Presenting 🕌Yulltan Ramadan Typeface🕌 by alitdesign. Yulltan Ramadan Typeface is a beautifully crafted font product with a unique style that is perfect for religious and Islamic designs. This font is specifically designed to cater to the design needs of the Ramadan promotion, and it has a distinctively Islamic and religious vibe that is sure to impress your audience. One of the standout features of Yulltan Ramadan Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages. With 869 glyphs characters, Yulltan Ramadan Typeface offers a wide range of characters, allowing users to create stunning designs with various styles and options. The font's characters are well-crafted and easily readable, making it an ideal choice for any design that requires an Arabic font. As a bonus, Yulltan Ramadan Typeface comes with Yulltan Dingbats font, which includes a collection of beautifully crafted Islamic symbols and ornaments. These extra glyphs can be used to add a unique and personal touch to your designs, making them stand out even more. In summary, Yulltan Ramadan Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other religious and Islamic design projects. With PUA Unicode support, multilingual characters, 869 glyphs characters, and a bonus Yulltan Dingbats font, this product is sure to meet all of your design needs. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Manchit is a typeface dedicated to headlines in newspapers, magazines, advertisement banners, book covers and other printing products, and fits headlines on web pages. The Manchit font contains two styles (regular and bold) suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Designer: Sultan Maqtari Design date: 2020 Publisher: Sultan Fonts

Wakandan is an alphabet designed by Hannah Beachler, and used in the 2018 film Black Panther. It is based on Nsibidi symbols. In the film it is used to transliterate English text in the credits and other on-screen text. Another script used in the film was developed by Oluwaseun Osewa and inspired by Nsibidi, a system of symbols used in southeastern Nigeria between about 400 and 1400 AD. In addition, the symbols of several different ancient languages ​​were also used for the alphabet. Like Old North Arabia, Old Tifinagh. I did not draw for this font, except for a few letters. I transferred the sound values ​​from the ancient writing languages ​​fonts that I had made before to the Wakanda font, so I did not take much time, I finished it in 4-5 hours.

Manofik is a classic serif typeface. It has round and relaxed retro forms, a comfortable thickness and a stable base. A traditional legible font, the Manofik family sets the authenticity to any project. It could be used for a hamburger logo, a product headline, or a body text that requires that extra bit of personality. This expressive type is provided in four styles: Manofik Regular, Manofik Bold, Manofik Italic and Manofik Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has a very extensive lingual support, covering Arabic, Cyrillic, Capital Greek and all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Jh Fares is a modern / simple Kufic style font. The user may notice plenty of white space around the text leading to a highly readable font. The Kufic script is one of the oldest Arabic Handwriting, first appeared in el Koufa - Iraq. The original calligraphy was derived from the Aramaic letters; later it went thru lots of enhancements. Its typical uses include decorative writings for Mosques / palaces, Magazines / Newspapers / Books titles and Greetings.

Abdo Strips is a set of 4 strips style fonts . This is an OpenType Font supporting Arabic, Persian and Urdu to and compatible with the various operation systems and modern software. The combination of square Kufi and modern styles made it a beautiful typeface appropriate to the titles, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Don’t go for the fonts with all that fancy flare. You want something classy and timeless. A font that tips the hat to the old school hand letterers.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. YahoschWormy is one of rare results that was interesting enough to save and clean up. The source font was Yahosch.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. KolkFizzy is one of rare results that was interesting enough to save and clean up. The source font is Kolkman.

Years ago the company that developed Fontographer marketed a program called Font-o-Matic, a program that distorted fonts in various ways. 99% of what it produced was garbage, but every once in a while it would yield something interesting. Since I had designed a lot of typefaces by that time, I had lots of material to feed it and it was fun to see what it produced. BaumSquiggle is one of rare results that was interesting enough to save and clean up. The source font is Baumfuss.

Montarsi is a typeface designed by Jeremy Dooley, inspired by Arabic calligraphy and contemporary design trends. The letters are fluid and graceful, inspired by the curves and swirls of Arabic script. Montarsi is a bold, contemporary calligraphic face with broad strokes and high contrast. It has a variety of styles and weights to give you an extensive range of design options. This font family, which includes eight weights, is ideal for producing brief texts for editorial, fashion, branding, magazine, television, window displays, and other media applications. Small caps, old-style figures, and width variations are also included. It's ideal for writing brief sentences because of the increased x-height. Montarsi is a classic spirit reinvented in a modern language, influenced by the delicate curves of letters and the way ink glides across paper. We especially thank Lucas Azevedo and ikern.

