Rabo is a modernist duality linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures, fractions and alternatives(supported by Illustrator, Photoshop & InDesign) provided in opentype .otf and .woff format.

The hand lettered show card brush lettering in the trailer for the 1960 musical comedy “Bells are Ringing” (starring Dean Martin and Judy Holliday) inspired Musical Comedy JNL, which is available in both regular and oblique versions.

Rojallie - Script Font will look gorgeous on all your designs, invitation, poster design, book design, branding materials, logo's, and all project design other. Rojallie - Script Font contains standard characters, Lowercase, Uppercase, numbers, punctuation, ligatures and international glyphs.

Roquette is the work of British designer Martin Wait, a casual all capital wedge serif typeface which brings the 1950s back to life. The undulating baseline and lively spot illustrations of Roquette will pep up any headline.

Spedora is a curly and cute display font. Expertly designed to make your creation look out of this world, this font will look gorgeous on a variety of ideas such as posters, stickers, social media materials, etc.

Classic Grotesque by Rod McDonald: a traditional font with a modern face. The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque®. Although this typeface that was designed and published by Frank Hinman Pierpont in 1926 has since been digitalised, it has never achieved the status of other grotesque fonts of this period. But Monotype Grotesque was always one of designer Rod McDonald’s favourites, and he was overjoyed when he finally got the go-ahead from Monotype in 2008 to update this “hidden treasure”. The design process lasted four years, with regular interruptions due to the need to complete projects for other clients. In retrospect, McDonald admits that he had no idea at the beginning of just how challenging and complex a task it would be to create Classic Grotesque™. It took him considerable time before he found the right approach. In his initial drafts, he tried to develop Monotype Grotesque only to find that the result was almost identical with Arial®, a typeface that is also derived in many respects from Monotype Grotesque. It was only when he went back a stage, and incorporated elements of Bauer Font’s Venus™ and Ideal Grotesk by the Julius Klinkhardt foundry into the design process, that he found the way forward. Both these typefaces had served as the original inspiration for Monotype Grotesque. The name says it all: Classic Grotesque has all the attributes of the early grotesque fonts of the 20th century: The slightly artificial nature gives the characters a formal appearance. There are very few and only minor variations in line width. The tittles of the ‘i’ and ‘j’, the umlaut diacritic and other diacritic marks are rectangular. Interestingly, it is among the uppercase letters that certain variations from the standard pattern can be found, and it is these that enliven the typeface. Hence the horizontal bars of the “E”, “F” and “L” have bevelled terminals. The chamfered terminal of the bow of the “J” has a particular flamboyance, while the slightly curved descender of the “Q” provides for additional dynamism. The character alternatives available through the OpenType option provide the designer with a wealth of opportunities. These include a closed “a”, a double-counter “g” and an “e” in which the transverse bar deviates slightly from the horizontal. The seven different weights also extend the scope of uses of Classic Grotesque. These range from the delicate Light to the super thick Extrabold. There are genuine italic versions of each weight; these are not only slightly narrower than their counterparts, but also have variant shapes. The “a” is closed, the “f” has a semi-descender while the “e” is rounded. Its neutral appearance and excellent features mean that Classic Grotesque is suitable for use in nearly all imaginable applications. Even during the design phase, McDonald used his new font to set books and in promotional projects. However, he would be pleased to learn of possible applications that he himself has not yet considered. Classic Grotesque, which has its own individual character despite its neutral and restrained appearance, is the ideal partner for your print and web project.

Hucks Serif is a contemporary serif typeface that seamlessly incorporates large open counters and gracefully curved and rounded forms, resulting in a glyph set that exudes a modern and elegant aesthetic. The pronounced contrast between thick and thin strokes imparts Hucks Serif with a harmonious and stylish appearance. Meticulously crafted to infuse letterforms with an inherent elegance, this font lends a distinctive style and atmosphere to every project it graces. Its versatile nature makes Hucks Serif particularly well-suited for many applications, including but not limited to editorial, headlines, large-format prints, brand identities, social media graphics, advertising materials, editorial designs, posters, magazines, logos, headings, and more. The adaptability of Hucks ensures it can effortlessly enhance the visual appeal and impact of a diverse range of creative projects.

Trop Magus is a rugged typeface following in the tradition of Ramon Llull and Jean Jannon. Llull’s illuminated manuscripts from the Middle Ages inspired many later Alchemical texts in the Renaissance. And it was during this era, in 1615, that Jannon cut the matrices for Typi Academiae. The Trop Magus typeface includes: - Sixty-five Alchemical and Astrological symbols - Multi-language glyph set - Old Style figures - Four sets of alternate glyphs - Pseudo-Random OpenType features

Introducing Hello Rough Hello Rough is the perfect font for all your classical and minimalism designs. The main font file is equipped with ordinary characters. Everything is made with the natural handdrawing. So you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

The Janson font was based on the matrices made for the typeface in the 17th century. It originated from the Dutch typeface designer Anton Janson and was cut by Nicholas Kis. The strong main strokes and fine hair strokes were influenced by the art of copper engraving. In 1983, Prof. Horst Heiderhoff led the expansion of the Janson into a font family with various stroke contrasts and gave it the name Janson Text.

Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.

Aliceson - Modern Handlettering Aliceson is the perfect font for all your handlettering designs. The main font file is equipped with ordinary characters. Everything is made with the funny brush. So you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Eric Stevens's latest typeface, ITC Lintball, combines two unusual features: its letterforms are based on the serifless lettering inscribed in stone by the ancient Greeks, yet the wobbly edges of the strokes, and especially the slightly wider “lintballs” on the ends, suggest lettering done on paper with a modern felt-tip pen. The ball motif is carried through in the fat dot under the raised capital O, and in the similar dot used in place of a crossbar in the capital A. There's an angularity to many of the strokes, especially in the lowercase, that gives Lintball its distinctive character.

