Artic Fiction This font was inspired from lettering design that i saw online, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. If you looking for Script Monoline Font for your authentic design, this font is a great choice for that. Artic Fiction is original hand writting font its perfect for lettering design or event logotype. Opentype features Artic Fiction font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes * Multilingual support (Western European characters). This fonts works with folowing languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. Thank you for using this font. LS

Dave West’s Italiano is a smooth and sensuous typographic dish with a few extra savory dashes. The silky semi-serif combines ingredients from eighteenth-century engraved italics and nineteenth-century Italian Modern, softened by fine stroke endings and plump dolloped terminals. Preserve Italiano’s subtle flavors by maximizing its size in headlines, advertising captions, and identity campaigns, or capitalize on its swash characters to sweeten package and poster designs. However you use it, Plinc Italiano is a tasty typographic treat—non ci piove! Drawn in the late 1960s for Photo-Lettering, Inc., Italiano was digitized by Steve Ross with Ken Barber in 2015. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Meet Halagar! a versatile font family that brings a dash of masculine charm to your creative toolbox. With a diverse range of 8 weights, Halagar offers endless possibilities for your design projects. Whether you're crafting a bold brand identity, designing eye-catching packaging, laying out engaging body text, creating striking titles, composing captivating posters, or sharing vibrant social media posts, 'Halagar' has you covered. Its strong and assertive presence adds a touch of confidence to every piece. With Halagar, you're not just getting a font; you're getting a reliable design companion that elevates your work to the next level. Explore the endless potential and let 'Halagar' be your go-to choice for all things branding, packaging, and beyond. Unleash your creativity with 'Halagar' today and make your designs stand out in style!

Proudly present Greats - Luxury Serif Font, created by ikiiko. The pinnacle of opulent serif fonts that sexily combine refinement and glitz. Transform the visual identity of your brand with this gorgeous typeface, which was painstakingly designed to radiate sophistication and grandeur. Greats is the ideal option for fashion-forward brands looking to make a statement because of its traditional elegance and timeless serifs. Its elegant design and minute features provide a beautiful mix between modernity and tradition, giving your writing an air of distinction. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, perfume, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligatures & Alternates Multilingual Support Works on PC & Mac

NorB Architect Pencil Condensed fonts are the fruit from learning architectural lettering books so featuring 7 condensed weights going from Light to Extra Bold version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun!

Sabon was designed by Jan Tschichold and released in 1967. Sabon was created in response to the specific needs of a group of German printers who wanted a typeface that would be identical in form when produced by three different metal-casting technologies. Named after Jacques Sabon, a sixteenth century typefounder whose widow married another typefounder, Konrad Berner, who is credited with issuing the first typefounder's specimen sheet. Several types on the sheet were attributed to Claude Garamond, and one of these served Tschichold as the source for Sabon roman. The italic was based on another face on Berner's sheet, cut by Robert Granjon. Tschichold's skillful adaptation of these old style faces has produced an elegant and workmanlike book face. The Sabon font family is a popular choice for setting text.

I’m glad to present my new hand-drawn typeface Blueberry Spot. The clearances in some letters are filled as if somebody put a blueberry blot in them. Also, I created the second style of this font. If you don’t want blots use a clear style. This font is perfect for making your project look pleasantly scruffy, handmade. Use it for nice identity, funny craft package, blog posts, holidays poster, etc. What's included? Regular and Clean styles Uppercase and lowercase Multilingual support Numbers Symbols Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Base & Bloom is an experimental (but relatively organic) fusion of geometric monoline sans and high-contrast flourish didone. It was inspired by the lack of curious modern display sans as opposed to the uprise of contemporary serifs past couple of years. The idea was to incorporate flourishes not as unnecessary elements like swashes, but as a part of letter structure, which was an especially interesting task considering it was not a serif, which potentially could give more room for that. And after all, the idea pays off by generating many inventive letterform solutions. Base & Bloom has alternates for each letter (up to 11) so you can make endless combinations to find the perfect look. It is a bold choice for posters, album covers, identity and packaging, headlines, oversize typography, and editorial design.

Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antetétulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antetétulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.

Ciutadella was originally commissioned by Mario Eskenazi’s studio. It is a versatile geometric sans serif, a simple, clean and direct family. Its power resides in an overhaul simplicity that reflects an “open” personality, easily suitable to be used across a wide range of applications, from identity systems to publications. Although it has been conceived to be used as a display typeface, it performs well in intermediate length texts mostly because of some specific characteristics such as the alternate two-story ‘a’. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. See also Ciutadella Rounded and Ciutadella Slab. Ciutadella PDF.

