Two is better than one, right? With Breaker Rockin, you will not have problems in terms of lack font options. It is a versatile font duo that brings your design result vintage looks. The display font comes all in uppercase characters makes this font easy to read, while the script font shows bold and curvy strokes. You can mix and match this harmonious font duo to make gorgeous result in your design. Even more, this font duo has fascinating features that allows you maximize your design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Uma is a typeface family consisting of two weights: light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. It works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality. Designed by Ariel Di Lisio and digitized by Ale Paul, Uma includes alternates, fractions, ligatures and a wide range of latin languages.

Straight Line is essentially an outline Modern, but drawn without any curves whatsoever. Thin horizontals and thick verticals provide the classic look of a Didone, updated and enhanced by clean, minimalist geometry. In addition to the Straight Line font itself, the package includes Straight Line Solid with matching spacing and kerning. The Solid font can be used solo, or layered with the outline font to provide a colour background. Straight Line is an excellent display face for contemporary, eye-catching headings and sub-headings, and the fonts contain a full complement of Latin Extended-A characters. The typeface was inspired by a 1930s experimental alphabet by the British artist, Percy J Smith.

Korner Display is a vintage stylish serif font with a unique alternates and ligatures, a high contrast and light font perfect for feminine logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Korner Display features 691 glyphs. 202+ alternates characters, 260+ ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. You can also enable the OpenType Stylistic alternative, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Thank you...

Are you looking for a handwritten font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Northeast Oregon-A Handwritten Font Northeast Oregon is a elegant designed with a modern vibe. It brings charming curves and satisfying patterns This handwritten font is perfect for anything beautiful and neat.. A real head-turner for your presentation, designs, branding, quotes, invitation, website illustrations, and much more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing - ED Laurentsa is a classic serif font family consisting of 9 Weights (Thin, ExtraLight, Light, Regular, Medium, Semibold, Bold, ExtraBold, and Black). Try DEMO Version : https://emyselfdesign.gumroad.com/l/pgtit ED Laurentsa has a classic minimalist look with a condensed style and has a wide variety from thin to black to suit your needs. This font is perfect for your design needs, such as logo design, branding, apparel, headings, web, etc. This font can also be easily combined with other fonts to create the perfect typography. Bold fonts are perfect for displays such as logos, or in-text headings. while the font with a thin style is suitable for covers, posters, or social media posts.

Hi, Everyone! Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire creativity, imagination, and prominence style? Introducing Skater Squad- A Grafiti Font Skater Squad is a bold and angular with a distinct street vibe. This font can be used for a host of different content needs and projects. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Happy Kids embodies fun, quirkiness and authenticity. It features gorgeous and fun characters that will brighten up your crafting projects. It will elevate a wide range of design projects to the highest level, be it branding, comic design, children's books, headings, invitations, labels, and much more

Nombueang is an informal headline typeface with a bold appearance and loop-headed Thai letters, giving it a fun, friendly, and warm feeling. It is suitable for use in various media and is especially effective in emphasizing special importance, such as in posters, packaging, and more.

Bobgert – is a whimsical, optimistic and inspiring modern sans-serif font with a touch of monospace that is wonderful for headings and is perfect for posters, Instagram, magazines, print, branding, logos and anything else you can imagine. I hope my font will help you in your creativity.

Quickjob is a strong display font. It comes in 6 styles and it’s the perfect font to make your designs standout. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Monicallisa Feminine Logo Script Font Monicallisa Feminine Logo Script Font is handwritten modern stylish fonts, combines from classic to modern typeface with a elegant baseline. Can be used for various purposes, such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

AZ Placid font is basically a rough outline that lends well to other Serif fonts. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Belton is a unique handwritten font. It includes elegant swashes which can be used to give a luxurious look to your designs. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more.

AZ Fast Fury font was inspired to have a "rough Scratched" look to some letters. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Silverway is a mix of fun and elegance - with a unique take on modern calligraphy. This font has a strong brush texture, making all of your projects looking handwritten! Silverway is perfect for all modern projects, headings, branding, logos, advertisements, bloggers, business cards, social media and more!

Moonstone is the definition of fun, uniqueness, and authenticity. This eye-catching font will turn your creative ideas into a standout. It will take your various design projects to the highest level, be it branding, headings, book cover, t-shirt, mug design, logos, labels, and much more!

