Cirkel is a contemporary font family based on circles. Its geometrical and unusual forms gives us a nice feel of modernity and humor. Created by Jarbas Gomes, Cirkel family is composed by 3 weights (Light, Medium & Bold) and its respective ornamented fonts made of patterns (Stripes Light, Stripes Medium & Stripes Bold). The fonts also have a great set of ligatures and swashes that can be accessed in softwares with support to OpenType features. Cirkel is indicated for hype designs, on titles and short texts.

Introducing South Route Font Duo and Extras - a handsome new font duo with tons of versatility.South Route consists of two fonts , A textured casual script and a bold & hearty sans-script titling font.To make your designs more authentic, South Route Script font has a set of lowercase alternate letters and ligatures included.South Route also has a handy set of 26 extra dry marker swashes and grit dingbats . Fantastically versatile, South Route lends itself to both retro hipster style designs and fresh bold modern designs.

Have a great day! My new font was present, Black Rover!! Black Rover is a Bold vintage style serif font with strong character and soft features. modern and classic font with a unique and bold look. It’s a very versatile font that works great in large. Black Rover was built with openType features, Many Ligature makes your project will be awesome!! Perfect for editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Resty is a bold script font that is characterized, unique and bold. This font is designed with a natural touch of handwriting refined to create portions and compositions that suit your needs. Of course, this font designed with natural hand touch has alternative features, ligatures and also supports multi-language, So this font is suitable for crafts, logotypes, posters, titles, banners, wedding invitations, product packaging logos, quotes, social media page covers, book covers, and more. what are you waiting for start creating special projects with this font!

Introducing, new font, Retrips - a soft bold serif with ligatures and alternates! Retrips is a modern and soft bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! This font will make your project looks retro and chic. You can use this font for poster, event, or your social media post. Retrips also support Multi Language. and already PUA Encoded! Features Uppercase & Lowercase Number & Symbol Multi language Ligatures Alternates for each characters PUA Encoded

CHARACTERISTICS The kiddy and warmly cha­rac­ter and the cute, huge points (amongst others punc­tua­tion), gives the type­face a high reco­gni­tion value and uniqueness. APPLICATION AREA The warm, child-like, bold and striking sans serif font »Shaky Hand Some Comic« would look good at dis­play size for head­lines in magazi­nes or web­sites, pos­ters, packa­ging, covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Font »Shaky Hand Some Comic« Open­Type Font with 340 gly­phs alter­na­tive let­ters and liga­tures (with accents & €) & 3 styles (regu­lar, bold & 3d)

We present Elysia, a fresh two-faced serif with both MODERN and CLASSIC curves. Elysia is a split personality font that can be used for a variety of projects, including bold magazine imagery, wedding invitations, branding, poster design, and much more. 2 Weights (Light & Bold) 2 Styles (Modern & Classic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyps Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Starve for tasty bold font? Say hello to Frunch! A delicious bold script font with a vintage vibe. Frunch comes to you with several alternate letters for you to play with and the complete set of lowercase-letter swashes that make your words look delicious and stand out. It's especially created for food & beverages branding as well as product packaging typography (e.g.: snack, honey, breakfast meal, milk, bread and cake). It's also perfect for poster, business cards, headline, restaurant menus, and much more. Have fun with Frunch!

Stonechips is a new Display Font with a bold and unique style. This font is carefully made to maintain the balance of each letter, so that creating a bold and strong style in this font. And very easy and convenient to use! With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Blue Bronx - Bold Vintage Scipt Font. Blue Bronx is a bold vintage script font. Blue Bronx is font we combine vintage with luxury script font. Blue Bronx can be used in various projects with retro or vintage and luxury themes. Such as logos, branding, posters, packaging, book covers, clothes/apparel, quotes, titles and others. Blue Bronx come with clean and rough font version. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

DEADFROG is a simple classic font, the base is a super bold serif font that is given a grunge texture effect, resulting in a vintage font, which is suitable for supporting designs related to the world of motorcycle custom. But it can also be used for other designs that require a vintage, bold design style, such as magazine headlines or posters. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Being a Star is one thing, but being a Twisted one is even better! JWX Twisted Star incorporates your deep desire for stardom into each alpha and numeric glyph, in a bold bordered font. The upper case letters sport a trailing accent, making them shooting twisted stars. This is a single bold typeface, and is intended to be used at a large size in graphics work, adding a not-so-subtle statement to everything from screen printed t-shirts to posters or even embroidery (available at www.janworx.com).

