A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.

The typeface “YOGA Dingbats Symbols Set” is designed at 2022 for the font foundry Beewest Studio by B Wisudyantoro. The Basic Icons Set is a display typeface that inspired by the Yoga poses such as : Adho Mukha Shvanasana, Ardha Chandrasana, Astavakrasana.Baddha Konasana. Ankusasana from Sritattvanidhi. Bharadvajasana. Bhekasana. Bhujangasana. Bhujapidasana. Bidalasana. Marjariasana. Chaturanga Dandasana. Dhanurasana.Backbend. Durvasasana. Garbhasana . Vrikshasana,Tree pose,Garudasana, Eagle pose, Parsvakonasana, Side angle pose,Trikonasana, Triangle pose, Utkatasana, Chair pose,Ardha Chandrasana, Half moon pose, Viparita Virabhadrasana, Warrior Pose. For use in logos, magazines, posters, advertisement plus as webfont . This YOGA Dingbat Font is best in display size. Thank You for Use this Font.

This script font was inspired by a lot of autographs, notes and drafts, written by President Abraham Lincoln, mainly the Gettysburg address, first draft and copies, but also the emancipation proclamation. It is an attempt to offer a typical manual script from this American period, not to propose the exact writing from A. Lincoln himself. This font is a little fat and monotone, maybe Abraham Lincoln used a smooth or rounded pen, but some letters I have consulted were written obviously with a sharp one, so, in the future, I will certainly produce a slim version of this font. It is used as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. This font supports enlargement as well as small size, though the original size was about 18 to 24 pts. When printed, it remain perfectly legible from 10 to 12 pts.

I have no particular love for pigeons, but I read an interesting article about war pigeons being used to send messages to an fro. One pigeon (called William of Orange) even saved more than 2000 soldiers during the Battle of Arnhem. Pigeon Post is a lovely cartoon and kids font. It comes in a sans and a serif style, so there’s really no excuse for not using it!

This whimsical wonder is based on the lettering of Laurence Schall, as presented in Lewis F. Day's 1910 classic, Alphabets Old and New. The typeface radiates a charm reminiscent of the works of many talented artists (including Howard Pyle and Arthur Rackham) who illustrated children's books around the turn of the twentieth century. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch & Heyse in 1876. This most widespread font face of the 19th century was fresh redrawn and made fit for nowadays’ usage. To get access to all ligatures, it is recommended to activate both Standard and Discretionary ligatures.

During the 1960s Hippie movement, a large amount of the rock and roll poster art was strongly influenced by the Art Nouveau period of the early 1900s. A poster for an appearance by The Doors at San Francisco’s Cow Palace Exposition Center (presented by Fillmore East and West owner Bill Graham) featured some wonderfully eclectic Nouveau-styled serif hand lettering. Now recreated as a digital type face called Cow Palace JNL (and named for the performance venue), the font is available in both regular and oblique versions.

Henri Abraham Chatelain was a cartographer and publisher of the famous Atlas Historique, ou Nouvelle Introduction a L'Histoire, a world atlas released between 1705 and 1732 in Amsterdam. A few years ago, at an antique book shop in London, I bought a page from Chatelain's atlas—a page covering the Near East, India, the Indian Ocean—that had a particularly alluring, oblique handlettering style. The text is in French, which gave me plenty of samples of diacritics and accented characters. The overall effect is neat and legible, with a distinctly historical flair.

The titles struck me as handsome -- the titles and captions and place labels on a page I have of Henri Abraham Chatelain's Atlas Historique. I'd already modeled Antiquarian Scribe after the neat, slanted penmanship used in the body text of Chatelain's famous old world atlas; now I felt compelled to digitize this legible roman handlettering, as well. The letterforms are strong and handsome. They've got a certain deft, organic character. A personality. I can't fully explain it. But this antique alphabet seems suitable for many applications. Antiquarian is a full-featured font that works well with Antiquarian Scribe.