Cloudia is a versatile, modern font with an attention-grabbing angularity. It has a thoroughly mechanical, science fiction look; but with slightly unconventional vowel shapes to give it a dynamic edge. Its precisely cut letters need to be displayed as large as possible for maximum impact. Perfect for book titles, magazines, band logos, movie titles, stencils and video games.

Introducing "Eighty Miles" font's thick and attention-grabbing characters ensure that your message takes center stage. While "Eighty Miles" embraces wild shapes, it never compromises on readability. Each character is carefully crafted to ensure that your audience can enjoy the whimsy without missing a beat. It's a font that's as fun to read as it is to look at.

Gardo Grotesk is a bold condensed display typeface designed to make a strong impact. Armed with eye catching ligatures and catchwords, combined with its striking visual features, Gardo Grotesk grabs the attention of the reader effortlessly. Gardo Grotesk's Opentype Features include Standard and Discretionary Ligatures, Alternates, Catchwords (Contextual Alternates), Case Sensitive Forms, Fractions, Scientific Inferiors, Superscript and Tabular Figures.

Lycia (Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 Trm̃mis; Greek: Λυκία, Lykia; Turkish: Likya) was a geopolitical region in Anatolia in what are now the provinces of Antalya and Muğla on the southern coast of Turkey, bordering the Mediterranean Sea, and Burdur Province inland. Known to history since the records of ancient Egypt and the Hittite Empire in the Late Bronze Age, it was populated by speakers of the Luwian language group. Written records began to be inscribed in stone in the Lycian language (a later form of Luwian) after Lycia's involuntary incorporation into the Achaemenid Empire in the Iron Age. At that time (546 BC) the Luwian speakers were decimated, and Lycia received an influx of Persian speakers. Ancient sources seem to indicate that an older name of the region was Alope (Ancient Greek: Ἀλόπη, Alópē). Lycia fought for the Persians in the Persian Wars, but on the defeat of the Achaemenid Empire by the Greeks, it became intermittently a free agent. After a brief membership in the Athenian Empire, it seceded and became independent (its treaty with Athens had omitted the usual non-secession clause), was under the Persians again, revolted again, was conquered by Mausolus of Caria, returned to the Persians, and finally fell under Macedonian hegemony upon the defeat of the Persians by Alexander the Great. Due to the influx of Greek speakers and the sparsity of the remaining Lycian speakers, Lycia was rapidly Hellenized under the Macedonians, and the Lycian language disappeared from inscriptions and coinage.

A solid powerful Heavy Serif face, great for Headlines and Sub heads. Brings plenty of punch by yet with great sophistication.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

Santica is a beautiful handwritten font. Santica is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

Mighty Monday is an adorable serif display font that will bring a smile to your designs. With its cute and playful letterforms and a fairly thick weight, this typeface exudes a delightful and charming vibe. This font duo special feature lies in its cute and endearing serifs, which add a touch of whimsy and character to each letter. The fairly thick weight of the font enhances its boldness and creates a visual impact. This font is perfect for projects that require a standout and attention-grabbing typographic choice. Inspired by the charm of playful design, Mighty Monday captures the essence of cuteness and joy. The letterforms are carefully designed to be friendly and approachable, making them perfect for designs targeted at children or any audience that appreciates a lighthearted and cheerful aesthetic. This font brings a sense of fun and playfulness to your designs. The uppercase letterforms are carefully crafted to maintain legibility and clarity, even in the thick weight. Each letter retains its distinctive characteristics, allowing your message to be easily understood. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Mighty Monday fits in children's books, packaging, greeting cards, headlines, titles, logos, branding materials, and any design project that aims to evoke a sense of cuteness and playfulness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

Rashford is a brush font that fulfils all your needs, made with a brush pen with a real brush tip that gives result of a rough and distorted font. It contains uppercase, lowercase, punctuation and symbols. Rashford is suitable for posters, graphics designs, quotes, greeting cards, invitation cards, logos, packaging, branding, magazines, titles, advertising, business cards, signs, greeting cards, flyers, kids t-shirts, logos, and every other design which needs a rough look.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!

DB Family Tree is a great DoodleBat with plenty of style rooted in strong genealogy. Makes a great adornment to any creative project.

Venture is an all caps typeface inspired by the great outdoors. Also comes in 2 extra styles, great for that vintage print look!

Summer Crackers is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Sheepdog is a whimsical handwriting font originally created for use in greeting cards and to combat the propagation of ! Use it to your hearts content.

Monthly Goals A Playful Font It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc.

