This typeface has been influenced by the ongoing traffic congestion in Melbourne, and its lack of functional and reliable public transport as a possible solution. The font shapes are square-edged constrained angles, reflecting the way the Melbourne population feels when using the public transport system or roads. Use as headings and body copy in any graphic situation.

The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height make it an ideal choice for headlines which harken both forward and back. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Songbook JNL is based on a promotional blurb from the back of a piece of vintage sheet music. Its interesting style of slab serif lettering with strong Art Deco influence was worthy of re-drawing into a digital typeface. This design is the 900th release from Jeff Levine Fonts since its inception in January of 2006.

Step into the world of vintage charm and timeless grace with our "Bali Bliss" font! "Bali Bliss" is a script font that effortlessly channels the retro vibe, oozing with an irresistible charm that takes you back to a bygone era. Its retro-inspired design taps into the collective memory, making your designs not just beautiful but also deeply relatable.

This strong angular cousin of RM Hunky offers a bold display face. The distinctive nature of this design will be a welcome addition to any designers collection of useful fonts. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Nice wave font - a fluffy fun display typeface with a wavy form. This decorative font works perfectly for bold titles, festival posters, as a graphic element for bright T-shirts or hoodies, or even backgrounds! This weird and ugly typeface likes an experiment with spacing and additional graphic elements. Please, don't hold back on your bold modern ideas!

Create bold headlines and elegant designs with a versatile QSansPro font family. Excellent for large type as well as logos, quotes, advertisements and more. QSansPro is a strong and sophisticated sans serif, yet classic and you'll keep coming back to it again. Each font in this family is full of character and can stand on its own.

Inspired by the Froben capitals believed to have been cut by Peter Schoeffer the Younger, son of Gutenberg’s apprentice, this design is neither strictly a Venetian nor an Aldine. The archaic approach and lack of the Aldine model lead us to place the face in the Venetian group. The design owes more to Goudy than to Schoeffer.

Westman is a inspired by classic fonts with retro style combined with decorative Slab style nuances of western back to the era of the 60’s – 70’s, a style that is timeless. Westman is perfect for vintage,social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects

Traditional as Gutenberg, fresh as a sealed deck of playing cards - Tarotee One Arabesques is a remarkable set of ornaments that combine and recombine in endlessly beautiful combinations. Created by Tony Lansbury (and if you're still wondering what "tarotee" means, here's a hint - tear open that deck of cards mentioned above and look at the backs).

Introducing The Boldstyle a retro bold script which will bring yo back to 70s feel.comes with Extrude versions. So you don't need extra effort to create extrude effects. Its features include: Stylistic Alternate, Swash, Ligatures, Stylistic set and multilingual support. You can choose alternatives for substitution with various variants Glyphs. Very suitable for logos, tshirts, posters, branding, etc.

Minebold is a retro bold handwritten font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Minebold is PUA encoded, which means you can access all glyphs and swashes with ease!

I’m happy to announce the complete version of Ancora, a typeface I designed back in 2013. Ancora is a sans serif typeface with a distinctive style, inspired by the imagery in the production of the famous Port wine, such as boats, barrels, grapes, and bottle labels. Use Ancora for magazines, packaging, posters, stamps, brands and logos a new taste.

This family started as a graduation project back in 2009, coming from calligraphic studies and sketches with a broad nib pen, based on humanist proportions and inclination. From its ink and paper origins it has come a long way until the current form, being digitalized and made into fonts through the course of the last 8 years.

Why not take a giant leap back to the 1970s? Rakia is a science-fiction inspired font, with classic overtones of the 70s. Alternatively, it is a 1970s font with scoff overtones. Take your pick! It’s an all capitals face, with a strong suggestion of speed and motion about it. A wonderful display font and fun to use!

Evanston Alehouse is the first font in a larger collection of typefaces inspired by years leading up to the American prohibition. For the past two years I was living in Evanston, IL, a suburb of Chicago. After learning it was one of the birthplaces of the prohibition movement, I set out to learn more about it, and decided to develop a type collection that captures the dynamic era in our nation’s history. In the century that prefaced the ratification of the 18th amendment, saloons, taverns and alehouses boomed as the American working class enjoyed beer and discovered whiskey and gin. At the same time, the Temperance League was forming and gaining strength. By the turn of the century, these temperance societies were common in the culture of the country, with individual towns and states already on the move to abolish alcohol consumption. However, it was undeniable that by this time in history, America loved to drink. This font is inspired by the signage seen outside such drinking establishments. Back to the modern era, Evanston Alehouse is a 25 font family that includes 3 weights, 4 widths and 3 heights. It has special features that add depth to the font, with discretionary ligatures and stylistic alternatives. It also includes a complementary set of ornaments, including line breaks, frames, borders, and laurels. Here’s a snapshot of what you get with Evanston Alehouse: 2 Styles/Postions: Sharp (regular) and Round 3 Weights: Light, Medium and Black 4 Widths: 1826 (condensed), 1858 (narrow), 1893 (wide) and 1919 (expanded) 3 Heights: Capitals, lowercase and small caps 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives 1 Ornament font with over 100 graphic extras

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

Quagey - Psychedelic Typeface: Where letters dance with vibrant, kaleidoscopic energy. It's not just a font; it's an electrifying visual experience, making your message unmissable, like a psychedelic journey. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

NorB Chalk is a handwritten text font with an angled fat chalk style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun!

