A couple of pieces of sheet music from France [circa 1925] offered the inspiration for Chanson De Paris JNL (Song of Paris), which is available in both regular and oblique versions. This hand lettered Art Nouveau style features a unique take on thick-and-thin lettering which foreshadows the Art Deco typefaces to come during the 1930s.

In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional classic forms with the flowing lines of the Art Nouveau period. Now revived as Caesar Pro, this font was carefully extended and made multilingual.

Neuf family is an experimental search for new Art Deco letterforms, which are still easy to read and generate some unexpected attention.The distinguishes Neuf favoured by Art Deco and its predecessor Art Nouveau with a modern design touch. The style of Neuf is characterized by geometric shapes and craft motifs with Machine Age imagery and materials.

A 1920 art magazine from Great Britain entitled “Pan” had its three letter name hand lettered on the cover in a style that had elements of Art Nouveau, Art Deco and what would eventually be called Techno in the 1980s. This inspired the typeface Art Magazine JNL, which is available in both regular and oblique versions.

Sylphide is based on poster lettering from France in the 1890s. It has a very authentic Art Nouveau look with some unusual features, including the decorative-initial style capital letters and the cut-out look of the standard characters. It's an excellent and unusual font for uses like restaurant menu titles, poster designs or other decorative purposes.

Although the model for Arts District JNL was a set of wood type, the design influence is clearly from the Art Nouveau era. Note the combination of unusual flat and curved sides on many letters. Decorative, yet legible; Arts District JNL works well with any period piece or as a pleasant alternative to traditional headline fonts.

The cover of the sheet music for the 1910 song “We’ve kept the Golden Rule” features a hand lettered and slightly spurred Art Nouveau type style. As an older couple was pictured below the song’s title, this inspired the name Golden Years JNL for the digital font, which is available in both regular and oblique version.

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Scandals JNL is free-form hand lettering with an Art Nouveau influence showing up on a 1928 piece of sheet music for the song "American Tune", and is based on the cover text noting the song was from the popular (9th Edition) of George White's Scandals; a Broadway musical-variety show. Available in both regular and oblique versions.

The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height make it an ideal choice for headlines which harken both forward and back. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

P22 Mucha is inspired by the free-flowing lettering styles of art Nouveau master Alfons Mucha, circa 1900. This font adapts his distinctive style into a new organic type suitable for many occasions. Mucha evokes the essence of Paris and Prague from 100 years ago, yet it is still fresh in its innovative approach to the alphabet.

The Nov. 13, 1915 and Nov. 27, 1915 issues of Moving Picture World carried ads for Jesse L. Lasky Productions in which the titles of the upcoming films were hand lettered in an elegant Art Nouveau spurred serif style. This stylish alphabet is now available digitally as Movie Producer JNL in both regular and oblique versions.

Hand lettering of the song title on the 1914 sheet music for “Dear Old Girl” was the working model for Old Songs JNL. A condensed Roman typeface available in both regular and oblique versions, this titling font exhibits a casual, nonconformist design that isn’t quite traditional, nor is it part of the Art Nouveau movement popular at the time.

Otto Weisert was a German type founder who ran his own foundry in Stuttgart during the early years of the 20th Century. In 1902, he created Kalligraphia, a cursive Art Nouveau display script face. Kalligraphia has a unique stroke contrast model; the tops and bottoms of its letterforms are thicker than the verticals on its sides.

P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern feel. All three variations were designed to be completely interchangeable with one another, and can be layered to achieve a variety of effects.

Gradle Nr. 1 is yet another new art nouveau design in the URW++ library. It was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on hand-drawn upper case characters by M. J. Gradl, about in 1900. Gradl Nr. 1 is a caps-only font perfectly suited for posters and signage.

This late Victorian typeface flirts with Art Nouveau sensibilities, as evidenced by the graceful curves and the decorative crossmembers in several of the uppercase letters. The result is a font that combines simple, understated elegance with a no-nonsense, workmanlike stance. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Pesha is a beautiful and unique sans serif typeface that is inspired by the early art nouveau typestyles. Pesha combines diverse styles from different eras, to create a unique blend between contemporary and retro. Pesha works best for elegant titles, magazines, logos, wedding invitations, headlines, editorials and much more. I hope you enjoy using the Pesha typeface.

The Heraut is a typical art nouveau advertising display typeface. The design is based on the work of Hermann Hoffmann from 1901. OpenType features: over 580 Glyphs Central European Glyphs Small Capitals Contextual Alternates The ornaments typeface uses several common OpenType features to switch easily between the elements. Have a look into the Heraut specimen PDF.

Semiramis is based on lettering from the Roycroft movement, but has a Science Fiction/Fantasy feel to it, drawing on elements from antique scripts and the Art Nouveau period to produce a result which is modern and ancient at the same time. There are two different shapes for each character, accessed with the upper and lower case keys.

I must admit that I am not a big fan of the Art Nouveau style. However, I found this particularly beautiful alphabet and decided to use it as the basis for this new font. Very graceful, elegant, and dare I say, organic. Includes some intertwined ligatures. Complete uppercase, numerals, basic punctuation. Supports most Western European languages.

An Art Nouveau, hand lettering on a Good Housekeeping magazine cover from the 1920s inspired Monthly Issue JNL, which is available in both regular and oblique versions. Prior to the 1940s, it was not unusual to find the covers of many popular magazines hand lettered with either their names and/or content information; often in different type styles.

Andreis is a typeface inspired by the art nouveau shapes that appear in the letters of a metal box, made at the beginning of the 20th century by the company G. De Adréis from Badalona in Spain. Its organic and feminine forms evoke the aesthetics of those years and add elegance to the projects where it is used.

