SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing and/or using and/or distributing the font, the buyer, user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agrees to (1) indemnify and hold harmless the font foundry and neither the font foundry nor distributor is responsible to the buyer or user or any other party for any consequential, incidental, special, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings or expected savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties, (2) not use the fonts to assist in design of, or be incorporated into, non-software displays.

Introducing Gnuolane Stencil, a captivating typeface that exudes sophistication and style. Inspired by the timeless elegance of grotesque models from the early twentieth century, Gnuolane Stencil is the perfect combination of classic and modern design. With its superelliptical 1960s feel, Gnuolane Stencil will transport you back to an era of cool, sleek lines and understated elegance. The slim stencil design lends a serious and authoritative air to any message, making it the ideal choice for logos, headlines, and other high-impact designs. But Gnuolane Stencil is more than just a pretty face. This versatile typeface comes in five different weights, allowing you to find the perfect balance of boldness and subtlety for your project. And if you’re looking for even more creative options, be sure to check out the plain version called Gnuolane and the playful, bouncy variation known as Gnuolane Jump. So whether you’re looking to add a touch of vintage flair to your designs or simply want a typeface with character and charm, Gnuolane Stencil is the perfect choice. Try it out today and experience the unique personality and style that only Gnuolane Stencil can offer. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were done as pencil renderings. Alisal is best classified as an Italian old style design. Originally created between the late 15th and mid-16th centuries in northern Italy, the true Italian old styles were some of the first roman types. They tend to be the most calligraphic of serifed faces, with the axis of their curved strokes inclined to the left, as if drawn with a flat-tipped pen or brush. These designs offer sturdy, free-flowing and heavily bracketed serifs, short descenders, and a modest contrast in stroke weight. Alisal has nearly all the classic Italian old style character traits, plus a few quirks of its own. It is calligraphic in nature, with more of a pen-drawn quality than faces like Palatino or Goudy Old Style. It is more rough-hewn than either Goudy's Kennerley or Benton's Cloister, and is generally heavier in weight than most of the other Italian old style designs. One place where Alisal makes a clean break with traditional old style designs is in the serifs. While sturdy and clearly reflecting pen-drawn strokes, Alisal's serifs have no bracketing and appear to be straight strokes crossing the main vertical. Like Caslon or Trajanus, Alisal is a handsome design when viewed as a block of copy. Ascenders are tall and elegant, and serve as a counterpoint to the robust strength of the rest of the design. Alisal is available as a small family of roman and bold with a complementary italic for the basic roman weight, providing all that is needed for the majority of text typography. Alisal is not as well-known as some of Carter's other typefaces, but this lovely and long-incubated design was certainly worth the wait.

Welcome to Wubble Labs—where we don’t just think outside the box, we dissolve it! Our team of mad scientists has been busy experimenting with the latest in colloidal glopulation technology, and we’re thrilled to present our latest creation: Wubble, the blobbiest, squishiest, most liquid font you’ve ever seen! We know what you’re thinking, “liquid font? What the heck does that even mean?” Well, let us tell you, Wubble is more than just a font—it’s a living, breathing, dripping typographical workfish. Each letter is like a tiny blob of ooze, flowing and shifting in a mesmerizing dance of liquidy goodness. But don’t let Wubble’s gooey exterior fool you—this font is the product of years of careful research and development. Our team of scientists have spent countless hours studying the precise characteristics of colloidal glopulation, perfecting every last detail to bring you the finest liquid font ever produced. So if you’re ready to take your design game to the next level, come on down to Wubble Labs and see what all the fuss is about. We promise, once you go Wubble, you’ll never go back! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Noad Sans is an experimental sans serif typeface with a strong character and some very unique visual features. At the core of Noad Sans is a sturdy sans serif with closed apertures and fairly simple letterforms. The defining feature of Noad Sans, however, is its visualised nodes: all control points of Bézier curves in each of the fonts in the family are intentionally visualised. The effect of this feature is largely defined by the usage: in titles and larger bodies of text, the visualised nodes stand out and create a rhythmic pattern of their own. In smaller sizes, the sans serif base of the font becomes more prominent and the nodes create a visual fuzz. Noad Sans comes in 6 styles and as a Variable Font with two axes–Optical Size and Slant. The size of each node can be changed from the smallest (Mini and Mini Italic) to the largest (Extra and Extra Italic). Variable Font technology allows you to fine tune the size of the nodes and the slant angle, so that your version of Noad Sans can be truly unique. Noad Sans has a large character set of 570+ glyphs, covering the vast majority of Latin based languages. In addition to that there are dozens of special characters, punctuation, numbers, and symbols. Noad Sans is equipped with a number of useful OpenType features, such as Case-Sensitive Punctuation, Stylistic Alternates, Ligatures, Fractions and many more. Noad Sans began as an experimental project, and during its development the spirit of experimentation was at the heart of the project. Thanks to the unique nature of the typeface, it can feel at home in a variety of settings: from web development, graphic and product design to more novel uses like 3D and NFTs. Noad Sans type family includes 6 static fonts (Mini, Mini Italic, Regular, Regular Italic, Extra and Extra Italic) and one variable font. Each style can be purchased separately. There is a free trial version of Noad Sans that can be downloaded free of charge on MyFonts. For more information on the typeface, feel free to download Noad Sans PDF Specimen.

