JT Collect is a hybrid sans-serif typeface for the 21st century that takes a playful approach to the type design heritages of Germany and Switzerland. Confidently built on a geometric structure and infused with elements from traditional grotesque typefaces, it hits the sweet spot between geo and grot. I developed JT Collect purely digitally, drawing from years of experience with analog type design. The letters aren’t based on one particular source but seek to merge different type genres from the first half of the 20th century and lift them to a contemporary quality level. JT Collect is less reserved than strictly geometric designs and brings some industrial workmanship and honesty into the game. The six weights plus three optical sizes of JT Collect offer what you need to make an impact. While cool and elegant in the Light weight, the fonts show more presence on the page as they grow bolder. To this end, I drew the letterforms with a slightly unrefined, brawny air in the bolder weights. This sets them apart from the perceived purity of more geometric designs. The Book weight is ideal for short texts and medium-length copy, and the forceful Bold makes wordmarks look crisp and lets headlines radiate cosmopolitan self-confidence. JT Collect is suitable as a primary typeface for branding, advertising, packaging, stationery, posters, documents, and websites from trades and industries as diverse as food & fashion, media & makers, culture & creators, games & gems, sports & startups. Use JT Collect for film titles or watch faces, for leaflets or store signs, for business cards or billboards: this font family is as adaptable as a chameleon (and like a chameleon, it’s never boring). Try it in different contexts. You won’t be disappointed. Its adaptability also makes JT Collect a great starting point for poised and persuasive font combinations. Even a sans/sans pairing is possible due to hybrid nature of JT Collect—something that’d be hard to achieve with most other sans-serif typefaces on the market. You can add to it a heavy slab from the OGJ library, like Temper Wide. You might go for a geometric or a grotesque typeface as secondary (text) typeface. Or you could set your body copy in a classic serif typeface such as Caslon, Sabon, or Plantin. That’s right: JT Collect is a true team player. Whether you need a grotesque or a geometric sans: try JT Collect. You can get the best of both worlds.

Plumage is somewhat unusual in that it has elements of calligraphy as well as script in a semi-loose form that gives it a pleasing appearance for both large and small sizes, and interesting flare finish strokes add to its unique character. As I read a dictionary description of "plumage", I realized that in many ways there is a parallel between a bird's plumage and how it is utilized in the context of writing: Plumage varies in pattern and arrangement for different purposes; what it expresses can of course be even more interesting. Plumage is disposable after a season, as new ones become available... imagine, a self-sustaining quill! - I guess that's equivalent to a refill or disposable pen. Historically, quill pens were made from feathers of a variety of birds, each chosen for its special characteristics. The sturdiest and most reliable feathers, however, come from turkeys, swans and geese. Feathers used to make pens are the stiff-spined flight feathers on the leading edge of the bird's wing. Pens for right-handed writers come from the left wing, and pens for left-handers, from the right! Each bird yields 10-12 good quills, and sometimes only 2 or 3 - so small a yield that the geese reared in England could not furnish nearly enough for local demand, and quills were imported from the Continent in large quantities. At one point St Petersburg in Russia was sending 27 million quills a year to the UK. It is said that geese were specially bred by US President Thomas Jefferson (1743-1826) to supply his own vast need for quills - in his lifetime he wrote almost 20,000 letters. The name "Plumage" was selected to pay homage to the noble birds that supplied countless quills for centuries of literary works. Plumage is recommended for any formal or informal invitation, decorations, awards, poetry, plaques, etc. We hope you will have the pleasure of using Plumage.

Cinema Macabre: Horror Fonts Torn from the Pages of Giallo A Hand-drawn Display Font for Creating the Most Diabolical Horror Titles This loose and inky brush font takes its inspiration from the classic Giallo film posters of the 1960s to 1980s - a cult cinematic subgenre beloved for its stylish visuals, haunting soundtracks and exploitation led marketing. It's a devilishly drawn design that aims to capture the feeling of vintage horror, preserving analogue details of old print while remaining versatile enough to work across a variety of digital designs. The Cinema Macabre font family boasts six fonts, each containing a unique set of uppercase and lowercase characters, as well as numerals, punctuation and language support. Add to this a host of custom ligatures, underlines and graphic elements and you have an essential toolbox for creating truly hand-made looking title designs. Cinema Macabre if a font that rewards experimentation by mixing all the various upper and lowercase alternatives, with interesting combinations waiting to be found and inspire terror across your own movie posters, book covers, albums and editorials. Few other fonts offer the versatility to create such diabolical designs! A Brief Introduction to Giallo: In popular cinema, Giallo is a genre of mystery fiction and thrillers often containing slasher, psychological horror, exploitation, supernatural and erotic elements. The term giallo (meaning yellow) derives from a series of pulp novels published by Mondadori from 1929 taking the name from its trademark yellow covers. The series consisted of Italian translations of mystery novels by well-known authors such as Agatha Christie, Edgar Allan Poe and Raymond Chandler. The popularity of these cheap paperbacks eventually established the word Giallo as a synonym in Italian for a mystery novel. The cinematic Giallo subgenre developed during the 1960-80s and are noted for their vivid cinematography, memorable soundtracks and inventive gore-filled scenarios. Key examples include Dario Argento's Suspiria, Tenebrae and Deep Red - stylish films that at once influenced the American slasher (see Black Christmas and Friday 13th) up to todays horror in Censor and Last Night In Soho.

