Indento is a multi-purpose modern geometric slab serif for headlines, posters, branding but fairly legible to be used as longer text. The straight and rounded corners combined with deep cuts and asymmetric serifs gives it a distinctive look while still keeping its rigorousness and legibility. The family consist of three weights, each with a companying italic. The extensive character set—513 glyphs in each font—includes support for Central and Eastern European languages and OpenType features like small caps, ligatures, fractions, slashed zero, stylistic alternates and more.

D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines . D Hanna Soft is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc.

Anteb font family is one of those large and useful families that you really can’t miss if you are looking for typeface combining originality and legibility. Anteb is one of these – a sans serif with modern look designed very smart with rounded corners. It is developed in 10 separate weights ranging from Thin to ExtraBlack, each coming with Alternate version, which is well suited for a variety of typographic applications such as headlines and small texts. The Anteb font family supports multiple languages and is available as both webfont and desktop font.

Gatsby SF portrays the formal elegance of Art Deco, using the rounded shapes typical of the Art Deco movement. The upper case characters are decorated with a classical Art Deco motif, while lower case characters have been left unadorned for increased readability. Gatsby SF functions well as a display font and creates attention-attracting headers and subheaders. Fully professional, Gatsby SF contains a full character set - Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages.

Karl Georg Hoefer’s Sho first appeared in 1992 with Linotype-Hell. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. Sho distinguishes itself in the extreme contrast between the strokes. A unique characteristic of the font is the way it uses simple round forms in some of its letters, giving it a peppy and playful feel.

The Fuel Uni Extended typefaces are a modern update on the techno sans extended for stronger impact, adding further versatility with unicase design complete with soft rounded corners as well as decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, and R, as well as lowercase g characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.

Agger is a contemporary serif typeface featuring large open counters, curved, round forms, creating a modern and elegant glyph set. The extreme contrast between thick and thin strokes gives Agger a harmonic and stylish look. Designed with an elegance to the letterforms, the font is adapt for the beauty and the cosmetic industry, giving each project a unique style and feel. Agger is perfectly suited for editorial design, branding, magazines, logos, headings, and more. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, and Sámi.

Linotype Pide Nashi is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. German artist Verena Gerlach created a typeface which looks almost like Arabic at the first glance, only with the second do the familiar forms become clear. Rounded lower case letters, generous, sweeping capitals and diamond-shaped ornaments give the font its Arabic feel. The exotic Linotype Pide Nashi is best suited for short and middle length texts and headlines and especially for ornamental texts.

Boutros Angham is a humanist-inspired, sans-serif typeface designed and created to work harmoniously with its Latin version whilst respecting Arabic calligraphic and cultural rules. Characterized by its modern appearance, with rounded edges and free flowing letterforms, Boutros Angham is highly legible at various angles, sizes and distances. Ascenders and descenders are very prominent and apertures are wide to easily distinguish letters from one another. Boutros Angham is suitable for headlines and sub-headings as well as body text at smaller point sizes. There are ten weights for each, Latin and Arabic, variant.

Rolling gemstones… The name "Eris" is again borrowed from Greek mythology, is related to the myth "the apples of Hesperides" which were gold and one of them got the Erida!!! More about this myth can be found on the web... And in this font (as in one section in the "Cyceon" font) I have mixed in the lower case with the capitals in many letters.I tried here to give a different illustration in lowercase letters, simply because of whims or because the monotony is tiring me!!! One can also mix here with two levels to get a third color depiction using the “ErisPro-Black” with “ErisPro-Strap” or “ErisPro-BlackIt” with “ErisPro-StrapIt” This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

OBO Classic is the second installment of the OBO series, a type collection based on a square. Every character is mapped on a 1x1 ratio which allows for horizontal and vertical settings alike. Or mixed, like crosswords. OBO Classic is a display interpretation of a traditional Old-style Serif. The “distortion” which maps each character to a square creates unusual proportions to what we are used to from classic serif typefaces. The result is a monospaced font. While each individual letter feels conventional on its own, when brought together in words the result feels contemporary. Thanks to the square base vertical and horizontal – and mixed – settings are possible and easy to apply. There are a few exceptions for certain punctuation and special characters that are half the width for better spacing; and the word space’s width can easily be adjusted through OpenType stylistic sets. Talking about spacing, for strictly horizontal typesetting there is the option to turn on kerning for a number of characters to create a cleaner texture across words and phrases. OBO Classic is best set in large sizes and is most comfortable in editorial and display settings. A series of icons complete the character set. A selection comes as pixel graphics which adds further contrast to the traditional legacy of the typeface.

