Elevate your design projects with the distinctive and captivating Lavire. Lavire is an uppercase display serif font that is effortlessly made in a truly unique typographic masterpiece. Each uppercase letter in Lavire is a work of art in itself. The serifs, which are typically known for their traditional elegance, take on a modern and imaginative twist with Lavire's addition of artistic lines and flairs. The artistic lines and flairs in this font are carefully crafted to enhance the overall composition of each letter. They bring a sense of motion and dynamism to the font, making it particularly well-suited for projects that seek to convey a sense of movement or elegance. Lavire fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

It’s the ultimate way to be you. Galore Snack-with the combination between script and display font styles you can mix, match, and call your own. The script style generates modern and elegant vibes with its curvy strokes. Through the display font, it creates simple, clean yet versatile looks. This harmonious font duo supporting and advocating each other to make awesome result in your design. You also get 15 illustrations as special extra that you can use as you wish. Features: Stylistic Sets Swashes Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Quadrim - Serif Font Family - Multilingual -12 Style (2020) On the basis of Quadrim, it is a mix of the old-fashioned Roman serif family. The old style serif combination combines, modern aesthetics with fantasy and Art Nouveau serif fonts, making Quadrim a versatile family that can be used in many different design projects. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, from classic styles to modern and bold styles. It is very suitable for book and magazines, magazine covers, editorial, titles, websites, logos, invitations, branding, advertising and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Introducing Breeder Font Duo it's a handwritten script. Enjoy this playful font in your designs with Breeder Script & Breeder Small Caps! This playful font consists of a natural handwritten and signature style, so this font is perfect for logos, menu design, social media posts, packaging, poster, name card, birthday card, etc. Breeder Script has a natural flow handwritten signature containing upper & lowercase characters, numerals, and punctuation. This font also has a ligature, stylistic alternate, swashes, multi-languages support, and doodles art for the bonus of this font. Breeder Small Caps comes with a natural & simple handwritten all-caps font. Complete with a-z letters, very charming handwritten font, and perfect for combining with Breeder Script. This font also includes multi-language support. Thank you for checking and visiting our store, and feel free to drop me a message if you had any questions! Visit our Instagram :) www.instagram.com/scratchdesignbali

Superb is a new typeface based on real brush pen script and also influenced by lettering shapes from the sixties and seventies. The font includes various swashes with volume and curls.. Superb’s letters got high contrast and some psychedelic curves. This font includes negative figures and a full alphabet set with cut out shapes. Take a look at the Superb Video https://vimeo.com/94062611 It’s designed with high contrast and enhanced legibility regardless its artistic look. Superb’s original letterforms are a beautiful piece of art and elegance no matter you observe them as separate symbols or as words, text paragraphs etc. Their appropriate use could be found therefore in many different aspects – from decorative greeting card, fresh packaging or expressive headline, to artistic t-shirt design, poster or distinguished brand name. Superb has a lot more to show when you access its OpenType features.

Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art. Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions. The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic to play with these. Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!

Eckhardt Poster Text JNL continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). Sign painters are the true heroes of lettering, for they make the alphabet and style fit the job. Printers and layout artists were constricted by metal and wood type; that is until photo lettering, then digital type opened up unexplored territories in design possibilities. There is a unique charm (and nowadays pretty much a lost art) to hand-lettering word copy in a way that draws the eye like an arrow to a target. Even a simple sanserif such as Eckhardt Poster Text JNL can have the effect of that hand lettering when applied to posters and pages with plenty of white space and matching type designs of the period.

*Paporigam Font** This pair was inspired by origami design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Paporigam font has 171 character set included Paporigam Font is very good looking in origami design, origami art, logo, labels, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Fondue: an eclectic-flavoured contemporary typeface. Designed by Jorge Alberto Martínez and Latinotype Team. Fondue is a type family of eclectic shapes, inspired by Art Deco designs, in particular, the lettering used by the Mexican cartoonist Ernesto “El Chango” Cabral on almost the entire publication Revista de Revistas ("Magazine of Magazines"). Far from being a copy, Fondue expects to be an adaptation of the thinking of that time to be used in contemporary context. Fondue has a cursive ductus, wide horizontal proportion and large x-height. Its friendly consistent rhythm makes it ideal for medium-sized text, headlines, branding, and so on. The family comes in 6 weights, from Thin, which reminds of the cartoonist’s loose strokes, to Ultra Bold, the version with powerful and unique voice. Fondue has a set of 496 characters that support 207 different languages.. OpenType features include standard and discretionary ligatures as well as stylistic alternates.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Albers draws on early grid-based attempts by Josef Albers, in 1926, to design an alphabet by reducing the forms to purely geometric elements – the square, triangle and parts of a circle – and in the process creating an unusual stencil effect typeface.

Caffe was originally designed for the Artz Gallery Cafe in Budapest Hungary. The design is a contemporary handwriting style adapted from examples in lettering exercise books. It has been redrawn and expanded into six styles. The four weights were created by drawing the style using different mediums: Cappuccino in pen, Pastry in felt-tip, Lemonade in brush, and Tobacco—the original—in pencil. Poster and Poster Inline round out the family and are well suited for display purposes. This font family is perfect for bistro menus or other European-flavored poster and print design.