This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities. FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen. This FontFont is a member of the FF DIN super family, which also includes FF DIN.

Poleno is a custom typeface originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. Ever since, new weights have been added to complete six variables and two different options for accents. The typeface adds a fresh, bold and non-rational feeling to headlines and titles in books and posters in display sizes where emphasis and detail are equally important. Randomly-generated contextual alternates included in the family contribute to add a distinctive look to words with repeating characters, whenever they occur next to each other. The difference between the Poleno Set and the Poleno Alt Set is in the accented characters. In the first one, accents are merged with the characters and in Alt version, accents are separated from the characters.

NorB Architect Pencil fonts are the fruit from learning architectural lettering books so featuring 7 weights going from Light to Extra Bold version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun!

DIN 2014 Rounded is an extension of the industrial sans serif DIN 2014. It combines the softness and friendliness of the rounded endings with the seriousness and stability of the original typeface. Not a typical childish rounded font. DIN 2014 Rounded works well for medical or architectural topics, headings on the web or in periodicals, brand identity, packaging, and, thanks to the DIN proportions, for signage. DIN 2014 Rounded includes six styles ranging from extra light to extra bold, corresponding to the upright styles of DIN 2014, as well as a variable version. The typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh, Kyrgyz and other languages). Isabella Chaeva and Alexander Lubovenko worked on the rounded version. The typeface was released by Paratype in 2021.

The beauty of visual brand identity can direct people's perspective and shows the value of the brand. Hence we try to bring beauty to our font that one may forge harmony for the audience. Introducing, Mondany, the (grand, divine, elegant, beautiful, etc.) monoline script font. With the neat curve glyph, Mondany is perfect for branding purposes such as logo, label, title, headline, social media, business card, quotes, and others. Mondany includes: numbers and punctuation multilingual ligatures alternates swash opentype features We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Discota - Fluffy Display Font embodies the retro coolness of the 80s and 90s, exuding a playful and groovy aesthetic reminiscent of those iconic decades. Its rounded, boogie-inspired design with soft edges and friendly appearance makes it an ideal choice for projects aiming to evoke nostalgia or a carefree, energetic atmosphere. Discota effortlessly captures the spirit of the past, making it the perfect choice to infuse your creative work with a touch of nostalgia and a whole lot of fun. Choose Discota to bring the funky and stylish aesthetics of the 80s and 90s to your designs, creating a memorable and captivating visual experience. This typeface enhances a wide range of design projects, including greeting cards, packaging, brand identity, posters, and more, adding eye-catching and trendy appeal.

Ravensara Serif - elegant high contrast classic serif. Style of the typeface originates in a classic Didone but took a step to simplify some letter forms and make Didone feel more contemporary. Ravensara Serif is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Stencil. Ravensara Serif, despite its ancient roots and due to simplified and smoothed forms, can be used in a variety of different styles. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc. It is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Ravensara Serif extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Cyan Neue is a substantial update variation to the original Cyan we launched in 2006. Most notably the contrast has decreased making it more contemporary. Many glyphs have been improved especially in the italics. The design of Cyan Neue was inspired by features found in classic Roman. It shows a preference for geometric Roman proportions while incorporating open centers (B,P,R) and compact serifs. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. There are many subtle details in Cyan Neue that become more interesting in display sizes, for instance the subtle curves in the serifs and the overall smoothness. Cyan Neue is a robust font that will exceed your expectations. Cyan Neue is clearly ideal for headlines, inscriptions, publications, annual reports, corporate identities, packaging.

Galeana is a flat-sided sans serif typeface that features a closed aperture. The font is a reinterpretation of Latin American-flavored typefaces used for European editorial designs such as Plastique and Zembla magazines. This superfamily consists of 4 sub-families: Compressed, Condensed, Standard and Extended. The heaviest and narrowest variants—created at the early stage of the design process—resemble the slender trunks of the Galenas (African tulip trees). The other variants have an extended width, which evokes the broad crown shape of these trees. Galeana comes in 48 styles and contains 417 glyphs that support over 200 Latin-based languages. The font performs well for mid-length text and it's the perfect choice for headlines, editorial design, brand identity design, advertising, social media and use on Tv.

