Pen Nouveau JNL is a perfect example of the fluid, free-form pen lettering popularized during the Art Nouveau era of the early 1900s. The type face was modeled from the lettering on the cover of a piece of sheet music from 1911 entitled "If You Talk in Your Sleep, Don't Mention My Name".

Super car is a modern display font that grabs a lot of attention in a crowd. This font comes with various futuristic styles and alternative characters that you can use for your various display needs. Super Car is perfect for display needs such as Logos, Labels, Posters, Covers, Advertising and various needs with futuristic themes.

Ross F. George, master of the Speedball pen, called this rather rugged typeface "Personality Script", which might be a suitable name if you had the personality of a porcupine. It does grab your attention, though! Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Alambart is one of a new series of ‘wood type’ inspired fonts. Alambart is a hand-cut oblique Roman, suggesting the late Victorian era, but the type of thing that continued in use well into the twentieth century. If you want a title face that has versatility and suggests a past history, this is it!

Gold Diggers, inspired from Victorian Era with the ornamental and decorative font With Variant for the Capital Letters and alternates for changes the unique glyphs for design needs like Poster, logos, badges product, magazine with vintage taste and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Alternates inumocca type

With its flowing strokes and natural-looking letterforms, Trembling Hands captures the essence of hand-drawn beauty. Each character has a slightly wobbly touch, giving it a charming imperfection that sets it apart from other fonts. Whether you're creating headlines, logos, or branding materials, Trembling Hands adds an artistic flair that will grab attention.

A 1914 piece of sheet music for a song entitled "The Gypsies Are Coming" provided the design inspiration for Mulholland JNL. The title is hand lettered in a style which [while still in the Art Nouveau period] reflects the Art Deco era, despite the fact the "Streamline Movement" was still over a decade away.

Statendam is an all caps Art Deco font. It reminds me of the bold lettering used for cruise ship posters from the interbellum, especially those used for the Holland America Line (HAL) ads. It is not a recreation of a particular typeface; merely my salute to a bygone era. Statendam comes with all diacritics.

Rosalinde is an original font based on rough hand-lettering reminiscent of 1960s era protest poster lettering. It's the kind of lettering you'd expect to see used for a snippet of anti-war poetry set against a red-white-and-blue striped background, or perhaps accompanied by a fat dove with an olive-branch.

Italian Futurism (1908-43) was one of the 20th century's first and most influential avant garde art movements. Futurist typography sought to disrupt traditional notions of harmony, space and composition on the printed page. The bold and jarring shapes of this set faithfully recall a tumultuous era in both Italian history and Italian graphic design.

Westward JNL is an interesting variation on the popular wood type known as a French Clarendon style, or more popularly known as Western or Circus lettering. Based on an A-Z set of wood type pieces, this novelty approach of curved and wavy horizontal strokes is sure to grab attention when applied to headlines.

Dress it up and get into the 60's groove! Fontazia Pop62 features 62 unique pop flowers inspired by the flower-power era. These simple long-stem florals are great for nostalgic designs as well as any modern project where a little bloom is what you need. A great addition to any font library!

Ballmarks beautiful calligraphy font with swash. This font will add a feminine touch to make your design more soft and beautiful. This font is perfect for wedding invitation, quotes, branding, packaging, etc. What will you get: Including number and symbol. Support Multi Language This font also support PUA Encoded! So, grab your own. Thank You!

Addressotype Slab is the serifed cousin to Addressotype , a constructed, streamlined gaspipe design with gently rounded forms. Perfect for getting the right vintage look, but also solid on its own for modern branding and identity projects. And if you want to grab attention, layer in the extra deep drop shadow for a bold statement!

Malagua is a rough, hand-drawn font in the style of 18th century handwriting. It's designed to evoke an era of pirates, highwaymen and desperate conspiratorial notes written with a crude pen in a hand shaking from too much rum. The full version of the font includes a selection of interesting alternate character forms.