In the bustling world of rough, grungy typography, there’s one typeface that stands out among the rest—Chinese Rocks. This iconic typeface draws inspiration from the hand-cut rubber-stamp writing found on Chinese export crates from the twentieth century. It’s a typeface that captures the raw, unpolished energy of the streets and infuses it into your messaging. What sets Chinese Rocks apart is its artisanal, handcrafted quality. Each letter is carefully carved to give your words a unique, personal touch that cannot be replicated by any other font. With Chinese Rocks, your text takes on a casual, laid-back vibe that speaks to the rawness and authenticity of modern culture. This versatile font comes in sixteen different styles, including Fat, Condensed, and Shaded. Each variation offers a different take on the classic Chinese Rocks style, allowing you to tailor your messaging to fit any occasion or application. Whether you’re looking to make a bold statement or add a touch of personality to your branding, Chinese Rocks has you covered. So why settle for a generic font that doesn’t capture your essence? Chinese Rocks is the typeface that captures your personality and turns your words into art. Try it out today and discover the power of authentic, handcrafted typography. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome to the world of darkness and fear, where shadows dance and nightmares come to life. Introducing Ebenezer, the typeface that will send shivers down your spine and make your message stand out like never before. With Goldburg-inspired letterforms and intricate, eerie details, Ebenezer is the perfect choice for any project that requires a macabre touch. Each character is carefully crafted to evoke a sense of dread and terror, making it the perfect typeface for horror movies, Halloween-themed designs, or any project that requires a dark and ominous feel. But Ebenezer is more than just a typeface. With its OpenType ligatures, common character sequences are automatically substituted with bespoke combos, ensuring that your message has an even more ghastly impact. Each word becomes a work of art, with letters combining and twisting into haunting shapes that will leave your audience speechless. So embrace the darkness and let Ebenezer lead the way. Its spooky, highly detailed design will take your project to the next level, ensuring that your message is unforgettable and truly terrifying. Whether you’re designing a poster, creating a logo, or simply looking to add a touch of macabre elegance to your text, Ebenezer is the perfect choice. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Looking for a typeface that packs a punch and leaves a lasting impression on your audience? Look no further than Astrochemistry! This hefty, square typeface is the perfect choice for delivering magnificent headlines that demand attention and leave a lasting impact. With its seamless contrast with sans-serif body copy, Astrochemistry is the ultimate choice for those seeking to cut through difficult situations and rigid systems with ease. It’s the perfect choice for those seeking to expand their reach and influence, helping clients envision product brands that connect with their target audience and establish preference. In a world where every moment counts, Astrochemistry is the ultimate weapon for winning the battle at the moment of truth. With its bold and striking design, this font is sure to leave a lasting impression on your audience, ensuring that your brand stands out from the competition and remains top of mind for years to come. So if you’re ready to take your brand to the next level and make a lasting impression on your audience, choose Astrochemistry today and experience the power of cutting-edge design! Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Polyflec, the ultimate technical typeface that combines form and function with a cutting-edge design. With its square letterforms and intricate angles, Polyflec is the perfect choice for those seeking a modern, sleek and professional look. The unique design of Polyflec is inspired by the world of technology and industrial design, offering a truly unique and innovative aesthetic. Each letterform has been expertly crafted to convey a sense of precision and technical mastery, making it the ideal choice for those looking to make an impact in the digital age. Polyflec comes in four different weights and italics, giving you the freedom to choose the perfect style for your message. Whether you’re creating a bold and impactful headline, or a refined and elegant piece of text, Polyflec has everything you need to make a statement. So why settle for a plain and outdated typeface when you can harness the power of Polyflec? With its striking design and unmatched versatility, Polyflec is the perfect choice for anyone looking to take their message to the next level. Try it out today and experience the cutting-edge of technological typography! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Walnut—the graffiti typeface that packs a punch! This font was not designed for the faint of heart. It’s tough, rugged and unapologetic. Walnut’s gritty spray-painted look will add a raw edge to your designs that will have people taking notice. With its realistic style, Walnut looks like it just sprang off the wall, ready to wreak havoc on the unsuspecting public. It’s the perfect typeface for any design project that requires a touch of vandalism. From posters to album covers, Walnut will give your work that extra edge that will make it stand out from the crowd. But what really sets Walnut apart are its unique combos. With OpenType ligatures support, Walnut will create custom letter combinations that will appear like they were created on the fly with a can of spray paint. Each character has a distinct personality, making this font perfect for creating custom logos or headlines that demand attention. So why settle for a boring, predictable typeface when you can unleash the power of Walnut? It’s time to take your designs to the next level and make a statement with this tough and gritty typeface. Get ready to make some noise with Walnut! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Graveblade, the heavy metal typeface that’s sharp as a knife and just as deadly. With its blackletter shapes and brutal angles, Graveblade is the perfect typeface to give your message a sense of forceful aggression that will leave a lasting impression. Featuring blade-like forms and a menacing edge, Graveblade exudes the power and intensity of heavy metal music. This typeface is not for the faint of heart—it’s for those who are bold, daring, and unafraid to make a statement. Whether you’re promoting a metal band, creating a dark and edgy poster, or designing a logo for a horror movie, Graveblade is the typeface that will take your designs to the next level. Its sharp and knifelike design will cut through the noise and make your message stand out from the crowd. So get ready to unleash the power of Graveblade and take your designs to new heights of brutal beauty. You’ve got another thing coming if you think you can ignore the force of Graveblade. Are you ready to embrace the darkness? Then grab Graveblade today and let the heavy metal typeface speak for itself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Sometimes it's easy to find a name to fit a font design, other times it's a struggle because of the sheer number of digital fonts available and the number of names already taken. Classification JNL stretches a point to arrive at its name. The attractive sans design was found as a hand-lettered title on a piece of vintage sheet music called "My Hawaiian Souvenirs". During the 1940s, the popular mode of travel to other countries was by steamship. Steamship passengers were assigned their accommodations by the type of passage they booked (such as First Class and Tourist), thus they were in various levels of classification. This aside, Classification JNL is a nice alternative to "standard" condensed fonts for design projects.