Andron Ornamente contains a set of about 48 fancy classical typographic ornaments. You can embellish pages, headings, memos, invitations or title settings … you can compose lines and borders and even rich graphical textures. The Andron ornaments perfectly match the timeless classical mood of all Andron typeface fonts. (Note that the glyphs contained in this font are identical to those ornament glyphs in the Italic and Scriptive fonts of the Andron 2 series as well as the Scriptive font of the Andron 1 Latin family.) For the ease of use the glyphs of the Andron Ornamente font are double-coded and also mapped to the keyboard-friendly a–z and A–Z positions. If you like fine ornaments you should also have a look at Arthur Ornaments, Behrens Ornaments and Leipziger Ornamente.

Zin Serif is a contemporary typeface designed for various situations of typographic usage. Characteristic feature is a large x-height and balance between neutral construction of letters (strictly vertical axis) and dynamic open forms (opened terminals). Another typical feature is a visually narrower connection between stems and strokes. The complete font family consist of three width proportions (Normal, Condensed and Extended). Every sub-family has 5 weights, ranging from Light to Black with matching Italics. Zin Serif can be effectively used for both text and display typesetting. It can be used especialy in magazine layouts and editorial design, as well in advertising typography, orientation systems, corporate identities and many other situations. Zin Serif is a member of the Zin super family, which also includes Zin Sans, Zin Slab and Zin Display fonts.

The Sajola font is a contemporary sans-serif designed in four variants. Font designs range from formal and non-formal modern styles with a coherent typography system that has the same amount of weight, identical character sets, and vertical dimensions. Professional typography that supports using individual variants as main headings, sub-headings, sentence and paragraph texts, making this font complete as your choice. This font is designed with space-sensitive environments in mind. Environments such as interfaces, forms, and pathfinding applications. Font spacing is adjusted in a way that allows switching of weight and style without having a significant impact on overall space consumption. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.

This font contains plant icons from the taxonomic category Orchidaceae, inspired by the multiple specimens that can be found in Colombia that has the largest number of orchids in the world, more specifically in the specimens that have been exposed on the José Celestino Mutis botanical garden. These icons are characterized by having an organic outline; representing flowers, roots, leaves, bulbs and different supports or pots. The vast majority of icons have perfect bilateral symmetry because this is one of the differential characteristics of orchids (compared to other flowers), if they are divided by a central-vertical axis, their right and left sides are practically identical. “Aguadija” can be used in projects related to nature or similar topics, some icons (specifically the digits) are intended to form decorative ribbons or borders.

Quiza Pro is a geometric display sans with added playfulness created around a single dot. Its peculiar rounded diamond shape has inspired many additional details such as similar cuts in diagonal strokes, or occasional serifs in ascenders and capital letters. Its low x-height together with friendly character makes Quiza Pro an interesting choice for packaging and branding purposes. Additionally, its balanced rhythm allows paragraph typesetting in corporate editorial projects – making it a real workhorse for an identity designer. Quiza Pro comes in 8 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 6 sets of digits, 3 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

Hey! I'm happy to introduce to you my new initial's set. These drop caps I found in the "Introductorium in astronomiam" manuscript. It was printed in Augsburg in 1489 by Erhard Ratdolt. I've added some lost letters and assembled a full alphabet. Augsburg is a medieval gothic style font. Set of dim colored and monochrome grunge style emblems. Engraved initial drop caps. Perfect for vintage premium identity, Middle Ages posters, luxury packaging. If you want dark and strong medieval style concepts, please try it. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, macOS 10.14 Mojave* *Please note that the Canva & Corel doesn't support color fonts!* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

Cascadeur is a variable modular sans with 3 axes, a modernistic hommage to space-age typography. It was designed by Peter Bushuev and released in April of 2020. Cascadeur was born from a type design study and went a long way to its final form. The main feature is a structure of the font: it based on 4 lines grid, has very tight spacing to achieve maximum space coverage and set of inventive letterforms. It is also a variable font and has 3 axes: weight, slant, and roundness. Cascadeur has alternates for almost every letter (2-4) so you can find a rhythm and a unique pattern for your design piece. It is a perfect choice for posters, album covers, big headlines, oversize typography, identity and packaging, editorial design.

In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design a new version of Claude Garamond’s serene and classical Roman. Its bold, and particularly its italic styles are limited by the requirements of Linotype casting machines, forcing the character widths of a given letter to match between styles, giving the italic its characteristic narrow f. The family’s name is taken from Jacques Sabon, who introduced Garamond’s Romans to Frankfurt. Sabon has long been a favorite of typographers for setting book text, due to its smooth texture, and in large part because Tschichold’s book typography remains world famous.

