Chunk Five - Retro Script Font is a captivating display script typeface that effortlessly transports you back to the retro and vintage eras. Its distinctive feature lies in its bold and groovy bottom-heavy characters that make a strong impact on any design. This font offers an extensive set of alternative characters with an abundance of unique shapes and swashes to choose from, allowing for endless creative possibilities. Ideal for logos, packaging, invitations, greeting cards, posters, magazines, titles, business branding, and all projects seeking a retro or vintage theme, Chunk Five delivers a perfect dose of nostalgia and charm. With its retro and vintage style, it brings a touch of the past into your designs, making it an excellent choice for conveying a sense of history and personality to your creative projects.

Vinlatte is a font inspired by the uniqueness of a cake topping by giving a hollow accent and arranged in such a way that makes Vinlatte very elegant and classic with a style that displays a uniqueness in each character of the letter. Vinlatte is shaped and made by combining the contours and anatomy of regular letters in general as a strong base and modified by giving a cavity accent so that it has a unique value and when used in a template, poster, cake advertisement, children's magazine and of course it will be very interesting for them. . who see it and will definitely make the product look more attractive, unique and will bring the soul to your product and of course add to the selling value of your product.

Joost Schmidt?s (1893?1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance ? his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt?s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Wild Muerayam is an elegant, modern and functional unique featuring a calm text and an expressive display. This font looks harmonious in books and other periodicals, on posters or on magazine covers. The scope is not limited to the printing industry, because Wild Muerayam looks aesthetically pleasing wherever text is used. Wild Muerayam a serif display font with a modern yet luxurious style. Aesthetic and unique letterforms, as well as soft curves and wild shape of the letters make this font so iconic. Wild Muerayam Features: Uppercase and lowercase Multilingual Numerals Punctuation PUA Encoded Alternates Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. I hope you enjoy!

Introducing Bellyman Typeface The Bellyman Typeface is made with the concept of a modern font display that gives a unique impression because it has a curvy shape like waves that is charming and unique. The serif style adopted by the Bellyman font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Serif typefaces such as “ Bellyman typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bellyman typeface contains 623 glyphs with many unique and interesting alternative options. In the poster preview all the letters are in the Mongkeg typeface.

HS Almidad has been started in coincidence with my designing logotypes consisting of triangle geometric, looking shape and overall structure. After designing several words, I thought of using the design concept of this logo to develop a geometric Kufi font. All letters of this typeface family were conceived with suitable and coordinated dimensions to create five weights: Thin, Light, Regular, Medium and Bold: They support Arabic, Persian, Urdu and Kurdish languages. With a triangle look, this font is a simple and creative addition, which can be useful for book titles and variety of other geometrical constructions projects. It brings new design concept to enhance beauty and harmony and enrich our previous geometrical font contributions, which started with the release of HS Alhandasi , HS Almohandis and HS Alfaris from HibaStuido.

Dingos is a display typeface specially handcrafted for potent usage. It is compact, solid, and dense, with a heavy-built structure, tight internal space, and a versatile touch. Dingos is perfect for large settings due to its precise shapes. The 'Display' and 'Display Outline' styles have sharp and clean paths with angular ink traps, while 'Stamp' and 'Stamp Outline' have round ink traps and irregular, soft, curvy outlines optimized to ensure high-quality contours. Stamp textured styles have three sets of alphabets that slightly differ from one another. Thanks to the Contextual Alternates, these alphabets are automatically alternated to avoid repeating the same curvy textures. Some of Dingos' features are ligatures, discretionary ligatures, stylistic sets, numerators, fractions for any number combinations, arrows, special decorative characters, and a glyph coverage that ensures extended language support.

AJSHA font, even though being our newest font, is inspired by ancient Japanese and Chinese culture, eastern style of life of about 5000 years before present day, when honor and a good sword were respected. Japanese special sword Katana is known to be handcrafted to be extremely sharp and deadly. Therefore, the shapes of the AJSHA font accompanies the moves of a Katana master when he uses the power of his sword. The font comes in two styles, light and medium. Medium is a bit bolder style while the exact bold or strong version lacks due to the fact that the font's lines needed to be sharp as a swordsman's cuts. We expect this font to be a great asset tool for top-notch designer companies that put quality before everything else.

