A bold weight of a moderately flourished script designed for ATF by Morris Fuller Benton in 1908, and an industry standard since then.

Bolton Commercial revives and updates one of Greater Albion's designer's earliest typeface families, Bolton, which was recently used on the credits of a popular UK television series. The family consists of five faces- Regular and Obliqued, Blocked, Embossed and Engraved. All have a late Victorian/Edwardian feel and are ideal for posters, signage, Book covers...and of course television credits! Bolton Commercial combines the virtues of flair, fun and legibility.

Commercial Script is a sophisticated copperplate script design. Its capitals are elaborate initials, and the lowercase letters join together in the style of real handwriting. Commercial Script's elegant refinement makes it a classic and ever-popular typeface. The spark behind this typeface comes from centries-old English Spencerian copperplate calligraphy. In 1985, the American typefoundry Barnhart Brothers & Spindler released a typeface in this style. This was redesigned by ATF's Morris Fuller Benton in 1906, and ATF released Commercial Script" in 1908. In 1994, Letraset' released this digital version of the typeface."

Basic Commercial is a family of fonts based on historical designs from the hot metal type era. First appearing around 1900, these designs were created by type designers whose names have not been recorded, but whose skills cannot be overlooked. These typefaces were popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. They influenced a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system’s signage. The Basic Commercial family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial’s design has been popular with graphic designers for decades.

Commercial Script is a sophisticated copperplate script design. Its capitals are elaborate initials, and the lowercase letters join together in the style of real handwriting. Commercial Script's elegant refinement makes it a classic and ever-popular typeface. The spark behind this typeface comes from centries-old English Spencerian copperplate calligraphy. In 1985, the American typefoundry Barnhart Brothers & Spindler released a typeface in this style. This was redesigned by ATF's Morris Fuller Benton in 1906, and ATF released Commercial Script" in 1908. In 1994, Letraset' released this digital version of the typeface."

‘Landsdowne Commercial’ is a development of one of our designer’s earlier public domain releases, ‘Landsdowne’. All glyphs have been completely redrawn and refined. An extensive range of stylistic alternates and ligatures have been added, as well as a completely new bold face and several forms of numerals. Landsdowne commercial is ideal for period-inspired design work, such as posters and book covers as well for clear elegant communications.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Commercial Script No2 is a bold weight of a moderately flourished script published by SoftMaker.

Ardagh is the younger ›Irish brother‹ of Arthur Sans. I thought it was about time for a new Art-Deco exercise in Irish type. Ardagh will adorn your title settings and headings, ennoble a new menu card, festivity invitation or label design. For a perfect combination with other languages in mixed settings, go to the Arthur Sans or Arthur Cabinet series. Ardagh matches Arthur Sans Medium and Arthur Cabinet Diamond, Onyx, Pearl and Timber in proportions and stroke weight. • Please note that ARDAGH is a capitals-only product! For more new wonderful Irish fonts look at Andron Gaeilge and Hibernica!

'Andara' is a handwritten font. We created this font for any modern branding brand. Unique and natural hand touch gives a different impression, this can make attention to take a closer look at your brand. Some agencies like this font for branding modern products, you can also make a large number of logos with one font as this font is suitable for use on web logos, signatures, portfolios, prints, headers, magazines, book covers, printed t-shirts, crafts, and cosmetic packaging. Hope this is a font worthy of your collection. Thank you,

The sight refracted through glass is mysterious. The san serif font was designed to look like it is visible through glass. Try using beautiful fonts. I put a lot of effort into each and every letter.

Ardalos is a modern brush font, a contemporary approach to design, rather having a slight texture on the edges of the letters and this font also has an underline that makes your design more attractive. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Arable Font Is "Unique Display Font" refers to a specific type of typography that is characterized by its distinctive, one-of-a-kind design, and it is typically used for eye-catching and decorative purposes. Here's a detailed explanation of what a unique display font is: -Distinctive Design: Unique display fonts stand out because of their distinct and unconventional design. They often deviate from traditional letterforms and can take on a wide range of creative and artistic shapes. Unlike standard, legible fonts used for body text, display fonts prioritize aesthetics over readability. -Specialized Use: Display fonts are not intended for extended reading. Instead, they are used in small quantities for headlines, titles, logos, posters, banners, invitations, and other design elements where visual impact is essential. Their unique and attention-grabbing design makes them ideal for drawing attention to specific text. -Creative Freedom: Designers have creative freedom when creating unique display fonts. This allows for a wide array of styles, from whimsical and ornate to futuristic and abstract. Some display fonts may be inspired by art movements, cultures, historical periods, or nature, leading to highly original and thematic designs. -Limited Character Set: Display fonts often have a limited character set compared to standard fonts. They typically include uppercase letters, numbers, and basic punctuation marks, but may lack lowercase letters or extended characters. This limitation is due to their specialized use and focus on visual impact. -Customization: Some unique display fonts are custom-designed for specific projects or brands. Designers work closely with clients to create a font that aligns with the brand's identity or the project's theme, ensuring a truly unique and tailored result. -Combination with Other Fonts: In many design projects, unique display fonts are paired with more standard, legible fonts to achieve a balance between visual impact and readability. This combination allows for a harmonious and effective overall design.

Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM® laser printer, Arial has become a staple for textual content. While it is widely believed that Arial's design was based on Helvetica, it is more accurate to consider Monotype Grotesque as its ancestor.

Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It influenced for a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system's signage. The Basic Commercial's font family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial's design has been popular with graphic designers for decades. To read more about the history of typefaces like Basic Commercial, visit our font feature, The Sans Serif Typefaces. In addition several weights of this typefamily are available as soft rounded versions."

There are times when a typeface is used so consistently that it becomes somewhat synonymous with the subject it's used in. The opening and end titles for the ABC-TV series "Naked City" (1958-1963) were set in a bold version of a popular font emulating the look of calligraphic hand lettering. Arcaro JNL is a somewhat lighter and slightly modified version of this typeface and is offered in both regular and oblique versions. The name Arcaro comes from one of the regular characters in this superbly-written police drama, Detective Frank Arcaro.

A unique semi geometric type that is inspired by natural round forms that flow in a sweet harmony.

Rack 'em up or take a swing at 'em! It's Ardball JNL. Letters inside spheres can add a novelty touch to your next project... Wanna play Ardball?