Elioth is a humanist font with angled terminals as a identity of this product. Comes with a modern look, this font suitable for display and body text. Elioth is perfect for advertising, packaging, logo, editorial and publishing, branding and other creative industries. This family of 9 weights from Thin to Heavy along with italics contain several OpenType features: Stylistic Alternates and Figures Variation (circled number, fraction, tabular lining, numerator, denominator). With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 752 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates

• Introduce you the first SVG font in Vintage Voyage collection. • Trendy all-caps cinematic sans in four styles. Inspired by 80s multimedia era typographic like your old VHS cassette package design in your mama's house attic. Perfect choice for your movie titles, party flyers, exhibition identity or action style advertisement. • Four styles: Clean, Roughen, Outline and SVG textured. SVG was made with Hand Made grunge texture. • Multilingual. • If you don't know how to use SVG fonts Jeremy from The Hustle Supply has a useful video about it here: https://youtu.be/Qed4f2UAChU Please, Pay Attention: Myfonts.com doesn’t support the heavy svg files. After purchase this family just send me your order number to contact@vintagevoyagedesign.com and i’ll send you the link to download the OTF SVG file within 24 hours.

Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Driver Gothic is available in all popular font formats, and is comprised of a very extended character set (over 750 characters) covering a wide range of languages, including Central and Eastern European languages, Greek, Cyrillic, Esperanto, Turkish, Baltic and Celtic/Welsh. Driver Gothic Pro, the OpenType version, contains class-based kerning and push-button stylistic alternates for use with apps that support advanced typography. Buckle up!

Elyanor is a classic display serif font, drawing inspiration from French Renaissance type. It is available in both regular and italic styles, making it versatile for use in various design projects. Elyanor's serifs make it perfect for creating headlines and titles that grab attention. Additionally, its classic look lends itself well to editorial design, where it can add a touch of sophistication and elegance to text-heavy layouts. Elyanor is also suitable for use in monograms, logos, and branding materials, where its distinctive and memorable appearance can help establish a brand's identity. Its versatility extends to poster design, allowing it to create bold and eye-catching typography that stands out from the crowd. Elyanor is a versatile font that offers a unique and shabby-chic aesthetic, perfect for a wide range of design projects.

Hucks Serif is a contemporary serif typeface that seamlessly incorporates large open counters and gracefully curved and rounded forms, resulting in a glyph set that exudes a modern and elegant aesthetic. The pronounced contrast between thick and thin strokes imparts Hucks Serif with a harmonious and stylish appearance. Meticulously crafted to infuse letterforms with an inherent elegance, this font lends a distinctive style and atmosphere to every project it graces. Its versatile nature makes Hucks Serif particularly well-suited for many applications, including but not limited to editorial, headlines, large-format prints, brand identities, social media graphics, advertising materials, editorial designs, posters, magazines, logos, headings, and more. The adaptability of Hucks ensures it can effortlessly enhance the visual appeal and impact of a diverse range of creative projects.

Tiqqun appeared as a font for a monumental, but at the same time futuristic design. During the creation process, many variations for each glyph came to mind. Therefore, it was decided to create an entire system of alternative options. As a result, we have more than 130 alternative characters and as many as two full-fledged alternative sets. The font contains monumentality, brutality, futurism, rigor and uniqueness of some forms. As a result, Tiqqun has become a font system that can cover a large range of your design needs: Prints on clothes, logo, packaging, banner, title, text, poster, merchandising, identity, branding or product design. - 360+ Glyphs - 130+ Alternative Glyphs - Supports 80+ Languages - Special Symbols and Features - 2 Full Alternative Set - OT Features: aalt, case, kern, ordn, salt, sups, ss01-09

Inspired by the diverse and dynamic neighborhoods around their studio, kapitza’s most recent work is about observing and recording the transient nature of inner-city populations. This visual research results in vibrant sets of silhouettes with site-specific names like ‘Liverpool Street’, ‘Victoria Park’ and ‘Brick Lane’. This ongoing project charts the visual component of local transformation, managing to reflect something that is deeper, invisible and beyond the surface. These fresh, creative typologies make sense of sensory overload. Though stark and simple, these silhouettes make the increasingly complex connections between people (s) and place(s). Somehow identities are represented in the absence of context and locations are curiously referenced without surroundings. By focusing on an area’s inhabitants, their work highlights distinct subtleties regarding the interplay time and place.

