We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Linear" for obvious reasons. The first "Alef" has a "fatha", this indicates that the name can be pronounced only one way, "AR-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). This calligraphy is very clear and no letters overlap. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Ta & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

I've always been in love with fat didones. That’s the reason of Posh. In search of something unique, I started this family back in 2013 with the aim of creating the fattest yet readable bodonian typeface in the market: It was a challenge, because roman fonts need generous counters (or what some call white spaces) and taking them to the extreme of inexistence attempted against the construction of many glyphs. Ears, dots, terminals and serifs always need some extra space so I had to find the exact point of boldness to make characters which have those attributes work well in the middle of those which haven't. (1) After a while, I felt I was again ‘in my element’: Big contrasted letters, sexy and elegant curves, and that Lubalinesque feeling that characterise my fonts. (2) Words written with Posh are a explosion of elegance and sensuality due to the fact that its didone attributes were exaggerated. Since it’s full of alternate glyphs, one can change and choose them until a nice block of ‘‘black’’ is achieved. (3) To accompany the regular style, I designed Posh Inline, a font with the same quantity of glyphs than the regular one; an all caps style called Posh Capitals, and also a really playful Italic version. I hope you find this one delicious like I do! This font is dedicated to all who understand letters are not just meant to be read, but also to be appreciated in group and individually. Enjoy it. NOTES (1) In example, it can be easy to design a fat letter ‘n’ with almost no counter, but really tough to make a satisfactory letter ‘s’ with serifs to match that ‘n’. (2) Also, it wasn't my first attempt in fat didones. Take a look at my font Reina, made in 2012. (3) Posters above show many words with ball terminals that seem to dance above and below the words in order to fill those “undesired” blank spaces.

Burgues Script is an ode to the late 19th century American calligrapher Louis Madarasz, whose legendary pen has inspired schools of penmanship for over 100 years. His talent has caused some people to call him “the most skillful penman the world has ever known.” I use the word ‘ode’ in a colloquially ambitious manner. If I was an actual poet, my words would be about things I desire but cannot attain, objects of utter beauty that make me wallow in humility, or people of enormous talent who look down at me from the clouds of genius. But I don’t write poems. My work consists of letters drawn to fit together, that become an element of someone’s visual poetry. I am the poet’s assistant, so to speak. Once in a while, the assistant persists on what the subject of the poem will be. And occasionally, the poet gives in to the persistence. I hope you, visual poet, find my persistence justified in this case. The two main sources for Burgues were the calligraphy examples shown in Zaner Bloser’s The Secret of the Skill of Madarasz: His Philosophy and Penmanship Masterpieces, and C. W. Jones’s Lessons in Advanced Engraver’s Script Penmanship by L. Madarasz. These two references were the cornerstone for the concept I was trying to work with. I did have to change many of the letters in order to be able to produce digital calligraphy that can flow flexibly and offered the user a variety of options, while maintaining its attractive appearance. To this end, many ligatures and swashes were made, as well as full flourished sets of letters for use at the beginnings or endings of words and sentences. All of this has been tied together with OpenType and tested thoroughly within today’s standard design and desktop publishing software. After working with digital scripts for so long, at one point I thought that Burgues Script would become a bit of a chore to complete. I also thought that, like with most other scripts, the process would regularize itself after a while and be reduced to a mechanical habit. Surprisingly, and fortunately for me, this did not happen. The past holds as many surprises as the future. Madarasz’s method of penmanship was fascinating and challenging to translate into the strict, mathematically oriented language of the computer. It seems that the extremely high contrast of the forms, coupled with the required flow and connectivity of such lettering, will always be hard work for any visual artist to produce, even with the aide of a powerful machine. I can only imagine what steady nerves and discipline Madarasz must have had to be able to produce fully flourished and sublimely connected words and sentences on a whim. When I think of Madarasz producing a flourished calligraphic logotype in a few seconds, and try to reconcile that with the timelines of my or my colleagues’ work in identity and packaging design, the mind reels. Such blinding talent from over a hundred years ago. Burgues is the Spanish word for Bourgeois. In the end, I hope Burgues Script will serve you well when a flourished word or sentence is required for a design project. One of the wonders of the computer age is the ability to visually conjure up the past, serving both the present and the future. With Burgues, you have a piece of “the most skillful penman the world has ever known,” at your service. Burgues received important awards such as a Certificate of Excellence TDC2 2008 and a Certificate of Excellence at the Bienal Tipos Latinos 2008.