Beautiful Moonlight is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes. such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Mars Brands is a beautiful and smooth serif font created for a romantic and lovely look. It is equipped with many ligatures and alternative characters from uppercase to lowercase. Mars Brands is perfect for greeting cards, wedding invitations, posters, logotypes, product branding, and much more.

Sweetpea is a new OpenType font by Andrew Harper that includes a ton of features: contextual alternates, stylistic variations, regular/discretionary ligatures, fractions, ordinals, and swashes. Over 600 glyphs to choose from, including fractions, Greek symbols, music accidentals, Roman numerals, arrows, and mathematical notation.

With some slight variation, Merchandising JNL was modeled from the lettering on a display box for Meyercord Decal letters and numbers. The phrase "make your own signs with decals" was lettered in a casual brush-like style, and is reproduced for the first time digitally.

The latest collection from Liarttype is Boulogne sans serif font with a modern and unique style and is equipped with several alternates and ligatures and is multilingual. Boulogne is suitable for use in your work as a logo, branding, landing page, logotype and others.

Introducing Super Ground Typeface : Expand Your Design Horizons A wide sans serif font designed to amplify your design impact. Its spacious letterforms provide a canvas for bold ideas, from captivating headlines to eye-catching logos. Embrace the power of width and redefine your designs

This roly-poly, rollicking display font is based on a design from the 1946 book Blue print text book of sign and show card lettering by Charles Louis Henry Wagner, who seems to have had an aversion to combination words (like blueprint, textbook and showcard).

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

EbuScript by José Manuel Urós. OpenType, 1 style The very first font of Type-Ø-Tones, EbuScript, comes from the pen of José Manuel Urós —nicknamed Ebú in those times. Now it is still in our catalogue thanks to a completed and improved version.

Sergury is an ultra-bold typeface formed by cutting circular elements from rectangular blocks. It is caps only and is so bold that it is almost unreadable. The three tall styles were added in 2021. Sergury is a variation of Porker, another experimental typeface.

M Dynasty PRC is a handwritten style Simplified Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Simplified Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

Nymphe is a monoline typeface based on the form and character of an art nouveau illustration from 1907. It's somehow old fashioned but has modern influences that are reflected in irregular serifs in combination with decorative elements. Nymphe is best at sizes above 7 pt.

P22 Late November is a transitional Antiqua-inspired type design great for text and display uses. The name is derived from the dark, November night in which the design of the font began. The Pro version features fractions, ligatures and full Central European support.

Ziggy Sans is my debut font, a straightforward headline typeface. It was devised from simple sketches and came together fairly smoothly, but very slowly. Each letterform is comprised of only two shapes for maximum consistency, and every letter combination has been painstakingly kerned by hand.

In 1912 Gerard Meynell, with J.H. Mason, Ernest Jackson and Edward Johnston, commissioned this large x-height typeface modelled on Caslon’s designs from Pierpont and the Monotype Corporation as the text face for The Imprint, a short-lived magazine about fine printing and typography.

The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style. This design has been digitally recreated as No Entry JNL, which is available in both regular and oblique versions.

AS Nerd is a contemporary brush script. AS Nerd is a beautiful typeface that mimics true handwriting closely. Use AS Nerd, and your documents will look stunningly beautiful from now on. Perfect for printing your personal thoughts be they silly, pensive or absolutely nonsense!

The latest collection from Liarttype is Rexagus sans serif font with a modern and unique style and is equipped with several alternates and ligatures and is multilingual. Rexaus is suitable for use in your work as a logo, branding, landing page, logotype and others.

Bealiva is one of my fonts based on a hand lettering project in 2020. It was very inspired from the famous retro typography designs in late 60's until 70's. It includes the extrude look, so you will not have to add it later.

Awry is a cute and quirky handwritten font that elegantly dances on the edges of organized precision and captivating disorder. With its unique design, ‘Awry’ breaks free from the confines of traditional typography, inviting you to explore a world where imperfection becomes an art form.

Derived from the world famous Rennie Mackintosh Font, the Stems version gives a lightweight look to the genius of Charles Rennie Mackintosh. The “Stems” name is a link to Mackintosh’s love of using floral images in his designs, especially abstracts of the rose and tulip.

Marisco is Portuguese for shellfish. The font arose from the forms of classic tattoo types, especially those of mid-twentieth-century sailors, but it also has something of a nineteenth-century poster type flavor to it. Its main application is display type and poster design.

Wolvercote is one of two new ‘Masthead’ typefaces from Greater Albion. This Victorian inspired face makes the construction of ribbon or cartouche banners and mastheads the simple work of a few moments. Wolvercote is also particularly designed to complement our Wolverhampton and Mexborough families.

Dikta Neue is a neo-grotesque sans serif typeface inspired by Swiss Design in The 1960s. With a solid and minimalist letterform make this typeface suitable for text and display. Dikta Neue is available in 18 different styles from thin to black including italics.