Curly dotted and serifed alphabet perfect for adding a touch of quirk or whimsy.

Spekta is an unorthodox Neo-Grotesk typeface devoted to versatility and beauty. Originally designed as an all-caps display typeface influenced by Bauhaus and early grotesque forms, Spekta switched priorities and evolved into a well-equipped 8-weight workhorse boasting 667 characters and italics to boot. Spekta’s focus on condensed forms and a greater x-height and cap height difference compared to typical Grotesque types allows for increased legibility at smaller sizes while utilising less horizontal space. Despite this, Spekta respects its display-type roots with elegant forms influenced by a mix of early and modern Grotesque typefaces and countless trial-and-error. Additionally, two sets of diacritics (marks such as acutes, graves, circumflexes, and so on) have been designed to further improve readability and reading flow, an atypical feature for most typefaces. Spekta is devoted to versatility, handing control to the designer with 8 stylistic sets (that only affect a single character and not a group of them), 4 number sets, true superscript, subscript, and scientific subscript characters (unlike what design softwares generate), ordinals, alternative and full-width characters, and much more.

Wink has been created as the result of exhaustive research, trial and development. It is an OpenType set of fonts which appears in a friendly and fun way, with a new twist on what Joluvian has previously created. Full of personality, with a brave and strong creative line, it is intended to reflect authenticity when being used in all types of media and styles. The ornaments offered in this font work as a graphic resource that expand all the possibilities for Wink users.
 
Although Wink is inspired by traditional calligraphic flourishes, its modern twist makes it elegant and simple at the same time. It’s not  completely a brush type but it has been created with the same calligraphy base Joluvian usually works with. Wink also has a caps version with the same style of the script. Both versions could work perfectly, individually or together. As usual, the type has been developed with Ale Paul for Sudtipos, and the collaboration of Macus Romero has been essential to illustrate the style that Wink represents.

Operetta is a neo-didone display font family inspired on Bodoni, Didot (early 18th century) and Walbaum (19th century). Despite of this heritage, Operetta’s design meets contemporary taste and typesetting needs. With five optical sizes, masterfully navigate between contrast and legibility across various dimensions. The range of eight weights, from the weightless Extralight to the robust Extrabold, let you set your tone: from delicate to exuberant. Operetta's generous character set and opentype features let you meet the most demanding layout needs. And don’t forget swashes, arrows and other extra glyphs, seldom included in a didonesque font. The number displayed in the font family name signifies the recommended minimal print size in points. In web design you should double the minimum value for a retina screen, multiply by 4 for a 72dpi screen. Of course its rendering depends on the printing support, screen resolution etc. Therefore, take it as a suggestion or a starting point; make your own trials. And now, the pièce de résistance: Operetta unveils its italics, adding yet another layer of allure and sophistication.

CIRCUMULUS is a font that designed based on a single circle SOFT AND CURVY Circumulus has soft appearance and curvy lines, which gives it's nice look GEOMETRICALLY RATIONAL Every glyph has a ratio to one another, which makes this font can be used in any kind of rational system like repeating patterns

Carpathian Basin Rovas The Carpathian Basin Rovas script, or Kárpát-medencei rovás in Hungarian, was used in the Carpathian Basin between about the 7th and 11th centuries. Most of the inscriptions are in Hungarian, but some were in Onogur, As-Alan, Slavic or Eurasian Avar. Carpathian Basin Rovas is thought to be a descendent of the Proto-Rovas script, which was used to the east of the Aral Sea between about the 1st century AD and 567, when the tribes who were using it, the Avars and Ogurs, started to move into the Carpathian Basin. That process took until about 670 AD, after which the Proto-Rovas script became the Carpathian Basin Rovas and the Khazarian Rovas scripts. The Proto-Rovas script was perhaps a descendent of the Aramaic script. Since 2009 efforts have been made to revive the use of this alphabet. Some letters were added to it to represent sounds in modern Hungarian that weren't used historically.

Simple yet romantic handwriting, curly, rounded and legible - perfect for love letters or children books.

This is not a balloon - it is a happy curly fonts to make you smile.

New foundry on the block, Hooper Type, kicks off it's catalogue with a versatile, story-telling serif font. With a love of the magical and a yearning for adventure, Istoria pushes away from the static, drawing in whisps and whirls that entice and excite, without distracting. Unassuming in it's long form, with delicate strokes that draw the eye, it commands attention when used in short punchy titles, or set in caps. Istoria (meaing both history and story in Greek) delights in having unusual curves, curvy straights and twisty feet which emulate those adventures and myths from days gone by. Type shouldn't interfere with the content, but it absolutely can enhance it. Hope you enjoy it!

Quiny is built with bold and curvy characters, Perfect if you need fun for your projects.

This stylish font has that ornamental curly look. It would be excellent for the formal scrapbook layout.

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.