RealBook Pen are handwritten fonts with a unique lefty bounded shape, and can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations … or even just for fun! RealBook Pen can be also used for Comics and Casual lettering.

HU Specialmovie is a retro, wide square typeface, characterized by streamlined, narrow stroke ends. The first consonants are designed to be large with full modules to improve readability. The grapheme 'O', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall.

Codeworld is a geometrical sans serif font family (5 weight, italic and variable) It contains more than 800 characters including the Latin, Cyrillic and Greek alphabet. There are also 13 OpenType features (Superior; Inferior; Numerator; Denominator; Fraction ; Small Capital; Small Capitals from Capitals; Contextual Alternate; Case Sensitive; Access All Alternates; Stylistic Set; Standard Ligature; Discretionary Ligature).

Astroz is a single weight display font inspired by sci-fi culture and space environments. It has been conceived for logos, headlines and posters. The sharp lines mixed with perfect circles give a wonderful futuristic aesthetic. In addition, alternates of letter “A” and number “1” are included to give you more stylistic options. Multilingual support is available.

Alaska Script is a fully cursive retro style, hand drawn script. It has contextual alternates for smooth connection of o-r, b-s etc. For best result please make sure you are using this font with softwares that supports open type features and you have these features turned on: * Contextual alternates and * Standard ligatures. Poster image credit: Patrik Banas

The Woodchip fonts are a collection of fun and edgy, worn and pitted, rough and crunchy typefaces. Styled to be comic & playful enough for children's products, yet edgy enough to advertise a dirt bike/monster truck marathon and anything in between. Sink your teeth in. It’s suitable for some interesting titling and short bits of copy.

Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited to technical texts, but Memphis is appropriate for any text which should exhibit a clear, neutral character. Some weights are available as soft rounded versions.

Codeworld Mono is geometrical and monospaced sans serif font family (include 5 weight, italic and variable) It contains more than 800 characters including the Latin, Cyrillic and Greek alphabet There are also 11 OpenType features (Superior; Inferior; Numerator; Denominator; Fraction; Small Capital; Small Capitals from Capitals; Contextual Alternate; Case Sensitive; Access All Alternates; Stylistic Set; Standard Ligature; Discretionary Ligature).

Souffle fonts are carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. They come in three versions: Solid, College and Rayé (rough sketched); Including diacritics for CE languages. They fit perfect for logos and packaging design, posters, children books and many other purposes.

Snow, snow and more snow! Deniart's Snow Crystals 2 typeface is an original design featuring 62 unique symbols. These charming snow crystals are sure to add elegance to all your winter designs - the set includes traditional style snow crystals. This font comes with a PDF guide to put all these special characters right at your fingertips!

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

An awe inspiring nightmarish font for use wherever you need to add unease or fear to your artwork. The main focus and usage of AweX are headlines, posters for event graphics and music/media/game packaging. AweX was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

Say it with all your heart! Karika Hearts is part of the Karika Collection of fonts and was inspired by our love of swirly patterns that say i love you. These 52 hand drawn, heart-inspired swirls are a splendid choice for all your romantic designs such as valentine cards, wedding invitations, love notes, or stationery.

Keith is a striking and playful display font. Mix and match the different shadow styles, to create a variety of different looks and effects. There are four different shadow effects, along with a fill and an outline variation. Keith features a full upper and lower case character set and an extended set of accented characters for Central European languages.

Summer Goodbyes is a fun, warm, and playful font that welcomes the fall as the season changes. All characters are the same height to add a quirky and clean feeling to any project. It includes English capital and lowercase glyphs along with multilingual characters. It also includes minimal stylistic alternatives and discretionary ligatures and numbers as well.

Based on electrical circuitry, David Philpott's Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated throughout the design. Originally drafted during his time at the Massey University School of Design, subsequent refinements have turned Circles into two complete fonts with a full character set.

Misket is a display typeface designed by Altay Dagistan. The glyphs were drawn one by one by hand, using traditional calligraphy methods. The font features a modulation called “reversed contrast”. Instead of the stems being thicker than the horizontals like in most typefaces, the contrast is reversed so, the stems are much thinner than the horizontals.