Tahura is a classy typeface that is luxuriously bold and bold in style specifically for strong use, with a versatile touch. Consists of 4 styles, Regular, Italic, Outline, and Outline Italic and is very suitable for all medium or large uses because of the exact line shape, which made by flying machines. It is suitable for graphic design and screen use whatever your project is like branding, magazines, editorials, wedding invitations, logo design, posters, social media, and more! Also supports multilingual and PUA encoded! Feature UPPERCASE lowercase Number & Symbol International Glyphs Alternative Uppercase Alternative lowercase Ligatures Feature UPPERCASE lowercase Numbers & Symbols International Flying Machines Alternative Letters Alternative lowercase letters Ligature If you need anything else, just shoot me at the email at: doratypefoundry@gmail.com Hope you enjoy it.

Squeezing yet more life out of the Revla skeleton! This is Revla Round, a child-friendly version of Revla Sans, completely overhauled so there's no chance of cutting yourself on any corners. Every rounded terminal and corner has been painstakingly drawn, rather than using a round-corners filter. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It's shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates, standard and discretionary ligatures, and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the ever-growing Revla Superfamily.

Thinpaw is a serif handwritten font perfect for usage in a really big sizes (50 pt+). The stem width is about 0.5 mm (0.019") in 100 pt size. The font comes with central european character set and a set of various glyphs and icons (see preview images). Opentype features: - Standard ligatures - fi, fl, ff - Discretionary Ligatures - ft, fb, fh, fk, fj - Contextual Alternates - a, e, f, g - Stylistic set 01: A Stylistic set 01 changes every dot into the heart shape symbol. It turns every writing into a nice looking love letter! Thinpaw is perfect for wedding proposals, wedding invitations, happy birthday cards or anything personal. For usage on the computer screen, the stem width is about 1 pixel for 50 pt size, and 2 pixel for 100 pt size.

Houschka Rounded Alt is a carbon copy of the Houschka Rounded family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates. Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930s frontage and distinctively rounded letterforms in the sign above the door. OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded Alt is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own. The monolinear structure, rounded terminals and rolling curves give Houschka Rounded Alt a soft and friendly appearance.

Simah Arabic typeface Simah Arabic is an Arabic typeface that supports Arabic. It has a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. It has an expressive character with its friendly shapes. It's legible, Clear, Flexible, Simple, Modern. With a handful set of Open Type features and alternatives. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Simah Arabic is highly crafted in order to perform well both on screen and in print. it functions well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Simah Arabic consists of five weights

Xekova Typeface is a modern font with an artistic and elegant touch. This typeface can be used for various purposes such as Films, Titles, Magazines, Posters, Logos, and many more. Experienced designers will love the extra touches that make Xekova unique, the elegant and unique blend of fasteners, subtle curves, sheer shapes, and elegant circular pins to bring your project out of the ordinary. With this extraordinary typeface, your next design will stand out from the rest! What’s Included : - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support Thank you for your purchase!

NT1972 is a display font from the future. Font in the era of cyborgs and cyberpunk. This is a sharp, brutal font with futuristic shapes. It combines style and functionality, so the font will look great in your futuristic design in any environment, be it a logo or a merchandize. The angle of inclination in each glyph is 50 degrees, all glyphs also have the same stem sizes to create a good font system. All this is done to get a good futuristic cyberpunk font that will give style to your design, be it a logo, poster, banner, merchandize, title, packaging or product design. In addition to all this, there is support for many languages and alternative characters. In case of any questions, problems or suggestions, please email: bunineugene@gmail.com

Simah pro Arabic is an Arabic typeface from simah family type family It has a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. It has an expressive character with its friendly shapes. It's legible, Clear, Flexible, Simple, Modern. With a handful set of Open Type features and alternatives. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Simah is highly crafted in order to perform well both on screen and in print. it functions well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Simah Simah pro Arabic consists of five weights

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

RARE BIRD SPECIMEN III Rare Bird Specimen III is a graceful hand by Karla Lim of Written Word Calligraphy. This all lowercase font feels both modern and feminine. While uppercase letters are still lowercase in shape, they are larger and read as caps. OBSERVATIONS Specimen III has a dancer-like form; supple and lithe. Willowy letters are nimble and lissome, content alone or paired with a stronger, more masculine specimen. DEFINING CHARACTERISTICS Opentype programming, formal title and preposition word art, 7 alternate lowercase t cross-strokes, Roman numerals, old-style numerals, seamlessly semi-connecting calligraphic letters, realistic double-letter ligatures, in and out-stroked letters at the beginning and end of words where appropriate, basic Latin encoding. POTENTIAL SIGHTINGS Bridal + baby shower stationery, logo design, gourmet food packaging, clothing labels.