Asterixa is a modern serif font designed for display use. This uppercase font exudes an elegant and powerful aesthetic with a classic touch refined for the contemporary era. With Asterixa, you'll discover a distinctive and graceful presence, making it the perfect choice for design projects that demand a blend of classic beauty and modern appeal.

The type design which inspired Stencil Maker JNL comes from a 1920s-era machine used in movie theaters of the day. It rendered tiny punched out letters (some characters solid and some in stencil form), enabling the user to make projection slides of important messages or general notices for the theater audience to read.

Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a clean, contemporary face with a wide range of styles from Thin to Black. Designed to be ideal for shorter and longer text applications and also for headlines and signage. The Carnac family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Albertus® Nova is a faithful digital revival of Berthold Wolpe’s earlier design of Albertus and is one of the five designs in The Wolpe Collection of typefaces. This new design enlarges the typeface set from its previous two weights into a robust set of five ranging from thin to black, all with extended language support including Cyrillic and Greek. Berthold Wolpe began working on Albertus in 1932, at the encouragement of Stanley Morison. Morison saw an example of Wolpe’s engraved lettering and liked it so much that he commissioned a typeface based on the design. Since then, the original Albertus typeface has been used on book covers, in branding, on signs and in video games.

Carton is a font family whose origin comes from his Display version, which is made up of a parallelepiped in isometric projection on a large grid. The Carton type family boasts an entire range of original forms with a number of different constraints other than calligraphic strokes or modular construction techniques. The constraints chosen in the process of creating this alphabet allowed us to give it specific features which would lead to the development of a coherent family of type. The design of the Bold and Regular departs from the earlier strict geometrical forms and increases in contrast and complexity. It paved the way for the creation of a thinner character for the reading of ordinary texts.

The Bitstream version of Caslon Bold of the American Type Founders, 1905. Based on William Caslon I’s first English Old Style typefaces of 1725. Caslon modeled his designs based on late 17th century Dutch types, but his artistic skills enabled him to improve those models, bringing a variety of forms and subtlety of details. Strokes in Caslon fonts are somewhat heavier than in earlier Old Style fonts, serifs are thicker and a bit stubby. Italic letters have uneven slope. A text set in Caslon looks legible and aesthetically appealing. Caslon is a favorite font of English printers for setting of classical literature. Cyrillic version was developed for ParaType in 2002 by Isay Slutsker and Manvel Shmavonyan.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

Josephine, named for Josephine Baker, the legendary dancer of the 1930s, is a twenty first century sans serif typeface that harks back to the earlier part of last century. Although very modern, it has been greatly influenced by the many art deco fonts produced during the twenties and thirties of the twentieth century.In it I have tried to capture the art deco spirit in a modern humanist font. Josephine is exceptionally readable and yet completely characteristic of the Art Deco period. It can be used for text passages as well as display in posters, advertising, labels and packaging. It is professionally finished and contains all upper and lower case characters as well as all special characters, punctuation and symbols.

Monday is a bold and strong script family of two weights and a matching ornament set. Monday has a polished 1950s hand lettering feeling to it and it is ideal for logo, packaging and brand design purposes. Monday is equipped with plenty of alternates and features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Lining Figures in any OpenType Savvy program or manually choose from even more alternate characters from Glyph Palette. If you need to write in caps Monday pairs up nicely with Peaches and Cream Caps. Monday is loosely based on Fenotypes earlier release No. Seven. For the best price purchase the complete Monday Family.

The Bitstream version of Caslon 540 of the American Type Founders, 1902. Based on William Caslon I's first English Old Style typefaces of 1725. Caslon modeled his designs based on late 17th century Dutch types, but his artistic skills enabled him to improve those models, bringing a variety of forms and subtlety of details. Strokes in Caslon fonts are somewhat heavier than in earlier Old Style fonts, serifs are thicker and a bit stubby. Italic letters have uneven slope. A text set in Caslon looks legible and aesthetically appealing. Caslon is a favorite font of English printers for setting of classical literature. Cyrillic version was developed for ParaType in 2002 by Isay Slutsker and Manvel Shmavonyan.

