Santral typeface has been designed with the idea of achieving the ideal balance of geometrical perfection and optical impression. The sharp and precise design of Santral leads to a clear and reliable communuciation with the reader. 12 weights and italic versions, including kerning values and Opentype layout features provide all typographic equipments to get the best result for the typographic layouts.

In the typeface family "Complements" two sets of characters complement each other, so much so that they work together much better than they work separately. The two sets are designed to alternate and this alternating is done automatically in applications that support the OpenType feature Contextual Alternatives. Complements is purely for show and display; it is a horrible choice for text. The spacing is very tight, which works well for very large point sizes. At smaller point sizes the user may want to increase character spacing. The typeface is monospaced. If the spacing between words is too large, substitute the non-breaking space (or the underscore) for the space character. Complements is geometric, bizarre, and hard to read, all characteristics that catch the reader's attention. Complements comes in two styles, regular and outline. The outline style was designed to be used in a layer over the regular style.

When a type design job needs a bit of snap, yet needs to remain unconventional, think of Quirkley JNL. Its name speaks volumes - a bold, quirky sans serif - great for headlines and display work.

Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects. Includes Opentype Kerning. Available in both solid and outline versions.

Laima is the brush-formed stencil from Bogidar Mascareñas that will create an ovation for branding, album art, upscale venues, and packaging. If wide appeal, attention to detail, or international reach is necessary for your brand, consider Laima’s high-calibre design as your personal ambassador. The general font user is accustomed to stencil typefaces that have a brute look to them — industrial, mechanical, restrictive, or even militarised. Stencils are commonly used because they serve a function, like spray-painting over template letters, giving the reader a warning that must be heeded for safety, or a command to follow immediately. Wooden crates and grunge art are the medium and black or red paint are the norm. Laima, instead, creates a stencil from the world of calligraphy to turn all this on its head. Laima’s 12 stencil styles (six roman and six italic) use the junctures of calligraphic strokes as an opportunity to achieve an uncommon stencil effect, shifting to create unexpected shapes and the illusion of twisted, disconnected overlaps. Inspired by “Arte Nueva de Escribir”, an engravings book published by Francisco Palomares in 1776, Laima progressed well beyond its beginning as a Type and Media Master’s project at KABK, The Hague (NL). It sometimes required completely new character shapes to accommodate the space needed for clear diacritic marks, and was further enhanced with flourishes and alternates for liveliness and variety in individual or branded work. Laima’s italic begins with swashes and uses OpenType features to automatically turn them off with more than two successive capital letters. Use one swashed character for a drop cap, two for ligatured fun, turn them on or off at your discretion, or change the ascender length and swash shape to suit your creative need. With two styles of numerals and stylistic sets for final forms, Laima’s 12 styles and hundreds of Latin-based languages can turn simple words into an occasion that would immediately benefit high-class brands and special uses. Set that article title, release that new product, code your best-looking UI yet, letterpress that business card, and print that gourmet label. Whatever is next, Laima is the unexpected stencil partner to introduce it to an expectant world.

ITC Avant Garde Gothic¿ was designed by Herb Lubalin and Tom Carnase in 1970. They based it on Lubalin¿s logo for Avant Garde Magazine - an exciting construction of overlapping and tightly-set geometric capitals. ITC Avant Garde is a geometric sans serif; meaning the basic shapes are constructed from circles and straight lines, much like the work from the 1920s German Bauhaus movement. The early versions of ITC Avant Garde became well-known for their many unique alternates and ligatures that still conjure up the typographic aura of the 1970s. These fonts contain the basic alphabets (without the old unusual ligatures). Still strong and modern looking, ITC Avant Garde has become a solid staple in the repertoire of today's graphic designer. The large, open counters and tall x-heights seem friendly, and help to make this family work well for short texts and headlines. The condensed weights were drawn by Ed Benguiat in 1974, and the obliques were designed by Andr¿ G¿rtler, Erich Gschwind and Christian Mengelt in 1977. ITC Avant Garde¿ Mono is a monospaced version done by Ned Bunnel in 1983.

