Mid Century Sans (MCS) is composed of high-geometric shapes. László Moholy-Nagy —professor in the Bauhaus— said “Typography is a tool of communication. It has to be communication in its most intense form. The emphasis must be on absolute clarity since this distinguishes the character of our own writing from that of ancient pictographic forms.” As same as you can see in modern typefaces in the early twentieth century, MCS has very efficient, clear and minima letterforms. There are not any decorative parts in the skeleton of letters. At the same time, Mid Century Sans has one more feature. In the middle of the twentieth century, one big movement which was called Mid-century modern had occurred. The Mid-century modern movement in the U.S. was an American reflection of the International and Bauhaus movements and it was slightly more organic in form and less formal than the International Bauhaus-style. In other words, it was friendly and stylish. We added Mid-century-spices to the Bauhaus-modernism. The basic letter form is geometric yet it has very friendly strokes and human touch. Mid Century Sans consists of 8 weights and their matching Italics for a wide range of usages. Farther, Mid Century Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also MCS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternates for advanced typography.

Introducing a vintage typeface named Dusky Pub. It's a layered font set made in classic western style. Bold shape with slab serifs makes it perfect for various labels and product designs. Wide range of languages support is available, including west european and cyrillic characters.

Resotho is a geometric sans serif (uppercase) family. It comes in 18 weights, 9 uprights and 9 italics. Perfect for graphic design, branding, packaging design but very versatile. Language support covering Western, South, and Central Europe. The Extralight & Extralight Italic weights are free of charge.

Brave is a stunning and fun vintage display font with a cool feel. It will turn any Western-themed design project into a true standout. This is suitable for your retro vintage design and this font is also suitable for posters, logos, t-shirts, etc.​

Cowboy Stories celebrates a landmark innovation for dingbat fonts. 

It's a 2 color layered-dingbat. 

Its complementing character set provides just the right amount of Spaghetti Western charm. 

 Need assistance spinning a memorable fireside yarn? Grab your trusty spittoon and a copy of Cowboy Stories.

Liong is a bold & retro slab serif typeface inspired by western typography signane, they have a contrast weight bar and slab with fun and fancy character. Liong comes with 4 style regular, italic, slab & slabitalic, perfect for logos, badges, typography and any retro design needs.

This stencil display decorative slab-serif typeface, contain reverse contrast which remind the old western style. Invertida St font family contain Latin and Cyrillic encoding characters and also italic versions are available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

Introducing Lovely Bluebells Script font. A totally swoon worthy romantic font. Perfectly suited for a diversity of design projects, including logos, branding, wedding designs and social media posts. Lovely Bluebells include multilingual support for All Western Europe languages, as well as Afrikaans. xx Susan

Rapstomer is a modern brush font, organic, dynamic, and energetic. It can be used for various purposes such as titles, signatures, logos, correspondence, letterheads, signage, labels, newsletters, posters, badges. Rapstomer includes alternates letters, ligatures and International support for most of the included Western Languages.

Bad Medicine is a rough Western slab serif font. It was made with a brush and China ink. Bad Medicine is quite a beefy typeface, so use it for your posters, product packaging and book covers! Comes with a herd of diacritics as well.

Muge is awesome for branding and logotype, Muge has a modern, trendy and elegant impression. Muge Comes with Ligatures and lots of alternate characters & unlock types featured so you can mix and match like a you want. Muge also supports multi-language (Western Europe Latin)

Like the study of Kremlinology, this font is an interpretation of Soviet culture for Western audiences. Based on a vintage Russian poster but not in the original Cyrillic, it is an attempt to capture the feel of the era if not the actual characters.

CASKIER Caskier is a whiskey inspired layered typeface. With 10 font files, you get access to a variety of potential aesthetics ranging from clean, layered or roughened. What's Included? Regular, Bold, Outlined, Shadow, Roughened + Oblique Versions Western European Character Set A variety of ligatures

Formal Script font.

