Airwings is a retro narrow typeface that includes Regular, Distressed, and Outline versions. Each version can be used on its own or combined and overlaid to create even more design options. Airwings is a versatile typeface that can be used in many ways for many different types of designs from album covers, to movie posters, clothing lines, restaurants, and more. Combine Regular and Outline versions to create a retro 3-D look. Use the Distressed version to add a grungy feel to your design.

Modified Gothic is an art deco titling face developed by the Linotype Design Studio. This typeface includes the following features: letterforms drawn with a monoweight line, a relatively narrow character base, proportionally altered small caps" in lieu of a lower case, and a distinctly round feeling. Use Modified Gothic anytime you need to evoke the spirit of the roaring 20s! Modified Gothic looks great in headlines, as well as in short lengths of large body text. Modified Gothic is part of the TakeType 4 Library."

Digital version of the font Egyptian Bold (Headset No. 8, Narrow fat Egyptian), Cyrillic version of the Egyptienne schmale font, around 1870. A squared antiquarian font with almost no contrast between the strokes. For the reconstruction font were used stamp from the catalog Typefoundry and the factory of copper lines B. Krebs Priemnik, St. Petersburg and Frankfurt am Main; Catalog of hand and machine fonts, Publishing House Book, 1966; Catalog of manual fonts of the Kharkov liner factory, Prapor, 1973; Catalog of fonts typography Volodarskogo, Lenizdat, 1985.

Inversi is a reverse-stress typeface that may be used as a display or text-face font for a wide range of subjects. Compared to other reverse-stress/reverse-contrast typefaces, Inversi's linear contrast is much lower which, at lower sizes, makes it a good options for text or captions. It has good language support, unique design, fractions, and three different widths. Inversi pairs well with HK Requisite. Use the narrow or condensed style when mixing with HK Requisite to give more contrast to the composition.

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2016.

Avaleigh is an elegant high-end serif fonts family in 3 styles. Avaleigh is a tall narrow serif font with an impressive appearance. Each letter is carefully crafted which will give the impression of an extraordinary visual experience. Avaleigh font can help you complete various projects such as brand logos, headlines, products, social media posts, web and much more. Avaleigh fonts feature opentype, kerning, ligature and alternate packed in 3 styles: Light, Regular and Bold. Avaleigh fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

JollyGood Sans Condensed is another member of the JollyGood family. This is a narrower comic font that allows you to fit a lot of text, while still being fun & legible. It is a complete complete family with 4 weights in regular and italic (8 fonts in total). It has an amazing character set, with support for most european languages, as well as alternates and ligatures. JollyGood Sans Condensed is suitable for packaging, children’s books, greeting cards or wherever you need a fun touch in your text.

Delgado is a narrow elegant serif font with drops. Delgado is a good choice for large journal titles and small amounts of text. This font was made for one of the independent magazine - but it all went wrong and Delgado was freed from the shackles and went to the free swimming. A large number of both Latin and Cyrillic ligatures makes Delgado playful and at the same time it remains faithful. Delgado received a citation for excellence in type design the in international competition "Modern cyrillic 2014".

Copperplate Wide is remotely based on the traditional Copperplate typeface that can be seen on many business cards. I have completely redrawn the typeface in a much wider version and without those stubby little serifs. In the place of the lowercase letters I put a very slim version of the font to give you more options. You can either use the wide letters or the narrow ones – or – you can mix both to get something completely new. It works great! Your forever inventive type designer - Gert Wiescher

Pixeloza 02 is a pixel-style, grid-based, display typeface. This is another version of Pixeloza type. Compared to Pixeloza 01, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics. Pixeloza 02 is available in two options: Pixeloza 01 Regular and Pizeloza 01 Skewo Regular.

Bowdon is a warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman. Slightly rounded corners give characters a printed-look softness, and hairlines are thickened a little to increase legibility at smaller sizes, reducing the harshness and dazzle that can afflict Didone typefaces. Bowdon is supplied in three widths – Regular, Wide and Narrow – and each width is accompanied by a utilitarian oblique rather than a fancy italic. Each font includes a full Latin Extended-A character set and additional oldstyle numerals.

Curve is a modern neo-classical typeface family with some features of the Didone genre, but especially designed for contemporary typography. A large x-height not only creates space in the letters for extra-bold styles, but also lends Curve an open and generous character in the more narrow and semi-bold versions. It has 616 glyphs with small caps, numbers and ligatures in 10 weights. Curve is a contemporary serif typeface, special for logos, brands, magazines and editorial and for setting trends in fashion and design.

