Paint Store JNL is the third in Jeff Levine's series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). Duro Decals were sold in paint, hardware, variety and art supply stores, and even [in some cases] print shops.

Naroline is a typefaces with a strong characteristic. The ideas are from Art Nouveau era, explore some of other art era and combining them into strong characteristic Naroline. The final fonts are looks Classic yet Modern, like what we do on the preview above, how the fonts can "stands" within your design.

I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for such sketches, but I must say that they were kind of rough and clumsy; it was an experimental and limited-use typeface. It took a long time, but thanks to my learning about type design gained over the years, I have finally been able to complete my project. I have made sure to preserve the Latin American spirit of my original designs in order to give my final typeface an expressively handmade, highly humanist look. Brocha is a display sans with friendly design ideal for high-impact headlines, logotypes or use on cookies packaging designs. Brocha consists of 2 subfamilies: one basic and one alternative. Each subfamily comes in 8 weights plus italics. The Alt version is highly recommended for those art directors who look for more varied fonts when designing.

Rainsong is a display font inspired by the art and symbols of the Native Americans.

Stone Age Cave Art primeval prehistoric Neolithic primitive cavish petroglyphic genuine rough original early font.

Maplehurst JNL is an original design by Jeff Levine with a strong Art Deco influence.

The beautiful and elegant typeface, excellent use in wedding invitations, arts, posters, and small texts.

FS Renaissance is a display stencil typeface by the Monotype Studio. A collaboration between lettering artist and designer Craig Back and Creative Type Director Pedro Arilla, the single style font explores the intersection between art and design. With artist and designer working hand in hand, each letter was crafted as a standalone piece of art, while working harmoniously together as a functioning typeface. The typeface is inspired by the Renaissance period symbolised by flourishing progress in the arts, sciences, learning, and philosophy. The typeface is not a traditional stencil design: the cuts are not rigid but interactions that are hand crafted between each element, emphasising the idea of a typeface as a piece of art or sculpture. Pedro Arilla’s aim was to take the core DNA of Craig's lettering and apply it to a typographic base with a solid internal consistency, balanced with an external elegance. Pedro and Craig worked closely together to make sure the original concept was not compromised and this is reflected in the finished design which strikes the perfect balance between functionality and art.

Deco Clubs is a artsy display font inspired by vintage art deco posters. You can use it for anything ranging from t-shirts, book designs, and greeting cards to stickers and posters, or anything that needs an art touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Printers Assistants JNL is a collection of vintage letterpress stock cuts and embellishments features monthly title blocks (for newsletters or calendars of events) in an Art Deco style, a cartoon character counting [with fingers] one through five to emphasize selling points and assorted cartoons and decorations sure to please any lover of nostalgic art.

Another example of 1930s French Art Deco lettering from the 1934 publication L'Art du Tracé Rationnel de la Lettre (which roughly translates to “The Rational Path Art of the Letter”) resulted in the digital typeface French Slab Serif JNL. This bold and slightly eccentric slab serif design is available in both regular and oblique versions.

Balburdia is a font based in the street art letters of Brazil. Inspired by "pixação" from the brazilian cities of Rio de Janeiro and São Paulo, Balburdia can translate the street culture and add a little extra to your designs. Balburdia can be used for art, branding or fashion itens that contain this theme.

Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.

A 1914 piece of sheet music for a song entitled "The Gypsies Are Coming" provided the design inspiration for Mulholland JNL. The title is hand lettered in a style which [while still in the Art Nouveau period] reflects the Art Deco era, despite the fact the "Streamline Movement" was still over a decade away.

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

Here comes our new font Nutty Noisess Inspired from old skool graffiti tagging, street art, we created this Typeface, drawn in Procreate app, then vectorized and crafted carefully. Nutty Noisess Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and many more projects. These include all caps, punctuation, and numerals.

Chandello is a handwritten signature script with a natural & stylish flow, perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. A handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Chandello is a must-have signature script that has a diverse set of alternates that will surely be used many times over in various projects in the future. This collection fills a void and separates itself from other scripts available.