Love Rose is a beautiful script suitable for branding, wedding invitations, and any other romantic project. love rose is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Herr Pfister was a printer in the city of Bamberg Bavaria. He is known to have published nine works. And it has been contentiously argued that he printed the “36 line Bible.” He was responsible for two innovations. The first was printing in his native German language and the second was the use of woodblock prints to add illustrations to the text. These were both first with the use of movable type. He was heavily influenced by Gutenberg’s typefaces but there are a range of notable and also subtle differences between the two men’s output. He was known to be active in the industry from about 1460 to his death in 1466. This font was specifically based on his "Biblia Paperum."

Septhia is an elegant calligraphy luxury font that comes with a very beautiful character change, a kind of classic decorative script with a modern touch, designed with high detail to present an elegant style, which has 6 types of fonts. Septhia is attractive because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many extravagant letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. and much more. .. Thanks & Happy Designing!

Looking for a font that’ll make your branding radiate elegance? Something that’s versatile, stylish, and eternal? Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Vintage Feeling-A Script Font A beautifully script font that’ll make your guests sing and elevate your projects! Every stroke, and curve was created to entice happiness and elegance. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Vintage Feeling includes Multilingual Options to make your branding globally acceptable. Features: Alternates Ligatures Stylistic Sets Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

It’s the ultimate way to be you. Elegist is a sans serif font that match your every design projects. Through this font, it creates simple, clean yet versatile looks. It is also cleanly designed font that’s easy to read and will look great in a variety of sizes. Features: Alternates Lower and uppercases Numerals and Punctuations This font is perfectly used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing. Tags

Wild Title Sans is ideal for projects that are intended to be leisurely and relaxed. The font deliberately destroys the principles of restrained fonts, emphasizing unbridled individuality. The distinct notches in the font are enlarged ink traps, which are used for typesetting in small sizes and usually copy the structure of the character. In this case, the ink trap becomes part of the structure of the character, giving the font a strong and original feature. The weight of individual styles is also distinct: the emphasis on the vertical breaks with traditional approaches to posture. This font literally draws attention to itself. Individual styles are suited to a variety of uses, from small-point texts to bold, distinctive headings. Specimen: http://carontwice.com/files/specimen_Wild_Title_Sans.pdf

Discover why Pickle Sans is the font the makers of Comic Sans don't want you to know about! Why not convey a casual professionalism that is a step above the competition? Pickle Sans is a bold, fun, attention getter of a font that is a cleanly readable brush script with a slightly imperfect hand. It speaks to children, retro enthusiasts, and too many others to list. If you've ever had anyone talk to you like a child, you'll understand how the right message can come out wrong. Avoid giving off that message to your audience and approach them in a casual, mature, yet fun manner. Respect your audience, whether younger or older, and convey your message in Pickle Sans. Try it and buy it today!

Displace Serif is a continuation of my Displace fonts. Adding serifs allows you to see the font in a new way. There is a more pronounced charm of Italian monumental fonts, but in an expressive way. The appearance of the serifs allowed the font to move to the antiqua class, but this is purely a formal matter. The proportion of serifs changes markedly from weight to weight, allowing the font to retain its decorative character. In the Light drawing the serifs are barely visible and delicate, while in the Black they are in superposition. The font is catchy, noticeable, which makes it suitable for graphics requiring instantaneous spectator emotions. Displace Serif is suitable for editorial design, as despite the modern image it retains the classic concept.

Rabusta Greatness is an elegant calligraphy font that comes with a very beautiful character change, a kind of classic decorative script with a modern touch, designed with high detail to present an elegant style, which has 4 types of fonts. Rabusta Greatness is attractive because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many extravagant letter relationships. I also offer a number of decent stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . Thanks & Happy Designing!

Beace Holiday is an elegant calligraphy luxury font that comes with a very beautiful character change, a kind of classic decorative script with a modern touch, designed with high detail to present an elegant style. Beace Holiday is attractive because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many extravagant letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. and much more. .. Thanks & Happy Designing!

Encounter is a modern handwritten font with handwriting suitable for logos, product packaging, branding, headlines, labels, book covers, posters, quotes and more.This font contains all lowercase letters, also comes with ligatures and unique and beautiful alternatives as well as international support for most western languages. How to access all of the alternate characters: https://www.youtube.com/watch?v=XzwjMkbB-wQ Encounter is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

DecorateTheTree is a festive novelty font family containing two styles designed to be used in layers. Each style has letters on Christmas-tree lights. The regular style has clear bulbs and the bold style has filled bulbs. Some characters are on standing bulbs and others on hanging bulbs and these two sets are made to alternate with the OpenType contextual alternatives (calt) feature. To use only one set of bulbs, this feature must be turned off and character spacing adjusted, though why anyone would want to use only one set is a mystery. These fonts are monospaced. They are useful to display a holiday message not just in words but in the lettering itself. (The characters on the bulbs are derived from the font SansduskiMono.)