An offbeat not-quite-slab, not-quite-bracketed serif. And its extreme weight and width. Richard Dix started as a surgeon and turned out an actor, one of the lucky few who made a successful transition from silent film to talkies. In 1929 he made the movie western, “Redskins,” and his name appeared on a brilliant poster promoting the film. “Richard DIX”; four upper case and six lower case letters. The font Dix is derived and extrapolated from impressions of those 10 letters. Inspired by the poster for the 1929 film, “Redskin,” and a desire to create a black Edwardian font with an offbeat serif. Usage recommendations Western movie or 19th century-style advertising posters.

OCR-A AI Text is the version for normal use when the text will be read by humans. OCR-A AI is the version to use for machine reading.

Sound Bubble is a nice, uncomplicated cartoon-ish font. It will liven up your designs, especially book covers, posters and packaging. Comes in a normal and a dotty version.

Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.

Mizwinki Display is an all caps sans serif font family that seamlessly blends organic elegance with ornate industrial precission reminiscent of the Art Deco period. The typeface has organic forms that give it a clean decorative and somewhat oriental appeal. This trendsetting trio consists of three font styles, all denoted as MD (Mizwinki Display): MD-Base: This style forms the foundation of the font family, featuring smooth stems and geometric terminals. It blends organic and industrial designs, with letterforms like E, F, W, N, and M crafted from continuous flowing geometry. MD-Ink: Building upon MD-Base, this style introduces spurs and slits, evoking the ornate look synonymous with classic tattoo art letterforms. MD-InkLine: A unique offshoot of MD-Ink, this style features an inline aesthetic that enhances the ornate appeal. Tighter spacing between letterforms allows the glyphs to blend into each other while maintaining legibility within the inline letter silhouettes. Ideal for logos, headlines, packaging, digital ephemera, and apparel, Mizwinki Display is versatile. Despite being a display font, it works well at smaller sizes and is suitable for low-count body copy. Technical Specs: _____________________________________________________ 3 Font Styles / 12 Open Type Features / Extended Latin Character set (Basic Latin; Western, Central and South Eastern European Latin) / Currency Symbols / Punctuation and Parenthesis / Arrows / Basic Mathematical Symbols / Special Symbols / Basic Numerals / Circled Numerals / Numerators and Denominators / Table Figures / Inferiors and Superiors & Fractions Support for 112 Languages: _____________________________________________________ Afrikaans / Akan / Albanian / Asturian / Asu / Bafia / Basque / Bemba / Bena / Breton / Catalan / Chiga / Colognian / Cornish / Croatian / Czech / Danish / Duala / Dutch / Embu / English / Estonian / Ewe / Faroese / Filipino / Finnish / French / Friulian / Fulah / Galician / Ganda / German / Gusii / Hungarian / Icelandic / Igbo / Inari Sami / Indonesian / Irish / Italian / Jola-Fonyi / Kabuverdianu / Kalenjin / Kamba / Kikuyu / Kinyarwanda / Koyraboro Senni / Koyra Chiini / Langi / Latvian / Lingala / Lithuanian / Lower Sorbian / Luba-Katanga / Luo / Luxembourgish / Luyia / Machame / Makhuwa-Meetto / Makonde / Malagasy / Maltese / Manx / Masai / Meru / Metaʼ / Morisyen / Northern Sami / North Ndebele / Norwegian Bokmål / Norwegian Nynorsk / Nuer / Nyankole / Oromo / Polish / Portuguese / Quechua / Romanian / Romansh / Rombo / Rundi / Rwa / Samburu / Sango / Scottish Gaelic / Sena / Serbian / Shambala / Shona / Slovak / Soga / Somali / Spanish / Swahili / Swedish / Swiss German / Taita / Tasawaq / Teso / Turkish / Upper Sorbian / Uzbek (Latin) / Vai / Volapük / Vunjo / Walser / Welsh / Western Frisian / Yoruba / Zarma / Zulu

Mattiface is a modern handwritten font, perfect for both formal and non-formal designs. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines. Arco also combines elegant symbols to sweet contrast. Normal & Outline version.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Estencil was inspired by the use of stencil fonts used as text knocked out of steel plates. Not suitable for long text, it works well for display, signage, and wayfinding applications., maintaining legibility from a distance. It includes the Western European character set, with 251 glyphs.

