Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.

ABTS Aviator is a font inspired by the 1950s and mixed with letterforms of the Art Deco era of design. It's simple, yet stylish and modern, yet retro. A nice mix of personality and geometry allowing for a variety of applications.

Retro-futuristic unicase with alternates and ligatures, specially designed for magazine headlines and cheerful logos. Inspired by the art deco geometry and late 2000s trends in graphic design. Works well as text pattern. It is better suited for large type sizes.

Plaza is the work of British designer Alan Meeks, an Art Deco sans serif style. It includes many alternative characters which offer endless possibilities. Plaza is ideal for work in which a feel of the 1920s or 30s is desired.

Stencil Modernistic JNL was modeled directly from an early 1960s lettering stencil that favored the Art Deco style. There is minimum kerning due to the nature of this typeface, so designers should use their own judgment when working with it.

The elegance of the 1940s and the Art Deco Era is evident in Wingate JNL from Jeff Levine. Its tall, graceful styling is perfect for invitations, letterheads, announcements or anything that needs the look of yesterday with a sophisticated understatement.

An interesting bit of Art Deco influenced serif hand lettering was found on the cover of the sheet music for 1938's "Boatman's Serenade". This became the model for the digital font Inlet JNL; available in both regular and oblique versions.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

Nothing is as it really should be with Thursday Afternoon. The x-height is jumpy, letters are not in their right places, lines are crunchy, serifs are uneven...the list goes on...but in the end, Thursday Afternoon turns out as a legible and functional font. It has most of the moves from classic serif fonts, but then again it has a mind of its own!

This font is a collection of sketched spruce trees. Some are filled outlines, some are bare trunks and branches, and some are rough squiggles. Each can be used individually to suggest a tree, and the different shapes can be layered in different colors, to suggest texture, or snow cover. There is also a glyph of a mountain range, for a horizon behind your forest.

There is something special about thin fonts. On one side there is the sensitive, charming and warm touch, on other side they are uncompromising, thoroughgoing. Here the contrast can't hide the clear shapes. Hilton Serif and Hilton Sans are a pair of highly legible, subtle and elegant sans-serif and semi-serif display faces. The quality of spacing and kerning are ensured by Igino Marini.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of four or more widths.

Religious symbols are endless much like that amazing variety of types of religion. This font contains nearly 500 glyphs. Many are crosses, but there are other treasures besides. 50% of the profits from this font will be donated to the restoration fund of the historic Beckerath Organ at Trinity Lutheran in Cleveland, Ohio which radically changed the course of organ building in the western hemisphere.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of three or more widths.

Hello Headline is a bold and friendly typeface designed specifically (believe it or not) for headlines. All of the letters are chunky and rounded, which is probably the reason why they are visible from afar. And I mean, really, really afar. The overall feel of the typeface is meant to be very casual and affable, so it is great for businesses that are fun, outgoing and sincere.

Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!

In HU Ketchup KR, the consonant and vowel strokes are naturally connected to add writing power to the thick headline, and the vowels are shaped like 'ㅅ', adding personality and cuteness at the same time.

DinoTracks is a novelty or letterbox font in which the letters are formed with dinosaur footprints. It is readable at small point sizes, but then one cannot see that the letters are made from footprints

The letters are reminiscent of shiny and tasty glazed donuts. There are three type families, and you can mix them all up to create a decently fun typography. Great for promotional material or package design.

All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.

Hamptons BF is a beautiful, elegant sans serif with dramatic individuality. A font that steps out in Art Deco style. As a design movement Art Deco came into prominence during the 1920s and 30s when forms were typically sleek, symmetrical, geometric or highly stylized. Today the influence of this enduring style can be clearly seen in architecture, industrial design, fashion, art, graphic design, and yes, even type design. Art Deco style exemplifies luxury, glamour and modernity. I believe Hamptons BF captures something of that retro look in a nod to the past without ever looking dated, all the while retaining a contemporary flair. Named after the well-known New York resorts synonymous with style and elegance, this gothic or sans serif type is based upon University Roman, an early 1970s serif design which in turn was influenced by yet another serif design called Forum Flair (late 1960s); and that in turn owes its pedigree to the late 1930s’ Stunt Roman, which is the original source of inspiration for all of these. Quite a family tree! There’s dynamic interplay between certain wide, full-round letters such as C, D, G, O, P, Q, R, S and narrow ones like A, E, F, H, K, L, M, N, U, etc. This contrast repeats throughout certain lower case letters and serves to create a unique look of distinction. Light and Regular weights communicate a romantic, feminine appeal while the Bold offers a complementary emphasis. The font is somewhat versatile as in addition to its primary purpose for display, Hamptons BF also succeeds in settings containing short blocks of large text. It’s right at home in a variety of typographic environments: branding, packaging, signage logos, magazine headlines, invitations, menus, trendy cafes and more. Among the included OpenType features are Stylistic Alternates, Automatic Ligatures and Fractions. There is extended language support for Western, Central and Eastern Europe and Turkish.