Herokid is a grotesque style font, inspired by classic fonts like Helvetica, Impact and Univers, with a dynamic, versatile and flexible personality. It ranges from Thin to Heavy, and from UltraCompressed to UltraExpanded. It’s a huge family, with 96 variants adaptable to kinds of design projects providing flexibility for their creation. Consider Herokid your new workhorse, you will be able to generate high-impact headlines, subtitles and/or text; all with the same font family. The mixture of wide and condensed sets allows for versatile combinations and can give great movement to a design, while the regular weights can be used for text bodies. The heavier weights also stand out, with its very full shapes with small counterforms, ideal for big headlines.

Are you trying to make an elegant, modern, and stylish statement with your invitations, social media, website, or printed materials? Ready to enchant your audience and enhance your branding? Introducing Callimba - A Serif Font Callimba is a gorgeous serif font that will whisk you away to a place of style! We are hoping that through this elegance and passion edged font, you can maximize your designs, reign in sales or make lasting impressions. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Callimba includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Alternates Multilingual Support PUA Encoded Numerals and Punctuation

Metaverse Display Font Family The basic skeleton structure of this font family is based on block-shaped rectangles and arcs. Therefore, it contains the possibility of being simple, but free of transformation. Alternates are designed to give individual glyphs a special transforming effect, and can be used as a means to emphasize contextual characteristics. 94 Alternates are included, and it is designed to maximize the characteristics of glyphs through defiant and irregular free deformation, not just width deformation. These Alternates can be used in most apps that support Opentype. It is included in Stylistic Set 1 and 2 for uppercase and Stylistic Set 3 and 4 for lowercase. The function of the App to switch on Alternates, refer to the Opentype provided by each App.

What really suits your design? The answer is here. It’s the ultimate way to be you. Crofello Delight-with the combination between cute script and gorgeous display font style you can mix, match, and call your own. This harmonious font duo supporting and advocating each other to make awesome result in your design. Features: Ligatures Stylistic Sets Swashes Lower and uppercases Numerals and Punctuations It is perfectly used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Bold mutant typography. Retro-futuristic. Sixties meets 1990’s comic book inspired, superfast for your superhero? The pencil tissue was dragged out from the very back of the file cabinet, stuck in the metal rail, it was lost then found- to bring a unique look to your project. A companion font to astroluxtype’s Spacepod, both fine ways to mark and identify your spacecraft. Note the lowercase letterforms that make connectors such as g, j, y, b, d and g. See the posters at myfonts.com for examples of how to you might use this feature. Redrail Superfast is a minimal glyph set which can be used at various sizes, we consider it a headline/display font and best applied larger than 36 points in size.

Introducing “Bandeira” , A modern vintage serif font. Bandeira is a display font. You will get 3 different styles in this font (modern, vintage & luxury) - To get Vintage style you can use Alternates / Stylistics Set. Swash / Flourish on the lowercase will add a vintage feel to your design. - To get a Modern classic style, just type regular regular. - To get Luxury style, just type Uppercase & play with letter spacing. Bandeira has Stylistic sets / Alternates. And also has 2 ligature features (Standard Ligatures & Dictionary Ligatures) - Standard Ligatures : activated automatically. - Dictionary Ligatures : you have to activate it manually. Because Dictionary Ligatures are required for optional. Bandeira is very versatile for cosmetic brand, logo, magazines, fashion, social media, poster designs, wedding invitations, branding and many more. Enjoy! Nugi Letterium Studio

Trebuchet™ Family, designed by Vincent Connare in 1996, is a humanist sans serif designed for easy screen readability. Trebuchet Family takes its inspiration from the sans serifs of the 1930s which had large x heights and round features intended to promote readability on signs. The typeface name is credited to a puzzle heard at Microsoft, where the question was asked, 'could you build a Trebuchet (a form of medieval catapult) to launch a person from the main campus to the consumer campus, and how™' The Trebuchet fonts are intended to be the vehicle that fires your messages across the Internet. 'Launch your message with a Trebuchet page'. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Glitther Syavina is a Fancy Modern vintage serif typeface with beautiful ligatures, tons of special alternative glyphs, and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: Lowercase and Uppercase Stylistic Alternates & Ligatures Numerals & Punctuation Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Follow my shop for upcoming updates including additional glyphs and language support. And Please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it.