Kapelka New is a soft and friendly display face based on the principles of writing with a soft pointed brush. Kapelka is suitable for packaging design, children's books headlines and any other domestic and informal purposes. The typeface was designed by Zakhar Yaschin and released by ParaType in 2015. Inspired by the sweetie paper and soft pointed brush writing Zahar Yaschin designed the first version of Kapelka in 2001. It wasn’t on the shelf all these years and even served some time as a corporate identity of “Domashniy” TV channel. But with the benefit of hindsight the author decided to improve, modernize and extend Kapelka. The result was even better than you would expect. The font became even more soft and gentle and also gained some inward nobility due to more evident calligraphic base.

Kamui is a font designed by Carlos Fabian Camargo G. and used to write headlines. Its strategy makes it ideal for covers and advertisements with Japanese-style manga comics requiring latin style. Precisely its purpose was inspired by typographical classics such as Mistral by R. Excoffon and Zapfino by H. Zapf that then were diluted by separate strokes as blackletter calligraphy. However, high doses of miscegenation and lettering untimely torn between 50% esthetic and 50% legibility. That way his radical expression is highly profitable for composing and designing words and phrases with Eastern look. And more importantly, the writing seems drawn quickly with thin-tipped brush staining over a rough surface, from that process comes the idea of corroded outlines and changes in contrast. In conclusion, some diagonal strokes, horizontal, curved and vertical stand or hide from their simulation of scarcity or abundance of ink clots. That way each stroke seems inconsistent, footprint of the 423 brush drawing glyphs in Regular Kamuy. In that sense, the OpenType features included are: Standard Ligatures, Contextual Alternates, discretionary ligatures, swash, stylistic alternates, alternatives for titles, ordinals, fractions. And to end the Variable “Kamuy Dingbats” has is 52 fictitious drawings and zamurais.

FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

FHA Condensed French One could speculate that FHA Condensed French probably started life as wood type for displays, headlines and posters. The exaggerated sharp serifs and condensed forms were not uncommon for that period. At some point, sign painters picked up Condensed French added their own character. At the end of the nineteenth century, Frank H. Atkinson included Condensed French in his samples of lettering for his book, ”Sign Painting, A Complete Manual.” This book became one of the definitive guides for signwriting and hand lettering. In 1999, Mike Adkins digitized Condensed to add to our Atkinson collection. For its re-release, Condensed French has been updated with more language support, ligatures, and OpenType alternates. It has true vintage character but still plays well in more modern designs. A font for all seasons, the condensed forms and sharp serifs fit in every layout from wildwest days posters and creepy film credits to Christmas ads and Mother’s Day cards. While I can’t really see FHA Condensed French as the font for phone aps or video game text, it will provide impact to logos, branding, and product labeling.

Here’s an intriguing mixture of 1930s deco and modern tech fashion. Travel Kit Medium is a sturdy semi-serif hybrid with one foot in the past and another in the present. It is slightly low-waisted with extended crossbars on the capital A, E, F, H, K, and P. But the capital B, M, R and X are distinctively contemporary with the E and M repeated as unicase letters in the lowercase. Optional retro characters (notably the unicase e and m) have been provided if you prefer a more traditional overall look - and your software allows access to these characters. Simply find and replace the more modern letters with the older ones. In addition, small caps with even more alternate characters have been included for greater flexibility and convenience. Travel Kit Medium with Alternates is now available in the OpenType format. In addition to small caps, lining figures, oldstyle figures, and petite figures, this expanded OpenType version contains additional stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Whiskey Sour, a robust vintage serif that is as delightful as it is confident. With its soft and warm aesthetic, this typeface effortlessly captures the essence of approachable confidence, making it a tasteful choice for your typographic needs. Whiskey Sour is based on Tomato Ketchup, an earlier release of Fenotype. It has larger and taller uppercase and plenty of differences in lowercase characters, the most significant ones being letters a, h, m and n. Whiskey Sour is an excellent choice for modern graphic design, offering a distinctive touch of familiarity. Whether gracing logos, packaging, restaurant graphics, or any display application, this versatile typeface shines in headlines and shorter texts. Experiment with reduced tracking for a more compact visual impact, or, when using it in small sizes, add a touch of tracking to ensure legibility. Whiskey Sour is naturally equipped with lots of OpenType features: try spicing up your designs with Swash, Stylistic, or Titling Alternates or Discretionary Ligatures. In total Whiskey Sour has 134 Alternate glyphs that can be accessed from OpenType controls or Character Window. See the full selection of Alternates in the specimen posters.