The typeface EURO Icon Kit is designed at 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font is inspired by the here and now. 763 glyphs incl. icons, dingbats & symbols. Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (20 stylistic sets) + sign of the zodiac. Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!

Orgon, a new linear typeface family, fresh and easy but with a warm touch. It appears uncomplicated, unpretentious, but still distinctive. Its quiet text flow allows smooth reading even for longer texts. The Orgon family comprises 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Paul Grotesk Stencil is a new Version of the modern, clean, minimalist grotesque typeface Paul Grotesk, with delicious detail. Created and published in collaboration by Fargus Meiser and Lukas Bischoff. It comes in 8 stylish weights and 3 are free to try. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, arrows, special numbers and more. It fits perfect for graphic design, editorial, corporate and any display use. Also check the webfont to create a nice responsive interface design!

Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with variations of every letter by using different styles. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.

TabloidDot M is a simple monospace font created for a small project. It had one task, to imitate the inscriptions on the electronic scoreboard in the form of dots arranged on a grid. As time went on I decided to make an extended version of the font with alternate letters and more styles, plus a variable font to control the size of the dots. The font has 6 stylistic sets, Proportional and Old-style figures, Ornaments, a set of Arrows, Currency Symbols, and supports Extended Cyrillic.

Campan, is a new semi-linear face which unites mono-line and classic elements. It is very strong in headlines and its tall x-height lends itself to comfortable reading in text applications. The Campan family comprises 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Framework Mono is a modern monospaced typeface. A close relative of the original Mittelhorn font family, with whom it shares some letter and number design features, the two fonts are ideal companions. It comes in 3 weights, 3 uprights and matching italics. Designed with opentype features, each weight includes extended language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and for any display use. It could nicely work with code editors, web, editorial design, as well as corporate tabular data sheets and more. Enjoy!

Aktifo is designed with two Flavour which carries a modern and contemporary style, based on elementary geometric shapes and constructed of monolinear lines, it was invented to be functional, leaving behind anything that can be regarded as superfluous. Aktifo comes in 28 styles: there are two types of families Actifo A and Aktifo B from Light to Black, which both have differences in characters and spaces. Developed with powerful opentype features, equipped with extended language support: Cyrillic, Greek (BETA) and fractions, tabular figures, arrows, ligatures and more.

Lumios Brush is a new addition to the Lumios Extended Font Family. It was written with Pilot Brush Pen on a glossy paper (which allows a really smooth brush movements) and then carefully digitized. Just like Lumios Marker, its Brush sibling has multilingual (including basic cyrillic) support. The font also benefits from 2- and 3-letter ligatures (again, multilingual), stylistic alternates and swashes, underlines, arrows and a few symbols. If you already own Lumios Design Elements, you can used them with the Lumuis Brush font.

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

According to Hellmut G. Bomm "Nautilus was based on a handwritten type used for the text Li. Das Helle, Klare from the I Ging. "The intention was to create a clear, highly legible typeface. While the even strokes of sans serif types eventually tire the eyes in long texts, the marked stroke contrast of Nautilus lends the type its legibility. The characters were drawn with a broad tipped pen, and like an antiqua type, the forms of Nautilus display a variety of elements. The narrow figures with relatively large spaces between them create an overall open appearance and allow a large quantity of text to fit into a small space. "The headstrong forms of Nautilus make this an excellent display type. The italic weights are independent typefaces with hints of a handwritten character."

Romanovsky is the font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman’s samples but a newly drawn typeface that differs from the original in many details. Romanovsky is a sans serif typeface with narrow proportions and noticeable contrast. It will be good for headings and display matters. Character set covers languages of Western and Central Europe and Cyrillic-based languages. It also contains around 20 ligatures of uppercase letters for the most frequent combinations. Designed by Vasily Biryukov. The bold weight was developed together with Olexa Volochay. Released by ParaType in 2013.

The contemporary feel of the Sancoale superfamily takes a bolder turn with this futuristic slab. Built from Sancoale's successfully simple geometry, Slab's serif elements and tall x-height give the face an energetic, yet clean figure that easily complements its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Narrow; and, of course, the original Sancoale itself. The weights of each member have been balanced carefully to ensure compatibility with the others, and when used together, the combination creates a powerful design that is easy to identify. With weights ranging from the classier Thin to the authoritative Black, Slab opens the door to a range of applications. Used in different text sizes, its tech image is legible and neutral enough for longer bodies of copy--both in print and on the web. Have a more prominent need? The web font also stands out well in a headline or even as a display face. Slabís great personality puts a strong foot forward without giving its reader a kick in the teeth. Whatever the task, this font's one to capture the Zeitgeist into your work. All Insigne fonts are fully loaded with OpenType features. Sancoale Slab is also equipped for complex professional typography, including alternates with stems, small caps and plenty of alts, including "normalized" capitals and lowercase letters. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Included are small caps, fractions, old-style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. The Sancoale family also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Sancoale Slab supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging.

Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary. The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide. The bundle is an elegant combination of styles perfect for titling and display design. The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures. As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets. Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide). Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually. Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters. Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs. The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes. *Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.

Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The range of interpolated widths is useful for designing a provoking poster, magazine, music or book cover.

Noka is a powerful display geometric sanserif with a lot of personality. Its clean structure refers to a more digital and technological atmosphere. Letters P F T L are narrower than usual to create a distinct feeling. Diagonal strokes of letters V v W w A are parallel.

Originally designed by calligrapher Arthur Baker, Marigold font was released by Agfa Compugraphic in 1989. Marigold font is narrow in width like the chancery hand, and its shapes are true to the prescribed Renaissance proportions. The authentic handwritten look makes it versatile for a large variety of informal uses.

The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why not? Belgium is one of the few places where you may still hear Flemish spoken.

Lampions are paper lanterns. They are very popular in Asian countries, where they are used at festivals. Lampions are mostly made from rice paper cuttings which are glued to a bamboo frame. Lampion font is a tall, narrow and very legible typeface, which comes with extensive language support.

Tall and narrow in stature, elegant by design and Art Deco in style, Deco Elongated JNL is a wonderful type design for setting long lines of copy in less space. The retro elements of this font conjure up images of fine fashions, fancy nightclubs and big band music…

Harpo is a naturally condensed font, better at large sizes. Harpo Wide is a more versatile version of the same font. Part of The Algonquin Collection, Harpo was named for occasional Round Table member, Harpo Marx. Light, narrow and discreet this font brought to mind the silent Marx brother.

Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with the angular diamond and hexagonal shapes of Gothic.

Welcome to the world of Tandelle—a sans-serif typeface with a unique flavor that will make your designs stand out. Tandelle was designed with a specific purpose in mind: to operate efficiently when there is a limited amount of horizontal space available. Its narrow letterforms are perfect for headlines, captions, and other types of text where space is at a premium. What sets Tandelle apart from other sans-serif typefaces is its flat points on verticals such as “A” and sharp points on horizontals such as “Z”. These distinctive features add a touch of sophistication and elegance to your designs, making them visually appealing and easy to read. Tandelle’s spacious shapes and minimal detail make it simple to read despite its narrowness. The typeface’s clean lines and modern design lend themselves to a wide range of applications, from branding and advertising to packaging and web design. Tandelle comes in four styles: Regular, Italic, Bold, and Bold-Italic. Whether you’re looking for a subtle accent or a bold statement, Tandelle has you covered. With its narrow letterforms and unique flavor, Tandelle is the perfect choice for any project that requires a touch of sophistication and style. So why settle for ordinary when you can have extraordinary? Try Tandelle today and see the difference for yourself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Engria is a type family of four weights with corresponding italics that treads the fine line between sans and serif. There are serifs, of a sort, inspired by the brush. Not the marks made by a brush, but the actual splayed shape the bristles make when clamped together. Wedge-like chunks that resemble engraved forms, as the name Engria hints at. But it also has the appearance of a stressed, flared sans. This mixed approach lends a unique voice. Highly legible at text sizes, as indeed it is optimized for, Engria does however shine at display sizes thanks to its characteristic details – flared stems, angular counterforms, rugged ink traps and fluid curves. (I would recommend tracking it a little tighter at larger sizes.) Engria started life way back in 2014, and has been worked and reworked tirelessly to get to this finished product. My intent was to really push the idea of the white shapes being as important, if not more so, than the black. Engria is equipped for typographically demanding applications, boasting as it does an array of OpenType features, including small caps, automatic fractions, stylistic sets, various figure styles, arrows, case sensitive forms and more. It will make a very useful addition to your typographic arsenal, with a flare (ahem) for editorial work, but the individuality for packaging, branding, and logo work.

Cassandra Plus is my revised version of Cassandra, it can now be used all over Europe except Greece and Russia. I changed the weights a bit to make them more distinct. The Font has two widths of letters, wide Capitals on the (shift) uppercase-keys and narrow ones on the (no shift) lowercase-keys. You can match them as you like, but you should avoid having the same letter in one word in two different widths. But if yoyu are really daring you can use one narrow S and a wide one, it might still look good. It will almost always look good! Cassandra is my “bow” to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you again Gert Wiescher

Introducing VSOP - Elegant typeface. 70 font styles included VSOP is elegant and timeless typeface loaded with 70 font styles (narrowest, narrower, narrow, regular, wide) 87 languages support, alternate and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternates Narrowest - regular, italic with 7 weights Narrower - regular, italic with 7 weights Narrow - regular, italic with 7 weights Regular - regular, italic with 7 weights Wide - regular, italic and styled with 7 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.