Pumice is a modern sans-serif typeface with characteristic and defined features. This font Name was inspired by the Aden pumice. Its design is composed of diverse 8 styles. Create unique designs by combining any of the upright weights with matching italics. Pumice includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Pumice was specially designed for branding, advertising, editorial design, Web, and use on Tv and social media. Designers: Sultan Maqtari Publisher: Sultan Fonts

Abdo Joody is a straight style. This is an OpenType Font supporting Arabic, Persian and Urdu and compatible with the various operation systems and modern software. The combination of square Kufi and modern styles made it a beautiful typeface, appropriate to titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual. I will add more weights of this font with Allah willing.

FodaSans typeface is a Multi-language font family for a wide range of uses, comes with 126 weights with 463 glyph for each weight, supports Latin and Arabic language and covers OpenType features like Glyph Composition / Decomposition, Kerning, Standard Ligatures, Mark Positioning .. and more. The Typeface Have 6 Styles (Normal, Curved, Rounded, Solid, Solid Curved, Solid Rounded) with their obliques and italics ranging from Extra light to Black. Thank you for choosing FodaSans fonts from Fo Da Foundry.

Djakarta font is one of the best fonts we created. With great care we guarantee that this font has a scalable alphabetic structure. Each letter is well made so that this font can be used optimally by everyone. Confidence, that's what you will get when you use this font

Fat Kat is a bold retro serif fonts that feels clean and fun an incredible modern retro aesthetic. This font features a ligature feature on capital letters which allows the font to look unique with a wavy style. Use this Fat Kat serif font to add that special modern retro touch to any design idea you can think of! Enjoy!

Gimcrack is "showy but cheap or badly made" - that's what a search on the internet says. Well, that description fits this font quite well - although it was deliberately made that way!

Balaleen arabic & latin typeface is a cute layered hand-drawn font designed by Adel Banfeel, Inspired by balloons effects, this font is easy to read, and easy to play with 5 different styles, line, solid with line, solid with effect, line with effect or mix all styles. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Grenda is a modern and elegant serif font. This serif font is inspired by Arabic and European art. Serif fonts are perfect for you, a creative worker who wants to make something modern and elegant. Perfect for branding, logos, headings, advertising, product packaging, web design, print design, film covers, youtube, & more! Serif typeface Ranges in style from sleek & subtle to luxurious Character set A-Z Numbers & Punctuation. Why not try Grenda Serif Font today? It comes in uppercase, lowercase, punctuation, and numbers; no more worrying about anything else.

The "Starslang Halo" font is derived from the original Starslang Phat font. This typeface design features a halo that encompasses the glyph characters that creates a positive warm urban feel. It probably best suited to liven up parties, and makes reading more fun!

El Grosa, this is an amazing work. Why? ... because this is not just talking about fonts, but more than that, with the spirit of Spain, el grosa invites you to explore with your wild ideas, I'm sure this will really make you feel happy in creating the work that you will wake up to the front. Supported by 3 font choices that are very sweet and also strong, el grosa answers all your difficulties in choosing font support that suits your taste. What are you waiting for, have el grosa as soon as possible. Bella Ciao !!

A nice legible, slanted handwritten font with occasional rough lines. That is exactly what Ankertill Brewer is! Use this font to copycat real handwriting with big success!

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

Dream Spark Bubble Font is a bubble font with a lively appearance that will fill your designs with cheerfulness! It's great for covers, posters, spring designs, marketing materials, and anything that needs to stand out! What Includes? Uppercase and Numeral Punctuation Multilingual PUA Encoded

The Algerian designer Taouffik Semmad created the fonts in 1997. Taouffik Semmad grew up speaking Algerian-Arabic dialect and French, studied Russian, and is now living in Montreal. This could perhaps explain his current passion, to "find a universal writing", which he admits is a Utopian idea. Created with brush and Chinese ink, the characters of ITC Atmosphere came from Semmad's hand but only after they were fully formed in his mind's eye.