Asta, named after the adorable pup in the “Thin Man” movies from the 1930‘s and early ‘40‘s, is an Art Deco / Streamline Moderne all-caps display font. Inspired by forms from the iconic machinery of the day like trains and autos, Asta has a heavy and masculine proportion, a cut-in “grille” effect and a slight slant which emphasizes its moderne roots. Fantastic for illustration or retro applications like antique product “logos,” signs and vintage packaging, or for a fun & funky ‘70‘s Disco look.

Proudly introducing Etewut Serif family. Each font supports extended latin and basic cyrillic alphabet. There are many alternative symbols ligature and special characters.

Sugoi means super in Japanese, which it's what the design tries to show as well. A strong, easy-to-read, tittle font. *Uppercase

In Carpenteria each letter is hand-designed based on a geometrical old mechanical style. You can use it for posters or impact graphics.

Reindeer is a bold script font with many features, make great your Christmas and winter designs. Get inspired by the deer antler style!

How much more multi-cultural can you get, than a Japanese-style Roman font from Denmark? Looks like an LCD font gone awry!

Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.

Qiyu is modern handwritten. Recommended to use this font for wedding party, invitation, memorable moment, love story and many more with special moment.

This is a groundbreaking font that combines Caslon Italic and script. You can achieve an advanced typography that is elegant, delicate and powerful.

Rara is simple handwritten font. Recommended to use for children theme, funny theme, comics, cartoon, simple write, poster and display and many more.

The main difference between Accord Alternate and Accord is in the way curved strokes join with vertical stems in letters such as "bpn".

This font is perfect for many projects, such as brands, quotes, invitations, cards, product packaging, headers, logotypes, posters, apparel designs, movies, and etc.

Creatiny is modern handwritten. Recommended to use this font for wedding party, invitation, memorable moment, love story and many more with special moment.

Rush Berry font is handwritten style. Recommended to use for wedding party, invitation, memorable moment, love story and many more with special moment.

Give your designs an authentic handcrafted feel. �Carols Night Christmas Theme Font� is perfectly suited to stationery, logos and much more. Many Thanks!

Slightly grungy and blurred-edged combined with a thick stroke and a fat drop shadow. This font is eye catching in many ways!

Handwritten and drawn "Lunatino" jumps in any needed situation no matter how lunatic it can be. Contains 23 symbols to fulfill the lunacy.

Give your designs an authentic handcrafted feel. Sunfort Signature Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative

Quadratish is the nice-looking ultrablack fonts. It have solid and outlined styles; they can be combined in order to get third style.

Sharper than a cactus patch, the thorny Prick is perfect for the Goth or Heavy Metal fan that lies dormant in us all.

52 cool Buddy Parts, each one with it's own goofy looks on his face. Can you tell which one reminds of you? *g*

Bagiles is modern handwritten. Recommended to use this font for wedding party, invitation, memorable moment, love story and many more with special moment.

Almarena® is a family of modern sans serif fonts. It has 2 styles (Classic & Display), 6 font weights and many alternative characters.

Gas Forbes font create with passion and carefully. This lovable font can use to your design project especially for special and lovable moment.

This font can use in any media like tees design, poster, banner or movie logo type. Let's try ! Awesome font be with you !

Merrant® is a lithe geometric display typeface designed by Max Prive. The Merrant® family has 3 weights – Lithe, Regular, and Bold.

A text and display font suitable for various applications, many of which include, letterheads, packaging and logos. Excellent for very large typographic layouts

Lomidrevo is a grunge stencil family derived from Valibuk. In the free demo version, you can see numbers and lowercase letters without kerning.

A new high contrast gothic; works great for many different applications. This font will add a nice elegant touch to all your designs.

This font has a unique character and can be used for your logos, business cards and other projects for a unique vintage look.

Diskus is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.