Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Autobahn Std has a full Latin 1 character set but no CE, Cyrillic or Opentype features. For the extended character set and Opentype features, see Autobahn Pro.

An unreleased typeface called "Aragón", designed by Enric Crous-Vidal, provided the inspiration for this decidedly retro face. It’s quite useful for distinctive and commanding headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

This simple, charming script is based on the handlettering of Carl Holmes, from Walter T. Foster art book entitled ABC of Lettering. Elementary! Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Alf Becker called this offering "Rounded Modern Bold." The geometric forms, strong contrasts and unexpected turns of this serious Art Deco typeface command attention. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

P22 Bastyan is a hybrid Italic Blackletter. This typeface resembles Carolingian miniscule scripts and has a timelessness that evokes formality but defies specific historical categorization. It is available in an optional Opentype Pro version with CE language support, multiple styles of figures, ornaments, and ligatures.

Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Dan X. Solo's book of Showcard Alphabets featured the pattern for this devil-may-care face under the name "Conway". Not too pretty, not too proud, but a whole lotta fun. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The exuberant, if somewhat unorthodox, letter stylings of British poster artist Cecil Wade inspired this offering. The font has extensive kerning to keep the letters packed tight. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Houschka Rounded is the companion family to Houschka Pro, featuring CE, Baltic, Turkish & Cyrillic language support plus small caps, stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded may be a softer & cuter sans serif than her big sister but she's equally versatile.

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content. It is particularly suitable for projects that demand simplicity and space economy. Details include four weights with matching italics, 447 characters and the Opentype features.

Schrifti Alphabeti, a delightful collection of Cyrillic typefaces for posters from the former Soviet Union, strikes again, this time with a way-out West (Vladivostok?) theme. Extrabold, extra wide and delightfully different! Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Another tip of the hat to the halcyon days of woodtype, this cap-small cap typeface takes its name from the bustling Mexican metropolis just across the Rio Grande from Brownsville, Texas. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Lettering on a 1927 menu by prominent poster artist Razzia provided the inspiration for this decidely Deco typeface. The restaurant itself was the setting for one of Georges Simenon’s many Inspector Maigret novels. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Sans-Skript is a display typeface that is inspired by Javanese Script (or Sanskerta in Bahasa Indonesia). Javanese script is one of Indonesia’s many traditional scripts that were commonly used by Javanese people from mid-15th CE to mid-20th CE. Though not commonly used anymore, it is still taught and used in cities across East and Central Java. Sans-Skript translates the high-contrast, modular and organic features of the Javanese Script into the Latin alphabet. (Hence the not-script naming) The typeface is aimed to be used for large format prints, above 100 pt, and can be used alongside Javanese script. Typefaces that pair nicely mimic features of Javanese script, and Hatton by Pangram Pangram Foundry is an example.

Fisionada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2023. It is a condensed sans serif typeface with sharp edges and a very technical aesthetics. Its condensed design makes it very effective for space economizing and its geometric features make it a very attractive choice for display usages such as futuristics logos, video games and sci-fi content. It has been conceived to be most suitable for headlines and short length text blocks. Fisionada consists of 8 styles. Each containing small caps and glyph coverage for several languages.

A 1928 poster by Italian designer Neri Nanetti for Snob Cognac provided the inspiration for this attention-getting offering, named after one of the Marx Brothers' most memorable movies. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

An offering by lettering artist Harvey Hopkins Dunn for the 1930 classic, American Alphabets, provided the inspiration for this graceful, engaging typeface. Use it liberally to exude elegance, or to turn on the charm. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

An unusual blend of block and script letterforms, based on poster lettering for an Italian fashion house of the same name, designed by Wilman Schiroli in 1935, and notable for its very jolly lowercase c. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This quintessential nineteenth-century offering is based on a typeface from the 1912 American Type Founders catalog called Lining Central Antique. Quaint, yet crisp and clean, it is equally suitable for headlines or body copy. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This decidedly Deco offering is based on a rather unconventional stencil lettering treatment offered by F. A. Pearson in his 1923 tome, Ticket and Showcard Designing. Strong and stylish, the design has aged remarkably well. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Considerable heft and clean lines—with a few whimsical grace notes—characterize this font, based on a typeface originally named "Ryter Night". Powerful yet playful, this gentle giant is the perfect choice for engaging headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Another gem from the Blandford Press Pen and Brush Lettering and Practical Alphabets, this in-your-face typeface features strong geometric elements, delineated in blueprint fashion. A surefire attention-getter. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Slab Serif fonts are also sometimes referred to as ‘Egyptian’, hence the Egypt in the name. This lovely and complex font is based on old woodcut fonts. The upper case only font is brilliant for striking headlines. This OpenType font has support for CE languages and I hope you like it.

This font was inspired by Arts and Crafts lettering found on the cover of the Austrian journal Ver Sacrum (Sacred Spring), 1898. Primarily an uppercase-only font, there are several variants in lowercase positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This unusual face features letterforms inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s, and rendered in a bold chiaroscuro manner. In case you're wondering, Escondido is Spanish for hidden. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This friendly rounded display typeface is perfect for headlines and logos, its gentle curves and comfortable corners are reminiscent of forms found in nature. Inspired by the shapes found in leaves - soft curves forming gentle corners as they meet. Cockle pairs well with Arial for a body font. Includes over 500 characters; with Ligatures, small caps, old style figures, and mathematical symbols.

DokChampa is a Lao font based on the Arial typeface. DokChampa was created by the Monotype Type Drawing Office to support Lao and Thai scripts. The DokChampa font is a legible sans serif that is good for use on screen and in printed documents. DokChampa is a Lao script font and requires an application program that supports Lao or Thai scripts.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Picto Handwriting” comes with beautiful handwritten pictograms that let you quickly spruce up your designs.

A font face with cyber, spacial, and aerial connotations that offers a decisive futuristic and techno spirit. Available in two stylish versions, clear and rusty. With one alternate for lowercase /a/ and more diacritics and ligatures and extended range glyphs and more new stylish alternates, Cygnus can be used in titles and display text that require a futuristic and dynamic style. Recommended for games, presentations, or any graphic design pieces that reveal and need futuristic, techno, spacial, aerial and/or Sci-fi style.

This disarming beauty is based on a typeface named "Archer" from the 1905 specimen book from Barnhart Brothers & Spindler. The original was a rather light face; this beefed-up version highlights the face’s charming quirks quite nicely. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

In the 1921 work Letters and Lettering by Frank Chouteau Brown, these letterforms were offered as examples of typical medieval English fare. The font is all caps, but there are variant letterforms in all the lowercase positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).