Logotype Frenzy is a display typographer’s guilty pleasure. It’s one of the very few fonts ever made that can take intense abuse and still look natural. It comes with over 1000 characters, including a lot of alternates and extended language support. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.

I’ve never been one for zombies and all that. I did watch a couple of seasons of The Walking Dead, but after the 2.000.000th zombie got whacked, I had enough. When I made this font, it gave me a zombie feeling. One thing I learned from watching TWD was that zombies are always hungry. There you have it!

OverUnder is a two font family that plays with the capabilities of the Opentype feature of Contextual Alternatives to alternate two sets of characters. One set is on tall vertical slabs and the other set is on wide horizontal slabs, and when the sets are alternated, the result is a pattern that has a woven appearance.

Still Love is an exquisite handwritten font, masterfully designed to become a true favorite. Smooth, modern and strong characters at the same time looks stunning on wedding invitations, cards, books, quotes, logos, and business. Special Characters are available for lowercase letters with added beginning & end swashes, also Ligatures that can make your design more smooth and looks natural.

Chessnota is a font suitable for the design of chess schemes. It includes original graphic images of chess pieces as well as checkers. Smaller pieces are placed at the level of the text string in order to replace letters in chess notation. It can be used for printing of chess magazines, books, in any design of schemes on websites.

Lonie is sans serif font family (include 5 weight, italic and variable) It contains more than 1200 characters including the Latin, Cyrillic and Greek alphabet There are also 15 OpenType features (Superior; Inferior; Numerator; Denominator; Fraction; Tabular Lining; ;OldStyle Figure; Small Capital; Small Capitals from Capitals; Contextual Alternate; Case Sensitive; Ordinals; Access All Alternates; Stylistic Set).

Bulgary Reagans is a pair of font that brings the playful looks with casual feel. The handwritten sans serif combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

This exclusive Monotype design by Cynthia Hollandsworth is named after a popular executive, Don Wile of Agfa Compugraphic as a gift on his retirement. Agfa Wile is a classic Old Style font with wedge-shaped serifs and open proportions, and is suitable for both text and display uses. Agfa Wile's capital letters are influenced by inscriptional forms.

Hiromina03 is named after the wife of its designer, Hajime Kawakami. The three fonts in the set are based on Hiromi Kawakami's unique hand-lettering style. The distinctly feminine character of Hiromina03 is harmoniously integrated in all three writing systems, Katakana, Hiragana and Latin. The enclosed key charts give instructions for character placement in Katakana and Hiragana.

Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Eight faces are offered: regular and titular each in three weights plus regular condensed. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character, but remaining clear and legible.

Frederic Goudy designed this blackletter face based on Gutenberg's 42-line Bible. The Lombardic Caps were designed as an accompaniment to Goudy Text and are offered paired with the lower case as an alternate option. The Goudy Text Shaded is an inline variant that was added later by Lanston Monotype. Both varieties of capitals, as well as an expanded Central European character set, are offered in the Opentype set versions.

Printing Press Elements JNL contains an eclectic assortment of printer's elements. From a set of dice (in both black and white faces) to cartoon embellishments to border and decorative elements there's something to fit numerous uses. Also included is an extendable bracket. The left-facing elements are on the (greater than) keys. The right-facing elements are on the [ (left bracket), \ (backslash) and ] (right bracket) keys.

profonts Bloket is a carefully designed display typeface with a strong impact. The characters are constructed in a way that they can perfectly work alongside each other. Ideal for eye-catching headlines, strong logos and fresh layouts throughout a variety of media. profonts bloket supports the full Basic Latin, Latin 1 and Latin Extended A character set. Additionally, alternates for all uppercase, lowercase and figure characters are included.

Originally designed for American Type Founders, Goudy drew inspiration from the classical old style faces for Goudy Old Style. Round characters have a strong diagonal stress, ascenders are fairly long but descenders are very short. Goudy bold was introduced in 1920; this was designed by Morris Fuller Benton. This typeface has been particularly popular in America where it is extensively used in advertising, book jackets, for labels and packaging.