The geometry of Paul Renner’s sans letterforms was tempered by optical correction to follow earlier typeface proportions, with capitals close to old-style forms, yet still retaining the spirit of the New Typography. His early experimental characters were included as alternatives in the sans which was to become the Futura released by Bauer in 1927–30. Unusually, old style figures also appeared in his early versions but they too were soon discarded. Foundry Architype Renner as a new four weight family has been developed from the original Renner Regular and Bold, created by The Foundry for the first Architype Collections in the early 1990s. This new family features the old style figures and the experimental elements.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

This font was created inspired from a handwritten copy of the "Brief story of the second journey in Canada" (1535) by French explorer Jacques Cartier. It is an early "Civilité" manual style, closely looking like the "Civilité" script font carved by Robert Granjon a few years later and still strongly influenced by blackletters forms, clearly visible in the capitals or long s, d, e, f or t forms. (Look at our "1557 Civilite Granjon Pro" and the latest "1638 Civilite Manual"). It is containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. Historical forms, titling alternates and the numerous lower alternates or ligatures made the font looking like a real various hand.

Coleface was created by the British typographer Roy Cole, completed shortly before his death in 2012. It comprises six fonts: Coleface 30, 60, 90 and the italics 33, 66, 99. As with his earlier typeface families - Lina, Zeta and Colophon - Coleface is a highly-readable sans serif typeface that offers significant flexibility in terms of its potential uses. Roy Cole studied typographic design under the tutelage of Emil Ruder at the Gewerbeschule in Basel, at a time when typographic history was being made through the creation of a style that epitomized modernity. Consequently the principles of order, simplicity and legibility, fused with experimentation, became a hallmark of his practice, as exemplified in his last font Coleface.

Tiblisi is a font designed to emulate the feel of modern Georgian Script, which is called Mkhedruli. In earlier periods of her history, the Georgian language had several other alphabets, notably the Asomtavruli alphabet and the Nuskha-khucuri alphabet. The first printed material in the Georgian language, in the Mkhedruli alphabet, was published in 1669. Since then the alphabet has changed very little, though a few letters were added in the 18th century, and 5 letters were dropped in the 1860s. The font was named Tiblisi in honor of the nation's captial city. Tiblisi comes with full punctuation, a complete character set for most Western European languages that are based on the Latin Alphabet, and full kerning.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

This industrial-strength titling face takes its design cues from Hans Eduard Meier's Syntax Antigua. This version is bolder and beefier, so your headlines will grab and hold attention in a refined and genteel manner. Both versions include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Hello, now I tell you. its time for "Kelphyn". Yes you heard right. Kelphyn is a serif font family that allows you to try out new, innovative designs that suit your taste. Created to support all forms of design, art and ideas. especially for modern magazine designs, website layouts and supporting branding layouts. Grab it fast here Free updates

A font with a strong architectural feel, inspired by those great commercial emporiums of a bygone era. To cap the crossbars, use [brackets] to enclose uppercase letters, {braces} to enclose lowercase letters, and the upright bar | between upper- and lowercase letters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Bagerich is font designed by Reza Rasenda & Riska Candra Dewi, with design choices inspired by the Art Nouveau era. Bagerich comes with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Bagerich for any graphics that require a sleek look with a elegant flair.

Introducing “Serenity” – a captivating vintage font that elegantly blends the charm of yesteryears with a contemporary flair. With its distinctive squared appearance, “Serenity” pays homage to the classic typography of vintage eras while embracing modern design sensibilities. This font is a visual journey that invites you to explore the fusion of timeless aesthetics and innovative creativity.

Chancellor is a robust hand-drawn sans serif display typeface. Its sturdy letterforms takes inspiration from Plakatstil era posters, while bringing up also cool adornments to flourish your lettering designs. This all caps typeface has two versions for each letter, amplifying your composition choices. It's positively a great tool for a wide range of creative display uses.

This engaging headline face is based on a rather pudgy typeface named “Bullion Shadow”, which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Now available in shaded and plain. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.