Engraved display typeface.

Archive Garamond is a typeface roughly based on the designs of Claude Garamond (ca. 1480 – 1561), a French publisher and a leading typeface designer of that period. Garamond’s influence on type design is reflected in many typefaces that are today known under different commercial names. While the majority of contemporary digital interpretations of the “Garamond types” are cleaner and more polished versions of that genre, Archive Garamond tries to keep the rough nature which was typical in the early days of printing. Archive Garamond has a rather unique, distinctive temperament which is even more emphasised with the preserved non-uniformity, such as irregular glyph shapes or a variable baseline. Although Archive Garamond was clearly made to be used for display sizes it works surprisingly well in text. Archive Garamond is availale in three versions, each containing approximately 600 glyphs (in Pro versions). Archive Garamond Pro A Professional version of the typeface contains all glyphs, including the advanced typographic forms, such as different sets of figures, small caps, swashes, historical forms, etc. The font also enables full use of the OpenType features. It fully supports the languages listed in the language list. Archive Garamond Std A Standard version of the typeface is meant to be used for the basic typographic work. It typically contains the most common glyphs. The standard figures are proportional lining. Besides kerning this version does not contain any advanced OpenType features. A Standard file type fully supports the languages listed in the Language list. Archive Garamond Exp An Expert version contains glyphs that are supposed to be used in advanced typographic works. This type of file contains uppercase and small cap glyphs with the proportional oldstyle figures as the default set. Besides kerning this version does not contain any advanced OpenType features (all OTF features have to be replaced manually). An Expert file type fully supports the languages listed in the Language list.

Engraved display typeface.

Ornamented display typeface.

Inline and shaded display typeface.

Antiquated woodcut illustrations collection.

Engraved display typeface.

Engraved display typeface.

NATRON is rounded and condensed sans serif typeface, designed for tight-fitting text. Supports Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. The NATRON family has two weights, medium and bold, and a collection of thematic adapted pictograms (for food product packaging and textile industry). This typeface has been designed for all type of visual communication projects and especially for labels and packaging and accompanying declarations.

Barrlow is an awesome and bolded script font that is incredibly versatile and will look great on any design or craft. So what's included: Basic Latin, numbers, symbols, punctuations, and ligatures Simple Installations: works on PC & Mac Multilingual Support includes Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word PUA Encoded and fully accessible without additional design software Thank you! We hope you enjoy our font!

Narration is a bright serif font with classic proportions, that is inspired by the Renaissance as well as neoclassical tradition, contemporary design with a delicate sense of rhythm, clarity and legibility. Serif fonts, although reduced and simplified geometric lines, have a role model in the Roman lapidary inscriptions. Narration is suitable for the style that requires elegance and grace of the text, publications of historical, archaeological, artistic and other cultural events, as well as fashion, labels for cosmetics, wine... Character folders correspond to all functional letterpress requirements and contain all the glyphs of Latin European languages and Cyrillic.

Harlow is a decorative font designed by Colin Brignall which appeared with Elsner + Flake in 1979. The outline alphabet complements the standard characters and its shadows make its forms seem lighter. Most distinctive in harlow font is the contrast between the relatively regular forms of the lower case letters and the extravagent capitals.

If you are looking for a unique typeface with a light and pure elegance, Marlowe will be your choice. Marlowe is the rat pack of fonts: Regular is perfect for headlines and subtitles, while the expressive Escapade, Swirl and Cocktail styles are charming display fonts. All four provide an extended set of capitals, small caps and lower case characters. Please take a close look at the elegant alternate letters for A, E, K, M, N, O, Q, R, W and g – there are even three kinds of ampersands to choose from. Altogether Marlowe offers amazing 25 alternates and 74 discretionary ligatures, while Marlowe Swirl has additional 26 automated ligatures. Make sure you use applications supporting all these lavish OpenType features.

Introducing My first sans font. Carrol, a classic sans with alternates! Carrol is a classic and modern sans with alternates in each alphabets! Every alphabet have alternates up to 3 kinds! This font fits in any project. You can use it for a tittle, logo, quotes, or become a pairing in any script font. This font also support multi language! You can get 6 style with italic in every style. This font included: Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Thank You!

Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across the board, and support for many Latin-based languages. Archie's eye-catching forms are meant for clear, seamless and strong message delivery. In its upright styles, strong vertical strokes emphasize the sense of confidence and importance, and in its italics, that emphasis is further affirmed by a natural sense of urgency. This kind of alphabet is perfect for display typography aiming at the glance-and-go crowd. When used properly and placed prominently, no eye can escape it. The basic Archie family is comprised of six basic fonts, while the Pro set combines all three uprights in one font and all three italics in another.

Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.

