Hi There, Ahead of the month of Ramadan in the Hijri calendar, we have created a very amazing font. We have created the “Lentera Ramadhan” font in Hijaiya-like style and shape which is sure to make Ramadan greetings extraordinary with your best projects. equipped with Stylistic Alternate and SS01 which makes the font feel not monotonous. This font is perfect for those of you who create Ramadan poster projects, titles, banners, Instagram posts, holiday greeting cards, food menus, and other designs.

Jacbos is a playful font with an abstract shape like paper folds, which is unique but elegant and attractive in its use All Capital sans is charming and brave, a font with a bold style and strong character makes your design look bold to convey a message to the audience in every design. This font is perfect for a variety of school design projects, essays, vintage, retro, and various outdoor events, storytelling, branding, banners, posters, movie titles, food and beverages, clothing, and more.

Maggiore Font is a versatile and unique display typeface with a style all its own. The convex strokes and concave stroke ends set up a singular interplay of blade-like sharpness and plump softness. Maggiore can work very well in loads of different contexts and applications: product labeling and branding, cosmetics, fashion, social media banners, the performing arts, t-shirt logos, and even quaint vintage futurism. Combining the unique with the highly legible, Maggiore will be a great addition to any font menu.

Is it royal, or is it dandyish? Either way it's sure to catch the eye. Prepare for titling figures any movie executive would be jealous of using. Do you write sci-fi, fantasy, costume, or cult; or is your announcement for an off-beat wedding? Lectori Salutem Sans offers salutations to the reader, and an edge. Lectori Salutem Sans is the sans serif counterpart of the Lectori Salutem font. A postmodern font with slightly romantic features, cut off at the stem.

Introducing our newest font called Bequest, This san serif family font is perfect for your various projects, such as games, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, types of logos, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Ropan this is a modern geometric sans-serif font that includes nine weights from thin to black. This multi-purpose font captures a huge range for the design and creation of your project. Ropan will perfectly cope with a variety of tasks and he will always look stylish and modern. With it, you can create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features.

It was during a visit to the Roman Forum that we were inspired by a seemingly unique style of lettering on a tablet among the ruins. The Latin message was chiseled in a condensed, free-style manner, almost as if it were intended as a personal note. While the stone showed only the capital letter forms of the period, we felt the creation of a lowercase would help extend the fonts usability and also add a whimsical feel to the design.

Linotype Dummy is a part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The Canadian artist Tad Biernot based the design of his font on optical illusions like those of M. C. Escher. The reader cannot always exactly decide if a character is twisting toward or away or both. Linotype Dummy is available in black and outline weights and is suited exclusively to short headlines in large point sizes.

Shervington is a geometric, All capitals and Small capitals typeface with a range of opentype features ideal for banners, headlines, logo design and good clear signage. The letterforms are all geometrically inspired, and are just unusual enough to stand out without obviously striving to do so. It’s a design of bold horizontal and vertical strokes complimented with ‘tiny’ serifs and owes a certain amount of inspiration to traditional sign writing techniques. The family consists of three typefaces; Regular, Shadow and Weathered.

Hello there.. I introduce to you a new work by the name of BORCHA. This font has an attractive style as well as elegant. In addition, this font is also equipped with several ligature features, stylistic alternate and stylistic set so that it can be the best work in each of your work. This font can be used to create letters, advertisements, logos, banners, web, and everything else. Thank you, glad to be able to contribute to your best work.

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

The Corset Pro is not another font, but not exactly and the same, as the previous two (Khamai Pro, Aeolus Pro) but is simple a different... But it has common elements and is based on two earlier. A new style added is Inlier, has this advantage engagement with Βlack style in the same manner explained in Aeolus Pro. And this series is composed and includes 12 fonts with 625 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

This typeface was created in 1972 and reworked by SoftMaker in 2010. Elegant Script Pro is perfect for invitations to weddings, celebrations, and dinner parties. Elegant Script Pro comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Haymer stands at the apogee of legibility and clarity. Its design embodies symmetry, even stroke widths and a subtle rounded quality to give an instinctive appeal to the reader and to the designer. Haymer is modern yet characterful and is ideal for use as a text family, online and wherever instant easy readability is required. An extensive family is offered, in four weights, regular and condensed widths, lower case and capital (small and petite) forms as well as display inline faces.

