Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than the setting of long running text, or books. Many traits in Benguiat's design are worth further notice. The thick stems of the roman weights have a very stately, solid presence. Their thin serifs have been finely grafted on, a masterful solution to the challenge of bracketing presented by Modernist designs. The italic weights have a very flowing, script-like feel to them, and the letters take the form of true italics, not obliques. The ITC Modern No. 216 family contains the following font styles: Light, Light Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, and Heavy Italic.

Antown is a modern & formal sans family and has 4 variants (Regular, Italic, Bold & Bold Italic). It comes with uppercase, lowercase, numerals, punctuations, some alternate characters, and multilingual support. We hope you will enjoy our work.

Browser Sans is a companion to Browser Sans, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

Browser Sans is a companion to Browser Serif, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.

Resist Mono is a highly functional monospaced type family designed for optimal performance both in print and on the web. Inspired by the distinctive features of the original Resist Sans family, it showcases deep inktraps, angled terminals, and exceptional legibility. With its bold personality and style, Resist Mono remains highly readable even at small sizes. Suitable for coding, UX, web, and graphic design, Resist Mono offers versatility and visual impact for a wide range of applications. Resist Mono comes in 16 styles (14 static fonts) and two variable fonts. Each font contains over 1300 glyphs, including letters, small capitals, numbers, punctuation, symbols, etc. Resist Mono supports more than 200 Latin-based languages and has extensive Cyrillic support for languages like Russian, Bulgarian, Ukrainian, Serbian, and many more. In addition to this, Resist Mono also includes special Powerline symbols for coding. OpenType features in Resist Mono include Small Capitals, Case Sensitive Punctuation, Stylistic Alternates, Fractions, Subscript, Superscript, Ligatures and many more. Resist Mono Type Family Features: - 1300+ characters per font - 14 static fonts - 2 variable fonts - True Italics - Small Capitals - Extensive OpenType features - Supports 200+ Languages (Latin & Cyrillic) - Special Symbols and Features - Free Trial Fonts Available Resist Mono has been meticulously developed to prioritize functionality and legibility, making it an ideal choice for coding. It offers true italics with a calligraphic influence, adding a unique touch to the font. Additionally, users can access the regular slanted letterforms through OpenType by selecting the corresponding stylistic set. With its versatility, Resist Mono can be applied beyond coding, finding relevance in various contexts like product and graphic design, web design, publishing, and more, thanks to its visually appealing features and bold stylistic choices. Explore Resist Mono Dynamic Specimen for more features, type testers, etc.

