Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

Forme Furniture Type Em and Furniture Type En Designed by using the pieces of letterpress furniture usually hidden, to create letter shapes. The square nature of the type means it could be used as a low resolution type. Forme Furniture Type Em – Low resolution type. Designed using *Furniture and **Em quads from letterpress printing. *Furniture: Pieces of wood or metal placed around or between metal type to make blank spaces and fasten the printed matter in the chase. ** Quads: (originally quadrat) is a metal spacer used in letterpress typesetting. An em quad is a space that is one em wide and one em high. Also available as Em Shadow to be used as a headline or display font. Forme Furniture Type En – Low resolution type. Designed by using *Leads and ** En quads from letterpress printing. *Lead or Reglet is a piece of Lead or wooden spacing material used in letterpress typesetting, to provide spacing between paragraphs. **An En quad is a space that is one En wide half the width of an Em quad, and the same height as the typeface. Also available as En Shadow to be used as a headline or display font.

Outline font with drop shadoww

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.

Triat is modern font suitable for sport and game related themes. It is perfect for headliners, titles etc. Thanks to its variations - full, fill and shadow you can create many color combinations. Triat fill and Triat shadow contains the same metrics so using them is so simple – just copy and paste in place in different layers and then play with colors, gradients, outlines as You like :) Triat full is combination of fill and outline in one color.

Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

Java Heritages Typeface is a multi-layered type family with opentype features, inspired by vintage signage that have unique decorative shapes. Comes with 4 font system that can be layered to create different effect (Regular, Drop Shadow, Inner Shadow & Inline). Java Heritages Typeface includes a full set of character A-Z, as well as multi-lingual support, currency figures, numerals, and punctuation. Java Heritages Typeface family is perfect for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

An ultra black blackletter, Avebury Black and Avebury Inline were inspired by an early blackletter from the Caslon Foundry. Early blackletters from the Bruce Type Foundry are also reflected in this slightly modernized and more readable typeface. Caution. For display only.

Meche Pro it is a geometric typeface family with a semi-formal touch, it contains 12 variants, from the Thin to Black and Stencil Thin to Black versions, plus Cyrillic alphabet with alternatives and different ligatures was added, especially for titles

Borowedsoul is a font made with detail, inspired by the shape of metal logos, Borowedsoul displays a very strong black metal feel. Borowedsoul is suitable for metal band logos, merchandise, clothing, apparel, or anything that requires a black metal feel.

TOMO Bossa is a cartoon inspired sans serif, ideal for kids related stuff, in print or digital, like posters, video, websites or books! This beauty also speak Cyrillic! The complete family comes with a Black and Black Rough style. Enjoy!

Wroxeter is Greater Albion Typefounders' customary Black Letter release for Christmas 2013. It's a typeface family for all times of year though, a good clear traditional black letter re-creation offered in a family of four typeface:- regular, wrought (a hand-tooled look a la Mr F Goudy), oblique and narrow forms. The tradition of typefounders' black letter revivals which don't over-burden themselves with historical precedent continues in this highly refined and polished family.

A funky balloon type in three variants, Highlight, Shadow and plain old Vanilla. Guaranteed to bring a sense of playful fun to packaging, comic magazines, and merchandise.

Brisko Display is alternate version of Brisko Sans Black.

Type Tiles JNL is based on a ‘completed’ version of ‘Alpha-Blox’ by American Type Founders, circa 1944. The capitals, lower case and numerals shown in the sample sheet put out by ATF depicted type made with five-high blocks comprised of modular units spaced two points apart. These units could be combined in varying ways to create custom type of varying heights and widths and was available for purchase in both linear (multi-line) and reverse (white on black) formats. Using the 'reverse' model shown on the sample sheet, all of the characters were re-created digitally, and missing punctuation, foreign characters and other glyphs found in a basic computer font were drawn and added. The 'J' and 'T' in the type sample had truncations, so a more complete character was created for each of those letters. For those wanting an unbroken string of words or blank end caps, there is a double column space on the vertical bar key. A single column space is located on the broken bar key for shorter end caps. Type Tiles JNL is available in both regular and oblique versions

Zephyrine is modern family of Display fonts. Zephyrine has 6 families font, starting from the small Regular and Regular Italic to the largest black and Black Italic. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

The 2031 typeface is a toolbox made of fonts from the 2030 typeface. 3d, outlines, shadows and other graphic effects remix each style into a new postmodern typeface.