Grandma is a lovely hand-drawn serif font. It is perfect for greeting cards, children's books and everything that should have a handmade, kind feeling.

Goldenwick This pair was inspired by lettering at invitation design that i got few weeks ago, it was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Goldenwick font has 207 character set included. This font is very good for design logo, labels, packaging product, invitations, advertising and others, this font will make your design authentic and good looking with modern calligraphy style. If you’re looking for original calligraphy script font for your greeting card and make your design authentic, this item is a great choice to make your design looks great and unique. This fonts works with following languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Finding the right fonts for your projects is a challenge because improper fonts will deliver improper messages resulting in unprofessional appearances. Therefore, Trafit is here as your problem solver. This is Trafit, a perfect font to show luxury, class, and eternity. Trafit is an outstandingly designed stylish serif font. Its soft, clean lines and indentations show elegant impressions for your prominent designs. Its letter edges have hooks like the other serif fonts. The simple shapes and even sizes help to make it legible. Due to the great legibility, this font is applicable for any text sizes and length. In addition, you can enjoy the features available here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Trafit fits best for various design projects, such as brandings, posters, banners, greeting cards, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Do you want something prominent yet legible? This is Long Vacation, our new handwritten font, ideal for all of your design needs. Long Vacation is a visually interesting handwritten font showing a unique handwriting style giving the natural, lovely nuances on your designs. The flowing letters are interconnected and the scratches that connect the letters make the font look more natural. Details on each letter and curves on the edges show high contrasts. Due to its great legibility, you can apply this font to both big and small text sizes. Additionally, enjoy the features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Long Vacation fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, logos, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Digital designs seldom show personal touches to make them stand out and to give unique displays. Generic fonts are no longer enough to do so. You need something special to make great impacts on your work. Therefore, a handwritten font can be the perfect solution to such a necessity. This is the Mightiest Autograph. Mightiest Autograph is a handwritten font in a signature looking style to add elegant, personal nuances on your designs. The curves and wipes in the swinging ends of the letters are the main characters. Like the other cursive fonts, each letter is connected to one another to make the font legible. The letters’ proportions are made different for a more artistic looking style applicable for such romantic texts. You can apply this font for any text sizes due to its great legibility. Additionally, you can enjoy the available features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Mightiest Autograph fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, logos, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Use it in large sizes for advertising, posters, greeting cards, etc.

IMark is a “drying” marker hand written, felt tip pen font. Usage recommendations include captions, packaging, invitations, cards, posters, ads, greeting cards, book jackets and covers.

JH Naskh expanded light font is designed based on Naskh calligraphy; it is typical for greeting cards, book covers including spine, headlines, short text paragraphs, poetry…..

Lingerhend is a classic handwritten script font. It’s the perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Add a touch of flair with this one-of-a-kind TrueType font. It gives a handwritten appeal to scrapbook journaling, greeting cards, and creative publications.

Full of love is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Sultan Plain is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts The font places itself at the boundary between two eras of contemporary typographic design, Between stillness and movement, between past exclusivity and present diversity, between the finite and the infinite. Although it is like many of the modern Naskh fonts, Sultan Plain has amazing unique energy Which is missing by many of the fonts that we designed since the beginning of the second millennium. The font is clear and legible in small sizes, suitable for printing for large texts, web pages, and other visual uses. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font! But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

Linotype Sansara, from Swiss designer Grégoire Poget, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This fun font is a type experiment behind whose oriental facade hide Arabic letters, recognizable only at second glance. This font displays generous, pointed ascenders and descenders as well as a bar-like emphasis on the upper third of the figures which connects lines and words and gives them a decorative look. Linotype Sansara reveals an astounding variety of details which bring to mind 1001 Arabian Nights, flowing gowns and snake charmers. This font is best for display in point sizes of 14 or larger.

Manchette Fine is the high contrast cut of Manchette typeface, which was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

Candy Design is a display font containing 265 glyphs. It was designed during a stay in Tanzania, Zanzibar in 2022. The main idea was to combine a sans-serif modernist, grotesque typeface with the addition of delicate Arabic accents. Its main assumption of use is posters, product design and branding. Unusual, dynamic and unpredictable accents that are found in practically every letter give the character of a very custom font, also completely not intended for typesetting, which, contrary to the features mentioned above, remains legible. Usually all letters are of the same size - however, as we used to when designing, hide small flavors in the whole sequence of numbers / letters and characters.

German type designer Yanone created this serif FontFont in 2010. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Amman Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Sans.

Fox Chick is a cute and fun color font. This font is your go-to for crafting cute greeting cards that express affection and warmth. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/ 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