Our Smokum Pro is a western inspired slab-serif font with a little playful swagger to it. It's perfect for headlines and display uses that require a little loosened up country flair, but because of the contrast of thicks and thins, it will perform best as a WebFont at medium to large point sizes. The SmallCaps and extensive figure sets offer a little more serious tone and a wider range of design use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Vistr is a reverse-contrast display typeface inspired by western movies, infused with the tension of classic horror films. Powerful serifs, smooth curves, sharp details and an impressive contrast of strokes are unusually combined with each other. This creates a dramatic, eye-catching effect. Which is ideal for use in large sizes in titles and headlines to create a gloomy mood. This is an ALL-CAPS font. There is support for extended Latin, basic Cyrillic, and Greek. Features: – Total glyph set: 351 glyphs; – 1 style; – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; – Greek; OpenType features: – Uppercase; – Proportional numerals; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01).

"Lovely Style" is a very pretty handwritten font. This font features uppercase, lowercase, swashes, headings, uppercase alternative, lowercase alternative, binders, multilingual support, numbers, and punctuation. How to use letter decoration is very easy, and there is a guide in the preview. This font is perfect for weddings, valentines, engagements, stickers, banners, posters, invitations, Christmas, Easter, romantic moments, quotes, and more.

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards

Introducing Brutal Milk Font Collection where prominence, trustworthiness, and sophistication converge. Brutal Milk is a captivating grotesque typeface that seamlessly blends the robust aesthetics of brutalism with the sleek sophistication of Swiss Design and the nostalgia of Y2K. This collection featuring three distinctive variants – Brutal Milk No1, Brutal Milk No2, and Brutal Milk No3 – offers a unique typographic journey for extraordinary design. Let's break down what we present in this work - Brutal Milk No.1 | Modern Elegance with a Brutal Twist Aims for body text with the perfect balance of elegance and modernity. Brutal Milk No.1 is meticulously crafted for optimal readability, making it an ideal choice for a wide range of applications. - Brutal Milk No.2 | Softened Brutalism for Approachable Headers Aims for display/header text with a gentle and approachable impression. Brutal Milk No.2 is crafted to add a touch of warmth to your designs, making it perfect for conveying a friendly and inviting tone. - Brutal Milk No.3 | Rigid Rebellion for Prominent Headers Make a bold statement with headers that exude firmness. Brutal Milk No.3 is designed to capture attention with its rigid impression, injecting a sense of prominence and confidence into a visual identity. The Features The Brutal Milk Font Collection comes loaded with features such as case-sensitive forms, discretionary ligatures, ordinals, fractions, denominators, numerators, superscripts, and scientific inferiors – ensuring flexibility in design needs. Language Support From Western and Central European languages to South Eastern European, South American, Oceanian, and even Esperanto, Brutal Milk Collections caters to a diverse range of linguistic needs. Brutal Milk stands as a testament to versatility and innovation. Whether you're crafting a sleek logo, establishing a brand identity, adorning decor, creating impactful posters, delivering compelling presentations, designing dynamic websites, refining UI/UX experiences, or engaging in graphic design endeavour. The impressions it imparts—modern, minimal, youthful, funky, groovy, trendy, hip, fly, and undeniably cool—speak volumes about its adaptability to contemporary design trends. Redefine the boundaries of creativity and immerse yourself in the dynamic world of Brutal.

