rebecca Alaccari, Laura Meseguer, Neil Summerour, Eduardo Manso, and the Doma group. You can see how they envisioned using Affair in the section of this booklet entitled A Foreign Affair. The rest of this booklet contains all the obligatory technical details that should come with a font this massive. I hope this Affair can bring you as much peace and satisfaction as it brought me, and I hope it can help your imagination soar like mine did when I was doing my duty for beauty.

Barbiela Script is a modern calligraphy cute font, Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, modern, script, quotes and others.

Individual Thinking is a bold and chunky lettered display font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Love Rabbit is a stylish and free-flowing script font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Ragland has a unique vintage look that will create and inspire awesome retro-looking projects! This font is awesome for your creative project such as Logotype, Branding, Packaging, Poster, Merchandise, label, and much more.

l’Argentine - a display sans with beautiful contrast & a hint of nostalgia. Specially designed for vintage, retro, elegant projects, l’Argentine is perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.

A whimsical array of floral pointers (up/down/left/right) - great for adding directions or pointers to documents, maps, posters, greetings, or simply used as decorative elements. See also 4Point Deco and 4Point GreekFret.

Quartz 974 is a typology of font inspired by simple and geometric lines as triangle. It is very suitable for titles, logos, posters, that’s why it is composed by only capital letters and numbers.

Backstay is a casual and relaxed single line script font. It matches any branding project such as logos, t-shirt printing, creative products, and more. It will look extraordinary in a variety of contexts.

Vintage is an easy to read and comfortable serif font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

What was the inspiration for designing the font? Ancient script from Celtiberian culture. What are its main characteristics and features? Very ancient scripts in lead or bronze. Usage recommendations: As you like, Archeological designs.