A light handwritten script font that is feminine and informal. Will lend a casual yet elegant feel to any design. Contains language support for both Latin-based and most Eastern European languages.

Kellvin is a fun and friendly display font, that can easily stand out. Simple but with a strong visual effect, this font will instantly make your creation more appealing than any others.

Solidarius is a chubby, friendly typeface which captures the innate legibility of well done felt-tip marker lettering. It's ideal for any poster needing that 'hand-lettered' look combined with optimum legibility.

Beatlove is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch!

Nathaly is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Shiny Flakes is a cute, simple and adaptable display font. Add it to each of your party invitation, gathering or pretty much any design that requires a touch of youth and joy.

Doodletoon is a comic-style sans serif font with a unique feel! It will add a whimsical twist to any design project. Compatibility Windows Apple/Mac Linux Cricut Silhouette Other cutting machines

Examples of a wood type alphabet for letterpress are the basis for Rounded Sans Wood JNL. Clean and bold, the rounded ends give a softer, more informal look to any display copy.

Usefully is a quirky and laid-back handwritten font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation.

Boldscope is a fun, retro-psychedelic display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

“Break on through to the other side” of design with Densmore, the typeface inspired by The Doors. Created with geometric shapes and a hand-drawn touch, this font pays homage to the band’s iconic logo. Featuring three styles, including the regular, blue, and pink, Densmore is perfect for any creative project. Take your design to the next level and experiment with layer effects by offsetting and changing colors. And with ligatures that automatically replace double lowercase “o” combinations with a mirrored “oo” combo, you can add a touch of cool to any project. “Light my fire” and download Densmore today! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Classic Grotesque by Rod McDonald: a traditional font with a modern face. The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque®. Although this typeface that was designed and published by Frank Hinman Pierpont in 1926 has since been digitalised, it has never achieved the status of other grotesque fonts of this period. But Monotype Grotesque was always one of designer Rod McDonald’s favourites, and he was overjoyed when he finally got the go-ahead from Monotype in 2008 to update this “hidden treasure”. The design process lasted four years, with regular interruptions due to the need to complete projects for other clients. In retrospect, McDonald admits that he had no idea at the beginning of just how challenging and complex a task it would be to create Classic Grotesque™. It took him considerable time before he found the right approach. In his initial drafts, he tried to develop Monotype Grotesque only to find that the result was almost identical with Arial®, a typeface that is also derived in many respects from Monotype Grotesque. It was only when he went back a stage, and incorporated elements of Bauer Font’s Venus™ and Ideal Grotesk by the Julius Klinkhardt foundry into the design process, that he found the way forward. Both these typefaces had served as the original inspiration for Monotype Grotesque. The name says it all: Classic Grotesque has all the attributes of the early grotesque fonts of the 20th century: The slightly artificial nature gives the characters a formal appearance. There are very few and only minor variations in line width. The tittles of the ‘i’ and ‘j’, the umlaut diacritic and other diacritic marks are rectangular. Interestingly, it is among the uppercase letters that certain variations from the standard pattern can be found, and it is these that enliven the typeface. Hence the horizontal bars of the “E”, “F” and “L” have bevelled terminals. The chamfered terminal of the bow of the “J” has a particular flamboyance, while the slightly curved descender of the “Q” provides for additional dynamism. The character alternatives available through the OpenType option provide the designer with a wealth of opportunities. These include a closed “a”, a double-counter “g” and an “e” in which the transverse bar deviates slightly from the horizontal. The seven different weights also extend the scope of uses of Classic Grotesque. These range from the delicate Light to the super thick Extrabold. There are genuine italic versions of each weight; these are not only slightly narrower than their counterparts, but also have variant shapes. The “a” is closed, the “f” has a semi-descender while the “e” is rounded. Its neutral appearance and excellent features mean that Classic Grotesque is suitable for use in nearly all imaginable applications. Even during the design phase, McDonald used his new font to set books and in promotional projects. However, he would be pleased to learn of possible applications that he himself has not yet considered. Classic Grotesque, which has its own individual character despite its neutral and restrained appearance, is the ideal partner for your print and web project.

Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.

Astral Night - A Blackletter Typeface is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Astral Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Electrum is an all-caps layered font that presents a plethora of permutations for any use. Inspired by handlettered signage of the 1950's and 60's, Electrum has one foot in the past and one in the present. Use a single weight, or mix and match weights to create a number of interesting and eye-catching combinations. The "lightning" weight is especially interesting and adds a bit of electricity to any design. Perfect for logos, packaging designs, or poster designs. Whatever the usage, Electrum can add some spark to your project!

Happy Ney Year Party is a playful and quirky display font. I made this font especially for New Year and holidays. This font has 8 decoration versions : regular, firework, splash, ribbon, star, trumpet. These decorations are related to New Year decorations, making this font the perfect fit for any new year or holiday themed activity / project. Happy Ney Year Party perfect for crafter, gift, tshirt, card event, anniversary, birthday,greeting cards, logotype, branding, poster, packaging, stationery, website, and any other projects requiring a handwritten and luxurious touch. This font is also support multi language.