Update November 2022: ULGA Grid now features an oblique variant. It’s also been expanded into a family of different but related designs with the addition of ULGA Grid Solid and ULGA Grid Rounded typeface families. All variants and new designs are monospaced, sharing the same width as the original ULGA Grid font and matching character sets. The character set has also been enlarged and now supports Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian. ULGA Grid is a modular, monospaced typeface reminiscent of the old Letraset LCD & Quartz typefaces from the 1970/80s with lots of alternative characters and ornaments to bring a fresh twist to the genre. The idea’s seed germinated while I was going through a phase of binge watching my favourite 1980/90s sci-fi movies (classics such as Terminator, Total Recall and RoboCop). However, perception and reality don’t always align. Thirty years later, when compared to today’s technology, some visual elements look kind of outdated, almost Retro Futuristic. The initial design process started out in Adobe Illustrator when I constructed letters from a few geometric shapes within a square block. Just playing around with different shapes was so engrossing that it wasn’t long before there were enough characters for a basic typeface. The project grew again as I experimented with designs within the shapes and set paragraphs of text in patterns, resulting in over a hundred alternative characters and ornaments, some of which double up as border designs. This typeface may be square but it’s anything but boring. What it lacks in legibility ULGA Grid makes up for in style and the end result is a surprisingly versatile typeface that you'll have fun using for a wide range of display purposes including CD covers, posters, packaging, advertising, brochures and film titles. Ironically, the fixed grid structure frees the characters to create patterns of text not possible with variable widths.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result in an unusual formula, but the distinct and flamboyant style of Art Nouveau and the Arts and Crafts style combined with the more strict rules of a sans serif transfer well into a beautiful and very usable blend of these individually eccentric forms. The resulting font retains the Art Nouveau and Craftsman style flavors, which shine through the typeface despite its geometric base. One of the font’s defining characteristics is the unique terminators of its C, G and S. This face’s texture and rhythm also moves well in longer texts. These and other features give Ashemore a restrained bohemian vibe that seems particularly appropriate for a coffee house or an art gallery. The Ashemore family has a full range of six weights from thin to black and includes condensed and extended options for a total of 36 fonts. The typeface also includes some unique OpenType alternates that make the superfamily even more versatile. Ashemore is equipped for complex professional typography, including alternates, small caps and many alternate characters. The face also has a number of numeral sets, including tabular figures, fractions, old-style, lining figures and superiors and inferiors. OpenType-capable applications such as Quark or the Adobe Suite can take full advantage of automatic ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Ashemore also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Ashemore supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Ashemore was designed by Jeremy Dooley with production assistance from Lucas Azevedo and Marcelo Magalhaes. Kerning assistance from iKern.

Introducing Brutal Milk Font Collection where prominence, trustworthiness, and sophistication converge. Brutal Milk is a captivating grotesque typeface that seamlessly blends the robust aesthetics of brutalism with the sleek sophistication of Swiss Design and the nostalgia of Y2K. This collection featuring three distinctive variants – Brutal Milk No1, Brutal Milk No2, and Brutal Milk No3 – offers a unique typographic journey for extraordinary design. Let's break down what we present in this work - Brutal Milk No.1 | Modern Elegance with a Brutal Twist Aims for body text with the perfect balance of elegance and modernity. Brutal Milk No.1 is meticulously crafted for optimal readability, making it an ideal choice for a wide range of applications. - Brutal Milk No.2 | Softened Brutalism for Approachable Headers Aims for display/header text with a gentle and approachable impression. Brutal Milk No.2 is crafted to add a touch of warmth to your designs, making it perfect for conveying a friendly and inviting tone. - Brutal Milk No.3 | Rigid Rebellion for Prominent Headers Make a bold statement with headers that exude firmness. Brutal Milk No.3 is designed to capture attention with its rigid impression, injecting a sense of prominence and confidence into a visual identity. The Features The Brutal Milk Font Collection comes loaded with features such as case-sensitive forms, discretionary ligatures, ordinals, fractions, denominators, numerators, superscripts, and scientific inferiors – ensuring flexibility in design needs. Language Support From Western and Central European languages to South Eastern European, South American, Oceanian, and even Esperanto, Brutal Milk Collections caters to a diverse range of linguistic needs. Brutal Milk stands as a testament to versatility and innovation. Whether you're crafting a sleek logo, establishing a brand identity, adorning decor, creating impactful posters, delivering compelling presentations, designing dynamic websites, refining UI/UX experiences, or engaging in graphic design endeavour. The impressions it imparts—modern, minimal, youthful, funky, groovy, trendy, hip, fly, and undeniably cool—speak volumes about its adaptability to contemporary design trends. Redefine the boundaries of creativity and immerse yourself in the dynamic world of Brutal.

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.

In the world of webfonts, Condensed proportions are key to maximizing your page's premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne's Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web's unique constraints. Enter Coegit Sans. Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer. Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging. While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.

