Muraba Arabic is the sibling font of Muraba, with the addition of Arabic glyphs; Arabic, Persian, Urdu, Kurdish, and Jawi (Pegon). Muraba Arabic font is a one-of-a-kind, bold vintage serif display typeface, defined by its distinctively thick, squared-off serifs that offer decorative flair. This versatile typeface is ideal for various applications, including logos, headers, and display text

ITC Arid was designed by Rob Leuschke in 1997 as a lively calligraphy typeface which looks as though it was put to paper with a piece of charcoal. Generous capitals mix harmoniously with the more reserved lower case characters and the forward slant of both create a dynamic impression. Arid should be used in point sizes of 12 and larger and is well-suited for headlines and short to middle-length texts.

Orleen is an Arabic typeface from Lina type family, with an elegant and modern feeling. It's luxurious, strong, legible, Clear, Simple, and contemporary. With a handful set of OpenType features and alternatives. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina type family consists of Lina soft, Lina sans, Lina round. and Orleen. Orleen has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 7-weight versions from thin to bold.

Dubidam Arabic is new version of Dubidam with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. Dubidam Arabic is A Cheerful semi-slab Typeface. Has a playful but firm style in each stem approach to harmony with Latin.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface's name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

Graphology is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.

Arabic and English font, designed according to font standards, based on quarters and a half circles. The font will add a wonderful touch to your visual works.

Original Simplified Arabic Regular font by Glyph Systems

Decora Arabic is a new creation of Naghi Naghashian. Decora Arabic's design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of Naskh which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Decora Arabic's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Decora Arabic was developed for multiple languages and writing conventions. Decora Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

A popular caps-only type of late Victorian times was called Mural, brought out by Boston Type Foundry in 1890. We always liked it, drew a lowercase for it, and then strengthened it by adding a bit of weight. It now has a nice, understated retro look for paragraphs of copy.

Ruqia Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scriptsit's suitable for branding, editorial, packaging, and advertising.Ruqia Arabic Features five weights from Light to Black.

Modon is a bold condensed display Arabic and Latin typeface that has a very particular appearance. It combines the characteristics of different genres, While its design is influenced by Kufic and the Naskh style. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

Tufuli is a harmonized Arabic - Latin font with childish characters. The sloping geometric terminal shapes gives Tufuli a playful feeling.

Introducing a brand new typeface, meticulously crafted by your hands. Inspired by the rich culture and heritage of the Arabic language, this typeface embodies your unique vision and artistic expression. It combines modern techniques with a deep understanding of the language's aesthetics. This typeface has been developed using advanced techniques to ensure excellent clarity and readability. Every shape, line, and detail has been carefully studied to strike a perfect balance between elegance and legibility

Based on Arabic calligraphic script, this simulation font includes upper and lower case Western alphabets, numerals, basic punctuation and several ligatures, as well as the Islamic crescent symbol and a typical Arabic geometric design.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

The Final Parade - Luxury And Elegant Font Duo is a harmonious combination of two fonts that complement each other beautifully. The first font is a luxurious serif font with strong and commanding characters, while the second font is an elegant signature font with long swashes at the end of each letter, adding an extra touch of sophistication. These fonts can be used individually for distinct purposes or together as a duo, offering versatility for various design needs. Ideal for quotes, logos, product packaging, business names, wedding materials, invitations, greeting cards, posters, and magazines, this font duo adds a touch of luxury and elegance to any project.

Gamila is a new Arabic font that is inspired by the traditional Naskh style. It is elegant and versatile, with five different weights ranging from light to bold. This font is perfect for a wide range of design projects, including book covers, brochures, posters, and more. The Naskh style is known for its legibility and readability, making Gamila a great choice for long-form text. Whether you are working on a formal document or a creative project, Gamila is sure to impress with its refined and sophisticated appearance.

"Cursed Parade" Has hard strokes and a signature styles that speak to instant scared sensations,it was inspired by horror and thriller movie “IT”. "Cursed Parade" will help you to create special and touching typographical design for your horror and dark projects, for branding, labeling, clothing, movie title, album cover, logos and many more. It is really universal and modern font. The owner of endless possibilities!

Jana Nikolic was finishing her degree program at the Faculty of Applied Arts, in Belgrade, with a final project that would combine her two majors: type and book design. Three stories from William Saroyan's My Name Is Aram would provide the text for the book, to be set in a typeface that Nikolic would design. Nikolic knew something special was happening the moment she put pen to paper. The letters just emerged," she recalls. "I started to explore a few new pens and found one I loved. I was able to make its tip bend with pressure." Like the family Saroyan writes about, the design flowing from Nikolic's pen would be simple but a little quirky. "When there were a whole bunch of little black letters around me," continues Nikolic, "I saw that this was going to be a very interesting typeface family." Nikolic drew Latin and Cyrillic letters, lowercase and capital letters, wide letters and narrow letters. She was surprised at how quickly and easily the design came. "There were no badly written letters," she says. "I hardly had to rework them and they fit together remarkably well." ITC Aram's standard character complement consists of one set of lowercase letters and two sets of capitals: one narrow and the other wide. The wide caps can be used with the standard lowercase, or mixed with the narrow caps for a variation on "cap and small cap" copy. The ITC Aram create the opportunity to mix and combine the letters into playful typographic expressions. Words and sentences that twinkle; text that seems light and alive - one runs the risk of creating work that is both delightful and charming when setting copy in ITC Aram."

