The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans. Now, Nimbus Sans is also available as Round (like the popular URW fonts Futura Round and Eurostile Round). The Round versions are intended to facilitate the work of designers and typographers. The fonts can be used directly, without further preparatory work in graphic programs as finished, high-quality Rounds.

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

Introducing OXLAIDE: The Bold and Playful Display Font that's designed to capture attention and add a touch of whimsy to your projects. With its rounded corners and playful style, Oxlaide font is the perfect choice for a wide range of creative endeavors. Its robust, thick lines ensure that your message stands out, whether you're designing posters, banners, logos, or any other project that needs to grab attention. Oxlaide font also plays exceptionally well with others. Its bold and playful style complements handwritten fonts beautifully, creating a harmonious balance between structure and personality in your designs.

The Wezer - Display Bold Font Duo is a unique and bold typeface that breaks away from the conventional font styles. It offers two distinct versions: rounded and display, both designed to bring something entirely fresh to the table. The purpose behind creating this font was to introduce a one-of-a-kind typeface that stands out in the design world. Wezer is the ideal choice for projects that require a touch of quirkiness and originality, making it perfect for logos, branding, headlines, posters, titles, billboards, banners, and any design that dares to be different.

Spice up your designs with Radiant Days an elegant retro bold serif with its lovely rounded curves that will give a modern retro touch to your designs. Radiant Days with its alternates will provide your project. Whether you are a logo designer, or looking for a great bold header to your designs, retro quotes, Radiant Days will definitely make your work stand-out. To access the ligatures and the stylistic alternates make sure they are ON in the OpenType Feature option. Supported languages: Western European Central European South Eastern European South American Oceanian

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

Encorpada Classic, designed by Eduilson Coan, brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is an elegant choice for your type library. The family has three widths – compressed, condensed & normal, support for more than 40 languages and opentype features.

The type family was designed at ParaType (ParaGraph) in 1992 by Alexander Tarbeev. Based on the handwriting of the German graphic artist Betina Kuntzsch. For use in advertising and display typography. Additional Latin letters (for the whole family) and Greek letters (for the normal style) were added by Gennady Fridman in 2006-2009.

Childwood is a typeface inspired with a sense of wood and kids. Recommended for your headline such as the children book cover, coloring book, interior murals, poster, t-shirt, mug & other merchandise. Available in Normal & Rough style. The playful font that you can combine the uppercase & lowercase to get the children taste!

Encorpada Classic, designed by Eduilson Coan, brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is an elegant choice for your type library. The family has three widths – compressed, condensed & normal, support for more than 40 languages and opentype features.

Multilingual font includes more than five languages, including (Arabic, Latin, Persian and Urdu) with a solid base characterized by simplicity and letters with a geometric Kufic character The line has 18 weights for both types (normal, exbanded) The font also has the properties of OpenType, variable letters, and most of the symbols

With its straight and clean face Hybi10 Metal can be a quite normal antique font family. But the alternates with different versions of spikes at the uppercase letters gives it an additional use. Decide for your own, how to use it. The styles with real capitals widens the range of use too.

“Miau” is a display typeface designed by “Cuchi, ¡qué Tipo”! (Hey, what a type!”). Its name comes from the onomatopoeia of "Meow" in Spanish, and it is only to be used for letters or single words. It is built from the basic skeleton of cursive script letters, and its origin and main concept is based on experimenting with shapes that play the limit of readability. Being a variable format typeface, we have from the thinnest and lightest version ("Hiss"), to the thickest, dense and compact ("Purr"), passing through the average ("meow"). The final result of this experimentation is defined into a very contemporary typeface with a geometric, modular and “no-terrestrial” flavour. It aims to be a representation of the times we live about typographic design, a whole explosion of implausible experiments and formals researches.

Mirabel is based on the handwriting of Beverly Bouwsma (Philip's mother), which she developed in the 1930s in, as she puts it, an act of teenage rebellion. In the 1960s, Philip gave her a broad-edged Osmiroid fountain pen which she took to immediately and has used ever since, along with the computer fonts he made from her script. Since Beverly Bouwsma mixed loops and straight ascenders, two interchangeable fonts have emerged, a formal package that sacrifices some flamboyance for classical balance and legibility, but retains the quality of the writing and celebrates the personality of its creator. The Mirabel fonts are available in all popular font formats, and the character sets cover a wide range of codepages, including Central and Eastern European languages, Esperanto, Turkish, Baltic, Celtic/Welsh.