Grange Text is optimised for smaller text sizes, having more open character shapes and spacing. Use the non-text version of Grange for larger sizes and headlines, which has tighter spacing and detailing. Grange is the Device interpretation of the classic “Grot” thick/thin sans style. Unlike the traditional models on which it is based, Grange takes a rational, consistent approach across wide range of weights and widths for contemporary use. The font includes alternative curved and straighter versions of key characters, most obviously the lower-case ‘g' and capital ‘R', allowing the font to take on either a sharper or warmer, more playful appearance. These can be toggled on or off using the ‘Alts' feature in Illustrator, or ‘Stylistc Sets’ in Indesign. Contains proportional, lining and tabular numerals.

This beautiful font explores 3 very individual styles of one typeface. Each style pays homage to classic sans serif typefaces while adding contemporary flair to its characteristics. With both formal and informal styles, Aestetico explores how the shapes and curves of letters change their perception and focus. The informal letters are rounder and more quirky while the formal style utilizes more traditional sans serif letterforms. The whole set (54 styles) consists of 3 sister families, each in 9 weights with matching italics. The 3 variants ensure every design project is covered by Aestetico; its versatile nature is perfect for a huge variety of applications from editorial design to branding, advertising, publications and digital. As you would expect from Latinotype, this font comes with a standard character set (395 glyphs) and supports over 200 languages.

Introducing Mankey Typeface The Mankey Typeface is made with the concept of a modern font display that gives a unique impression because it has a curvy shape like waves that is charming and unique. The serif style adopted by the Mankey font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Serif typefaces such as “ Mankey typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mankey typeface contains 704 glyphs with many unique and interesting alternative options. In the poster preview all the letters are in the Mankey typeface.

Subversia is inspired by sport and Victorian style. It is designed with elegant and solid shapes to give a modern touch, and is very suitable for your designs such as posters, flyers, t-shirts, logos, signage, branding, the even body text for magazines. Subversia has all-caps characters as Stylistic set in OpenType features that gives you greater variant of typographic possibilities, especially in headlines. This set also has ligatures, stylistic alternates and swashes to make your design look more natural and elegant. 400+ glyphs total with 23 languages. This font is designed with adaptive and flexible looks that possible to apply in other styles outside vintage. With the italic style you can use this font for a sporty theme, minimalism, pop contemporary, dark theme, feminine or editorial project.

Hello good people. introducing our new font 'Piedmond' This time we wanted to create a gallant signature font. Inspired by men's hand strokes, with a decisive pattern, each glyph is formed through the pressing of the pen, the orientation of the shape is almost constant with the direction of the pattern that continues to point forward and ends with a strong pressing of the pen. We call it the masculine signature type, reflecting a confident attitude, a definite decision and full confidence. We design this font for modern product branding, not only for men, but women also love this masculine side. This font is equipped with swashes, alternates and additional ligatures for the lowercase. By using this font, it will give your brand more confidence to appear wider. Thanks

Please welcome Barela. Barela is a handwritten font and has character such as friendly, casual type family and smooth. It is intended to be used everywhere where a pleasant feeling should be conveyed like advertising, food, fashion or something that include happiness. It will look great on all of your products and make them more fancy and relax. With the uniqueness of the shapes, Barela can attract attention of anyone and be an eye catching font in your design. The bold letters of this font makes it stand out from the crowd. This font also provide with feature such as Uppercase & Lowercase, Number, Punctuation, Multilingual Support (Western and Europe), Support in Mac and Windows OS and easy to install. We hope you like our Barela and thank you for purchasing. Scratch Design

Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 20 members the normal and condensed proportions that present 6 weights from Light to Ultra. The fonts can be used in combination with Titla or by itself in different display matters. Typefaces demonstrate original and catchy way of using serifs -- in some places there are traditional slab serifs, in other places -- one-sided and often there are no serifs in the places where they normally should be. This approach brings to the letter shapes an unusual appearance and peculiarity. Design was developed by Oleg Karpinsky. Released by ParaType in 2011--2013 at first as a set of ten condensed styles and later in extended version enhanced by ten normal styles.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Ambaghy is a goofy font that's elevated by its posh, handwritten style. It will spice up your designs and add a unique feel to your design and it just might be the secret ingredient you've been missing. We've spent years honing our craft to create the most unique and original fonts like Ambaghy. We were inspired by the wild creativity that flows from our hands, and we want to share that inspiration with you. Ambaghy works great for logos and headlines, and also works well in text blocks of body copy. A Million Thanks Colllab Studio www.colllabstudio.com

The new typeface system is based on legibility of Renaissance and Baroque Antiqua. It maintains the quality of drawings without an overpowering historical legacy. The current concept makes the system a universal whole. Abrading of sharp edges which could catch one’s attention leads to a fine rounding of details. In this way, a sans drawing does not look hard and sterile unlike most of its contemporaries. Special attention was paid to every detail of each letter. The professional question of how to incorporate brightening wedges into the dark places of individual strokes’ onsets was resolved by rounded shapes that have their graphic response in the detail of the serifs. Particularly in larger sizes the typeface offers drawing sophistication and dimensional interconnection. Apart from Cyrillic alphabet, the alphabet design includes ­Vietnamese ­accents.

EquipExtended is the next complement for the Equip family and with its 16 fonts together with EquipCondensed, it extends the family to 48 styles. While developed from the same basic shape as the rest of the Equip family, it has its own particular friendly and warm appearance. With its wide and open proportions, EquipExtended makes a grand entrance for your headlines, subheads and even for the body of text. Try it out, the light style is free. EquipExtended is very well suited for ambitious typography. The EquipExtended family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Signature Script is a smooth pen script with large display capitals and small but legible lowercase letters. It’s ideal for logo, signature, poster, brochure or any display use. Signature Script is great for typing headlines or a restaurant logo - it’s stylish but legible enough due to its smooth shapes. Signature Script has at least three alternates for every basic lowercase letters that are automatically connected to next letter nicely. This feature is coded inside Standard Ligature so I recommend keeping that on. There’s also Stylistic Alternates for every standard Uppercase letter and Swash, Stylistic and Titling Alternates on certain lowercase letters that can be used to spice up your words. The font is PUA encoded so you can access extras in most graphic design softwares even without OpenType support.

The superfamily Pepi and Rudi is based on playful experimentation with basic geometric shapes - the circle, rectangle and triangle - elements that laid the foundations for typographic Modernism. The Pepi and Rudi introduces a number of current elements into a time-proven concept of primitively constructed typefaces. The typeface's somewhat uniform character width establishes a more regular rhythm; the character set is expanded, and legibility is improved thanks to taller lowercase. A wide range of ten styles, from hairline-thin to extra-thick with adequate Italics allow for universal use across the whole scope of graphic design. Carefully designed diacritics, clear punctuation marks, table number characters, ligatures, arrows or alternative lowercase characters are standard; this is sure to please everyone needing to work effectively with a neutral, geometric headline typeface.

Jiho Soft Family is a modern & soft sans-serif typeface that is clean, simple and highly readable. It is the rounded version of Jiho Family. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho Soft is versatile type family of 18 fonts. Jiho Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

What does a 1932 movie about a love affair between a circus' trapeze artist and a sideshow "little person" have to do with the 1960s counter-culture? They both share some commonalities. The title card for Tod Browning's "Freaks" inspired the lettering design for Hippie Freak JNL. It's in a retro style that was embraced by the youth movement that had its epicenter in the Haight-Ashbury district of San Francisco. Circus performers with birth defect abnormalities were displayed in what was referred to as "freak shows"; while young men with long hair and beards who sought peace, love and an end to the war in Vietnam were commonly referred to as "hippie freaks". As the saying goes "the more things change, the more they stay the same".

Lina round is an Arabic typeface from Lina type family, it has an expressive character with its round and friendly shapes. It's Round, legible, Clear, Flexible, Simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina round was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina round consists of 7-weight versions from thin to bold.