Basic Sans Narrow is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Narrow is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

While the Aspire SmallCaps family finds its roots of inspiration in the ACURA automotive company logo, with its wider base, the Aspire Narrow SmallCaps family condenses those styles into something more suitable for larger bodies of text in a more standardized width. Aspire Narrow SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Aspire Narrow SmallCaps Family bundle: - 430 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) - Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. - 3 weights in the family: Light, Regular, & Black. - 3 obliques in the family, one for each weight: Light, Regular, & Black. - Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Aspire Narrow SmallCaps Family is for you: - You're in need of automotive sans font family with a range of weights and obliques - You're love that ACURA letter styling, and want to design anything within that genre - You're looking for an alternative to Eurostile with more stylized letterforms. - You're looking for a battle-tech typeface for your futuristic war chest labelling. - You just like to collect quality fonts to add to your design arsenal

Oksana Text Narrow is Oksana Text, narrower by 25%. Cyrillic and Latin, with real italics and swashed initials in six weights, is always slender.

Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Bill Corporate supports Central, Eastern European and Western European languages.

Oksana Sans Narrow is a space-saving addition for Oksana Sans Roman faces. In six weights from Thin to Heavy it works well in long as in short texts. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

Cocogoose Pro Narrows has been completely re-engineered in 2020 to include extra features and technologies. A darkmode weight range has been added to the whole family, to keep consistency of effect when the typeface is used in reverse on the web and in dark mode interfaces. Also, a new Ultra Compressed subfamily has been developed for display usage. Designed by Cosimo Lorenzo Pancini in 2013, Cocogoose was first expanded in 2015 with the help of Francesco Canovaro who co-designed the decorative display weights and Andrea Tartarelli who developed the condensed widths. In 2020 a full redesign of the typeface has been published: Cocogoose Pro now includes new widths, weights, open type features and characters, thanks to the help of Mario De Libero. Influenced by vernacular sign-painting and modernist ideals, Cocogoose is drawn on a classic geometric sans skeleton, softened by rounded corners and slight visual corrections. Its very low contrast, dark colour and tall x-height make it a solid choice for all designers looking for a powerful display typeface for logos, headings and vintage-inspired branding. The tall x-height makes texts set in Cocogoose very readable even at small sizes, while the bold regular weight allows for maximum impact when used as a branding, signage or decorative typeface. Cocogoose Pro was designed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs, starting from its wide range of widths and weights. Its 2000+ latin, cyrillic and greek characters make sure it covers over 200 languages worldwide, while its comprehensive set of open type features allows faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. A wide range of alternate letterforms, developed along nine different stylistic sets, gives you an extra level of design fine-tuning. The layerable and colour-ready display variants include inline, outline, shadow and a letterpress version that can simulate the effect of old print, also thanks to programmed randomization of its letters.

In the days of hand lettering, a common philosophy was "the problem creates the solution". Often times the layout artist would have to adapt the lettering style to fit the amount of copy on a line. A perfect example is during the early 1900s, when popular sheet music of the time almost seemed to be competing for how many words could be used within a song's a title. One such piece of sheet music offered up the tall, condensed and variable-width lettering found within Narrow Minded JNL.

Wah Wah Narrow is a compact, eye-catching, flat-sided display font that will tightly pack the empty space in your layout!

The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.

Sinkin Sans Narrow is a simple, pleasantly proportioned and easy to read sans-serif, available in all 9 standard web weights, 100 to 900, plus italics, so the face is a comprehensive illustration of the CSS web font numerical scale. Sinkin Sans fonts are designed with tiny, inconspicuous notches that sink into verticals at the intersections of strokes, adding highlights to congested corners. The incisions make right angles appear sharper and improve definition in more intricate characters. Sinkin Sans Narrow inherits the enviable clarity and readability of the luxuriously wide original family. The Narrow typeface, however, is designed to economise on space within busy web pages and has been sensitively condensed for maximum legibility. Each weight of Sinkin Sans Narrow is supplied with a free Italic.

SixMinutesNarrow is - as the name suggests - a narrow version of SixMinutes. Just as quick, dirty and tasty as SixMinutes, but it will fit more text in less space.

Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind.This Family also improved the needs of developers and graphic designers looking for width-compatible fonts. As the normal style this font family is an innovative and refreshing semi serif design with a contemporary look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts.

The hand lettered word ‘puzzles’ from the box cover of a 1940s set of metal “connected” puzzle pieces manufactured by the A.C. Gilbert Company was the initial typographic model, but some additions and changes were made. Instead of the right side of the ‘P’ being a semi-circle, it was changed to a more conservative ‘’squared’ look. After drawing out all of the necessary glyphs, the overall height of the characters was extended to make the letters and numbers appear taller and narrower. The end result is Narrow Deco JNL, which is available in both regular and oblique versions.