Clean and geometric deco sans typefaces have been used in a range of scientific publications, corporate logotypes, and beauty products over the years. However, a typeface of this style has yet to have an expansive range of widths and weights to become a design workhorse, until now. The Sunblock family finds its origin of inspiration in the Coppertone sunscreen company logo, and from there expands to type megafamily. Sunblock celebrates the rounded geometric forms of deco and bauhaus lettering through a compressed lens, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its soothing tone from the limited character logotype that inspired it, and goes on to include a lowercase, small caps, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Sunblock Collection bundle: 643 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 7th graphic for a preview of the characters included) 21 fonts in 5 width subfamilies: Ultra Condensed, Extra Condensed, Condensed, Semi Condensed, & Standard. 5 weights per subfamily (except Ultra Condensed): Thin, Light, Regular, Bold, & Black. Fonts are provided in both TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Sunblock Collection is for you: You're in need of a deco geometric font family with a big range of weights and widths You're love that Coppertone letter styling, and want to design anything within that genre You're looking for an alternative to Chalet Comprime with a more versatile range of styles You're looking to start up your own derivative Sunscreen product line You just like to collect quality fonts to add to your design arsenal

Kessel 105 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kessel 105 family comprises of six weights and is closely related to Kessel 205, it’s more intensely Deco flavoured cousin.

This fantastic beautiful Amsterdam School fonts brings alive the roaring twenties and crashing thirties. An art deco typeface from the Netherlands that summons a thirties vibe for a nostalgic twist on chic lines. It's the work of designer Leon Hulst, and you can see from the layout examples here that nostalgia means ruin, and it has become super cool to use a ruin vibe in retro aesthetics. Yep, there's a touch of class to that worn out look and feel, and the beautiful lines of the typography and numerals show how the barely restrained charisma of art deco can be coupled with the new obsession with all things vintage.

Introducing Rocketeers - Art Deco Type, created by ikiiko. Rocketeers is a condensed type with a simple Art Deco vibes. Inspired by the writing style of the 1930s era. A bold and sturdy aesthetic style characterizes this font. Some alternates styles can be adjust to explore different shapes. This typeface is perfect for an brand logo, vintage stuff, fashion stuff, clean design, magazine cover, invitation, poster & flyer, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Aranjuez is the latest Koziupa and Paul adventure. This time, they max out on calligraphic art deco, then add a healthy dose of the thick-and-thin mantra that's been so trendy for quite a few years now. The result is neo-psychedelia in an upright cross-breed of pseudo-wood deco and ornamental calligraphy, complete with alternates, swashes, endings, playful contrast treatments, and even background possibilities. This font is quite expressive, and its elegance is meant to be shown prominently. So use it for packaging, book covers, or wherever the message needs to be delivered clearly and with a precisely controlled touch of class.

Violeta script- a new modern calligraphy font. This font is ideal for branding and to decorate your projects, perfect for wedding invitations or your blog. You can also create a logo or beautiful frames for your home. Or just use for your small business, book covers, stationery, marketing, magazines and more.

Spiky Frog is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Blue Monsta is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Shirah 25 started as a freehand study, while experimenting with ink and new nibs. Later on, when David decided to have a digital version, he drew it merely with the tablet, trying to keep the spirit of the ink and the nib. Shirah 25 is an OpenType/TTF Unicode font.

Kaboom family contains 80 handmade glyphs depicting animals. It consists of two varieties: black as an outline and regular - with details. Inside you'll find monkeys, fish, birds, deer, pandas and other animals from the real world and fairy-tale. Illustrations can decorate invitations, t-shirts, children's texts, books, and posters.

WyomingStrudel takes a bold version of WyomingSpaghetti and adds an internal decoration that resembles an exaggerated split serif. The WyomingStrudelInsert style contains only the ornament. It is intended to be used in layers with WyomingStrudel, either covering up the ornament or giving it a different color than the background color.

Sweet Brittany Script! Fresh modern lovely font with decorative characters and dancing baseline. So beautiful on invitations such as crafts, greeting cards, branding materials, business cards, quotes, posters and other design concepts. Features: Ligature Style set Basic Latin A-Z and a-z Number International symbols include punctuation fastener Thank you.

"Eradiate" a trendy shiny font that comes in a shiny, regular, outline, shadow, extrude and background version. This font is a trendy display font that is perfect for social media or crafty projects. Use if for branding, crafts for decor, invitations, and more! All caps glyphs, numbers, and punctuation marks.

An experimental typeface with at least 3 characters each, uppercase, lowercase, numbers, and punctuation marks. It would be great for experimenting with different typefaces to decide what's the general taste of your logo or designing a poster, music cover, etc. Or just use the typeface with exploring its alternate glyphs, enjoy!

A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.

SK Anatolia is a mono decorative font designed inspired by the cultural structure of Anatolia. It was designed by Salih Kızılkaya in 2021. It offers full support for the Latin alphabet and meets all the typographic elements you will need. It contains 12 individual fonts and 4236 glyphs in total.