This is the Latin+Hebrew version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Arabic, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hebrew, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with wider coverage of the International Phonetic Alphabet (IPA), Pivnaya-Hebrew is fit for all kinds of purposes.

Vexillum is a new and modern look at a classical serif font and inspired by a flag-like object used as a military standard by units in the Ancient Roman army and typography arabic-persian. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Vexillum also can be used in logos and blog posts or independently in combination with text for initials or headlines.

Yalla was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the design. Due to the same proportions and heights, Yalla works great together with Afronaut.

Like the graceful movement of a ribbon, Quiverleaf® CF glides effortlessly from letter to letter. Five weights – from a delicate, yearning thin to a hearty extra bold – combine with striking italics and wide language support for a well-rounded and expressive typeface. Quiverleaf's versatile design allows for both beautiful text and airy headlines. Quiverleaf® CF pairs well with itself at contrasting sizes and weights; it can also be used effectively alongside both sans typefaces like Greycliff® CF, and simple humanist designs like Artifex Hand CF. Quiverleaf is also available in an Arabic version, Quiverleaf Arabic CF, which pairs perfectly with the original Quiverleaf for multi-script visual design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Ninova is the capital of the Assyrian Kingdom. This place is also known as the city where Prophet Jonah was sent. Ninova font family consists of fonts with aesthetic forms. Ninova font will more than meet the needs and expectations in terms of the glyphs it contains, the weights it has and the number of styles. This font includes two font families: Ninova: A family of fonts containing only the Latin scrips Ninova Pro: A family of fonts including Latin and Arabic scripts The Ninova font can be used for multiple purposes. It can be used easily in the internet environment, operating systems and all digital environments together with printing areas.

Now that there are more Studio K fonts than there are characters in the alphabet it occured to me that I should produce a sampler font that showcased them all: hence Variety. The 'What the font' experts amongst you should enjoy identifying individual characters, but to start you off, the featured fonts in the font title are, in order of appearance: Alma Mater Outline Shadow, Aspidistra, Signpost, Cafe de Paris, Showbiz, Barrowboy and Soft Rock.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

The x factor How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.” Range of weights and styles FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. Fontsmith has crafted five finely-tuned upright Roman weights and four italic weights, as well as a special Narrow version to provide the best coverage and give headlines and text an easy-going character. The chunky kid “FS Albert was inspired by – and named after – my son, who was a bit of a chunky kid,” says Jason Smith. “I designed an extra bold weight because I always felt that the really big font heavy weights had the most personality. “I recently told Albert this story. He laughed, and forgave me for thinking he was a fat baby. He liked the big personality bit, though.” 1000s of glyphs Not content with a character set that covered Europe and the whole of the Western world, the studio decided to go further afield. There are now FS Albert character sets that cover western and eastern European languages, including those of Russia, as well as Cyrillic, Arabic and Greek scripts. In fact, the font now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.

The x factor How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.” Range of weights and styles FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. Fontsmith has crafted five finely-tuned upright Roman weights and four italic weights, as well as a special Narrow version to provide the best coverage and give headlines and text an easy-going character. The chunky kid “FS Albert was inspired by – and named after – my son, who was a bit of a chunky kid,” says Jason Smith. “I designed an extra bold weight because I always felt that the really big font heavy weights had the most personality. “I recently told Albert this story. He laughed, and forgave me for thinking he was a fat baby. He liked the big personality bit, though.” 1000s of glyphs Not content with a character set that covered Europe and the whole of the Western world, the studio decided to go further afield. There are now FS Albert character sets that cover western and eastern European languages, including those of Russia, as well as Cyrillic, Arabic and Greek scripts. In fact, the font now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.

Introducing, Daymore Font duo! Daymore is a duo font that complements each other. By using Daymore, you can simply use one font family without thinking about other fonts to complete the design you need. In the process of making this font, I was careful in choosing what font concept would be able to complement a bold sans serif font so that it could be balanced so that it would produce a blend of firm and strong sans serif fonts, as well as handwritten fonts that flowed naturally. The Daymore font duo is perfect for use as wedding invitations, branding, logos, etc.