Do you want your visuals to be louder? Hurtmore typeface can make your visuals more powerful. A fun handwritten design with a realistic scribble style. It can add a sense of loudness and boldness to your visuals. Hurtmore also features a unique stylistic alternating character. You can mix and match it however you like! It is perfect for packaging, posters, quotes, editorial, and branding projects that need a bold impact. Features: - Total 232 Glyph - Uppercase - Alternates & Ligature - Numerals & Punctuation - Multilanguage Supports 60+ Latin based languages

Gemsbuck Pro is a typeface that was designed by Atok Khoirudin in 2022. It is a sans-serif font known for its bold and geometric design. Gemsbuck Pro features clean lines and a modern, industrial aesthetic, making it popular for various applications, including posters, headlines, and logos. The font family includes several weights and styles, ranging from light to bold, allowing for versatile use in different design contexts. Gemsbuck Pro has been widely used in print, advertising, and digital media due to its distinctive and impactful appearance.

ASV Codar is a modern Arabic text typeface with two weights: ASV Codar Light and ASV Codar Bold. Both of the fonts include Latin glyphs (Palatino Roman and Palatino Bold), allowing a single font to set text in both most Western European and Arabic languages. The two ASV Codar fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Gemsbuck 01 is a typeface that was designed by Atok Khoiruding in 2022. It is a sans-serif font known for its bold and geometric design. Gemsbuck 01 features clean lines and a modern, industrial aesthetic, making it popular for various applications, including posters, headlines, and logos. The font family includes several weights and styles, ranging from light to bold, allowing for versatile use in different design contexts. Gemsbuck 01 has been widely used in print, advertising, and digital media due to its distinctive and impactful appearance.

Hollgati is a bold sans serif font with moderate and elegance lines, It is based on the combining a variety of styles available in both an elegant regular weight as well as outlined weight.The font is simply work with bold scary touch which is great for halloween titles. Holgati font is Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography. Please contact us if you have any questions. Enjoy the font and thanks for supporting us. Regards, Grontype.

Curve is a modern neo-classical typeface family with some features of the Didone genre, but especially designed for contemporary typography. A large x-height not only creates space in the letters for extra-bold styles, but also lends Curve an open and generous character in the more narrow and semi-bold versions. It has 616 glyphs with small caps, numbers and ligatures in 10 weights. Curve is a contemporary serif typeface, special for logos, brands, magazines and editorial and for setting trends in fashion and design.

Notes And Quotes is a font duo that includes a bold typewriter font and a casual script font. The contrast between the fonts makes it a striking pair, perfect for logotype design, modern branding and packaging, quotes and social media posts. Notes And Quotes includes 6 fonts: a handwritten script font with a slant alternative and a bonus set of handwritten doodles (underlines, circles, words and short sentences, etc) a bold typewriter font with a "jumpy" alternative and a set of bonus misprints and grungy elements

Leo Slab is a clean, contemporary slab-serif font. It's bold extended design makes it a perfect choice for headline and larger text block use. Extremely readable for a strong impact! Leo Ornate is a decorative companion to Leo Slab. With it's detailed inlines and linear drop shadow, Leo Ornate is ideally suited for use on headlines, display titles, logos, as well as a variety of other applications. Bold, extended and robust, this font is sure to make a strong impact in your next design.