Aure Declare officiates with dignity and dispassion. These traditional serif forms engage the reader with a no-nonsense subtext of reliability. Declare’s capacity to showcase the message rather than the medium brings a welcome legibility to extended text and a formal assertion to astrological expressions and chartwheels. Declare is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. In addition to Aure Declare’s versatility as a text font, Declare pairs well as a no-nonsense foil to any decorative design. Aure Sable, for example, will shine all the more beside Declare’s practicality. Aure Declare pairs especially well with its close cousin, Aure Wye. Wye’s decorative forms provide elegant titles and drop-caps for Declare’s extended text. Give Aure Declare a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Aure Wye wraps a carefree dispassion with the dignity of tradition. The precise engraving and organic finials of these decorative serif forms engage the reader with a subtext of elegance. Wye brings an unpretentious grace to titles and drop-caps and provides dignity to astrological expressions and chartwheels. In Regular, Wye presents a formal presence; in Italic, Wye offers a more romantic feel. Its small-caps add a stately variety to Wye's typographic textures. Wye is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets, now available in regular and italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Wye will stand up as a text font, but for extended text, try pairing Wye with its close cousin, Aure Declare. Used in titles and drop-caps, Wye will provide a striking elegance that will blend well with the serifed forms of Declare. Give Aure Wye a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Aure Teddy emanates the trusting tenderness of a favorite teddy bear. The hand-penned look of these forms engages the reader with a subtext of comfort. Teddy is delightfully legible as a text font and works well where a more organic look is wanted. It brings an unassuming charm to text and titles and a welcome empathy to astrological expressions and chartwheels. Its engaging charcter serves well in labeling diagrams and personalizing nametags. Teddy is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Teddy fills a unique niche, being a modestly decorative font as well as a competant text font. Like Aure Jane, Aure Teddy serves well paired with the decorative touches of Aure Brash and Aure Sable. Give Aure Teddy a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Aure Sable embodies the entrancing mistique of an adventurous spirit. The fluid forms of this brush font engage the reader with a subtext of serendipitious happenstance. Sable Regular brings the soft touch of familiarity to text and titles and imbues astrological expressions and chartwheels with an exotic intrigue. The graceful forms of Sable Italic add the flowing touch of a personal comunique. Sable is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular and italic. The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Sable is engaging as a text font, but its empathic nature radiates against more traditional fonts that provide the perfect foil to Sable's casual persona. Pair Sable with the formal look of geometric fonts such as Aure Jane and Aure Declare to accentuate Sable's heartfelt nature. Give Aure Sable a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Pro League 2020 font family is a sleek modern sans serif font family that provides italic and weight options that balance well with each other and provide various options for the user. If you are looking to present a clean, sleek professional look that is easy on the eyes - then this is a font family for you. Pro League 2020 font family contains 6 fonts - Pro League 2020 Condensed Regular, Pro League 2020 Condensed Regular Italic, Pro League 2020 Condensed Light, Pro League 2020 Condensed Light Italic, Pro League 2020 Condensed Extra Light and Pro League 2020 Condensed Extra Light Italic.

Royalana is a modern royal font with a minimalist factor. A complete font set containing all the important glyphs. Royalana has been inspired by the very minimalist and compact designs in trend to deliver a new look and yet keeping the professional outlook of any design or print. Royalana font set includes; Royalana Light, Royalana Light Italic, Royalana Regular, Royalana Italic, Royalana Bold, Royalana Bold Italic, Royalana Extra Bold & Royalana Extra Bold Italic. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Jenson Oldstyle was designed by J. W. Phinney of the Dickinson Type Foundry in 1893. Jenson is based on the 'Golden Type' designed by William Morris in 1890 for his private press editions under the imprint of the Kelmscott Press. The original digital Lanston version of this face included a companion Oblique. This remastered set instead features a true italic based on the 1893 ATF italic version as well as a newly digitized Jenson Heavyface based on Phinney's design of 1899. Jenson Italic Pro features alternate lowercase forms based on ATFs then contemporary Cushing Oldstyle Italic.

Are you looking for a robust, contemporary font with strong personality? Sintesi Semi might be exactly what you are looking for. Sintesi Semi is a hybrid font which manages the “synthesis” between Sans and Serif in its own way. Due to its constant stroke the favorite font of the author is closer to a sans serif and scores with its robustness and contemporary style. Its strong serifs though evoke rather a slab serif font. Sintesi Semi builds together with Sintesi (Serif) and Sintesi Sans an extended family. Prove character too, with Sintesi Semi. Download a free trial version of Sintesi Semi with a reduced character set. Check it out!

Rilo is an 18 style semi-condensed sans-serif with 9 weights + Italics. This unique OpenType typeface has a handful of unique glyphs with conservative stylistic alternatives. • 18 Styles (9 weights + italics) • OpenType alternates • Western European language

A semiserifed Monospaced with a dynamic italic.

Godan Modern Slab Serif Font Family Godan is A modern Slab Serif font family with minimal, modern,and futuristic style. This font works perfect for you who needs a typeface for headline, logotype, apparel, branding, packaging, advertising, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, alternates, and support multilingual. Features; - 10 styles; Godan Thin, Godan Thin Italic, Godan Light, Godan Light Italic, Godan Regular, Godan Italic, Godan Bold, Godan Bold Italic, Godan Black, Godan Black Italic - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font and this font usefull font your projets!