Remember those 1970s science fiction dramas which had such charming futuristic sets and backdrops? Remember the intriguing future lettering and signage the set designers would devise-often coupled with interesting futuristic spellings? Movella is a family of three typefaces inspired by that design ethos. The three faces- regular, italic and the 3D solid form are all capitals faces which combine a feeling of retro-futuristic design with easy legibility. Take your next project into the age of the Apollo Launches, sci-fi action drama and fun!

Introducing, Shinemoon, a futuristic font by Scratch Design Shinemoon is a sans-based font with futuristic hi-tech lowercase & uppercase that will make your design look futuristic and modern. This font will be suitable for science-fiction movie posters, advertising, or projects that match with hi-tech, robots, space, future, planet or race. You can mix and match the uppercase and lowercase to make your design more stunning and stand out. This font is also included with ligatures, alternates and multi-language. Enjoy this futuristic font!

New month means new font. Let us introduce our latest (another) sans serif; Tawakkal Sans. This font is a mix of modern and classic style, its cleanliness and irregular shapes represent the future, while its elegant curve mimicking old style typography. Tawakkal Sans is highly versatile, you can use it on many designing fields, ex: headline, editorial, quote-writing, tees/poster design, logo, etc. Packed with lots of glyphs (including OpenType chars), this font is a must have weapon on your designing arsenal. Enjoy!

Introducing Automata, the typeface that combines futuristic appearance and easy readability. Great for titles but also for logos and text at medium/small sizes, making Automata suitable for a wide range of applications. In addition to its smooth, clean lines and geometric aesthetic, Automata offers a variety of customizable options such as stylistic alternates, logo discretionary ligatures and multiple weights including extra-light and black. The support for many languages makes Automata a global typeface. Add a touch of the future to your design work.

Ames’ Roman is a stylish ‘New-Style’ Didone Roman family offered in divers weights and widths. It is designed to embody clarity combined with dramatic contrast between horizontal and vertical strokes. All typefaces include small capital forms, new and old style numerals (and indeed ‘small capital’ numerals for consistency). Ames’ is a Roman with the charm of the past and the spirit of the future! It’s ideal for headings and titles and anywhere else you need text of distinction. Watch out for the forthcoming Ames’ Text…

Primus has been designed to express the feelings of future, science and innovativeness while being simple and clean. It’s a geometric typeface with rounded edges, carefully designed and kerned to achieve a high visual quality that would make it a perfect typeface for any kind of use. While providing a clean and enjoyable reading when it’s used for text purposes, Primus is primarily effective as a display typeface that can be used for logotypes, brand identities, advertisements and so on, to fully reflect our era and beyond.

SGT PEPPERS LONELY HEARTS CLUB is a typeface inspired by the capital letters on the bass drum in the Beatles' Sgt Pepper album cover. The original lettering was hand painted by fairground artist Joe Ephgrave during March 1967 in an art deco style he called 'futuristic'. The font completes the uppercase, adds a lowercase, and includes a full complement of over 400 characters. SGT PEPPERS OUTLINE and SGT PEPPERS OUTLINE FILL are two fonts with matching spacing and kerning that can be overlapped for creating bicolor/multicolor effects and faux drums. The Outline and Outline Fill fonts do not contain lowercase characters, instead they comprise two weights of outline capitals as painted on the Sgt Pepper drum. The uppercase letters are in the wider style from around the outer edge of the drum, and the lowercase keys deliver the more condensed 'Lonely Hearts' inline style from the middle of the drum. The uppercase Y has been flipped to produce a more conventionally acceptable character with the thicker diagonal arm on the left. However, Joe Ephgrave's reverse Y (with inline) is included in the Outline fonts at the Section keystroke § (Alt-0167 on Windows). A simplified vector image (mono) of the bass drum without lettering is also included within the Outline fonts at the PlusMinus keystroke ± (Alt-0177 on Windows).