Directors Cut Pro is a compelling new font series designed by Alex Kaczun. It recently won the second place—a commendation in the Canberra Typeface Competition. This handsome Geometric Antique serif design is based on the early 19-century Moderns and Scotch styles, infused with the warm charm of traditional antique, added for interest. Capturing the best of both ages: it's warm, comforting and persuasive. Directors Cut Pro's graceful aspects naturally invite uses at large sizes, for which we have created a stunning and elegant lighter weight. But, this workhorse typeface series incorporates a solid regular weight, along with its italic—ideal for a multitude of text purposes, at varying point sizes. A robust Bold weight is available for headlines and emphasis. Director Cut Pro comes with proportional as well as tabular lining figures for quickly setting up charts and tables. It also contains an extended character set—including most Central European languages. Alex Kaczun is in the process of expanding this typeface series to include additional weights, styles and proportions. Stay tuned! The large Pro font character set supports most Central European and many Eastern European languages.

Core Sans N SC is the Small Caps version of the Core Sans N that is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N SC Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N SC Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N SC Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

“Liebelei” – dalliance, flirtation, hanky-panky; kind of diminutive of “Liebe” (German for love) The typeface Liebelei has its roots back in 1932, when Vienna-based painter Rudolf Vogl created the poster for a movie called Liebelei after the popular play by Arthur Schnitzler. Only the title letters existed of that typeface. I loved the letters from first sight and proceeded by adventurously interpreting the missing characters. The goal was to create letterforms that fit to the original from the 1930s and represent a modern multi-purpose font. It should be an easy-to-use italic font with warm and friendly details and a huge variety of alternates and languages. The characteristic curled ends of most letters provide a script touch to the Liebelei. The first font entirely designed was the bold one which corresponds to the original poster lettering, although I tweaked the proportions a tiny bit to a more contemporary shape. Liebelei covers Western, Central European, and Central Eastern European Languages and contains also complete Greek and Cyrillic character sets. Liebelei is best for poster design as well as detailed usage, for example handsome tables, since it supports small caps, different kinds of numerals and fractions.

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Introducing Elkoga - Round Serif Typeface A modern serif font with a rounded style that makes this font stylish and eye-catching. Comes with 8 families, from regular to bold and italic. You can apply it to your various design projects such as logos, packaging, covers, posters, social media posts, youtube thumbnails, wedding invitations, quotes and much more you can make with this great item for any design! Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish,Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer. Thanks.

Presenting ⚔️The Brohero Typeface⚔️ by alitdesign. The Brohero font is inspired by action movie posters with the theme of war or knights in the Japanese Samurai. The bold character of The Brohero font is perfect for making hero movie titles, game titles, logotypes, t-shirt designs and so on with heroic themes. Apart from the regular font, the Brohero also has an italic style which makes the design more dynamic and cool. The Brohero font has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Brohero Typeface has a total of 789 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Jeko is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges. It has a distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework. It's bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility. It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa’s matching italics sloped at a lively 11º help give it a full range of expressions. Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design. Jeko is a re-designed form of the Aventa Typeface. Each font contains just over 570 glyphs with full Western, Central, Eastern European and Cyrillic language support. Check out Larken which is a great pair for Jeko.

Anziano follows the direction staked out with Delicato. When creating traditional typefaces, it is inevitable to be influenced by earlier designs. Anziano does show touches of another classic typeface – Weiss (by Emil Rudolf Weiss, 1926). Weiss is often misjudged and overlooked. Perhaps the most well known Swedish typeface – Berling (by Karl-Erik Forsberg, 1914–1995) is actually based largely on Weiss. MRF have appreciated the design of Weiss uprights for a long time. When Stefan Hattenbach bought the first Swedish edition of The Lord of the Rings (1959–61), in 2004, he was amazed by the excellent flow of the text presented on each page. Despite the very original character that Weiss has, it was a pleasure to read a book set in such a typeface. MRF realized that several major foundries had already done interpretations of Weiss, more or less true to the original. MRF didn’t want to add on to that list! Instead Stefan tried to find his own path. Anziano consists of three core styles, Regular, Italic and Bold; each with small caps, ornaments, stylistic ligatures, and extended Latin accents. Lining, tabular, oldstyle and smallcap numerals help round out Anziano’s typographic range and function.