Hi, Everyone! If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you! Chicago Makers- A Serif Font This handmade font typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

School Days is a handwritten font collection created for teachers by a teacher (me!) These fonts were made to be easy to read for young readers and writers. There are various styles available - Thin, Regular, Bold, Outline, Dash, Lines The School Days Collection is perfect for creating worksheets, practice pages, school designs, cricut projects, handwriting practice, reading practice, letter formation, personalized items for students and more! School Days includes a ton of variations that will make your designs and worksheets seamless and cohesive!

Backeth is a fun display typeface with a wood character, which is natural, beautiful, and full of modern flair. For your outstanding project, we provide a dramatic, distinctive, flexible, attractive, brave typeface with an elegant and lovely shape for many types of presentations. This typeface is ideal for application in a variety of unusual graphic projects, including games, book titles, outdoor activities, posters, banners, quotes, branding, and other unique projects. So, what are you waiting for? Get this font now!

Soft, funny round cartoon display font containing 500+ glyphs, Diacritics, Ligatures, Fractions in Latin, Cyrillic and Greek. Made entirely after Ekke Wolf's Greek 'rho' letter's idea in Runde Wien: — Damn, it's funnier than every [cartoon] mouse, duck and everything. — The source letter for a whole special typeface — with own funny happy mood. — As I see, it's the decent respected well-mannered sans. And this 'rho' is the source for the completely different Funny Toons display type. Just found it around this brilliant oval.

Gecan, our newest font, is now available. This display font is designed in a straightforward and approachable style. The letters have a beautiful curve to them, giving them a lovely appearance when used. This style is ideal for any design that calls for a contemporary or handcrafted feel. Logos, labels, packaging, greeting cards, comics, banners, titles, and more can all benefit from it. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

Shallow Thoughts is a modern script typeface created to enhance your designs. This font offers a simple yet stunning style with support Uppercase, Lowercase, Number, Symbol, Ligature, Multilingual, Alternative Style, SS01, ss02, ss03, and ss04. Shallow Thoughts very suitable for event titles, t-shirt design, posters, web, banner, book covers, social media, and other designs. Compatible with design studios such as Photoshop, Affinity Design, Adobe Illustrator or Silhouette. It makes it great for creative projects, Thank you, Toni Dzulham - Dumadistyle

Lateman is a casual font built with apps. with freestyle and natural make this font look friendly to the project you are working on. Lateman only consists of uppercase letters, but if it collaborates with other fonts, it will feel more striking like the preview example above. This font was created for superhero movie titles and is perfect for movie titles, superheroes, action, animation, war, and more. You can see the sample preview above for comparison, stay the center of attention and classy!

Tahiti Sans is a playful, all caps display sans available in 2 versions. At first glance it appears to be the offspring of a rather uniform font and a wacky one. The variations of letterforms as well as random angles are minimal. They’re tall by nature so squeezing text into tight spaces should be easy. Characters are slightly jumbled in a childlike manner and misaligned with varying degrees of spacing. Use it for youth sports, social media, toy packaging or advertising.

Astonice is a beautiful calligraphy font family with 3 weight variants: Regular, Semibold and Bold. Astonice has more than 1100 glyphs each, has opentype feature such as stylistic sets, stylistic alternatives, and old number form. Astonice supports a wide range language: Latin plus Greek and Cyrillic. Astonice is suitable for most typing and design such as cards, logos, banner, posters and others as you intended. Beautiful glyphs, OpenType features and 3 weight, Astonice provide you the right choice for your best design.

Hi, Everyone! If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you! Introducing Magelo - A Serif Font This handmade font typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Six Sided Monogram Font is a perfect shaped monogram font consisting of 78 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Six Sided Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Hi, Everyone! If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you! Introducing Miguel- A Serif Font This handmade font typeface with modern style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing our Handwriting Font Editorial: a classic yet modern and elegant typeface inspired by the charm of hand drawn letters. This versatile font is perfect for adding a touch of sophistication to your magazine layouts. With its meticulously crafted curves and stylish strokes, our Handwriting Font Editorial will elevate your designs and captivate your readers, making it an essential tool for any editorial project. Embrace the artistry of handwritten fonts and bring a timeless appeal to your publications with our Font.