Introducing unusual Sans Serif font family. Font is concise and minimalistic. But behind the apparent simplicity of the font is hidden the original feature in the form of modernized uppercase glyphs, which can be used as an accent in the header or logo. Pure letterings with excellent readability have 2 thicknesses. Font will emphasize the high status of the business and complement modern branding design, and the general versatility of the font provides for its widespread use in various directions and is combined with different styles in design. Balanced glyphs will fit into the typographic design and will not distract attention from the main point. Features: Bold, Bold Italic, Regular, Regular Italic Upgraded uppercase letters Kerning ld.luxfont@gmail.com

Introducing Ablation Sans Serif Typeface - 6 weighs Ablation is casual, clean typeface that contains 6 weights to enchant your next project. They have basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets. Very versatile fonts that works great in large and small sizes. Ablation is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Basic and advanced latin character sets Basic and advanced Cyrillic character sets Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Marclane is a hand drawn slab serif typeface. This item consist of 4 fonts in various styles which you can play around with it and also come with MARCLANE DINGBAT to make better design. This typefaces is perfect for people looking for vintage aesthetic and organic feel or design needs with a touch of classic western. What Will You Get : Marclane Slab Serif Marclane Dingbat If you have any questions, please contact (ironbirdcreative@gmail.com)

Caravan was designed in 1938 by William Addison Dwiggins and consists of a variety of ornaments. He based the forms of the ornaments on the same lines and curves found in his font Electra. He wanted printers and designers to have the chance to combine the two fonts for a more attractive or outstanding overall picture. Caravan is particularly popular for advertisements in newspapers. Caravan can be easily mixed with other fonts designed by Dwiggins.

Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.

The typefaces Largo Mager (Light) and Largo Halbfett (Medium) were cast for the first time in 1937 by Ludwig & Mayer based on the designs by Hans Wagner. One weight Largo Licht (Outline) was added in 1956. All fonts were only configured with capitals. The digital version of Largo has pointed serifs and not the slightly rounded ones seen in the hot metal versions which gives the typeface a more elegant note. Largo is often used for fine printing jobs as business cards or formal invitations, or in the fashion and cosmetics fields. Hans Wagner was born in Munich in 1894 and died in 1977 in Altenburg where he had worked as a painter, graphic designer and book designer. In addition to the Largo typeface, he developed, among others, the Altenburger Gotisch (1928), the Welt-Antiqua (1931-1934) and the Wolfram (1930).

Prestissimo Classy is a combination font package between copperplate script and retro serif style. A perfect combo for you who need elegant, stylish, retro, casual & professional look on the same plate. Save your priceless time with the best solution! The easiest way to bring professional calligrapher, Penmanship or spencerian script. Now you have this unique opportunity to try the early American handwriting. Really bring classy vibes & easy to use, powered with opentype features & PUA encoded. Our Prestissimo Classy is feature with contextual alternates and stylistic sets to broaden your possibilities - Common and extended ligatures are included. The set is supplemented by flourish ornaments to round out your design. Each style feature full Western Latin character support (multi language), formatted in OpenType (OTF) and will work on your Machintosh or PC. Perfect For: wedding invitations stationary logos postcards letterpress address titles

As its name suggests, Multiple is a family with multiple font styles. The idea that sums up the concept behind the typeface is “workhorse”. The challenge was to develop a useful font fit for any scenario and suitable for any design needs: editorial design, packaging, branding, screen use, etc. Multiple features soft, rounded shapes and large counterforms which make it well-suited for both text and display usage. The proportions are based on classic typefaces yet its design was specially created to provide a high degree of versatility. Multiple contains different stylistic sets whose variety of glyphs provides a wide range of choices for any design project. Partly humanist and partly grotesque, Multiple comes with a number of font variants that will help you choose the style that will best meet your needs. The font also includes a serif version with the same number of variants as its sans counterpart. The sans version includes 4 stylistic sets while its slab companion comes with 3 sets, both available as separate alt family packages (ideal for those seeking ready-to-use alternate glyph sets). These alternate characters are also available as OpenType features in the regular versions. Multiple comes in 5 weights—ranging from Extra Light to Bold - with matching italics, and contains a 395-character set that supports 207 different languages. Multiple: one font, multiple faces.