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners. It is perfect for any kind of short copy with lots of attention guaranteed. Be sure to check other two typefaces of Vin superfamily: Vin Slab Pro and Vin Mono Pro .

Strangelove Next is inspired by Stanley Kubrick’s movie “Dr. Strangelove”. The original titles were designed by Pablo Ferro, who is one of the most acclaimed film title designers, especially famous for his hand-drawn lettering. The Strangelove Next family contains the highly successfull narrow version, a new expanded version and finally a mix of the first two, which gives it a surprising and unpredictable look. All three styles have more glyphs than the original family. Looking for a serif version? Have a look at Strangelove NextSlab!

Lettering on the sheet music cover for the title song from the 1957 Marlon Brando movie "Sayonara" was the model for Pacific Island JNL. The design has an Asiatic influence, but also reflects a bit of show card lettering as well. Available in both regular and oblique versions.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the corner, and continue with typing [alt] + p. Duplicate and mirror the lines to get a fantastic frame.

Seasick and Seasick-Mirror features wobbly, wavy, distorted letters. They were derived from the almost monoline font Kwersity. The letters of Seasick have a slight backward slant and the letters of SeasickMirror have a slight forward slant. Each of them comes in four weights: Light, Regular, Bold, and ExtraBold.

• Composed of 3 sets: Normal, Compact, Expanded. • Consisting of 3 distinct optical sizes: Display and Text, Expanded. • Comprises 102 fonts • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Halenoir is a modern sans serif with a geometric touch that support for 28 languages. It comes in 10 weights, 102 uprights and its matching outlines, Obliques, pattern, so you can use them to your heart’s content, in each of which there are more than 801+ glyphs. Halenoir is composed of 3 types: Original, Compact, Expanded, and each is designed to be suitable for mobile, graphic, and editorial design. Halenoir comprises 102 fonts, consisting of three distinct optical sizes: Display and Text. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Halenoir and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)

This font is a collection of calligraphic ornaments suitable for invitations, gift tags,etc. These designs are assembled from hand drawn elements, and mirrored elements have been modified slightly, to increase the hand-drawn appearance. They would also be right at home framing the dialogue screens of a silent film.

Basecoat is a handcrafted, geometric sans serif inspired by sign painting and influenced by modern gothics. It has a subtle organic feel without sacrificing legibility. The design of the uppercase began with chalk marker lettering for a side project and eventually grew into a small type family. Basecoat comes in three weights and includes more than 500 glyphs with European language support. It has popular OpenType features plus catchwords in multiple languages and arrows for all your sign making needs.

Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters. Enjoy the refreshingly natural look of an every-man's calligraphy with a fat & wide style. Milk Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. It also contains some icons as extra characters, such as a star, a heart, an arrow, flowers, a butterfly, and manicules (pointing hands). Go ahead and have fun with it!

Orgon Slab complements the Orgon family with its clear, unexcited appearance. It offers high readability both for desktop and web applications. The Orgon Slab consists, as does the Orgon family, of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Originally ZionTrain was built as a Cyrillic typeface for public transport navigation system. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. Here, on MyFonts, we present the ZionTrain STD versions with western latin including smallcaps and oldstyle figures in some faces in TrueType format; also western, central, baltic and turkish latin charsets, smallcaps, oldstyle numerals, few alternates, some arrows and fractions in ZionTrain OT OpenType format. Look how people use it: http://use.type.org.ua/tagged/ziontrain

Equip Slab, a new hardline, serif dominated face designed on the same geometric base as the rest of the Equip family. With its clarity it appears strong, imperative and straight forward. The Equip Slab family comprised 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Colby is a hand-drawn workhorse sans serif family. It consists of a wide range of weights and widths for a variety of applications. Colby balances the quirkiness of hand-drawn letters with the legibility of a clean sans serif. This combination provides authentic warmth with functional benefits. The fonts feature plenty of alternates, icons and arrows to add character and customization. Colby is perfect for packaging, restaurant menus, children’s books, digital applications, but will be comfortable in any situation.

