Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a clean, contemporary face with a wide range of styles from Thin to Black. Designed to be ideal for shorter and longer text applications and also for headlines and signage. The Carnac family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Fresh and Roast is a bold italic serif. It is suitable for a coffee shop or cafe branding with retro / vintage theme. and it is perfectly to be applied to the other various formal forms such as advertising design, vintage garage design, adventure / mountain hiking brand, animation or movie, poster quote, book / novel cover and any type of advertising purpose.

A lot of interesting variations in lettering style can be found in sets of antique tin or brass marking stencils. One such set was the model for Metalmark Stencil JNL, a bold sans with a chamfered look.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Introducing our newest font, "Million Smiles", a casual bold script font with hand-letterred style. Million Smiles is an upgraded version of our previous font, "Billion Dreams". In this new version, we've rounded the edges a bit for a softer look, compared to the sharp edges of the old one. This enchanting font is the perfect choice for design projects that aim for a fun, urban, and classy vibe. It adds a touch of cool to your creativity without losing its elegant charm.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Art Deco and Western styles fuse into one design in Bootspur JNL. A rounded A,M,N and W along with the Art Deco curvature found in the K,R,X and Y set Bootspur JNL apart from many of the other condensed Western fonts currently available.

This font was inspired by lettering found on an old newsprint periodical from the 19th century.

This font was inspired by lettering found on an old soap box from the 19th century.

Prospector JNL is based on a lettering example found in an old Speedball-pen lettering handbook.

Avilock is powerful bold display font Perfect for typography purposes that require a strong but subtle identity. Avaialble in all caps character, works great in any branding, logos, magazines and films. Features : - 6 Variant of Avilock Display (Included : Regular, Italic, Bold, Bold Italic, Rounded, Outline) - Multilingual Support and Punctuations Character. Feel free to message me if you have any questions or any requests. I will be happy to help you as much as possible, Thank You.

A minimal rounded typeface inspired by architecture and furniture detail drawings. The idea was to develop a font that would showcase precise radius corners at large formats and would also downsize to produce stylish body text. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

Introducing Broadster - Classic Brush Type, created by ikiiko. Broadster is a decorative sans serif typeface, inspired by typography from classic 60s American advertising & automotive visual styles of the time. This typeface is designed to give the appearance of a formal yet expressive style. The Broadster has bold, contrasting strokes. A style commonly used in print, magazine, and sign advertisements of the era. This typeface is perfect for an formal layout, poster, newspaper, magazine ads, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Brittes is a fontface inspired in a formally English round hand, also called anglaise or Copperplate script. The calligraphy was the dominant style among 18th-century writing masters, whose copybooks were splendidly printed from models engraved on copper. In the mid-1800's, the Spencerian form of penmanship became a standard. An elegant handwriting was much prized. Today, in our computer age, a fine, beautiful, and legible handwriting brings a warm personal touch to your graphic design and visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals ornaments and tails.

Spirits design was initially based on Hermann Ihlenburg's Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today's design needs. Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.

Inspired by bold & retro typefaces in the ’90s, Cleodify comes with a retro-ish style. The bold design combined with classical proportions gives a choice for creative work. Cleodify Sans is available in two style : Regular and Rounded. Features : Full Set of standard characters and punctuations. Alternates, ligatures and multilingual support characters. PUA Encoded | no special software needed to access extra characters.

Heartland font family is a pack of the bold connected script and rounded sans. Font is great to use for logotype, menu and product labels, prints, posters, branding, social media. This pack include 3 fonts: - Heartland Script - Heartland Sans - Heartland Sans Condensed - Heartland Italic Sans - Heartland Bold Sans Download Heartland for your next project today! Thank you and have a great day!

The Redob Racing Font is a strong-looking font that gives your project a bold and sporty personality. This font was designed with attention to detail to make your design project stand out from the rest. A bold, masculine font that’s perfect for creating that “in your project” look. Comes in 6 different styles: Regular, Round & Italic, each with a slightly different feel.

Epic Miracle is beautiful rounded bold retro serif with a 90s touch. A great serif that works beautifully in modern designs. You can definitely create amazing logos, headings, apparel designs and more. Epic Miracle is an essential font for branding as well if you want to go BOLD. I can't wait to see what you can create with Epic Miracle!

The idea for this font family, derived from SMS text message faces (Emojis) and found photographs of faces collected over the last ten years. The concept for this project was to a create text-face characters using only the glyphes found in a standard version of a Sans Serif typeface. There are 36 different Textfaces. Available in three weights, Regular, Bold and a Stencil version.

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

German type designer Svend Smital created this sans FontFont in 1999. The family has 6 weights, ranging from Regular to Bold in Condensed and Normal and is ideally suited for film and tv and editorial and publishing. FF Super Grotesk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Aden is An Arabic typeface for desktop applications. Aden is Modern typeface style. The font comes in two styles: normal and bold. The design is open, calligraphic, and very dynamic. This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic. It also includes proportional and tabular numerals for the supported languages. Aden typeface comes with many opentype features.

"Old is Gold".. Perhaps that's the best words to represent this typeface called Fragtude - a pair of vintage display typeface consist of bold script and serif. One of our finest typeface, crafted carefully to make sure its quality. Inspired by 40s 50s lettering and signage, the nostalgic feels will bring you back to the good ol' days. This typeface is perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Madigan Text is the text optimized version of the Madigan family. More solid, more robust, it repesents the more stabil version to the more delicate Contane family. Stronger hairlines, solid serifs, and slightly wider proportions make it appropriate for bold headlines, as well as for small text sizes. Madigan supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 18 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman (see Engravers #2). American Type Founders, Inc. (ATF) released a heavier variant in 1902, Engravers Bold, designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Today, Linotype's Engravers brings turn-of-the-century elegance directly to your keyboard. Use the Engravers typeface on any formal piece -- from table cards, to menus, invitations, or advertising work. Engravers is similar to Copperplate Gothic, Sackers Gothic and Nicolas Cochin.

Introducing Ouders - Stencil & Regular Font A display font that has a strong and bold look. This font is made by hand so it looks natural and very suitable for vintage and rustic theme. Perfectly made to be applied especially in logos, and the other various formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, stationery, novels, labels or any type of advertising purpose. By combining both styles (stencil and regular) you will create a single design with an old style that is perfect! That's why you have to use this font. If you like the previous styles, you are right to use this font!

Marsden is a bold, no-nonsense Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong voice is needed. Marsden is built on a geometric foundation, with just enough warmth to keep the style confident and lively. The family features 8 widths in 12 weights; from a Slim Hairline to an extremely bold Wide Super. The fonts flow from condensed to wide with design intent. The condensed forms feature flat sides and subtle curves, while the wider forms feature rounded sides and open curves. The character set is robust, covering extended latin. The default forms are contemporary with alternates including: single-story a, two-story g, curved terminal l, raised vertex M, rounded top A, fully rounded G, rounded leg R, straight tail Q and straight descender y, all separated into individual style sets for control and customization. Completing the family are the Text fonts where the weights, widths and spacing are adjusted for smaller use.

Introducing The Hepcat - 2 Style Display Font, a font that effortlessly embodies boldness, retro vibes, vintage charm, and a touch of playfulness. Its rounded letterforms and unique alternative characters add an extra layer of distinction to your designs.

The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.