Catigan recreates classical attitudes by reflecting some of the attributes of transitional typefaces. Catigan does not, however, follow historical models. Catigan is warm with a very personal expression and also with excellent text qualities. The complementary Italic makes a distinctly calligraphic impression and stands in lively contrast to the roman weights.

Consuelo a font inspired by brush strokes. The family consists of a set of 4 variants, with their respective italics, plus a set of ornaments that will give the designer multiple choices when composing texts. Consuelo is ideal to be used in decorative titles, short phrases, magazines, logotypes and advertising.

FawazeerNelly is a Bilingual Display Typeface, the Arabic font is based on Kufi Maghribi script with high contrast strike thicknesses. And the Latin font is an italic high contrast font that compliments the Arabic. They work best for titles and Poster Designs. It is an Authentic Design with a modern flavor.

Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,case-sensitive forms, superscripts, subscripts and extensive language support.

Introducing Silfer Queen Script vintage calligraphy font. Silfer Queen Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Gendos is a sans serif condensed font family that is designed with a simple but unique shape. This font family has 10 styles consisting of 5 normal shapes and 5 italics. Gendos font can be used for logos, book or magazine cover titles, product brands, or just for writing articles.

Ahimsa is a dynamic humanist sans serif family. It comes in 6 weights with matching italics. It contains a lot of contrast in the connection to the stems in order to give it a more dynamic feel, and also has low descenders and a large x-height and great legibility.

Introducing new typeface. Caniago- A modern, luxury, fashionable display serif font. Embargo perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. it is allcap with symbol and multilingual support Two style, Caniago Italic Caniago Regular Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature/Alternate

Introduce Chellaras Script! This time is different, This font comes with a thin and italic style. Giving rise to an elegant, sweet and simple style. Made very slowly to make it look beautiful. Available 544 glyphs in it! Believe me, this font can increase your creativity in making certain designs!

The inspiration behind the design of the Verger typeface family comes from the classic Golden Type, which was originally crafted by William Morris. Although Verger is inspired by this classic typeface, it has several modern, expressive and distinctive styles of its own, especially in the design of its italic versions.

The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as “modern” typefaces. (Their serifs kept them from being too modern.) The first slab serif typefaces were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in “Wild West” America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. The Beton family is a type “family” in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces.

ALS Direct is an open and dynamic typeface with clear-cut letterforms that make it instantly readable. It lends text a neutral, yet agreeable and modern feel. Direct has nine font styles convenient for the purposes of navigation signage. Regular-style letterforms are rather wide, because direction signs are likely to appear before readers at an angle, so the type needs to withstand perspective distortions. And as signs and boards may vary in size, Direct was developed to include several width variations. Condensed fonts can be used where horizontal space is limited, allowing you to keep proper height and readability of the characters. A signage typeface must be easily readable from some distance away and have simple letterfoms with clear-cut features to quickly identify characters. Designing a type for a potentially wide range of purposes calls for a universal approach. If not destined to be used for navigation in a particular building, it shouldn’t incorporate any peculiar elements to agree with certain design or architecture. All of the above determined our choice of a sans serif with large apertures and definite features allowing readers to instantly recognize letters. Descenders are made compact not to interfere with the line below. And the low contrast between thick and thin strokes renders all elements equally perceptible. The x-height is significant, close to the cap height, which inhances readability of the lowercase type. There are two reasons why directions must not be set in all caps. Firstly, lowercase letters are more diverse and include ascenders and descenders identifying some of the letters in the line. And secondly, having learned to read, people recognize word shapes rather than individual letters, which makes lowercase text more readable. With Direct being a signage typeface, first to be developed were its width variations, and different weight styles and italics were added later. Another thing to be kept in mind was that signs often use dark background colors, and black type on a white background appears smaller than white type on a black background. Direct is the first Cyrillic typeface created for navigation purposes. Before that, designers could use the Cyrillic version of Frutiger (Freeset) developed by Adrian Frutiger for the Paris Charles de Gaulle International Airport, and a number of other, mostly body copy, neutral sans serif types. However, signs and boards were dominated by Arial, which Direct would be glad to replace offering elegance and lucidity of form instead of type bluntess. Direct was designed as a signage typeface, but its neutral style and clear-cut letterforms suggest various other ways of application.

Cacao is another one of my "found fonts". I found this one in an old advertising for a French cocoa drink. Since I am a vervent lover of cocoa, I will give you my recipe for a normal coffee mug full of delicious hot cocoa. Mix three heaped teaspoons of sugar with one and a half to two teaspoons of finest cocoa powder. Then add a little cold milk, stir, add a little cold milk, stir, and so on until you have a mushy creamy consistency. Now slowly add - always stirring - boiling hot water til the cup is almost full. Top with a little liquid cream and enjoy! If you have a package design job, use my Cacao font and stir in some creativity. Your sweet-tooth designer, Gert Wiescher.

Mariachi is a new condensed version of our Maison Luxe font which is a revival of an old 1800's classic ornate French font. This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new solid black version. Mariachi is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus. Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you'll need an application that works in layers to use the fill fonts in Mariachi. The regular fill font for Mariachi isn't meant to be used as a stand alone font so we've created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font. The difference between Mariachi and our Mi Casa font is that Mariachi has a squared off shadow on the top half of the letters. We hope you enjoy Mariachi as much as we did making it. Mariachi is a trademark of FontMesa LLC

A solid powerful Bold condensed face great for headlines and sub heads and in some cases even as a text face. High Intensity will definitely get your attention.

Lauthan is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

Ghost Flames is a bold and spooky decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and anything else that requires a spectacular look.

The Vision font is a display font with a temper. Has a bold and cheerful personality. Ideal if you want to add a new experience to your work.

Cruisader II is a cool, fresh and bold display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Abudabi is a connected script typeface that includes 3 font styles: • REGULAR for signs and basic text • BOLD for titles and highlights • STONE for single words or backgrounds

Ron is a vintage medium block typeface, a classic and bold display font with a cool vibe. Use it to add a smart feel to any design project.

Petra is a classic fantasy kingdom font that has bold and consistent lines in every letter, this font symbolizes strength and screams from the bottom of the heart.

KARN is a display typeface inspired by psychedelics. Regular, bold, outline, and summer dingbats are available. Perfect for projects that require fun and creativity. Punctuation, Multilingual & PUA Encode

Kaila is a bold but elegant serif font. Its elegance and simplicity make this font look absolutely stunning on a variety of design ideas, both formal and informal.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!

Completely new font inspired by 1920's design and architecture. This elegant font is suitable for titles and bold headers and would work great on invitations and posters.

Equilla is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Equilla has a unique style with stylistic, alternates, and supports multilingual languages

The double amount of Monopoint is Doublepoint - Isn't that simple? By overlaying the single weights from light to bold you will get a nice outline-in-outline look.

Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Qasiru is a messy handwriting font with a theme of fun and love, it has bold and irregular lines, but fits perfectly in the whole lettering. Thank you

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

Hamidah Modern Calligraphy Font is a gorgeous and bold handwritten font. It reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Katiki Can is a bold, messy, painty display font inspired by all of the trashcans in the Outer Banks with names of rental homes painted on the side.

Jailbreak JNL takes the wood type design used for Hoosegow JNL and gives it a stencil treatment; offering a wide and bold stencil alphabet with a Western feel.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

Based on informal pen handwriting. A set of Western characters and two bold weights were added in 2011 by Gennady Fridman. For use in advertising and display typography.

The Folclorica Typewriter is a unique typewriter font design, great for mimicking the effect of typewriting older machines. Has an bold and slab style, good for exquisite designs.