Oh Amazing Script is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more! Thank You!

Lucky Dream is a handmade font bold, new fresh & modern script with a calligraphy style. Lucky Dream can used for anything from promotional material and handwritten quotes, to product packaging, signage, labels, newsletters, posters, merchandise and branding projects.

Font allows one to quickly make a schematic map of Ukraine. To separate individual regions use color or uppercase characters. The font contains the Trident emblem of Ukraine. This font may be useful to illustrate materials about Ukraine.

Mahally, Some vintage fonts with regular & italic version both with creative and sense of art. Ready for your crafting material as wedding decorative, invitation card, greeting card, T-shirt design, some merchandise, or to make your Branding Product.

Westbrook JNL is a simple monoline all-caps font with a strong Art Deco feel. It's light, delicate appearance is great for announcements, ads and retro materials that wish to evoke the elegance of the 1930s and 1940s.

Print Marks JNL assembles more old print shop cuts into a varied assortment of embellishments, border elements, designs and printer's marks. Newly re-drawn from vintage source material, they will brighten text with their nostalgic and charming look.

Casttano is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. This font including alternate glyph. You can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user). Ligature & alternate glyph: at att bt btt ct ctt dt dtt et ett ft ftt gt gtt ht htt it itt jt jtt kt ktt lt ltt mt mtt nt ntt ot ott pt ptt qt qtt rt rtt st stt ut utt vt vtt wt wtt xt xtt yt ytt zt ztt Foreign languages support: ÀÁÂÃÄÅÆÈÉÊËÌÍÎÏÐÑÒÓÔÕÖÙÚÛÜÝßàáâãäåæèéêëìíîïðñòóôõöùúûüýÿ Thanks for looking.

Beauchef is a sans serif typeface originally created to meet the needs of Centro de Modelamiento Matemático de la Universidad de Chile (University of Chile Center for Mathematical Modeling). Beauchef is a typeface with rough strokes that features subtle optical compensation and does not strictly follow the laws of perception. This typeface might not be too cheerful, but shows a very particular idiosyncrasy of form. Beauchef is as tough as advanced mathematics; however, it is as legible and exact as numbers themselves. This is an avant-garde typeface that resembles the development of mathematics, but at the same time it is as conservative, calm and respectful as clients who require its services. Beauchef is so astonishing as mathematical formulas that mathematicians work with, but at the same time it is as humble as resulting figures.

BAMBOLA, Script put out by EdyType. Almost formal script, that gained a little weight. but she is taking care of that. BAMBOLA, a real doll, wants to be loved, she is trying hard to be popular. Is very conscious of her beauty, but trying not to be a show off. She'll be at ease in any place where normal faces gather, unpretentious, yet with a touch of class. Born to be readable, it’s ideal for packaging headlines and editorial work. Not thick, nor thin, just the exact weight, makes a good pattern at large texts, and reduces with no problems, her voluptuous initials makes it stand out always. A real romantic face, it belongs to the fashion world, where she’s come from. A real hip chick, she’s got what it takes!

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves its characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

Got a favourite pair of jeans? I do, and I wear them every Friday when it's time to PAAAARTYYYY! Well, that was 30-something years ago, but the memory of those jeans lives happily in my mind :) The font, Friday Jeans is a happy-go-lucky sans font with inky edges and lively lines. Playful as a Friday night out!

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves its characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

Bravissima is the dynamic and spirited embodiment of the 1970s, when food was food and the wild brush ruled. It tells you to eat, and to do it right now. Another perfect blend of traditional Koziupa calligraphy and Paul tech, spiced up with OpenType features like the meal of your dreams. A personal favorite for food packaging design, especially hot stuff. Bon appetit.

Boottering is a modern handmade script, organic, energetic and dynamic, can be used for various purposes. such as the title, correspondence, wedding invitations, letterheads, signage, labels, signature newsletters, logos, posters, badges, etc. Boottering features 222 Glyphs, 40 alternate all lowercase characters, including ligatures, International support for most Western Languages is included, And for Boottering Sans do not have International Language support.

'HU Retroround' is a font that captures the feel of the retro typefaces used on signboards during Korea's modernization era. This font has a variable function, allowing users to fine-tune the thickness they want. (Available only in Adobe programs.) Six basic weights are provided so that they can be used even in programs that do not apply the variable function.

Crobista is a versatile font with a clean, sleek shape. The overall typeface is strong to bring order and harmony between letters. Best used as Instagram, poster, web design, magazine, logo or product. Include files: Crobista. OT Crobista. TT -Letters, Numbers, Puntuations, Accens Ligatures, Swashes, Alternates If you've got any questions don't hesitate to drop me a message thank you

Crowd Pleaser is a pleasant, handmade font. I hoped its lively looks, slightly crooked glyphs and overall happy appearance would appeal to many people - so I named it Crowd Pleaser. Well… not entirely true, as I have a list of font names and Crowd Pleaser was the next one up… ;-) I do hope, however, that you will like this font!

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays.

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing &/or using &/or distributing the fonts the buyer user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agree to (1) indemnify & hold harmless the foundry, for any consequential, incidental, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties (2) not use the fonts to assist in design of, or be incorporated into, non-software displays

* For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing and/or using and/or distributing the font, the buyer, user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agrees to (1) indemnify and hold harmless the font foundry and neither the font foundry nor distributor is responsible to the buyer or user or any other party for any consequential, incidental, special, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings or expected savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties, (2) not use the fonts to assist in design of, or be incorporated into, non-software displays.

Occasionally font projects are started, but then set aside for other designs and are subsequently forgotten for a while. Such is the case of More Deco Lettering JNL; a bold thick-and-thin sans modeled from vintage source material.