FF Nort™ has all the design attributes that make for an exceptionally versatile print and web typeface – and it benefits from a distinct personality. Equally at home in long-form text copy or billboard size headlines, the family knows few boundaries. There is also a handcrafted neo-grotesque quality to the design, giving FF Nort a friendly mien and separating it from other industrial strength sans serif typefaces. Terminals are clipped at 90° angles to the stroke and counters are slightly condensed, saving space with no loss of legibility. The light weights have a subtle elegance, while the bold are commanding. All eight weights, and their italic companions, enjoy a large character set, with support for most Central and several Eastern European languages – including Cyrillic and Greek. Drawn by Jörg Hemker, the inspiration for FF Nort came from Transport, the typeface designed for Britain’s highway signage. Transport is formal, intellectual, and a model for modern street signage, but it was not intended for small sizes or continuous reading. Hemker took the basic structure of Transport and rebuilt it into a design that’s perfect for a wide range of contemporary hardcopy and digital imaging projects.

Khatt tries to mimic the concept behind the meaning of the Arabic word Khatt: a straight horizontal line. The word Khatt is also the word for calligraphy in the Arabic language. Even though Khatt is a cursive style font it offers clearly distinguished and visually unified letter shapes in every position of a word. Khatt supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with five weights, regular, medium, bold, light, and ultra-light. Each weight has normal and left-slanted “italic” styles. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Khatt includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Katts’s soft-vowel diacritic marks (harakat) are positioned with most of them appearing on similar lower or upper positions to emphasize they are not part of letters.

Thorfin is a sharp serif typeface. Drawn and created between 2020 to 2022, this modern lettering has a distinct personality while maintaining a regularity of a body text. Thorfin gives any project a smart character with its geometric shapes and crisp edges. The Thorfin family consist of 14 fonts, such as Thin, Light, Regular, Medium, Bold, Black and Italic. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Kostic Serif is a classic transitional typeface (like Baskerville, Bookman, Caslon, Times) with tall, clean characters and a large glyph set to support all European languages - Greek and Cyrillic script included. Excellent for setting multiple pages of text and packed with OpenType features (proportional lining and oldstyle numbers, tabular figures, superscript and subscript, numerator and denominator figures, fractions and 31 ligature in 659 characters), it should meet the demands of even the most demanding typographic works. Kostic Serif is made with fairly large x-height, so the text is legible in very small sizes. Zoran began the work on Kostic Serif around 2002 and after completing Regular, Bold and matching italics, he wasn’t too pleased with the design, so he dropped further work on it to make other fonts. In 2010 Nikola came upon unfinished files for Kostic Serif, and decided to redesign the letters, while retaining basic proportions and widths that Zoran established earlier. When they were both pleased with the new look of the font, they made Medium and decided to add CE and Greek script to the glyph set, to make it pan-european.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Thermal is an exploration of balance and contrast. Combining the elegance of classical typography with the sharpness of contemporary design. It was conceived to be a variable font with two axes: weight & optical size, providing a wide range of options for texts & display applications. The regular and italic text weights breathe a warm atmosphere, their design inspiration is a relaxed interpretation of the work of 16th-century French type designer Robert Granjon, evoking a comforting rhythm and a sense of familiarity that makes reading enjoyable. On the other end of Thermal's design spectrum lie the extreme weights – thin and heavy –, specifically designed for larger sizes. These weights borrow stylistic cues from several distinct influences: the characteristic woodtype from the 19th century, the sharp lettering styles from the 70s, and the bold work of Oscar Ogg. One of Thermal's disctint features is its italic's 20° inclination, an significant inclination by all standards, this design choice finds its roots in the "Ascendonica Cursive" of 1571, but is a contemporary interpretation that generates a captivating contrast with the regular version. Thermal studies the past and analyzes the present to create a unique blend, bringing a dictint dichotomic identity.