This old fashion font looks like it belongs on a saloon sign. If you've got old west style photos, finish up your scrapbook page with title and journaling done in this cool font. It's perfect for lettering on western themed invitations, newsletters, sign, flyers, even menus.

Thomson is is an Condensed font with a modern look, It's Perfect for branding, logo design, shirts, name card, magazin layout,headers, or oven large scale artwork Thomson offers you: - Upper and Lowercase characters (All Caps) - Stylistic alternates - Numbers and Punctuation - Multilingual Support (Latin Western Europe)

Nevia BT is a four weight text family loaded with subtle design nuances. These OpenType Pro fonts support many OT features including smallcaps, oldstyle figures, contextual swashes, ornaments, discretionary ligatures, fractions and much more. The extended character set supports both Western European and Central European languages.

The 1957 French publication “La Letra Dans La Peinture et la Publicite” (“The Letter tn the Painting and Advertising”) had an illustration of split-serif letters and numbers with a decidedly Western feel. This is now available as Horse Thief JNL in both regular and oblique versions.

Achelan Script is highly legible font, get touch of a bold, classic and fun vintage script font, Opentype features with stylistic alternates. Can be used for various purposes. such as posters, t-shirt, signage, logos, news, badges etc. International support for most Western Languages is included.

Cential Script is highly legible font, get touch of a bold, classic and fun vintage script font, Opentype features with stylistic alternates. Can be used for various purposes. such as posters, t-shirt, signage, logos, news, badges etc. International support for most Western Languages is included.

The inspiration for Fence Post JNL comes out of an early 1900s manual for sign writing. A number of changes were made to make the design more aesthetically pleasing, but it retains its novelty effect of evoking the look of wooden fence posts or Western-themed typography.

Classical Oriental brush font Western Latin + Greek + Cyrillic typeface, created using the principles of Chinese traditional Kaishu brush script (Kaisho in Japanese) and Japanese kana. All Caps Fonts There are different oriental styles in this project, first of them was developed in 2005 for orientalist community Oriental.ru.

Aquarian Bubble is a stackable font that's perfect for any project that needs quirk, youth, or fun without being illegible or exaggeratively dramatic. It comes with eight styles to suit any aesthetic or occasion. With a glyph count of 433, Aquarian Bubble supports most western languages.

Springfield is a narrow, western-style display face from Bob McGrath. The design recalls wood types that were popular during the late 19th and early 20th centuries, but which also found resonance during the 1970s. Use Springfield to liven up otherwise dull headline and logo projects.

Contains over 130 symbols based on the Western astrology system - it features the 12 zodiac signs, the 12 astrology symbols, the 12 corresponding planets, along with the 30 phases of the moon and charting signs. NOTE: this font comes with an interpretation guide in pdf format.

Ready for the designs of today, the Sancoale superfamily takes a softer turn with a rounded slab serif. Crafted from Sancoale’s simple geometry, new softened slab serifs provide a lively typeface that conveniently enhances its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Slab; and, certainly, the first Sancoale. The weights of each and every member are balanced diligently to be compatible with one another. When used alongside one another, the combination makes for robust and tight design. With weights starting with the slender thin ranging to the juicy black, Slab Soft opens the doorway to the vary of uses. Its design is legible and neutral enough for bodies of copy--both in print and on your website. The web font also stands out perfectly as a headline or a display face. Slab Soft carefully places a foot ahead, and doesn't overpower like many slabs. This font’s the choice to seize the day and get the job done. All insigne™ fonts are absolutely loaded with OpenType options. Sancoale Slab is geared up for pro typography, together with alternates with stems, compact caps and lots of alts, together with “normalized” capitals and lowercase letters. The font features many numeral sets, with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Bundled are compact caps, fractions, old-style and lining quantities, scientific superior/inferior figures, entire ordinal and inferior alphabet. The Sancoale superfamily also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Sancoale Slab supports around forty languages that utilize the Latin script, earning Sancoale the pick for for multi-lingual publications and packaging.