Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.

An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Don’t let the name fool you! My Left Foot was made by hand. Alts, ligatures and Vietnamese all included in this whimsical typeface. Go ahead and dip your toes in!

Hasan Alquds Unicode is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supported all scripts that used Arabic glyphs compatible with Unicode 4.2. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .

Nanncie fancy groovy display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nanncie font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nanncie font. Cheers, Maulana Creative

Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Reprizo is a modern condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Reprizo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Reprizo font. Cheers, Maulana Creative

Emorical typeface western display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Emorical typeface western display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Emorical typeface western display font. Cheers, Maulana Creative

The handwriting of A Teeny Tiny Teacher, Kristin Oldham.

A Feel Good Kinda Font This playful and light-hearted, sans serif, display font includes uppercase letters, numbers, and punctuation. Great for carefree, boho, and fun designs like stationery, logos, wall art, stickers, patterns, and products. Use the font styles separately or try layering them! Built for easy use in Canva too. Includes: Happy Go Lucky font in 3 styles: Regular, Outlined, and Rounded

Portilla is a modern round sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Portilla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Portilla font. Cheers, Maulana Creative

Pollet is a fancy signature script and sans serif font duo. With light contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Pollet font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pollet font. Cheers, MaulanaCreative

an art deco font based on brazilian Rio's lettering old publish lettering style

A neat handwritten font in 2 styles- one with hearts and one without hearts.

Hs Alnasma is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

HS Alhoson is based on the font HS Alnasma font that is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

Sultan Nahia, designed by Sultan Maktari in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Hasan Alquds U is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supports Arabic, Persian and Urdu languages. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Hs Alkitab is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in the vertical parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Urdu and Kurdish, consisting of two weights (regular and bold) which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

HS Ali was designed in memoriam of my brother - Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014. HS Ali introduced a modern OpenType Arabic typeface, which had the characterstic, features of Kufi style with noticeable both curvy and sharp segments; beside the refinements of its letters that made it more readable. HS Ali is a display font that has been designed to be used in titles in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains four weights: Light, regular, medium and bold which can be condsiderd as and elaboration to the library of Arabic fonts contemporary models that meet the variant purposes of designs for all tastes.

Narrow, playful, jaggedy letters inspired by a typewriter.

HS Albasim A is an Arabic display typeface. It is useful for headlines, books covers and other graphic projects. It is a collaborative effort, as "HS Albasim A" first letters were designed and drawn by Basim Salem Al Mahdi from Iraq and then developed and digitalized as a typeface by Hasan AbuAfash from Palestine. The font is based on the simple lines of Fatmic Kufi but was it distinguished by two main ideas: First, it contains a nice serf in the vertical strokes of its letters. The second, some of storks in its letter differ in the thickness instead of being similar, as it is in the Fatmic Kufi style. The font contains only two weights: regular and bold. Both of them support the OpenType features of Arabic, Persian and Urdu.

Isra, designed by Almamoun Ahmed in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The highly geometric and condensed form make it ideal for magazine headlines, advertising, and general display usage, while the large body height and clear forms make it suitable for short text settings. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Shubbak ('window' in Arabic) is a highly flexible Arabic Sans (Kufic) typeface that was designed to work with a wide range of Latin counterparts. A friendly and human typeface family that is very flexible to use when coupled with many popular fonts you may use. Full set of Arabic, Farsi (Persian) and Urdu character sets as well as a basic Latin set are included. There is also a Variable version of Shubbak. Designed originally by British designer Ruh Al-Alam, further developed by Mohammed Gabr, Muhammad Hadi and then fully expanded by Abdelrahman Farahat. Archetype Foundry aims to help revolutionise and spread the use of beautiful Arabic and multi-lingual typefaces.

HS Masrawy is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy. The font has a new modern idea where the vertical strokes have a constant value in all of its five weights. It has (5) weights and supported Arabic, Persian and Urdu compatible with Unicode (6.2). HS Masrawy is the first released typeface of collaboration between Hasan Abu Afash and Egyptian designer Abdulsamie Rajab Salem.

Katuku is an Arabic Style Font based on the exquisite Arabic calligraphy style, which means that the writing style is highly decorative and highly variable. Arabic style fonts will give your designs a genuine Middle Eastern feel. Use this font in your super projects to grab everyone’s attention. Not only is it perfect for logos and headlines, but it adds an elegant Arabic touch to the design and will give you a real edge over your competitors’ designs.

Kufwan Arabic style display font can be used to give your designs a genuine Arabic touch. The display font displays a beautiful style similar to the handwriting on a typical Arabic book. Use this font in your super projects to grab everyone’s attention. Don’t put off adding an elegant Arabic touch to your designs any longer.

HS Alhandasi is an Arabic display typeface. It is useful for book titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of modern and simplified Kufi calligraphy, that support Arabic, Persian and Urdu. This font was created in the beginning as regular weight in 2007 for use in technical and engineering company. The company tends to follow the geometrical shape with equal dimensions in both vertical and horizontal storks. There is also a tendency to make all characters to be similar to oval shape with the impression that they are all geometrical and clear. I followed that with two other weights in 2011, thin and bold.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for square shapes and geometric feel. It supports Arabic, Persian and Urdu. This font was designed in 2002 and the first version was released under name KactTitle in the typefaces group of King Abdulaziz City for Science and Technology (KACST), which supported the Linux operation system. In 2007, I developed this font and created five weights of it.

HS Alwafa is an Arabic display typeface. It is useful for book titles and creative graphic projects where a contemporary, streamlined look is desired for digital purposes. The font is based on the simple lines of sequre Kufi calligraphy, that support Arabic, Persian, Urdu and Kurdish. This font was created in the beginning as a digital weight in 2012 for use by an engineering digital company. The company tends to follow the geometrical united and equal shape in both vertical and horizontal dimensions and with a tendency for digital strokes showing digital numbers under the name of base. I followed that with three styles: first, the digital with a solid base, second is a stencil and the third is the regular solid font. By producing this font, we provided the Arabic fonts library with various styles which grant many design purposes.