Griselda is a elegant italic slant font, which designed by Hajid Hikmatiyar. It is designed to blend classic delicacy with modern rhythm of glyphs to suit any design works. And, the rhythmic skeletons of italic styles enhance the designer's palette. With its italic glyphs, the control of breathing layout is a privilege that designers can have. Please let me know if you have any problems, suggestions or questions!

Rogy, A Display Typefaces with Variable Weight and Italic. Rogy is a modern variable font. Basically this is a Sans with rigidity and squared look yet very legible with various width and italic that you can explore, combine, create and help you designing something. The Bolder the Stronger. it has define Rogy, it's Bold, Strong and the italic version of this fonts are very good for Sports design.

Brotherland is a handdrawn serif typeface wit a rough and vintage character inspired from American Vintage typography. Brotherland comes with 4 styles: Regular, Italic, Aged, Italic Aged. Perfect for logos, badges and any project needing a vintage touch.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

LyuLin is a modern sans-serif font and contains 24 styles. Available in 6 weights and its italics and condensed forms. LyuLin Heavy Italic weight and LyuLin Light Condensed are free, so you can use them for your projects.

Drawn by George Ryan and named after Robert Givens, the co-founder and first president of Monotype Imaging, the Givens Antiqua™ typeface speaks with elegance and subtle authority. The design's open proportions, generous x-height and soft serifs lend Givens Antiqua a gracious quality that invites reading. I didn't work from any single design model," Ryan recalls. "The face grew out of my experimenting with several characters from a hand-lettered headline in a magazine. I worked on the shapes and forms for some time before I put the drawings in a drawer." At that point Ryan had finished the basic alphabet in two weights, but had not yet tackled the italics. A new project came along that demanded his full attention, and it was two years before he revisited the drawings. He liked what he saw and decided to finish the job. "The italics were the most problematic designs in the family," says Ryan, "but once I had their basic shapes and proportions, the rest was basically a production project." Another year of sketching, testing, editing and reworking characters ensued before Givens Antiqua was ready for release. The result is a four-weight family of roman designs and small caps, with complementary italics for the lightest three weights and a suite of swash caps for the italic designs. Givens Antiqua and Givens Antiqua Light show a modest stroke weight stress and a light, even text color. Givens Antiqua Bold is an effective emphasizer for text copy and an authoritative communicator at display sizes. The Black weight performs best at large sizes and makes a powerful statement without shouting, while the italic swash capitals possess enough vitality to serve as standalone initial letters."

Collect Em Now BB is the sentence-case companion typeface to the uppercase Collect Em All BB! It includes four fonts: regular, italic, bold and bold italic, double letter opentype ligatures, contextual alternate barred-I correction, manga glyphs, and more!

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic

Casual and Elegant. Liet Display© is an upright italic that plays with formality by subtly exploring the spaces between serif, sans-serif and italic styles. I recommend Liet Display© for post-apocalyptic packaging, branding, and editorial design. Dominic

Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might've been called a "late transitional face" and lumped together with Bell and Bulmer. But it's a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, italic, bold, and bold italic styles.

Galdana Caption family contain 4 styles: Regular, Italic, ExtraBlack and ExtraBlack Italic Created to use as main typeface, headline or in combination with the family of fonts Galdana (text) The most important characteristic of the italic style is the slanted angle at seventeen degrees, short ascenders and descenders with dynamic calligraphic flavor. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

Praxis Next Variable Italic is a single font file that features an italic design with two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances The Weight axis has a range from Light to Ultra. The Width axis provides a range of condensed values. This Italic font is provided as an option to customers who do not need Roman (uprights), and want to keep file sizes to a minimum.

NCS Radhiumz is a modern powerful quality sans serif font with great versatility. This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Included 08 variant to choose : Light Light Italic Regular Italic Bold Bold Italic Bold Rounded Bold Shadow Included uppercase, lowercase, numerals, punctuations, multilingual support, and some alternates & ligatures.