Introducing our newest Afire Love Font. This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. In this font purchase package you will also get a special bonus package from us, namely: 1. 10 vector landing page design packages 2. cute monsters cartoon kit with vector format 3. Premium banner ad template with ppt format 4. cartoon animal ice cream pack with vector format 5. EDITABLE ESPORT logo design This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey. thank you Regards Twinletter

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

Over the past few years, every designer has seen the surprising outbreak of blackletter types in marketing campaigns for major sports clothing manufacturers, a few phone companies, soft drink makers, and more recently on entertainment and music products. In such campaigns, blackletter type combined with photos of usual daily activity simply adds a level of strength and mystique to things we see and do on a regular basis. But we couldn't help noticing that the typography was very odd in such campaigns, where the type overpowers all the other design elements. This is because almost all blackletter fonts ever made express too much strength and time-stamp themselves in a definite manner, thereby eliminating themselves as possible type choices for a variety of common contemporary design approaches, such as minimal, geometric, modular, etc. So extending the idea of using blackletter in modern design was a bit of a wild goose chase for us. But we finally found the face that completes the equation no other blackletter could fit into: Leather is a digitization and major expansion of Imre Reiner's forgotten but excellent 1933 Gotika design, which was very much ahead of its time. In its own time this design saw very little use because it caused problems to printers, where the thin serifs and inner bars were too fragile and broke off too easily when used in metal. But now, more than seventy years later, it seems like it was made for current technologies, and it is nothing short of being the perfect candidate for using blackletter in grid-based settings. Leather has three features usually not found in other blackletter fonts: - Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century. This design is one of the very few manifestations of such interaction. - Fragile, Boboni-like serifs, sprout from mostly expected places in the minuscules, but are sprinkled very aesthetically on some of the majuscules. The overall result is magnificently modern. - The usual complexity of blackletter uppercase's inner bars is rendered simple, geometric and very visually appealing. The contrast between the inner bars and thick outer strokes creates a surprising circuitry-like effect on some of the letters (D, O, Q), wonderfully plays with the idea of fragile balances on some others (M, N and P), and boldly introduces new concepts on others (B, F, K, L, R). Our research seems to suggest that the original numerals used with this design in the 1930s were adopted from a previous Imre Reiner typeface. They didn't really fit with the idea of this font, so we created brand new numerals for Leather. We also expanded the character set to cover all Western Latin-based languages, and scattered plenty of alternates and ligatures throughout the map. The name, Leather, was derived from a humorous attempt at naming a font. Initially we wanted to call it Black Leather (blackletter...blackleather), but the closer we came to finishing it, the more respect we developed for its attempt to introduce a plausible convergence between two entirely different type categories. Sadly for the art, this idea of convergence didn't go much further back then, due to technological limitations and the eventual war a few years later. We're hoping this revival would encourage people to look at blackletter under a new light in these modern times of multiple design influences.

This type of Richard Gans, has always seemed very striking, despite having the complexity of the sources extrusion, has its own personality, and readability unusual for this type of letters. Use it for composing posters, programs or logos was very common at the time. My father, Antonio Lage Parapar, typographer by profession, who composed the texts, which not only had it for profession, but he liked to do, always he spoke of sources and decorative elements of the type foundry Richard Gans, as well as other foundries, especially those that required the mender of them, exercised creator, many of these types they have already been recovered by professionals and companies with excellent results. I've been surrounded by these movable type, and the occasional catalog unfortunately lost. One of those guys that has always struck me visually speaking was the type IMAN Richard Gans, the typographer and more of German origin arrived in Spain, back in 1874, also a pioneer. This work to revive the type mentioned, as well as create non existing glyphs between documents and parts I've been finding, is and has been a personal pleasure all I want serve as a tribute to my father (of aopodo curiously "Richard"), the only sadness it has not been completed. Richard Gans, arrived in Spain in 1874 as a representative of several European factories. then liaised with journalistic and publishing companies, which led him knowledge required of the first sector art. In 1878 he created a center importer gadgets graphic arts and three years later he created his own type foundry. The first rotary newspaper ABC, very famous and the most advanced of the time, the brand manufactured Richard Gans.

It all started with a Portuguese soap packaging from the first half of the 20th Century. The 5 uppercase letters that spell NAZARÉ were sufficient to drive the creation of this design. Nazaré fits in a semi-serif category and it has a large contrast. It works outstandingly in display use specially in the bolder weights that have even more contrast. The regular weights have a more moderate contrast and an overall less extravagant design, fitting best in the typographical conventions. this provides a better render in text use. You can use this font in large headlines, logos, posters, book covers, and general display use as well as short strings of text. Nazaré is the name of a small Portuguese fishing village known for its giant waves and peculiar people.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then.