Divan Arabic is a new creation of Naghi Naghashian. Divan Arabic is a modern Sans Serif Headline font. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Divan Arabic supports Arabic, Persian and Urdu. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Sans Serif aesthetic common in Latin typography. Divan Arabic design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. An attractive typographic image. Divan Arabic was developed for multiple languages and writing conventions. Divan Arabic supports Arabic, Persian and Urdu. D. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Sans Serif common in Latin typography.

An Arabic font designed by a German living in Berlin’s Neukölln district, between Karl-Marx-Strasse and Sonnenallee. This is the Latin+Arabic version of poster/display font Pivnaya designed and published by Roman Type. Designer Roman Wilhelm finds himself constantly surrounded by Arabic type and hand-lettering in his neighborhood. With this font, he is trying to answer to all these linguistic, type-related, and cultural inspirations. It works for Afrikaans, all languages of the Arab World, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with a wide coverage of the International Phonetic Alphabet (IPA), the font is equipped for multi-purpose usage.

Eskander the first version designed at 2018, and re-designed at 2021. Eskander is Arabic typeface with rounded edges and friendly. For web, digital applications and prints, supported languages (Arabic, Persian and Urdu). Eskander is a trademark of Protype Foundry Ltd, Design by Ibrahim Hamdi.

Hemmah is an Arabic display font that features a dynamic, heavy and playful letterform design. This font is an excellent choice for a various range of creative projects including publication design, branding and advertising. Hemmah supports web, print and mobile applications.

Lutfey Arabic is new version of Lutfey with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. It is a chunky & cute typeface, visually featuring bold, firm and gentle characters. It’s has smooth lines on each side, especially on the outside, with subtle ink-trap details at every corner.

The Lion Parade Font is a unique and classic display font. It's a serif font with swashes! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Siwa is a Multilingue typeface that created for the screens and the daily uses, with a simple timeless geometric design to merge the modern requirements with the traditional rules of calligraphy, comes with 9 weights, and support an OpenType feature for more than 90 languages, includes all the languages that based on Latin and Arabic letters, also support the Indian, Latin, Persian and Urdu numbers.

College Grad is inspired by my Graphic Design class of 2019!

Zokak is a first-of-its-kind ultra condensed Arabic typeface designed for display uses. The name means an alley in Arabic which comes from its very narrow letters, which makes it perfect in small spaces. Zokak has two main styles, the default style and the tall one to give more diversity and to be suitable for more uses.

Madani Arabic is new version of Madani with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with a geometric approach to harmony with Latin.

GHEA Aram is a super family font. It has 10 upright weights and their Italics. GHEA Aram supports Central European, Armenian and Cyrillic language systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thinner than Regular and thicker than Bold can be used as Display fonts. It is an easily readable two side serif high contrast font but the eyes don't get tired while reading.

Hello! I'm happy to present you my new ethnic font family. I tried to create Latin letters font in Arabic style. Right now, you can type your text with Latin characters, and it can be read internationally. So, can you read this script? This font family consists of two font styles (regular and rough). Both of them will make an Arabic feel to every text you type using this font. I paid a lot of time for ligatures to provide flowing effect to every lettering. You can easily design Ramadan advertising, Islamic quotes posters, Arabic style greeting cards, Eastern brand logos, and others. You'll get: * Uppercase and lowercase * Mültîlíñgúãl Sùppört * Special Alternates and ligatures * Numbers * Symbols * Punctuation Please feel free to request to add characters you need: kaer.pro@gmail.com Best, Roman.

Matroos, translated as "Full" in English, is a new bold Arabic typeface created to be used for bold titles. It comes in two weights in a display way to make it legible for contemporary use in various creative projects including branding, headlines and posters. Features 25 bonus stickers in the glyph set.

Wesal is an Arabic typeface with an elegant and modern feeling. It’s luxurious, strong, legible, Clear, Simple, and contemporary. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Wesal has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 9-weight versions from thin to Black.

Shaheen Arabic is an Arabic typeface that embodies power and a tendency towards uniformity. While preserving the neat, minimalist look which is associated with it. The name, too, hints at the strong character of the typeface. Shaheen Arabic comes in 5 wights

Bauhaus is celebrating its centenary in this year. For the Bauhaus's 100th anniversary year, art and design museums and galleries around the world are hosting exhibitions and events. The publication of „Bauhaus Arabic“ font family is my contribution to celebrate this event. Bauhaus Arabic is a sans-serif font family designed by Naghi Naghashian in tree weights. Bauhaus Arabic Light, Bauhaus Arabic Medium and Bauhaus Arabic Bold. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bauhaus Arabic supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Bauhaus Arabic design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bauhaus Arabic was developed for multiple languages and writing conventions. Bauhaus Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Are you a game developer, retro enthusiast or lover of pixel art? Ever had trouble tracking down an 8-bit display font that's classy, coherent and truly complete? This type enthusiast and veteran pixel artist once had the same problem, and cut no corners to solve it. Lost Arcade features four styles, a myriad of special characters, broad language support and an accompanying symbol font with 64 pixel art symbols. For the purists out there, each square is proportional to its neighbor.