The new typeface system is based on legibility of Renaissance and Baroque Antiqua. It maintains the quality of drawings without an overpowering historical legacy. The current concept makes the system a universal whole. Abrading of sharp edges which could catch one’s attention leads to a fine rounding of details. In this way, a sans drawing does not look hard and sterile unlike most of its contemporaries. Special attention was paid to every detail of each letter. The professional question of how to incorporate brightening wedges into the dark places of individual strokes’ onsets was resolved by rounded shapes that have their graphic response in the detail of the serifs. Particularly in larger sizes the typeface offers drawing sophistication and dimensional interconnection. Apart from Cyrillic alphabet, the alphabet design includes ­Vietnamese ­accents.

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

Often it is hard to express ourselves and our emotions. Thus, the idea of emotional typography and fonts was born. This is a detailed font with many lines and shapes. It has been designed to reflect the feeling of overthinking. Overthinking, by nature, is done by logically thinking through all the different scenarios and outcomes for one particular thought or situation. Therefore the appearance of this font is one that is structured and technical. This font is great for architecture, buildings, construction, geometry or even for situations that are heavily detailed! It definitely works great as an overlay on images or photographs. Pair this overthink font with a simple sans serif font to contrast against the details in the former. We hope you enjoy this font as much as we do!

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Probably the most innovative of these was Nebulae, in which the lettershapes have been dissolved into clouds of bubbles; the three versions can be layered to obtain a denser (and more legible) structure which can also be multi-coloured. A fourth version called ThreeDee (3D) offers a convincing simulation of three-dimensional bubble-like type floating in space.

Corvus is a display serif font family, stylized with elegant soft turns that soften the sharp ends. Due to its structure, this font can meet your needs in all your modern or classic creative projects. Corvus is ideal for creating your creative projects on similar subjects with its gloomy and Modern Gothic stance. Absolutely perfect for titles, magazines, books, invitations, logos, packaging design, branding and more! Character Ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letter like Symbols,Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms Uppercase typeface Lowercase typeface Numbers Symbols Multilingual With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Ekorre is a professional serif typeface. Drawn and created by Mans Greback in 2021, this creative font family has a vivid retro style and a strong personality, and is constructed with soft corners and flowing shapes. The letterforms express empathy, while retaining seriousness. It is provided in six complementing high-quality styles: Ekorre Regular, Ekorre Bold, Ekorre Black and each one as Italic. Ekorre is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

TT Jenevers useful links: Specimen | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Jenevers: TT Jenevers is a modern serif with Dutch flavor. The font family features the characteristic details peculiar to Dutch serifs—these are the asymmetrical shape of serifs and an irregular slant of ovals. For example, in the letter “o” there is no slant, but it is present in p-q. In TT Jenevers, both lowercase and uppercase characters are of a large size, which makes it a rather display typeface. At the same time, the big half-ellipse of the lowercase characters does not allow the letters to stick, which allows the implementation of TT Jenevers in text arrays. The italics of the TT Jenevers are slightly narrower as compared to upright faces—this is done to ensure a greater density of the text array. The italics of the TT Jenevers are slightly narrower as compared to upright faces—this is done to ensure a greater density of the text array. TT Jenevers font family consists of 12 fonts (6 upright and 6 true Italics), each of which has more than 830 characters. The typefaces include small capitals for Cyrillic and Latin alphabets, 33 ligatures, standard and old-style figures, stylistic alternates, arrows, hands, and card suits. We have prepared two dissimilar stylistic sets, which allow changing the nature of TT Jenevers to a more hand-written one, or adding a futuristic touch to the typeface. FOLLOW US: Instagram | Facebook | Website TT Jenevers OpenType features: ordn, case, c2sc, smcp, frac, sups, sinf, numr, dnom, onum, tnum, pnum, lnum, liga, dlig, salt, ss01, ss02, zero. TT Jenevers language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Komi-Permyak, Komi-Zyrian, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luba-Kasai, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Maltese, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh (lat), Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (lat), Udmurt, Ukrainian, Uyghur, Vastese, Vepsian, Volapük, Võro, Vunjo, Welsh, Wolof, Xhosa, Zaza, Zulu.