Academica Sans was drawn with the aim of following the artistic features of Josef Týfa's fonts. It has the same proportions as the famous Academica, so both fonts can be successfully combined. It is suitable for all types of literature from scientific to poetry, but also for corporate identity and websites. It has a calm and timeless character.

Avegas Royale font is modern sans serif font that is made in 4 styles regular, italic, bold, and bold-italic. The shape is made to contrast curves and lines between light and thick so that it looks more stylish and stands out. This font that perfect for logo, headline, advertising, quote text, invitation card, branding identity, and more.

This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even too geometric and too much into it's own rules. But at the same time to make it look very humane, sometimes imperfect and weird, but alive and not soulless.

Our font (circa 1895) of this old wood type was made by Hamilton of Two Rivers, Wisconsin, but we have been told that another identical font was made earlier by W. H. Page, Greeneville, Connecticut. Hamilton became the final home of many of the old wood type patterns as the early companies went out of business.

arima is a beautiful and feminine serif font created by a romantic and lovely look. Karima was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome!! Perfect for Branding identity, editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.

‘Ted’ is a geometric typeface. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. It's tall shape, high middle line and form gives ‘Ted’ neo art-deco look and feel.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

The Larryline family contains 6 stroke thicknesses and a proper italic, also in 6 thicknesses. It is suitable for a wide range of applications and can be readily combined with other fonts. The x-height of Larryline is identical with the x-height of Lunaquête font. Erwin Krump, typograph and sculptor, developed the Larryline font in 2016—2020.

Orka Condensed Sans is a stylistic font developed within a set grid that creates harmony and form through elegant forms, for use at both text and display sizes. Orka Condensed is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more. Multi-language support.

Westland is a modern blackletter typeface with bend serifs. This font is perfect to use in any alcohol labels, retro style logos, luxury identity, and more. What's included? Uppercase and lowercase Multilingual support Numbers Symbols Punctuation Ligatures I hope you enjoy with this fonts. If you have a question or problem please contact me: kaer.pro@gmail.com Thank you!

Astralys is a linear decorative font, works very well as a type of identity logo, poster and 3d works. It continues the tradition of precedent Xova but with a hard linear impact. Its interesting to note that with it its possible to play with straight corners to create endless couplings geometric styles and beyond. Caps only fonts.

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

This font was designed with scholastic visuals in mind. Whether advertising for a school event, or creating handwriting worksheets for young children, this font covers all the basics with Latin alphabet languages. Three fonts with identical spacing to make interchangeable. Spacebar adds a regular space between words/sentences. To connect words with ledger lines, use the underscore (_).

RealBook Pen are handwritten fonts with a unique lefty bounded shape, and can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations … or even just for fun! RealBook Pen can be also used for Comics and Casual lettering.

Introducing Impana: A modern sans-serif font that redefines contemporary design. With its sleek lines and versatile style, Impana brings a fresh perspective to modern aesthetics. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Often in typography, a standout appeal is required – but preferably without compromising on clarity and legibility. Laurel font family by Fenotype is where the best of both worlds meet – an edgy display letter yet easily legible and appropriate for a wide range of use cases. Brand identities, packaging, posters or editorial – choose Laurel for a touch of unique flair.

Jazz Copyist fonts are handwritten fonts with a unique bounded shape, and can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun! Jazz Copyist can be used for Comics and Casual lettering.

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Norton is a full character set based on the five letters in the famous Norton Motorcycles logo. K-Type has attempted to remain true to the spirit of the original identity, whilst updating the face, particularly the upper case, to sit more comfortably in contemporary usage. Thanks to Paul Lloyd for the influence of his typeface, Duvall.

Bague Round is a soft contemporary geometric typeface which blends distinct minimalist characteristics with mainstream details. It originates from Bague Universal, a superfamily with a warm well-balanced texture and a distinct personality. Usually, round sans letterforms tend to look rather organic and playful at heavier weights. This problem was avoided in Bague Round by applying all necessary optical corrections at the rounded corners in order to retain its robust qualities. Mechanical replacement of the stem endings with standard arcs was not implemented and each round form of the horizontal, vertical and diagonal strokes was treated differently from the other. Whilst the rounded endings at heavier weights become gradually more flat at acute corners, the round stems in letters such as A, b, m, p, s are perfectly matched with sharp diagonals in letters such as M, N, w, v, in a very distinct manner. A remarkable feature of Bague Round is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 6 distinct groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design, branding and corporate identity. The Bague Round type family includes 14 weights from Thin to Ultra Black and matching true-italics with a consistent and well-refined structure. Each style consists of 1017 glyphs with more that 280 alternates and ligatures and an extended set of characters which supports Latin, Cyrillic and Greek. PDF Specimen Bague Round on Behance