Periwinkle is a fun and happy digital revival based on an old photo-typositing face. Filled with 1960s and 1970s charm, Periwinkle contains a full set of alternate swash caps as well as a few lowercase swashes and other alternate glyphs to add typographic variation. This font seems to take us back to our childhoods with its curly cues and slightly modulated baseline. Perfect for any project that needs fun, laughter and liveliness! Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

A clean sans serif, originally constructed as a proprietary font for a German IT-company. From the beginning it was designed to work both in print and on screen and experience shows that it performs well in both environments. First released as a commercial typeface with GarageFonts in 2002 and later with the Fountain Type Foundry (2004). During 2007-08 the family was expanded and upgraded into a full OpenType Pro package. The company Jura have since long used Stalemate as part of thier corporate identity. They have also licensed special versions with full support for Greek and Cyrillic languages. This will be available as a commercial option in the near future.

Amelia Stanley is a beautiful handwritten script font. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of natural-looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. Amelia Stanley is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Thank you.

Malliya Signature is a beautiful handwritten script font. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of natural-looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. Malliya Signature is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Thank you.

Kamerik 105 Text is the text specific variation of stablemate, Kamerik 105. With a shallower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kamerik 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It is closely related to Kamerik 205 Text, which offers variations in some characters, most notably a two-storey lower case a and g.

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky and released by ParaType in 2006. The type family contains 9 styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Giant ink traps (or something like that) produce an original image of the family. Five condensed styles were added in 2007 by the same designer. Mellnik Text in 12 styles (added in 2008) has more narrow proportions and it is rather appropriate for text setting.

Apollo is oddly one of the lesser known typefaces of Frutiger, perhaps due to the extreme fame of some of his other works, like the typefaces Frutiger® and Univers®. Stylistically, the very legible and harmonic Apollo is an old face. Frutiger designed it especially for the photosetting used at the time. The Apollo typeface family consists of the weights roman and semibold and their respective italics as well as expert sets. Frutiger optimized the relation between the two weights so that the roman is robust enough to present a legible text on soft paper but light enough to contrast with the semibold. The clear, elegant Apollo is perfect for headlines as well as long texts.

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

A modern sans serif – large x-height, lively forms The Lech Sans Pro is businesslike-modern but at the same time present the effect of liveliness and movement. The shapes of the individual characters follow the "humanistic" form language of modern faces. In this way, Lech Sans Pro offers an attractive alternative to most of the sans serif fonts used today. The proportions have been selected to be very legible even as a body type for longer texts. The font is so robust in detail that a title in large capitals is very eye-catching. It can function positively as well as negatively and is also still legible from a great distance. Lech Sans Pro supports West European languages including Scandinavian, Central and Eastern European languages, also including Turkish, Vietnamese as well as Greek and Cyrillic. Along with ligatures for the letter combinations fi, ff, fl, tt and tz the font also includes stylistic alternates for N, R, f, l as well as for the German sharp s and the figure 3. Additionally, Lech Sans Pro offers several sets of figures: proportional standard figures of equal height lining figures in height of the capitals proportional medieval figures with ascenders and descenders disproportional tabular figures of equal width superior and inferior scientific figures and numerators resp. denominators for fractions circled figures

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.

Sedid, “solidity; It is an Arabic term meaning “righteousness”. In particular, the correctness and soundness of a word is indicated by this word. The fact that I gave this name to the writing family is to point out its accuracy and robustness. This typeface, which is sans serif, consists of three families: ▪ Sedid: Font family containing Latin letters ▪ Sedid Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Sedid World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Those who want to meet a new face of writing for their works and projects and make a difference in their work should meet the Sedid writing family. This typeface is as serious as it is affectionate, and solid as well as elegant. The Sedid font family can be used as a text and title font in all publishing and printing areas, magazines, newspapers, books, banner and poster designs, and websites. Sedid also has a pleasant-looking, flexible face with smooth lines and transitions. The inner and outer spaces of the font are proportioned so that the text can be read easily. Sedid font family consists of 14 fonts, seven plain and seven italic. The font family includes open type features, as well as a large number of ligatures, small caps, modifiers, and currency symbols of many countries.

Danish type designer Per Jørgensen created this serif FontFont in 2007. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing. FF Holmen provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Konga has gone through different changes, the first idea was born in 2014 with the help of Andrey Kudryavtsev, then some time passed and the Rough version was developed, and a long time passed and in 2022 the idea of redesigning was taken with Bruno Jara, in addition to making many styles such as Rough, Inline, Shadow, as well as dingbats which was based on Stefania Ahumada's graphics, which results in a family of 6 styles, with different Alternatives, perfect for informal titles.

Brayline is a monoline swashed script, a typeface inspired by old neon signs. It contains more than 400 glyphs, including alternative characters such as: titling, terminal forms, stylistic alternates, stylistic set, and swash variants. Brayline is very suitable to use on many of your design projects such as Signage, Book Covers, Invitation, Packaging, Logotype and more. To enable the opentype stylistic alternates, you need a program that supports opentype features such as adobe illustrator cs, adobe indesign & coreldraw x6-x7 and more.

Espander is a rough brush script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Espander has two Espander Regular and Espander Italic letters, complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. also provide some ligatures and extra swash. Mail Support: If you have any question, please contact : greatstudio92@gmail.com

Fonton is a contemporary and modern bigger display font, inspired on bigger ton barrel shape, designed as posters font, with very soft curves drawing each stroke, The project regards 2 weight sizes, regular & small. Is useful in poster but also in covers and headings, letterhead, magazines, POP & Graphic culture, hip-hop topics, urban representations, and big sizes prints, Volumetric 3D shapes, etc. Now decorative ligatures, alternates and figures as the same graphic style as Fonton all powered by OTF technology.