Vocal is a sans serif type family designed by Ani Dimitrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps. In addition, you get a nice alternate version of the Heavy weight with extra thin accents. Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The stems are a little tapered to the middle and the corners are cutted, which makes them a little rounded in small sizes. That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. Vocal suits also ideal for book and editorial design.

Mestre is a German & Dutch inspired geometric sans-serif designed. Its solid and formal shapes are embedded with a discreet humanist flair resulting in a very versatile contemporary hybrid and a highly functional and flexible font for many of today’s branding & UX requirements. With its rational forms and its large x-height, Mestre is perfect for long texts in small sizes allowing a comfortable reading. Its open forms, moderate & balanced proportions, neutral appearance and solid structure grant a high legibility on paper and on screens. With its extensive 8 weights and corresponding true italics, more than 900 glyphs per font, extended character set to support Central and Eastern European as well as Western European languages and a wide OpenType features set (small caps, case-sensitive forms, lining, tabular & old-style figures, scientific superior/inferior figures, fractions, a set of arrows, etcetera) it is meant to build visual hierarchies of any detail and complexity in editorial design or deliver the best performance for branding purposes. Mestre is a great choice for modern, contemporary and professional typography.

The first version was created in 2022, Avita was again revised and improved in V.2.0 in 2024, reborn with sharper sharpness and a cosmic gaze. This geometric sans serif is not just a font; he is more than that, weaving clean forms into a dance of precision and imagination. The tall x-height and playful ascender ensure it fits perfectly into any design in its 54 styles, whispering a subtle secret or a bold statement as your design demands. Don't be limited by the ordinary. Avita embraces the future, whether it's sleek sci-fi, minimalist style, or the unexpected charm of a skincare brand. Let Avita speak to the world in 103 languages, including Cyrillic and Greek, or reach for the stars with special astrological and astronomical glyphs. Unleash your typographic art with an arsenal of OpenType alternatives, ligatures, fractions, arrows, and more. It's not just a font; this is the sculpting tool for your wildest design dreams. Avita's clean lines and limitless versatility are an invitation to push boundaries, elevate your vision, and let your creativity soar.

Magnum Sans Pro is a strong neutral sans serif consisting of eleven weights with true Italic, Oblique and an alt upright set called Alfa. The definition of Magnum is a large wine bottle that's twice the capacity of one 750ml bottle, today the name is used in any product offering double the capacity, Magnum Sans achieves this by offering two slanted and two upright versions plus a standard and pro set. Designed to be highly readable, Magnum Sans Pro is ideal for text, signage, headlines and media broadcasting or anywhere else quick readable lettering is needed. With the stylistic alternates and swash caps you can expand your creativity in logo designing. Sprinkle in an alternate letter or two makes for a dynamic appeal that's sure to get attention in advertising. This Pro set includes additional language support for Vietnamese, Pin Yin and Greek. Opentype features in the Pro set include, Alternate Fractions, Case Sensitive Forms, Denominators, Numerators, Discretionary Ligatures, Standard Ligatures, Old-style Figures, Tabular Figures, Proportional Figures, Ordinals, Scientific Inferiors, Superscript, Subscript, Stylistic Alternates, Swash Caps, Arrows and Enclosed Alphanumerics.

Shiva font family is a very narrow family for text and titling. Even though shiva has very thin strokes, the letterforms give a strong, impactful and dignified image. a, e, f, g & y in Roman and g & y Italic have their alternate glyphs that can be used with OpenType salt feature.

Signalist is a dynamic and energetic brush script. Tight spacing, narrow letters and sharp edges gives Signalist it distinctive looks and character. It is suitable for designs that needs a script with a contemporary feel. You can use it on logos, t-shirts, packages, as a title font... you name it!

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

Naroid Initials JNL is one of the most ultra-compressed sets of initials available in digital type. These twenty-six initials are so narrow that a test print with all of the letters at 2-1/2 inches in height took up no more than about 5 inches in width!

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

It is the most common font and is used in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is suitable for titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

University Roman font is based on Speedball hand-lettering. Designed at the Letraset Type Studio in 1983. University Roman is notable for its narrow capitals with crossbars that sit well above the median line. This unique roman design evokes a romantic air in display work such as packaging and advertising.

Yoda is a super-compressed font family with some suitable special characters. Perfect for posters, display copies, headlines, magazine header copies. It comes in 10 weights ranging from extra light to black so it is versatile. The extra lightness can give you great height because of how narrow it is.

Label Machine JNL is Jeff Levine's take on the embossed labels popularly used for years as a marking and identifying method. This font has a limited character set. On the left bracket is a wide blank for label ends, and the right bracket has a narrower space for use between words.