Linotype Sketch is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Dieter Kurz gave his display font a calligraphic character. The forms lean slightly to the right and have a spontaneous and individual look. This light, cheerful font also displays a harmony among the forms and gives text a personal touch. Linotype Sketch combines well with modern text fonts which have the same narrow proportions. This font is well-suited for headlines and short and middle length texts with point size 12 or larger.

Lev is a slab serif font, the rectangular serifs and the straight angled shoulders and links contrasting the curves and loops. Lev Serif is characterized by thick, block-like serifs. Lev contains 12 high quality fonts.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

The typeface Drunken Pixel is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 20 font-styles (Bottle, BottleCorkBottle, BottleCork, Crown Cork × Sans Serif, Small Caps, Slab Serif, Unicase) + 4 icon-styles with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). PROST! For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Huskeseddel is to-do list or memo in English. If you not already guessed it, the font is based upon my own handwriting. Actually not my everyday handwriting, but the kind I use when I make my to-do lists. But it wouldn't look right with a simple font with the same letters repeating all the time, and that's why I added 12 different hastily written versions of each letter. These 12 different versions cycle as you type, making your text look...well, like hastily written letters...you'll have to take a real close look to find out that you are looking at a font, and not a genuine hastily written to-do list! :)

Knoxx is an extended sans serif typeface. The family includes 5 fonts with stylised caps for each. It has modern, classy, and cool. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Hargloves is a modern sans serif font family. The overall design shapes taken from advance engineering technology themes in various industries like motorsports, biotech, games, architecture, robotics, and aerospace tech. A distinct visual characteristic of this font family can be found on 'G','O','P','Q', and 'R' letter. Each glyph design combined a geometric shapes and stylished ink-traps with parabolic curves. The design of the glyph curves taken from fast corner often found on motorsports circuit, when diagonal glyph shapes taken from aerodynamic in machine engineering and kinetic movement on sports. Hargloves consist of 12 font with 6 weight: From thin to Bold with each matching italics.It also contains extras 4 Icons designed specifically for sports entertainment. Hargloves support for most western languages and several opentype features.

Timeout is a fresh, casual script paired with a bold, impactful sans and lots of goodies. It is modern, stylish and it comes in two variations for easy use: - Timeout - long ascenders, descenders and caps - for more impact. - Timeout B - short ascenders, descenders and caps - for easy stacking. The combo between the script and the headline-style sans works perfectly for various applications such as logos, posters, fashion photos, ads, postcards, branding, T-shirts, web images, product packaging and basically for anything you need to look sexy, interesting and informal. The script has some sweet ligatures, stylistic alternates and swashes that will make your designs stand out and capture attention, especially paired with some of the goodies.

Say hello to my all caps wannabe typewriter font. It’s distressed, but still perfectly legible! I have added 5 slightly different versions of each letter for a more handmade feeling, and of course multilingual support!

The design of P22 Foxtrot is inspired by the lively ballroom dance of the same name. Foxtrot is a transitional antiqua with rounded serifs that features ligatures, small caps, oldstyle numerals and full Central European support for those with applications that support OpenType features. The companion, Foxtrot Sans, is a sans serif version with a little more jazzy expression. Both fonts are great for text and display.

Say hello to Komersie, a playful marker font. Made with the natural marker brush and slightly slanted stroke, that gives the more handwriting feels. Komersie is an all-caps font with small caps, alternates, and swashes. The joyful font to cheer up your project! Perfect for children's design, labels, display, recipes, sale banners, posters, short quotes, and cute packaging! Thank you for watching and happy creating!

Centar Sans is a simple, modern, universal, powerful, invisible but not characterless, sans serif family. The family is designed for identities & corporate projects. Its wide range of styles covers lots of possibilities of use, from headlines to texts. It supports a lot of languages including cyrillic and comes along with 19 OpenType features - Small Caps, ligatures, alternates and many more. Regular styles are FREE! Extended detail here. or here.