One Day is a new modern script font with an irregular baseline. A contemporary approach to design, handmade natural, suitable for use in title design such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more. Complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. Also provide some ligatures and swash. Thanks so much for looking and please let me know if you have any questions.

Amongst some pages scanned and posted online of old wood type alphabets comes this lovely, ornamental design in a reversed style of white lettering on black rectangular boxes. This classic set of wood type is now available digitally as Wood Fancy Reverse JNL. There is a narrow blank box on the “less than” key for use as an end cap, and a wider blank box on the “greater than” key to use between words as a blank space if so desired.

ITC Bradley Hand is a calligraphy font from Richard Bradley, designed in 1995. The contours make it look as though it were written by hand with a felt tip pen on rough paper and it has all the details which give it a handwritten character. The font has a balanced, harmonious look and lends correspondence a personal touch. Bradley Hand is legible in point sizes as small as 8 and is good for headlines and short to middle length texts.

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

ITC Beesknees font is the work of David Farey. He credits a number of sources as inspirations for his work, including Pushpin Studio, Peter Max, Bob Zoell and the Marx Brothers, whose typographic titles he admired as much as their cinematic humor. He was going to name the font 'Horse Feathers' or 'Monkey Business' after Marx Brothers films, then the name got shortened to 'Business', which then got transformed to 'Beesknees'. ITC Beesknees font contains a capital and small caps alphabet.

A good sign certainly requires a good identity to be a good sign, as well as your signature. Of course, with our font named Syltica GT, you can make your signature or watermark on the work or product that you issue interesting and of course cool with the addition of swashes. Syltica GT is very suitable to be applied to media such as books, signatures, logos, logotypes, ads on digital or printed products too, or whatever it can complement your needs

Legendary Story is a fun and playful handwritten font. It’s suitable for adding a personal touch to any handmade or craft project, such as adorable stationery, posters, invitations, packaging, cards, as well as logos and branding that you want to be cute and whimsical. And best of all, it's super easy to use! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations works on PC & Mac Thank You!

Abrikos is apricot in danish. A lovely and sweet fruit, often underestimated and not very well known - but if you ask me, it is delicious! The letters were drawn using a small brush, and as you can see, I almost ran out of ink - leaving the letters somewhat rough. I made 4 different versions of each lowercase letter, and these cycle automatically as you type in order to make some randomness. I threw in an extensive set of international characters as well! Enjoy!

Cutlass was just for fun. A year ago or so [2009, maybe], someone on typophile showed a scan of the word "Ciruelo". I liked it. Those were the only letters I had and no one ever came up with the name of the original font that I saw. It doesn't matter as I went far afield as I designed, as usual. It's just a swashbuckling bit of fun. OpenType 476 Glyphs from my usual set minus the superior and inferior figures. Enjoy!

Matura font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1938 and released by the Monotype Corporation. Matura font is a bold upright script that looks as if it were written with a broad-edged pen. A set of vibrant near-flourished capitals, called scriptorial capitals, broadens the usual range of script faces. Matura's distinctive lines make it appropriate for advertising uses as well as text headings, and for informal work like cards, invitations, and announcements.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface's name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

Odenburgh is a Medieval-style calligraphy typeface. Hand-drawn by Måns Grebäck during 2018-2020, this high-quality lettering is inspired by historical Gaelic, British and Irish handwriting. It comes as a regular, clean style as well as the additional Odenburgh Deco style. The typeface is perfect for calligraphic headlines, products and logotypes in Middle Ages projects. The font supports all European, Latin-based languages. In addition to that, it contains numbers and all punctuation and symbols you'll ever need.

ZAMOKA font is a display font of 2 weights Regular and Rounded, ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. ............................................................................ ZAMOKA font provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Tulda is a very lively lettering font originally drawn for a German calendar. The optional symbols feature over 72 festive renderings for just about any occasion. This font is also available as an OpenType font with over 500 characters. For the OpenType version: standard Opentype features such as ligatures & oldstyle figures are available through the features menu in programs such as InDesign or other applications that support OpenType. Additional ornaments and alternate characters can be inserted through the glyph pallet.

This font was created to look as close to a natural handwritten script, as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Cavéllo is a bold and clean slab serif font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery. Cavéllo the font family contains 3 basic forms: italics, obliques and uprights, Each of which has 4 different weights: light, regular, semi-bold and bold. Cavéllo slab serif font family ideal for the logos as well, t-shirts, the web as well as for print, for motion graphics, It is also great for headings,

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Poarch is a clean and modern condensed font, the font well designed as a sans serif font with all caps. It has round tip angle and different style as a sans font in common. The font is perfect for any project such as Brochure/Magazine Header, Logo Tagline, Flyer Titles and it also can be a paragraph text font. Features: Uppercase and Lowercase Regular, Light and Italic Version Numeral and Punctuation Ligatures Multilingual Support Modern Look Thankyou for Choosing This font Regards, Grontype

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

The Yenisei Inscriptions consist of a total of 158 Turkish inscriptions, kurgans (graves) and rock stones that have been found along the Yenisei River, which passes through the Khakasya, Tuva and Altai Autonomous Republics in Russia. The inscriptions were written with Turkish Stamps, which we know as the Orkhon Alphabet. In addition, there are dozens of versions of the Turkish Runic script, apart from the Yenisei inscriptions and the Orkhon inscriptions. I will present the other versions here as soon as possible.