"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people.

Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded terminals, and there are some characters with serifs. Notable characters include the upper and lowercase E. There are three weights and each works equally well alone, or together for both display and text. Original design by Ramon Cruz completed in 2002.

Have you ever had to read text from a cheap dot-matrix printer which is not aligned quite right, so that the tops of the letters are either darker or lighter than the bottoms? Now with IrritationOne and IrritationTwo you can relive that experience even though you no longer use a dot-matrix printer. IrritationOne has dark tops and fading bottoms, while IrritationTwo has the opposite. Naturally both are monospaced.

The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.

Introducing the incredible, multicolored Colarino family. They are a unique family with perfect color transitions. Modern color combination was used. Letters do not just have a banal linear gradient, here the colors are randomly mixed in a different order, which resembles a watercolor paint or a complex vector mesh. Some variants resemble a sunset, others a sea wave and a cote d'azur. Color in the letters is complemented by transparency, which allows them to perfectly fit into both light and dark backgrounds - the letters take on the background color and do not look superfluous. Unique multi-colored design. Perfect for trending covers and headlines. Looks great in advertising and attracts attention. Very original and versatile family. This font family is based on the Regular font Pacardo - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Colarino Color" on: ld.luxfont@gmail.com Features: · Free Demo font to check it works. · Uppercase and lowercase the same size but different colors. · Transparency in letters. · Mega high-quality coloring of letters. · Kerning. IMPORTANT: - Multicolor version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the other classic fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Kaizena is a modern script font with alternates, final form, stylistic sets, including front and back swashes. It can be used for various purposes, and suitable for logo design, branding, greeting cards, stationery, wedding invitations and much more. The design of Kaizena nuanced Japanese style, but it is very feasible to use in modern themed designs. Kaizena uses OpenType Features, so designers can access alternate glyphs easily with graphic design softwares. Besides that, these alternate glyphs are located in Private Use Area, so they can be accessed easily with Character Map, Babel Map, or font manager softwares.

Density Heavy Slab Serif Features a smooth slab serif and a wide surface that makes it especially suitable for horizontal and lengkungan compositions. This is a front view, best used at larger sizes when weight and impact are desired. It's classic with a modern edge and most importantly packed with different styles, and ligatures Density is a heavy slab serif that comes with regular, oblique, outline, outline slanted, rough, rough slanted, extrude and extrude slanted style. this font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Introducing From the Internet, a sleek and pragmatic sans-serif typeface that exudes technical sophistication. The narrow and square shapes of this typeface create a compact and organized appearance, perfect for modern industrial design. With softened edges, the boxy letterforms have a sense of approachability that is sure to draw in any reader. From the Internet’s austere and uncomplicated style ensures that your message is delivered with clarity and precision. Its lack of intricate detail prevents any distractions, keeping the focus on the essential message. This typeface avoids clichés, ensuring that your designs are always fresh and unique, without any conspicuous sci-fi influences. This font’s versatility is enhanced by the “stylistic alternatives” feature available in OpenType-savvy applications, allowing for access to alternate versions of the “f” and “t” letters. From the Internet offers a range of styles, including Regular, Italic, Bold, and Bold Italic, each with its unique personality. Whether you’re looking to create sleek tech manuals or modern business presentations, From the Internet is the perfect typeface to convey your message with sophistication and style. Its pragmatic and precise style ensures that your designs will always be on-trend and highly readable, making it an excellent choice for any designer looking to create an impact. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Frasa is a contemporary serif family with characteristics that arise from the charms of Caslon and a touch of transitional style; the design offers distinctive proportions to serve long-running small text and the sturdiness of its own form to help as a headline font. Frasa shows that the family is shaped by the traditions of its ancestors through small details that show the personality of the typeface, such as pointed ball terminals and strong shoulders. The italic weights have their own beauty, which is created to humanize the form based on a stylized and natural cursive style with the aim of emphasizing the text's essential elements. The addition of small caps, old-style figures, ligatures, etc. to this type family satisfies conventional typographic requirements. Frasa typefaces can eventually lead to the use of powerful design tools to create editorial and casual design styles.