A sans serif with a dynamic look for complex typographic work. Rival Sans is a sans serif font family possessing many strengths. Its 32 fonts and 2 styles, make Rival Sans a very versatile family and suitable for many graphic design projects such as branding, signage, editorial creation, advertising, packaging, broadcasting or logo creation. With the endings cut at 10 degrees and sharp cuts on the top of the stems of certain characters (like the l, b or the d) Rival Sans gives dynamism and readability to the lengthiest of editorial content. This beveled font design also gives rhythm to a text's sentences as well as a very functional look. All these design details give this new font family a modern, energetic and humanistic look. Rival Sans also has many powerful OpenType features such as case sensitivite forms, small capitals, old style and tabular figures, slashed zero, ligatures, fractions,and alternative characters to give personality to graphic design projects. Designed also for complex editorial content, this typeface has a powerful home kerning system called "Pro Kerning". With more than 2500 pairs of glyphs and many languages, Pro Kerning optimizes headlines, subtitles, texts as well as long paragraphs in real time. In addition to these extended features, the italic styles of this fonts family have been drawn as fully-fledged styles with different designs from their regular version so that the italic texts look like calligraphic phrases. Rival Sans has an extended character set with over 930 glyphs. This family covers over 130 languages from Western Europe, Eastern Europe and Central Europe. In addition to all the features of its kind, Rival Sans is part of a very complete "type system" with style variants such as the serif version Rival Serif or the slab version Rival Slab. With all these typefaces, you have 62 styles to make your own vibrant and professional graphics or web creations while maintaining consistency in your creations.

Decorative, semi-serif fonts with high contrast: - Fogthree-ACL (AllCaps & Ligatures) with lots of unique (92 basic and 144 diacritic) Ligatures. - Fogthree as an accompanying, classic font with delicate feel, ideal for headlines, short text, logos, packaging and advertising. Ligatures gives text a unique, elegant and romantic feel. These Ligatures are PUA encoded and can also be accessed from Glyph Palette or Character Map. It comes in OpenType format with extended language support.

Oval Monogram is a perfect oval shaped monogram font consisting of 78 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Oval Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Decima Round – one more addition to the Decima fonts family. It is a new version of recently released Decima Pro fonts with new content and styles. The main difference in the new version is a visual softer impressions of letter shapes made by the rounding of all glyphs’ corners and terminals. Decima Round is released in OpenType format with some OpenType features and support of most Latin languages as well as Cyrillic.

Rito Regular and Italic is a clean, crisp and modern monospaced font ready to make your work shine. Its distinctive ink-trap inspired chiseled glyphs create a unique flavor that is more pronounced in the italics. Rito is not your typical monospaced boring font - from the outset the goal was to develop an exuberant, dynamic and contemporary mono-spaced font. Ideal for coding, writing and has plenty of attitude to stretch into display formats!

Calamity Wayne is a reverse-contrast slab serif, inspired by the ‘wild west’ French Clarendons (aka Italians or Egyptians) of the late-1800s. Despite the idiosyncrasies that make it ideal for display and headline uses, it is also surprisingly legible in text settings. Calamity Wayne supports Latin, Cyrillic and Greek, and is available in OTF and TTF formats. Acknowledgement: I am very grateful to David Jonathan Ross (https://djr.com) for his support and encouragement.

Moller has a strong but soft character, with a cheerful and fresh theme, supported by 2 Style. Moller is able to answer your current needs who are designing something great. Moller is a bold and unique display font. Masterfully designed to become a true favorite character, moller is able to answer your current needs who are designing something great Its weight is superior in posters, social media, headlines, magazine titles, clothing, large print formats.

EFCO Overhold, a family of 25 fonts, block allcaps with spur serif accent, created as a font pair with other font collections. available with height and width axes which make a lot of possible layouts. and also available in variable font format for unlimited possible layouts. EFCO Overhold is a great typeface for typography logo composition, branding, packaging, signage, print, headline, pair with your illustration, or pair with other ephemera fonts collections, etc.

Decima – condensed geometric Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). Decima Pro – an upgraded version of Decima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Six more alternate styles have been added to the original six styles. Typeface is released in OpenType format with some OpenType features.

This typeface takes most of its design cues from Isonorm, developed by the International Standards Organisation in Switzerland in 1980. In this version, the overall design has been homogenized to eliminate some of the anomalous forms in the original. Suitable for both text and headlines with a cutting edge vibe. All versions contain the complete Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 character sets, with several language-specific localizations.

Gerova is a serif display font that is aesthetically pleasing and has beautiful curves. Gerova font also gives the impression of luxury with a sleek and sharp serif. This font provides a unique collection of glyphs that are perfect for completing a variety of projects, such as logo designs, identities, product labels, fashion, magazines and more. Gerova font features Open Type Format (OTF), alternative styles, ligatures, kerning, uppercase & lowercase letters, numeral, punctuation and multilingual support.