Burlington was designed by Alan Meeks in 1985 and is a decorative typeface in the neoclassical style of the middle of the 19th century. Characteristic of faces from this time is the low x-height, which makes the font look as though it is reaching upward. This combined with the white areas in the strokes give Burlington a light, airy feel. The elegant Burlington is particularly good for headlines and can also be used for short texts in point sizes of 12 or larger.

Kumbaya is a purely hand-drawn, all-caps sans. It's the perfect combo of handmade quirks and clear, legible print. Kumbaya has the ability to hold it's own as a single word headline, or in a paragraph form. It also works well with script compliments. With four different styles, it is the perfect addition to any project!

The name says it all. It is aesthetically located between American Gothics and European Grotesques and features small caps, a Central European character set and four number formats plus small caps numerals. This makes it not only a heartbreaking headline font, but also extremely versatile.

Kajiro is a fancy modern condensed all Caps sans serif font. With bold tall and sharp stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Kajiro font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kajiro font. Cheers, Maulana Creative

Introducing, Glorich, a modern sans family with alternates and ligatures! Glorich is a classic and modern all caps sans with ligatures and alternates! The other special thing about this font is for specific alphabet you can find slightly different between the uppercase and lowercase! This font fits in any project and design. You can use it for a tittle, logo, quotes, or become a pairing in any font. You will never go wrong with this font. This font also support multi language

Krower is a Caps and Small Caps Display Serif font. With light contrast stroke, Strong character with a bit of ligatures and alternates. To give you an extra creative work. Krower font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or script. Make a stunning work with Krower font. Cheers, Maulana Creative

Geometos Neue is a geometric sans-serif typeface which comes in seven weights. An all caps display font family, Geometos Neue has a clean, sharp and emphatic form especially suitable for headlines, headings, branding, posters, packaging, titles and logos. There is a soft edged version of Geometos Neue as well, called Geometos Soft.

Akme is a sans serif with an industrial feel. However, it has many whimsical features like the spiral O, many special dingbats for bullets, and so on. It has oldstyle numbers and small caps plus many other ligatures, and special characters. There are nearly 500 characters in each of the four styles.

Allektra is a humanist sans serif with a modern feel. It is not as whimsical as many of my fonts, but there are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers. The Fat version is especially interesting and useful.

Introducing, Awards, a stylish and unique all caps sans! Awards is a modern and styled typeface based on sans. Including unique lowercase that will compliment your branding and logo. The stylish ligature also included in this font that will make your design even more stunning. Also including starry alternates for additional. Awards also support multilingual.

MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California (located on the San Francisco Bay facing the Golden Gate Bridge and bordering Berkeley). Named for the City’s main street, the typeface needed to work on signage in proximity to early 20th Century buildings, and in contemporary settings. Rather than creating a neutered design to cover all bases, Mark van Bronkhorst chose to develop a simple, strong, condensed face that would offer flexibility of style by providing both retro and more contemporary forms. Solano Gothic has since been expanded to a family offering five weights from Light to Bold. The basic fonts provide upper- and lowercase forms, with figures designed to harmonize within upper- and lowercase settings (the standard figures are not full cap height). The same figures are provided with Small Caps, and align to small cap height. For all-cap settings requiring figures and monetary symbols of full-cap height, there are the “Cap” fonts. An alternate tabular “1” is provided in all fonts so that both fitted and tabular settings of figures are possible (access to alternate characters subject to system or application support).

The inspiration source for MFC Botanical Borders is a collection of border treatments from the 1886 “Spécimens de caractères d'imprimerie” by E. Houpied a Paris. This collection of elegant floral and foliage borders has been put together with their original decorated rules, as well as alternate matching precision rules for added versatility. You can start with a new document or work on a new layer within an existing document. Select MFC Botanical Borders from the font menu. (Some users may have font previewing enabled in the font menu which will cause the font name to appear as border elements, disable this option in order to choose the name) Make certain that the point size of the font is the same as the leading being applied to the font so the borders will meet up properly. While we’ve adjusted this within the font, your program may override these settings. For instance a 12 point font should have 12 points of leading. A PDF guidebook for MFC Botanical Borders is included in the font package. Download and view the MFC Botanical Borders Guidebook if you would like to learn a little more.