Celiya Script is a modern script with handwritten, decorative characters, and dancing basics! It's very suitable for use such as blog headings, branding, t-shirts, weddings, social media, product design, stationery, advertisements, clothing, book covers, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Celiya Script features alternate alternate OpenType features, binders and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. Celiya Script is coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use the Font Book, and Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor / application. If you have questions, feel free to contact me via email: picatypestudio@gmail.com Thank you!

Death angel has a strong and aggressive look with crisp, sharp lines. This font has hard angles and leans slightly towards the vertical, giving it a sharp, scary feel. accompanied by additional ornaments that you can custom style yourself. can be applied like, t-shirt design, product design group name, quotation etc. Note: For how to use this font, you can visit Ryan creattive youtube, or the link below; https://youtu.be/8XxjuAcXlbk FEATURES; -Uppercase, -Support Foreign, Numbers and Punctuation. -Ornaments. -Works on PC. -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. -Fully accessible without additional design software. Death angel is coded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. thank you for visiting ;)

Chedros is a display typeface with playful taste. It comes in two different weight, regular and bold so you can use them to your heart's content. Chedros very suitable to use for headlines, wordmark, prints, logotype, young and playful design or anything else.

In absence of oil pastels, charcoal, crayons or time, Crayon Hand is a quick fix to happy type setting. It comes in regular and bold. Enjoy! Crayon Hand is extended, containing West European diacritics making it suitable for multilingual environments and publications.

Linotype Pegathlon is an unusual, eye-catching typeface, perfect for headlines and short texts. The bold strokes have a mystical, Asian touch and allow a large range of applications. Whether a text should look exotic or esoteric, Linotype Pegathlon is an excellent choice.

Asbatun is a bold calligraphy font, featuring Arabic Style with Alternates and Ligatures. Designed expertly to make your project or work more modern, this font can be used for various projects such as: greeting cards, branding, logos, screen printing, and many others.

West Yard is a bold, western looking display font. Whether you are using it for cartoon-related designs, children’s games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Chinook has been designed as an homage to the iconic chunky look of the Italian movie titling from the 70s and 80s. Despite its vintage flair, our sturdy display font is perfectly adaptable for any contemporary context with its balanced and soft text typesetting. This project is obviously influenced by the everlasting classic "Cooper Black", but includes more modern letter shapes, with rounded serifs and a fluffy overall appearance. Chinook, includes a customized italic set, features an extended charset covering several languages based on the Latin Alphabet, and sports a complete set of Open type features. It's equipped with swashes, alternates as well as discretionary ligatures, old-style figures, subscript and superscript numerals, and even more special glyphs. The heavy appearance makes this font ideal for high-impact design, such as headlines, titling, branding, and logotype. Specifications: - Files included: Chinook, including Italic - Multi-language support (Central, Eastern, Western European languages) - OpenType Features (Superscript and Subscript Numerals, Fractions, Oldstyle figures, Stylistic Alternates, Discretionary Ligatures, Swashes) Thanks for viewing, Unio.

CHARACTERISTICS The font name is a pun on the Ger­man word "Kitt­chen" (English prison/jail) and the English "Hell’s Kit­chen". The cha­rac­ter of the font looks as though the scum here — the guilty and inno­cent pri­soners carved/scratched their signs and mes­sa­ges at the pri­son walls of their jail cell. The cold, creepy and scratchy cha­rac­ter of the hand­writ­ten type­face is a very uni­que gloomy atmosphere. APPLICATION AREA The scary, dark, hor­ror, trash, hand­writ­ten script font "Hells Kitt­chen Devil God" with many symbols/dingbats would look creepy good at rusty dis­play size for head­lines. Maga­zi­nes or web­sites, movie pos­ters, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font / Dis­play Font / Trash Script "Hells Kitt­chen Devil God" Open­Type Font with 375 gly­phs — many symbols/dingbats, alter­na­tive let­ters and liga­tures (with accents &€) & 2 style (regu­lar, bold)

Albus is bold and friendly. It is your wizard when you're lost in communication. Perfect for the not so serious statements, or maybe for the very serious ones? Maybe it fits on your next children’s book, or maybe on your webshop? The Albus Friends (ornaments) includes speech bubbles, clouds and other fluffy stuff. You can also buy the whole family for an extra friendly price. Let Albus be your wand and let it help you create the kind of message you want. Let’s create some magic!