Font designed after that used in Brehan-Loudeac (Britanny, France) by Robin Fouquet and Jean Crès in years 1480s to print a lot of texts and books. This font include “long s”, naturally, as typically medieval, and a few special characters and abreviations, also some variants, like for “d”, “r” or “v”. The small “y” is accented, just like in British alphabet of the time, though the texts were printed in French. Added, a lot of accented characters no longer existing on this time. A render sheet, in the font file, makes it more easy to identify on a keyboard. This font is used as variously as web-site titles, posters and flier designs, editing ancient texts... all you need. This font supports easily as large than small size, remaining readable, original and pretty.

Typewriter DirtY is related to the Typewriter BasiX and Typewriter Revo fonts. While Revo has a very clean and simple outline, BasiX is a bit washed out and looks worn. DirtY goes a step further and has a very dirty, worn, fuzzy, grungy vintage look – even more so than BasiX. Typewriter DirtY is especially suitable for headlines, logos, covers, slogans and much more. BasiX and Revo are recommended for longer texts. Although Typewriter DirtY looks good even in small font size, it is a bit more complex to render because of its detailed outlines. Typewriter Revo, BasiX and Dirty are monospaced typewriter fonts, which are matched to each other. They have the same dimensions and generally somewhat similar contours. Therefore, they can be perfectly mixed and matched with each other.

Full of life Hispanic Didot in 2 optical sizes Retiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations to establish typographic shades adapted to different sections and pages of the Madriz. In 2014, it was necessary to further revise the typeface before its launch at Typofonderie. In order to keep its originality, the unique weight was retained, but complemented with optical size variants to set highly contrasted headlines into various sizes, visually balanced. How to use Retiro optical sizes? Each font provided in Retiro family is named according to the scale of body size: 24 pt and 64 pt. Of course, these names are referring to the body sizes used in typographic design. In the “glorious old days,” the letterpress period, it was customary to cut punches directly to the size at which typefaces would be used. The punchcutter had to visually adapt his design to the engraving size. The aim was to optimize the best contrast and general weight, but also to respect both design’s and reader’s needs. In Retiro’s case, intended for large titling sizes, it’s an adaptation of this ancient practice for our contemporary uses. Although each font is named by a typographic point size, do not feel obliged to use this font at this precise size, but why not, in larger or smaller. It’s rather the concept of gradients that must be preserved in layouts, rather than strictly size numbers. It’s up to the designer to select the right font size for his own designs. Granshan Awards 2012 Creative Review Type Annual 2011 Designpreis 2011 Club des directeurs artistiques, 41e palmarès Type Directors Club 2010 Certificate of Type design Excellence

Awwam refers to the region of Awwam which is now thought by most scholars to be Ma'rib or the famous temple of Awwam otherwise known as Mahram Bilqis. The Awwam temple—Arabic Haram Bilqis or Mahram Bilqis—is a Sabaean temple near Ma'rib in today's Yemen. It was built by Mukarrib ‘Yada'il Dharih I’ between the 7th and 5th century B.C. Also, one of the most frequent titles of the God ‘Almaqah’ was the Lord of Awwam. Almaqah was the main God of the ancient Yemeni kingdom of Saba' and also the kingdoms of D’mt and Aksum in Eritrea and Northern Ethiopia. Different members of the ruling dynasties of Saba' regarded themselves as Almaqah’s children. Awwam is a wide and headline Arabic display typeface. The main trait of this typeface is the wide, curved, and streamlined design of its wide kashida, letters, and ligatures. This feature renders it as one of the modern stylish typefaces used for headlines, titles, headers, banners, and captions. Among the distinguished letters of Awwam typeface are the “Alef”, “Qaaf”, “Waaw”, “Yaa”, “Gheen”, and others. Moreover, Awwam typeface has a character set which supports Arabic, Persian, Urdu, and simple Latin letters/numerals with a limited range of specific Arabic and Latin ligatures. This typefac comes in two styles (i.e., Awwam, and Awwam-Pro) with a single weight (i.e., regular) and nearly 650 distinctive glyphs for each style. Due to its ultra-wide design, Awwam typeface is mostly appropriate for headings and titles in Arabic, Persian, and Urdu. It can be graphically and visually exploited in books, novels, magazines, newsletters, pamphlets, posters, and interfaces of other objects such as clothes and equipment. Moreover, it can be pleasingly used for signs, books’ covers, advertisement light boards, and titles of flyers, and books of children and adults. In brief, Awwam typeface is one of the new wide Arabic typefaces which can be utilized efficiently in diverse graphic, typographic, and artistic works for different languages and cultures.

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003). During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted. These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms. The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics. Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.