Recently the Rogue family was designed as an accompaniment to Paralucent for Loaded, London's notorious lads-mag that had found its design being cloned by the competition and sought something unique to set it apart.

A vintage hand lettered sign for a carnival game was the basis for Sign Display Casual JNL, a classic example of the "one stroke" casual text lettering that sets sign painters apart from sign manufacturers.

Organic and sublime, Fansan is an Art Nouveau type family that includes roman, italic, and optical sizes. Its roots can be found in famous works such as Benguiat, Windsor, and Melbourne — worldwide typographic references which all have a sense of being imperfectly appealing. The aesthetic influence of Art Nouveau on Fansan can be seen in the top-heavy stress found in most characters. Applying this stress consistently throughout the character set was a significant challenge in the design of the family. The sharp terminals of numerous lowercase characters — including the a, f and g — provide a visual link between the upper and lowercase forms. As a result, Fansan is able to be elegant and pointed in its lighter weights, and playful and full of character in its heavier styles. Fansan is ideally suited for use at display sizes where personality is needed.

Style and Grace personified - say Child Momsky. This typeface has two main styles, Regular and Italic, that are designed to work elegantly in unison and apart. The serif has a boldy different ' f', which sets it apart from regular serifs.....as Child Momsky likes to stand out from the rest. A regular 'f' is included in its alternates, and a extra font style with a regular f is included for projects that require a more staid elegance. The Italic style is dreamy, sultry and light-footed - a perfect partner for the more serious serif. Use them together or apart for stylish, stand-out type designs and projects. For those of you who do not have access to Opentype Software, such as Canva Users, a separately available 'extra letters' font set will be available for purchase soon. Language Supported : Danish, English, French, German, German (Switzerland), Italian, Low German, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Swedish, Swiss German. Enjoy

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

Restless Heart is serif font features a mixed modern-classic design inspired by the Art Nouveau era. Restless Heart support multilingual languages, numbers, punctuation and alternative-ligatures. Create gorgeous & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Restless Heart for any graphics that require a catchy look with a elegant flair. Warm regards.

Huggy is a display typeface designed by Michael Parson and inspired by the work of Heinrich Heinz. Full of Art Nouveau flair, this two weight typeface is bold forceful but full of subtle features that give the design a unique personality. With a narrow width and tall aspect, it is perfect for setting text in tight spaces like posters or other titling situations.

Paku, a typeface that grow on the inspiration of fiddlehead (fern), taking Fibonacci curve as the base, with influence of Art Nouveau & Art Deco, it evolves into a simple yet magical typeface. The spiral’s characteristic in the typeface give the stylish impression of grace, rhythmic, classical & poetry. It’s unique & distinctive looks suitable for any surface printing, publishing, branding, packaging, advertising & digital content.

The inspiration for this typeface was discovered on a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps. Its odd blend of Art-Nouveau-meets-the-Old-West makes for fetching heads and subheads. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

At the apex of the 1960s-70s Hippie movement, San Franscisco's Haight-Ashbury district was the epicenter of the Love Generation, and the Fillmore (East and West) were the city's musical venues. Inspired by a 1970 concert poster, the Art Nouveau influence was strongly felt in the hand lettering from that poster, which is the basis for Flower Children JNL.

The 1907 novelty song "Since Arrah Wanna Married Barney Carney" (about an Irishman taking an Indian maiden as his bride) had its title hand-lettered in a sans serif style that reflected both the Art Nouveau flavor of the time and a hint of what was to come during the Art Deco movement. This is now Song Stylist JNL and it's oblique counterpart.

Solente is an elegant slab serif font and was inspired from Early 1900's Art-Deco, Art Nouveau and Jugendstil fonts. Perfect for use as headline or sub-head text in you design. It perfectly represents vintage esthetics in a modern way. The font has stylistic alternates for all capitals and an extra set of ligatures to replace some combinations.

A poster by Otto Baumberger for an Austrian winter sports festival in 1907 inspired this charming confluence of medieval and Art Nouveau influences. As such, its appeal is timeless, and well suited for storybook romances of all stripes. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Otto Hupp's blackletter font, released by Klingspor in 1911, took its inspiration from the then dominating Art Nouveau designs. Some of its capitals express this with their lovely swash forms, and make this fraktur font less stiff. Hupp Fraktur contains a bunch of usefull ligarures, and by typing 'N', 'o' and period you get an oldstyle numbersign by activating the Ordinals feature.

The main inspiration is from Art Nouveau which flourished in Europe at the end of the 19th and beginning of the 20th centuries. This design included furniture (Majorelle, Lalique) and architecture (Victor Horta, Henry Van de Velde, Gaudi, Alfons Mucha). But Hector Guimard remains the favorite for all aspects of its art and, of course, its typefaces used on the Parisian Metropolitan posters. In particular, the various kerning of the various letters he used to make the poster a whole design from singular designs, leading to numerous variations. As a designer, I initially worked a first version, called Metro New One, which is more geometric and traditional. This design "Two" has more flexible shapes and long vertical hooks. It can be used to enhance specific parts in letters and books in the context of Art, specially Art Nouveau and Art Deco of course, posters of any kind.

Terracotta is a modern display font with mystical and Art Nouveau motives. The font is created in Bohemian style and decorated with swirls and peaks. Terracotta is suitable for the design on the theme of tarot, mysticism, spirituality, fortune-telling, handcrafts (ceramics, creating candles, soap making ect). Terracotta has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.

Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by the OT feature of historical forms or by typing [alt] + b. In addition, you find two framing elements on [alt] + P and [alt] + p, and an oblique style was added too.