Silver Thread is a hairline thin geometric sans serif font with both art deco and 1970s elements to it. Perfect for any project that needs a typeface which evokes elegance and sophistication. Digitally revived from an older photo-typositing face, Silver Thread is named after a waterfall in eastern Pennsylvania. The font contains alternate versions of B, Q, W, &, a, e, k, n, s, t, u, w, y and 4 for added variety. They can be found under the Stylistic Alternates OT feature. Jukebox fonts are provided in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Bouwsma Script, based on Philip Bouwsma's own handwriting, was originally released in 1994 and settled for nothing less than being an instant classic. One of Bouwsma's widely used works in the 1990s, Bouwsma Script finds its home now at Canada Type, where it was updated with the Euro symbol and complete support for Turkish, Baltic, and Central and Eastern European languages. It now also comes in all popular font formats, including OpenType. Real, casual, friendly, and loaded with the designer's artistic touch, Bouwsma Script can be seen around the globe on plenty of store signs, book covers, product packaging, promotional posters and a variety of other paraphernalia.

Inspired by a bold, script, chill, and handwritten style character, we present to you Aloha Obelic, a Display font with bold and Script characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent. Aloha Obelic is very suitable for T-Shirt Designs, Birthday invitation, Product packaging, YouTube Thumbnail, Posters, Advertising Projects, Logos and more.

Zt Shago is a font family of 3 eye-catching display forms, each style has its own character, from very strong and soft angles. When you're looking for a font with a fun message, you can find it in the zt Shago family. Zt Shago is the most extensive font family I've ever created, with 33 styles and 16 free font styles. The default and round styles come in regular & Italic. But for the free one I only have one on myfont, for other styles you can download at Gumroad. While extra rounded only has one weight, namely extra bold. Zt Shago also has several unique alternatives to the letters a, h, k, m, n, v, w, & z, thus enhancing your design style. I hope you have fun using zt shago Thanks for using this font ~ Khaiuns X zelowtype

Filson Soft is the rounded version of the popular Filson Pro . At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons, this font family is also perfect for original titles and will give you future creations a nicely friendly aspect. But with all these originals features, Filson Soft is highly legible and quite versatile. Its large x-height, even performs nicely in small sizes. Filson Soft comes in 8 weights - Thin, Light, Book, Regular, Medium, Bold, Black, Heavy with a professional range of Opentype functions such as lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms, stylistic set, arrows and f-ligatures. For better typographic control, Filson Soft also includes an OpenType class kerning with thousands of kerning pairs.

Chicory is a beautiful new calligraphic typeface with a touch of elegance. The narrow chancery style is perfect for formal invitations, newsletter mastheads, menus and greeting cards.

Inspired by 11th 12th century Carolingian hand drawn cursive. Elegant and clearly legible this italic looks well in large or small sizes for formal or informal use.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

Popular music of the early 1900s included a genre called two step; round dances utilizing a sliding step with a tempo in either march or polka time. 1911's "Daughters of the American Revolution" was one such march/two step. The cover of the sheet music had the title hand lettered in a slightly rounded sans serif type design in the Art Nouveau style popular during that era. It is now available as Two Step Nouveau JNL, in both regular and oblique versions.

Rawkner is a sans serif font. Inspired by ink trap. The first concept is the letter "W" and "K", then the other letters refer to both. Come with four styles, regular, oblique, round, and round oblique. Rawkner is perfect for the headline, and subheadline. There are alternative glyphs that you can choose according to your project. Also, the ligature of the uppercase and lowercase will make it more perfect. Rawkner is an option that you should try for your creative project.

The Peacher perfectly represents crafted stuff of vintage script. This project was inspired by beautiful old labels. The product includes 4 styles (regular, rounded, rough and textured). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, quotes and more custom design. Peacher includes : 4 style typefaces (regular, rounded, rough and textured) Uppercase, lowercase, numeral, punctuation and symbol 7 sets of alternates and swashes 25 ligatures Multilingual PUA Encoded Thank you for your support and choosing us.