Calling Code — very nice monospaced font — 1. is a monospaced font family for coding and tabular layout. 2. simply consists of 4 style, Regular, Italic, Bold and Bold Italic. 3. is ready in both OpenType and TrueType formats. 4. has slightly condensed width for more useful space. 5. has good distinguishability and legibility and cute curly tails. 6. brings a fresh sensitivity to boring old existing monospaced fonts. You can try Regular style for free.

Maraka is a handwritten font family, drawn with a paint marker on rough paper, then scanned and turned into vector format. Maraka has a lot of alternative letters and is available in three versions: “Regular”, characterized by an unique look obtained by drawing the letters on a rough sheet, "Solid" and "Serif". Maraka is ideal for large headers, straplines and typographic compositions, but it still gives a great dynamic effect when writing wordy paragraphs.

Introducing Easysans is a All Caps Handmade Sans Serif Font,Textured Sans Serif Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Easysans has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text,design more interesting. Easysans is perfect for homeware designs,branding projects, Logo design, Quotes product packaging

Candide is a neoclassical face for editorial, magazine and newspaper applications. It reflects classical archetypes and is distinguished by its elegant and sophisticated appearance. The Candide family consists of 16 styles. It comes in OpenType format and provides an extended language support. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Hello Everyone, Introduce our new collection BERANI is a Strong Display Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why BERANI has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. BERANI is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Doire is a monowidth font based on the face used on the old Royal Gaelic manual typewriter. Doire Royal is a “rough” version of that font. Doire was first digitized in 1993 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

Errorism - Original Handmade Brush Font is an Authentic brush Font that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Errorism has a rough, authentic, and strong characteristic more natural look. You can activate Ligature OpenType panel. Errorism Perfect for designs, branding projects, Logo design,Quotes product packaging and another Project that require cool strong brush font.

Jungle Monogram Font is a perfect circle shaped monogram font consisting of 78 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Jungle Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Introducing The Soulmate - Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why The Soulmate has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, The Soulmate Perfect for designs,branding projects, Logo design, Quotes product packaging.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy. Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and Dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

Callingstone is an elegant and modern sans serif font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligature with ease! Features : Callingstone Regular, sans serif font All Caps, Numerals and more punctuations. Multilingual support for various languages Open Type Format

Lagom Grotesk is a contemporary neo-grotesque sans serif typeface with strong stylistic geometric contrasts. Its distinctive wide-open stance was designed to give the right visual consistency for branding and communications, representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Lagom Grotesk is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Reminiscent of vintage Paris. Think Tea Parties, Sweet Treats, Candy Shoppes, Boutiques, Fine China, Couture, Cakes and Pastries. This font is perfect for cards, menus, signage, and much more. Les Bonbon Boutique PW is intended and suitable for Display use and Titles. It's not suitable for long paragraphs of text. This font is meant for display, titles, beautiful signage, cards, etc. Les Bonbon Boutique PW is available in OpenType, and TrueType format.

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

With a hand-inked look, Panhandler flows like decorative but unfussy cursive writing. The font has automatically substituting glyphs and ligatures to avoid some of the problems other connnecting scripts encounter. It also includes a set of swash capital letters and a decorative swash ending lowercase set. Panhandler is available in the OpenType format (both flavours) and will work with on all standard platforms and software. Advanced features will require OpenType compatible software.

Xanakee is a curvacious bubbly fun font, with equal parts pleasant approachableness and a swaggerish strut. Xanakee features large, leisurely curves controlled by the consistency of the monoline stroke. All with a friendly, human voice and confident gait. OpenType versions have a few special features, like some smallcaps and some fanciful swash figures. Purchase it from MyFonts and you'll get TrueType format in your download as well. Also available as web type, too, of course.

Introducing Better at class – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Better at class has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging

Proudly Present .. Fabitha Script Fabitha Script goes with Modern and Natural Calligraphy, ready to give your design project with Fresh and Fabulous Style. This font have an 177 Standard Glyph + 109 Glyph Alternate in Open Type Standard Format. Suitable for various purpose such as digital lettering, headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges, branding materials, t-shirt, print, business cards, quotes, logo, poster, and suitable for any graphic design project.