Introducing Maguire Elegant Typeface Maguire is a Minimalist Modern Elegant font with beautiful ligatures, tons of special alternative glyphs and multilingual support. It's a very versatile font that works great in large and small sizes. Maguire is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: 3 Weights font Uppercase Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation Multiple Languages Supported HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Thanks for checking out our font! I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Carina elegant classy font Hi ladies and gentlemen! Due to the popularity of the market for modern fonts, I created a serif font that suits your needs. The Carina elegant font is a modern classy elegant serif font. is here to become a market favorite. We made this font look elegant, classy, ​​modern, new style, easy to read, stylish, attractive and easy to use. Carina elegant Font is the right choice for magazine designs, newspapers, fashion, classy designs, beauty, feminine, brand names, branding and other projects. The Carina elegant font is here to enhance the quality of your designs. Follow us for the next classy font creation :) Feature: • Uppercase • Lowercase • Multilingual Support • Numbers and punctuation • Alternatives • Stylistic sets • Ligatures What's included: Carina elegant (OpenType)

1776 Independence was designed inspired mainly from the Caslon typeface used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress' Declaration of Independence establishing the United States of America. I just added accented letters and a few others, with respect for the original design. A render sheet,enclosed with font file, help to identify them on keyboard. It can be used as web-site titles, posters and fliers, editing ancient texts, menus or greeting cards as a very decorative font... This font supports as easily enlargement or small size, remaining clear and easy to read from 8 or 9 points to 72 and over. It gives a smart look especially to prints.

Sky High script is a beautiful classic calligraphic font to add your design to be sweet, elegant, and perfect. Sky High script comes with more than 380+ glyphs per font file, to get richer in beautifying your design. This font will be appropriate for logo project, wedding invitation card, branding, home design, product packaging, quotation, logo, shirt, book cover, business card, greeting card and all other. It comes with a handy set of Opentype Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Don't hesitate to drop me a message @alandyatype@gmail.com if you have any issues or queries

Back to 1880-1900 when a number of events were coming together, the country was evolving from a local market economy to mass merchandising, rail systems were being built and color lithography was becoming more affordable. The first rail cars full of oranges were being shipped from Southern California to the East - what a treat during a cold winter’s day. Labels were pasted on every fruit crate and these labels had large images of oranges and orange groves. With technological advances in soldered cans, canneries popped up all over the country. In order to market their products many California Canneries pooled their resources to form the California Fruit Canners Assn. in 1899. This font was inspired from that era. Loaded with alternates, swashes, stylistic and multilingual support.

Better Dreams is a modern handwritten font with handwritten suitable for logo, product packaging, branding, headlines, labels, book covers, posters, quotes and more.This comes with ligatures and unique and beautiful alternatives as well as international support for most western languages. How to access all of the alternate characters: https://www.youtube.com/watch?v=XzwjMkbB-wQ Better Dreams is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Thanks & Happy Designing!

Millwright is a display typeface family inspired by spunky DIY attitude and Industrial era hardware… an exercise in rendering glyphs with a rudimentary, hand-cut flavour. The type family’s built in Open Type features allow for easy substitution of glyphs… creating plenty of diversification for letter combinations, and multiple glyph variations. Millwright results in designs that are packed with bold character and Do-it-yourself pizzazz. Millwright’s quirky letterforms lend itself to a multitude of graphic applications; from serious branding applications, to light-hearted packaging, to children’s book publishing, to hand-crafted DIY projects. Millwright comprises a family of 4 styles; the utilitarian “Regular” weight, a brash “Black” weight, to the art-deco inspired "Inline" and the accompanying “Inside” for layering multiple colours.