Graphic designers of any nationality and background know very well that the art of composing titles correctly is not easy, Especially when it comes to periodical publications where there is need for both flexibility and graphic coherence. Tablet Gothic was originally engineered as a titling type family, meant to help designers working on publications that require output as hard copies and a variety of digital platforms at the same time. As such, it is a grotesque sans serif that looks to the future of publishing with a clear understanding of its history, and reminiscences that go back to nineteenth century Britain and Germany. Tablet Gothic delivers the sturdy, straightforward and clean appearance expected from a grotesque, but it allows itself a good measure of personality to make it stand out on the page. Its 84 styles –six series of condensation and seven weights in each series plus obliques– guarantee that, whatever the publication format is, there's a Tablet Gothic font that will do the job and perform well both technically and aesthetically. Furthermore, the rounder styles, Tablet Gothic Wide, Normal and Narrow achieved amazing results at very small sizes, producing  a beautiful texture and highly readable text blocks. Tablet Gothic fonts can be purchased individually, by series or as a complete bundle (best value!)

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

DoodleBat Vintage Halloween is a classic collection of Halloween clip art and words. Check it out!

This is another of those early 20th century, post art nouveau types from Europe. Probably German.

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

Boulette is a gorgeous pop art-style display font for kids, cartoons, comics and much more.

Gidley JNL is an original design from Jeff Levine that strongly shows an Art Deco influence.

Double Feature JNL reworks the classic Huxley Vertical into an elegant trilinear Art Deco display face.

Southbeach is a 21 century art déco font. The bigger it gets, the better it looks.

Geometa is based on Paul Renners Futura Classic, the one that he designed before he had to soften it to make it more appealing to the broad public. I thought the normal rounded fonts needed a decorative sister. Here they are! Your type-designer for decorative solutions, Gert Wiescher

Odessa was designed by Peter O'Donnell, an impressive, refined sans serif typeface based on the compass and ruler design of Futura. It is best set with wide letter spacing and is particularly good for an upscale, fashionable look. The fine-line casing of Odessa emphasizes its clean, proportioned features.

This typeface is Mergenthaler Linotype’s unlicensed version of Futura, copied weight by weight from Bauer. It was produced in 1939 when Metro failed to gain a significant share of the market, and was later adopted by ATF. The small sizes of Book and Heavy cut for classified are original.

Bondoluo is a geometric font family developed by Álvaro Thomáz in 2012, The creation process was inspired by 3 geometric forms - triangle, circles and squares - and 2 amazing fonts - Futura® and URW Gothic. The Bondoluo Display font was inspired by Diamonds by HVD. Be fashionable with Bondoluo fonts!

Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition of seriously-planned American film faces back then, CHI released a full complement of swashes and alternates to the curly art nouveau letters. Fantan didn't fare much among the type scene's big players back then, but it did spread like electricity among the smaller ones, the mom-and-pop type shops. But by the late 1980s, when film type was giving up the ghost, most smaller players in the industry were gone, in some cases along with little original libraries that existed nowhere else and became instant rarities on their way to be forgotten and almost impossible to resurrect for future technologies. Fantini is the fun and curly art nouveau font bridging the softness and psychedelia of the 1960s with the flirtatious flare of the 1970s like no other face does. Elements of psychedelia and funk flare out and intermix crazily to create cool, swirly letters packed with a lot of joy and energy. This is the kind of American art nouveau font that made its comeback in the late 20th century and is now a standard visual in the branding drive of almost every consumer product, from coffee labels to book and music covers to your favorite sugar or thirst-crunching fix. Alongside Fantini's enormous main font come small caps and three extra fonts loaded with swashy alternates and variations on plenty of letters. All available in all popular font formats. Fantini Pro, the OpenType version, packs the whole she-bang in a single font of high versatility for those who have applications that support advanced type technologies. In order to make Fantini a reality, Canada Type received original 2" film specimen from Robert Donona, a Clevelander whose enthusiasm about American film type has never faltered, even decades after the technology itself became obsolete. Keep an eye out for that name. Robert, who was computer-reluctant for the longest time, has now come a long way toward mastering digital type design.

TipTop Pro’s origin goes back to around 1900 when the font was released by the German foundry Julius Klinkhardt in Leipzig. Ralph M. Unger redesigned this beautiful art nouveau typeface, extended its character set and digitally remastered it. TipTop Pro fits perfectly into the series of recently released URW++ art nouveau designs (Edda, Gradl, Impression, Joga, Ornella).