HT Osteria is a monoline script, but you don’t feel it monotonous because of distinctive shapes of the characters. HT Osteria is suitable for signage, package, and posters or any other kind of display use. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Bubbly Hills is the classic style bubble letter font! Combine the 3-D & flat letter styles, or use these styles separately..... many different looks can be created! There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! Bubbly Hills is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

You've seen them all around -- on alarm clocks, tote boards, scoreboards and in many other venues we take for granted in our daily lives -- displays with letters and numbers that flip down to reveal other letters or numbers. Flipboard JNL is a digital recreation of these mechanical sign displays. There is a limited character set, and a blank panel is located on the equal sign keystroke.

3D Techno is a font made entirely of little cubes! Combine 3-D and flat styles, or use these styles separately..... many different looks can be created! There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Techno contains West European diacritics and ligatures, suitable for multilingual environments and publications.

Movie Script is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was also used on those hand-painted posters above the cinema entrance. I cleaned up the old script and made it just a little bit more readable, but overall I left it as it was. Of course I added the necessary glyphs for today's world, like Euro and so on. When I was a kid, my grandfather gave me 1 German Mark and I could go to the movies matinee, that was around 10:30 in the morning, the entrance cost something like 60 Pfennig and the rest was for peanuts and a drink. Still today I love my grandfather for that, movies introduced the world to me (no TV then). Your grandfather-loving designer Gert Wiescher

Geodeco font family brings to you the recovery of the typographic forms from the beginning of the 20th century, with a strong ArtDecó flavour but from a new point of view: modernity and geometry. Modernity in the visual contrast between lowercase and capital letters, where rounded shapes are opposed to the breaks and graphic tensions of the strokes of the capital letters. which gives it an enormous originality. Generous doses of internal whites, assure a powerful legibility even with the spite of its short ascending and descending strokes. What we get is a coherent and martial look where fluidity and homogeneity is the main note. Soft and rounded minuscule, with large internal whites for super legibility, bombproof, especially on screens, where Geodeco lives with an astonishing naturalness. The capital letters, used alone as display, or as companions of the minuscule characters, give the family a touch of originality and exotic flavor. Like the spices in the food; a brief but intense note. Breaking the rectangular shapes so that the appearance of the letter comes out benefits from enlarging the internal whites and making them consistent with the white of the lower case. GeoDeco works very well in plain text with the obvious limitation that it is not a type for small bodies, but exceptionality weldon for plain text and signage. Maximum visibility, total beauty on screens. A family of this new century with the flavour of that epoch of experimentation that were the years 20. Extensive multilanguage support and almost all Opentype functionalities. Try it and it will convince you - for sure!

Factum is a classical style serif typeface that sets the mood and evokes emoti­­­­­­ons before you read the text. Interchanging thick and thin lines, especially in Medium and Bold styles, creates an elegant silhouette and a rhythm in title sheet, cover art or poster. Yet Light and Regular styles look great in large type as well as headlines. Another speciality of the font family is Stencil styles that help you play around your typography and logotypes. Rich heritage and cultural experience behind the classical design make Factum font perfect for texts and messages connected to glamour, fashion, arts, literature, architecture, science, education, travelling, fine dining, cosmetics, beauty and etc. Timeless pattern and variety of weights and styles will make you use the font family again and again in different projects: creating logo, articles in magazines, branding, wedding invitations, quotes, posters, advertisements, monograms and many more. Character set of each font includes all European Latin-based glyphs, numbers, punctuation and OpenType features like standard ligatures, discretionary ligatures and fractions.

Hello Everyone.. Introducing a new Font " El Fonte Angelia " Beautiful Serif Type Family is inspired by the serif typefaces used in editorial media in the 70s and 80s.such as the soft and gentle shapes found in Cooper or the fluid, angled strokes in Windsor— mixed into one single design that features familiar, fresh, modern flavors. Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator. El Fonte Angelia variable allows fluid design across 5 weights The font broadens its use by supplying weights all the way from Light to Bold. The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance. El Fonte Angelia character set incorporates additional symbols, stylistic alternates, unique ligatures and case sensitive punctuation - producing a stable workhorse family ready to tackle projects of any size.The type family melds organic curves and gentle repetition into powerful and harmonious type. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic alternates offer a number of different characters that give your logo or business card a unique look. Check my other Font here : https://gilarstudio.com/ Thank you Regards, Gilar Studio