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners. It is designed specifically for short texts to add significance and emphasis. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro .

Badire is a beautiful and unique sans-serif font that is perfect for wedding invitations, branding, logos, product packaging and so much more. With its clean lines and distinctive design, Badire offers endless creative possibilities. It comes in regular, italic, round, and round italic font styles, and includes uppercase and lowercase letters, numbers, punctuation, ligatures, alternates, and multilingual support." OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Mono Pro is a squarish monospaced font family with extra-large x-height and rounded corners. It is characterized by evident straight elements even in horizontal stems. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Slab Pro .

This typeface family was inspired by a set of fonts, designed in the Garamond style, used for an edition of Remarques critiques sur les œuvres d’Horace by “D.A.E.P.”, published in Paris in 1689 by two different booksellers: Deny Thierry and Claude Barbin. We can see some differences in comparison with our “pure” Garamond (see our 1592 GLC Garamond), particularly in the lowercase of the Normal style and the uppercase of the Italic. Unfortunately, we know neither the name of the punchcutter, nor that of the printer. This complete font set contains small caps, fractions all the way up to 1999/1999, historical and standard ligatures, and all of the fleurons contained in the edition (Normal style only). The alphabet covers all Western, Eastern and Central European languages (including Celtic diacritics) and Turkish.

The Postea font family is Veronika Burian and José Scaglione’s take on German geometric typefaces, reshaped with the right attributes for setting paragraphs and headings, and perfect for branding and text use. Some typefaces are a rough tool, like a pumice rock: abrasive to the senses, unforgiving, and unhelpful for most reading situations. Postea is an obsidian: smooth and classy, with attractive nuances in any light. The classic curves and purposeful details keep its individuality intact while allowing it to fit an incredible range of geometric font needs. Because of these qualities, Postea makes normal reading in paragraphs a cinch and your branding memorable. Compared to midcentury attributes of restraint and a sparse appearance, Postea’s deliberate play between character widths injects life and distinctiveness into its personality. The default ‘t, f’ have lyrical doses akin to a robust evening drink and are rounded out with a serpentine ‘s’ and rotund ‘o, g, b’. Another nice surprise awaits: spacing for the Hairline weight is tighter for optimal use in large headings and titles, while the regular weights have the expected, slightly looser spacing for text. Setting the test word ‘bogarts’ brings all this together nicely, invoking a balance between a constructed and human feel while brushing away the dust from a century of derivatives. Postea is opinionated and its modern stylistic sets allow it to be accommodating with softer, specially-designed alternative characters. SS01 replaces ‘b, f, M, m, t’, while SS02 changes only the lowercase ‘a’ to the round style, and SS03 swaps out the angled ‘y’ for a straight version. The fourth and sixth stylistic sets are packed with wallpaper-worthy geometric patterns, ornaments, arrows, and symbols aplenty. Postea’s 14 styles (seven upright and italic) and two variable fonts are accompanied by an all-new family of icons in three weights, which we developed a new, easy way to activate. Simply bookend the desired icon name with colons (:arrowUp: :chargingStation: :aid: :firstAid:), making sure to capitalise each word after the first word, then highlight and activate SS05. Icons include wayfinding, social interface, sanitary precautions like face masks, thermometers, and hand washing, and much more. Postea is resilient in the number of ways the family can be used, and its recognisable characters make it a prime selection for branding, signage, corporate typefaces, and magazines. Beginning with midcentury virtues, Postea is the rational response for text — a lyrical take on geometric sans serifs.

Sabron Light is a very round font with the thickness at the corners rather than the side as in most typefaces. Serifs are swollen ends coming to a point.

Another Shabby is a script typeface family. Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script.

Longreach is a carefully crafted, handmade all caps display font. The glyphs are nice and crisp, with slightly rounded corners. Use Longreach for your product packaging, books and websites.

Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font.

A round was added to a neat straight line to express a soft sensibility. It is a neat and flexible font using a clean and stable type of module.

Beat is a quirky OCR-inspired face with a rounded, retro-electronic feel. All of the stem weights were drawn at random, but the ensuing chaos works amazingly well.

Alma Mono is a monospace typeface with a friendly personality. It comes in five weights and its rounded ends convey a more friendly atmosphere then a more mechanical monospace.