Original type work designed in unconventional technique by type and graphic designer Yuri Gulitov. The shapes of signs were built up in a very specific routine. At the first stage signs were drawn on the black sheets of paper by the PVA adhesive, then a white sheets was placed above, and finally after some time the white sheets were torn off. The scraps of white paper presented the signs. Inverse style shows hypothetic result of tearing off the black sheets. The style together or separately can be used in display and advertizing works for demonstration of fight between the forces of good and evil or vice versa. Analog version of the font was awarded by diploma on Third International Biennale of Graphic Design “Golden Bee”. Digital version was released by ParaType in 2008.

ROARRR! THE STYLES -Pantera Pro is the most complete style, and although its default look is mono-rhythmic it gets really playful and crazy like the examples of the posters by just activating the Decorative Ligatures button in the Open-type Panel of Adobe Illustrator. However, I recommend using also the Glyphs Panel because there you'll find much more variants per letter. Pantera Pro is in fact, coded in a way the combination of thicknesses will always look fantastic. -Pantera Black Left, and Pantera Black Right are actually “lite” versions of Pantera Pro: They have very little Open-Type code, so what you see here is what you get. Pantera Black Left has its left strokes thick, while Pantera Black Right has its right strokes thick. -Pantera White is a lovely member in this family that looks lighter and airy, hence its name. With the feature Standard Ligatures activated (liga) the font gets very playful. -Pantera Caps is based on sign painters lettering and since it follows the same pointed brush rules as the other styles, it matches perfectly. -Pantera Claws like its name suggests, is a set of icons that were done by our dear panther. THE STORY It is said that typography can never be as expressive as calligraphy, but sometimes it can get close enough. I tend to think that calligraphic trials, in order to work well as potential fonts, need first to go through very strict filters before going digital: While calligraphy is synonym of freedom (once its rules are mastered), type-design, in the other hand, has its battlefield a little tighter and tougher. When I practice pointed brush lettering, there are so many things happening on the paper. And most of them are delicious. The ones who know my work may see that although many of my fonts are very expressive, my handmade brush trials are much more lively than them. With that in mind, this time I tried to go further and rescue more of those things that are lost in the process of thinking type when first sketches are calligraphic. I wondered if I could create something wild, hence its name Panther, by understanding the randomness that sometimes calligraphy conveys and turning it to something systemic: With Pantera, I created an ordered disorder. Like it happens a lot in many kinds of lettering styles, in order to enrich the written word the scribe mixes the thickness of the strokes and the width of the letters. Like one of my favorite mentors say (1), they make thoughtful gestures Some lively strokes go down with a thick, while some do that with a thin. Some letters are very narrow, meaning some of them will need to be very wide to compensate. Why not?. The calligrapher is always thinking on the following letters, and he/she designs in his head the combination of thicks and thins before he/she executes them. He/she knows the playful rhythm the words will have before writing them. It takes time and skill to master this and achieve graceful results. Going back to the font, in Pantera, this combination of varying thicknesses and widths of letters were Open-Type coded so the user will see satisfactory results by just enabling or disabling some buttons on the glyphs panel. I'm very pleased with the result since it’s not very easy to find fonts which play with the words' rhythm like Pantera does, following of course, a strong calligraphic base. I believe that if you were on the prowl for innovative fonts, this is your chance to go wild and get Pantera! NOTES (1) Phrase by Yves Leterme. In fact, it’s the title of a book by him. EPILOGUE Esta fuente está dedicada a mi panterita

Kuroneko in Japanese means ‘ Black Cat’. I was working on a Japan itinerary for a friend and I told him about the luggage forwarding service by a company with a black cat in its logo. Wait: Black Cat? What’s that in Japanese? Cool name for a font! Kuroneko font will not forward your luggage, nor was it made in Japan. But it IS a very versatile font family - even if you’re more of a dog person.

Letuncial is a sans-serif typeface in which the shapes of the letters are derived from uncial, a writing style in the early medieval period. Like uncial, it has no true upper-case letters. Rather it has two sets of letters that are interchangeable. Fonts Letunical Inline Overlay-Middle and Letunical Inline Overlay Inside are designed to be layered with Letunical Inline to produce bicolored or tricolored letters and Letunical Shadow Inside is designed to layered with Letunical Shadow to produce bicolored letters.