Foro Sans is the matching friend of the popular Foro family (Foro and Foro Rounded). It comes with the same number of styles and the form displays the same characteristic features. Foro Sans consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Contempo Gothic is a modern sans serif with a geometric approach. It comes in 18 weights, 9 uprights and its matching italics. Designed with opentype features including stylistic sets and tabular figures. Contempo Gothic includes extensive language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and any display use at any size. It could easily work for websites, blogs, signage, corporate identities, publishing and editorial design to name a few. Contempo Gothic is super versatile for everyday design use.

Nat Grotesk family consists of 14 styles including 6 narrow ones. It has a half-closed sans serif design with simple and clear lettershapes. Due to compact proportions the face is very space saving, but nevertheless it is rather legible even in small sizes. The bold weights demonstrate increased contrast. The font is recommended for text and display typography as well as for headlines and advertising. It was designed by Natalia Vasilyeva and released by ParaType in 2007. The upgraded version with extended character set was released in 2009.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Lyonette is a fanciful type, gentle and precocious. It seems aloof at times but isn�t really. The frivolity and quirkiness of the narrow width is offset by the fey, finger-like horizontals, vaguely reminiscent of strange encounters and dark closets. It�s great for fashion advertising with literary pretensions. Or maybe a kinder, gentler sci-fi movie.

Angel Koziupa's familiar brush goes upright and narrow with Pinguino. Koziupa's approach to condensed brush fonts makes use of the same elements that have always distinguished his calligraphy from any other. With Pinguino, however, we see him softening his corners and adding a distinctly feminine touch to his exotic brush. Pinguino would feel at home on sobering coffee packaging just as it would on a bouncy mixed-fruit juice bottle. Try Pinguino for your next packaging project, and tell your client an Angel told you to use it.

Mrs Lollipop is a hand drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Check out the manual for details. Mrs Lollipop has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. It has lines, frames, hearts, stars, ladybird and two rabbits.

Zart is a heavy yet delicately sensitive display typeface filled with character, a free interpretation of the classical French styles from the late eighteenth century, reimagined for modern use. While it’s vertical strokes carry the typical weight of this style, the thinness of the horizontal strokes is further extended into the characters with the introduction of large vertical ink traps. This allowed us to design slightly narrower letters which, coupled with shorter serifs, result in a overall darker expression, creating really impactful headlines. Zart is available in three versions: Regular, Italic and Script.

AFTERMATH?? has been designed to come in four different widths; Normal, Italic, Narrow and Condensed, additional to add weight to support various uses ranging from Thin, Light, Regular, Medium, Bold, Extrabold, and Black. AFTERMATH It comes in 40 weights with various features that support designer creativity from the Font Menu and extended language support. AFTERMATH will suit many projects: fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. If you have any questions, you can contact us by email: bosstypestudio@gmail.com| Thank you!

ITC Verkehr was designed by Mott Jordan, who based its forms on those of narrow sans serif typefaces but also chose a departure from the tradition to set the font apart from the rest. The upper half of each character is heavier than the lower half, although this is usually the other way around. Diagonal strokes, like the horizontal of the lower case e, relax the otherwise regular, bar-like look of the font. ITC Verkehr is suited exclusively for use in headlines and display in larger point sizes.

Stubby is a display type family with 11 styles, was made for titles, headlines and also packages, posters and everything that provide space for a rude, fat and widish type. You should try Stubby in your text blocks if you're looking for an informal shape with some handwriting taste, there are eleven styles mixing from a narrowed thin to a sloppy ultrabold. Stubby has a tight spacing made to fit in squeeze places, not so elegant or clean but definitely an original choice for your real life project.

Borden is a rounded hand-printed caps font ideal for your graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine. "The friendly hand-drawn charms of the Borden family […] Designed by Ewen Prigent, the Borden family is a hand rendered, all-caps design ideal for all sorts of playful settings. With its narrow condensed letterforms and rough rendering, this family is a good fit when space is limited in your design but you don’t want to compromise its friendly tone." www.fonts.com - newsletter - march 2014

MVB Peccadillo is an interpreted revival of a metal typeface popular in the 19th Century, then known as Skeleton Antique. Highly condensed with extra short descenders, the face makes a big impact in a narrow space. Holly Goldsmith worked from letterpress-printed specimens of 96-point, antique metal type, deliberately retaining subtle distortions due to type wear and letterpress impression. Alan Dague-Greene, referring to printed samples of Skeleton Antique, adapted the design to create two additional optical sizes: “Eight” for smaller text and “Twenty-four” for subheads.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. The Semi Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. The expanded versions of the semi serif, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.