Crunchy Orange is a picture of fun, uniqueness, and authenticity. This eye-catching handwritten font will turn your creative ideas into a standout. It will take your various design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and more!

The Woods is a bold new display font family with 4 styles, each style has a great design feel to it and looks hand crafted. Use it big and make a bold statement. This display font is perfect for posters, and headings that need to be noticed.

Fallaxe Graffiti is a spectacular, with bold graffiti display font, there are two style font inside, normal style and dripping style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wall art illustration, apparel, labels, and much more!

BULKY is the 19th Font of André Toet. It’s Unusual, it’s Heavy, it’s Irregular, it’s Rough, it’s Stripy, it’s Angular, it’s BULKY. But it has character and extremely useful for headings, posters and even logotypes. Just-Use-It! Concept/Art Direction/Design: André Toet © 2017

Kiva sans - it is a modern grotesque with open forms and visible contrast. The font is built according to the experimental principle, which, to some extent, makes it stand out. Perfect for both small text and headings. The font supports Cyrillic and Latin. Developed in 2021.

AZ Union font was inspired from an old vintage tin from the early 1900's This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

AZ Tiki font was inspired from Polynesian pop art Ephemera of the 1950's. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Harlon This is a display font in two headings, sharp corner and rounded corners. This font is perfect for titles, book covers, logos, T-shirt printing, packaging and much more, and also this font includes stylistic alternates.This font is easy to use and has OpenType features.

Roselina Script is a modern calligraphy, with a vintage feel. moving baseline and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Including initial and terminal letters, alternates, ligatures and multiple language support.

Calgary Script was mostly inspired by a brush script on a Welcome To Calgary sign in, you guessed it, Calgary. Though now, after it's finished, I can easily tell the influence is evident of all the books on American sign painting I have absorbed over the years. The overall effect of the font is similar to something that Fonzied itself, big hair and leather jackets and all, out of the early 1980s, but the feeling really dates back to a few decades earlier. Heady caps and free-flowing lowercase make for a speedy, determined, and instinctively organized buffalo herd of a typeface. This is a packaging font with a true supermarket sign spin, with OpenType features including ligatures, alternates, and ordinals specifically made to follow numbers.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Sibylle Schlaich and her friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Schlaich and her fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Styletti Medium is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH."

A sign of something better When designer Stuart de Rozario surveyed the fonts used in signage on London’s public transport systems, he reached a dead end. They seemed staid, sterile, lacking in personality, and ill-suited to use by modern brands. He was pointed in another direction entirely. ‘The driving force behind my thoughts was to design something more current and fresh without compromising legibility and clarity. A font with both personality and function, that’s versatile and large and small sizes, and effortless to read, but which also says something new.’ Speed reading Late for a meeting and can’t find your way? Trying to catch a flight? Lost in a hospital? Reading signs is a different business to reading a book or a newspaper. Text on signs needs to be deciphered quickly and effortlessly. So the legibility criteria for signage letterforms are different to those for normal reading, too. Throughout FS Millbank’s uppercase and lowercase alphabets, characters have been given features for extra definition, including: wide ink traps on the A, K, M, V, W, X and Y; a serifed i, accentuated spurs on the a, d, l u; and different x-height shapes on the b, g, p and q. Distinctive forms and generous, open internal shapes all help the quick reading of sign text, and wide, open terminals and counters allow similar letter shapes to be distinguished easily when viewed at different angles. Running down a corridor, maybe... Positive/negative Standard type tends to glow on the kind of dark backgrounds often used for signage, and look heavier than its true weight. To correct the imbalance caused by this optical trick, special weights of the typeface have to be drawn for these ‘negative’, light-on-dark applications. These are lighter than their comparable positive weights to overcome the ‘glow’ effect. After extensive tests of the negative weights, at all sizes, we achieved the right optical balance. Glowing, glowing, gone. Icons This wouldn’t be a signage typeface without its own set of icons, or symbols, to help people find what they’re looking for. So, to sit alongside the positive and negative fonts, we’ve created a comprehensive set of 172 icons, covering a wide range of applications from transport and user interface to information and directional. Designed within the typeface capital height, they sit on the baseline and are spaced centrally.