This decorative caps-only type family was designed in 2004 by Vladimir Pavlikov and licensed by ParaType. Its letterforms are imitating low resolution display letters used at railway stations, airports, and other public places. Regular, Inline, Shadow Left, and Shadow Right styles are available. An additional set of symbols and pictograms is included in each style to increase its decorative abilities. The face is good in magazine advertising, posters, and industrial graphic design in the fields of science and technology.

Like traditional athletic block typefaces, VTF Charisma is built with chiseled cornersand a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like "a", "c", and "s" demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the "A", "v", and "y" are cropped in a way that further reinforces this motif. These stylistic cues are employed throughout the family’s 7 weights, ranging from Thin to Black with an accompanying Oblique variant for each. VTF Charisma is equipped with a hefty 970 glyphs that support Small Caps, fractions, extensive Latin characters, stylistic alternates and more. Paired with its dynamic charm and strong visual appearance, the family’s horizon of capabilities broadens.

Discover Bivoac, a versatile layered display sans font that offers easy usability and is perfect for creating stunning 3D and vintage designs. We present this unique font, designed to add depth and character to your projects. With its layered system, Bivoac allows you to effortlessly create multi-dimensional typographic compositions. Whether you're working on a vintage poster project or aiming for eye-catching 3D effects, this font provides the tools you need to bring your vision to life. Bivoac features both uppercase and lowercase letterforms, ensuring versatility and allowing for creative combinations. It also includes numbers, punctuation marks, and comprehensive multilingual support, enabling you to cater to a wide range of audiences in various languages. When you purchase Bivoac, you receive the complete set of font variations: Bivoac Regular: Perfect for the base layer Bivoac Outline: Adds an outline effect Bivoac Shadow: Creates a shadow effect Bivoac Dark: Provides a bold and dark variation Bivoac Drop Shadow: Adds depth with a drop shadow effect Unlock your creativity and enjoy the layered features of Bivoac. Enhance your designs with its diverse options and explore the possibilities of captivating 3D and vintage visuals.

About the Product Minty Foxs layered Font Minty Foxs is a layered fonts that appear with various styles such as Extrude, Engrave, Shadown and outline version, This font comes with an bold and shadow effects. this font to complement your perfect vintage design or Retro! a collection of letters inspired by retro 70s typographic designs with original handwriting. perfect for branding, logos, stickers, posters, vintage designs, screen printing on t-shirt, wall art and more! Minty Foxs includes: Stylistic Alternates, Ligatures & Stylistic Sets. You can choose an alternative style, Stylistic Sets per letter and Glyphs. By using Glyph in software programs like Photoshop, Illustrator and CorelDraw X version. You can also access this in many other programs by using your character map (Windows) or font book (Mac). Let's play with "Mint Foxs" for the beauty of your next design project.

Handbill JNL takes the type design from Broadletter JNL and gives it an open drop shadow treatment to emulate a popular style of many wooden typefaces from the 1800s.

Bron Shadline is the semi-outline and lighter variation of the original Bron typeface. The outline adds an extra vibrancy, more contrast and bring a special shading effect out. The Shadline version has also two separate layered fonts to make your own multi-color compositions. Possibilities of editing the font are infinite : even use Bron Black Two Color One to add an extra third layer. These can be used separately to create even more subtle effects. Bron Shadline is packed with an extended character set, supporting Central, Western and Eastern European languages.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation at the same time. I have done all the 4 basic weights, and the skewed obliques (done to a slightly less steep 10 degrees angle as opposed to the originals 12) has been optically adjusted. The letters have been designed quite close to the german/swiss grotesk tradition, but by using super-elliptical rounds, rounded dots and slightly curved outer diagonals the end result is a friendly looking font family that still looks... familiar. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Phoebus is one of Adrian Frutigers first typefaces which he made for the Deberny & Peignot foundry in Paris. The intention was to create a shadowed type with extra ordinary impression.

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Jacob Graffiti is a font inspired by graffiti. In order to reflect the feeling of spray paint, the beginning or the end of the characters show a sense of stroke. When designing this font, to add some fun, a pictorial ligature was specially designed: jacob. And it's on the smile face Unicode block too.