Linotype Lichtwerk, from German designer Bernd Pfannkuchen, is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the Take Type 3 CD. This display font contains very narrow forms with a high x-height. It is reminiscent of the constructivism of the 1920s and was designed with a small number of basic forms. The high, thin letters form words and an overall picture which almost flickers on the page. Linotype Lichtwerk with its technical look is suited exclusively for headlines.

Catchwords have always been offered alongside standard alphabets in wood type catalogs and so often appear on posters as a decorative punch that they have become part of the wood type vernacular. Words like 'The', 'And', 'To', 'For', and less common abbreviations could be inserted into a design along with decorative ornaments or stars when space was tight or to add variety in the design. HWT Catchwords features over 80 words based directly on designs offered by Hamilton and other wood type manufacturers of the 19th and early 20th Century.

36Dope is a display typeface with an experimental serif design. It draws from the event ’36DaysOfType’ held in 2023. Created as part of the ’36DaysOfPower’ theme, this font showcases unique and unconventional serifs, reflecting the creative and powerful spirit of the event. With its bold and experimental look, 36dope is well-suited for attention-grabbing headlines, titles, or graphic design projects that aim to convey a sense of strength and artistic innovation. This font is intended for eye-catching headlines, titles, or other graphic design projects that require a bold and experimental look.

The great value of something crafted thoroughly by hand has been observed for years by Guille Vizzari throughout a wide spectrum of clients and projects developed at «Yani & Guille» —the studio he runs cheek by jowl with Yani Arabena—, and they both noticed that recently it has been taking on a new meaning. From barbers at their shops, to a barista that passionately prepares coffee every morning, or a bartender that deeply enjoys diving towards unknown ingredients, and even Guille’s admiration for sign painters worldwide that keep spreading their passion for the perfectly constructed letter. This wide trades universe, where craftsmanship represents a huge difference, is where «Proprietor» lives, and it’s the reason why it exists. «Proprietor» was born in a Moleskine notebook —just pencil, paper and ink— as a tribute to those crafts, and to regain the art behind Type Design that involves the fusion between tools, materials and the action of the hand. Fed by these principles, every single glyph within the whole «Proprietor» Family has been fully designed and illustrated by hand by its author (including all the ornaments, frames and crafts icons that can be seen along this specimen), showcasing Vizzari’s solid formation in the drawing field. Proprietor can be described as a compact type family system illustrated by hand, intended and designed to be able to create solid —but beautifully ornamented— paragraphs, and elaborate compositions. For this purpose, Proprietor Roman and Open displays a notorious x-height which goes perfectly with plenty of ornaments that unfold along the ascenders and descenders, but always containing its swashes inside the text line. The icing on the cake, Proprietor Script, a copperplate-based font unbelievably flooded with ornamented capitals, flourishes and endings to break through the coarse feeling of the Proprietor non-script sets, with a huge load of delicate and warm letterforms. Proprietor Wide and Wide Open hand a complete font set to complement the family for composing extended words in uppercase, matching in style and adding a striking personality. And as being part of Sudtipos’ catalogue «Proprietor» comes packed with full Open Type support —thanks to Ale Paul, fearless to tame this hand–drawn beast, supported by his vast knowledge in programming and optimization—. 7 imperfectly elegant and completely handmade fonts join the «Proprietor» system, bringing life to designs that are meant to represent the spirit of the genuine and skilled craftsmen, showing respect for their trade, and at the same time being part of it.

Grafn is a preeminent noetic linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.

Rzewab is a mirthful prevenient handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Boktto is a preeminent noetic tech display apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.

Rexma is protean convivial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Zagke is a natty effervescent handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Arcs for framing curved lines of text, in a style common on Victorian posters and almanac covers, and still seen on modern food packaging.

Sworze is a benevolent luscious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ornubs is facultative aspirant mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Sortasnaky is a gleeful axiological handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Vakgok is a plenteous leonine unicase typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Bacboc is an overflowing coequal handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Geopa is a fractional conversant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions.

Freggo is a beauteous kooky handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Maesgo is a bodacious joculatory linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Signage mandated by the Americans with Disabilities Act of 1990, plus additional accessibility signs, in both font and EPS format in the same package.

Weggio is a brimming mucho handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Gosbry is a serene gregarious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Jumpy is dinkum heuristic mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ingleby II is a typeface with firm roots in the classic stroke of the pen. The digital design of Ingleby II is legible and distinct in small sizes as well as expressive when used for larger display design. It contains small caps, an innovative range of subtle ligatures, dingbats and adjusted variations of numerals. The glyphs have many detailed designs for better legibility and precise kerning. Also, the italic glyphs are designed with optical accuracy in relation to the skewing of stem width and height. I hope you will welcome the Ingleby II family as a part of your personal font toolbox.

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

Low Def, short for Low Definition, is inspired by fonts displayed on old CRT televisions / monitors, sometimes with quirky characteristics. From video game consoles, home computers to the dim noisy arcades. With it's lower resolution analogue signal shown through scanlines, it created a smoothened look that blended together the pixels on CRT displays. The family consist of 5 different widths, from Extra Narrow to Extra Wide. Roman, Cyrillic, Katakana & Hiragana are supported.