Introducing Metanoia - Display font Metanoia is creative and elegant font with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, numeral, punctuation & Symbol Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

is a beautiful handwritten font. this font is so simple that i write very carefully. Even though it looks simple, this font still looks cool and stylish. Handwritten script font. This Fonts are perfect for: logos, branding, wedding invitations, business cards, greeting cards, posters, magazines, social media, proliferate fonts, planner prints and websites. Get creative with their unique fun, and use them to brighten up any craft project! Get this font now and boost your creativity with it! If you have any questions, before or after your purchase, don't hesitate to contact us. Thank You

Hello Everyone, introduce our new product Elfinotes is a Fun Display Font .This is Cute & Lovely Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Elfinotes is font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional

Create a fresh and fun design with the Rekix Black font. This elegant font can be used in any project from fashion to editorial work. Add some whimsy and spice to your next design project with this font. This font takes inspiration from the most popular vintage and retro fonts while bringing its own unique character. The letterforms have been carefully crafted to offer an elegant, yet playful feel. With a wide variety of binders and alternatives, Rekix Black brings a bit of vintage charm to any design project.

Get ready to chill and thrill with Chillink Font! With its bold and playful style, this font is sure to make your text pop and stand out from the crowd. Plus, its unparalleled readability and versatility make it the perfect choice for any project, whether it's a social media post, website design, or even a logo. The best thing about Chillink Font is that it's so easy to use! Just copy and paste it into any project, and you'll be ready to go in no time at all.

Child Witch - Halloween Font is a display font that is inspired by horror style because its shape is very unique and is perfect for any project that you will use with this theme. Child Witch came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Gotlen Say, I hope you are interested in this font, if you want to use it for your work This font can be used easily and simply because there are many features in it it contains a complete set of lowercase and uppercase letters, various types punctuation, numbers, and multilingual support. Fonts also contain several Binder and Device Style Style for those of you who have software it can work. Any question? Send me a message! I'm ready to answer any pre-sale or post-purchase questions you may have about this product!

Kumba is inspired by classic typography and brings its own unique style to any design project. This fantastic sans serif font is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, print, moving images or anything else – Kumba will look spectacular. It is a great sans serif font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Kumba will turn any creative idea into a true piece of art!

LiebeRobots is not your average collection of mean termination machines. LiebeRobots are friendly and polite. Some are from Mars, some from Venus, and some are probably from Germany. Most are from the future, some are from the past. And a handful are even from the 60s. LiebeRobots probably is the most comprehensive collection of hand-drawn robots ever. They look great on almost any greeting card, birthday card or invitation. LiebeRobots also serve as a perfect companion to any informal graphic design that needs a personal, handmade touch.

Yashie Is A Modern Arabic Typeface Inspired By Ramadhan and Islamic Style. Font Features : SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website app that allows standard fonts That's it, folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Introducing “Cristopher Shake” Font, a unique creation born from the elegance of handcrafted strokes. With an artful touch, each character exhibits a natural and distinctive quality that adds a truly authentic charm to your design projects. “Cristopher Shake” Font is the perfect choice for those who seek a blend of individuality and style. Whether it’s for branding, logo design, magazine layouts, quotes, or any other creative endeavor, this font brings a touch of genuine craftsmanship to your work, Christopher Shake Supports more than 90 languages If you have any questions, don’t hesitate to contact us

Break Love Is An Classy Retro Font Inspired By Stylish and Vintage Character. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Star Vintage is a retro serif display font with a slightly bold appearance. You will get ligature characters on some characters. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Introducing Lesson Learned is Fun Display Font,This Font Authentic that is written casually and quickly. Then scanned and carefully drawn into vector format. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is why Lesson Learned has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. It also features a wealth of special features including Ligatures glyphs.

Introducing Akira - Zenbrush Script, created by ikiiko. Calm brush script type, adapted from Japanese zen culture. Akira typeface uses firm lines with strong curves with lots of alternates & stylistic options to choose. This typeface is perfect for an elegant logo, poster design, beauty product, packaging product, community logo, magazine, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Love Conchetta is a semi casual script font. This font describes about easy going, beautiful, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Love Conchetta works great in any branding, logos, magazines, invitation, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, invitation, stationery, elegant brush, quotes and any projects that need handwriting taste.

Maqin Larisa an excellent typeface for modern typography desain and hand lettering logo designs. Maqin Larisa typeface is suitable for any design needs, branding, modern invitation design, blog design, modern advertising design, art quote, cover title, t-shirts, any lettering design needs and more. Maqin Larisa comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate (with a completely new set of both lower and uppercase characters) and Stylistic Set (ss01, ss02, ss03, ss04, ss05).

Stinky Slime - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Stinky Slime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Feels so Good is a semi casual script font. This font describes about girly, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Feels so Good works great in any branding, logos, magazines, invitation, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, quotes and any projects that need handwriting taste.

Vamps Crime - Halloween Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Vamps Crime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)