A friend of mine says that sports are the ultimate popular drug. One of his favorite things to say is, “The sun’s always shining on a game somewhere.” It’s hard to argue with that. But that perspective is now the privilege of a society where technology is so high and mighty that it all but shapes such perspectives. These days I can, if I so choose, subscribe to nothing but sports on over a hundred TV channels and a thousand browser bookmarks. But it wasn't always like that. When I was growing up, long before the super-commercialization of the sport, I and other kids spent more than every spare minute of our time memorizing the names and positions of players, collecting team shirts and paraphernalia, making up game scenarios, and just being our generation’s entirely devoted fans. Argentina is one of the nations most obsessed with sports, especially "fútbol" (or soccer to North Americans). The running American joke was that we're all born with a football. When the national team is playing a game, stores actually close their doors, and Buenos Aires looks like a ghost town. Even on the local level, River Plate, my favorite team where I grew up, didn't normally have to worry about empty seats in its home stadium, even though attendance is charged at a high premium. There are things our senses absorb when we are children, yet we don't notice them until much later on in life. A sport’s collage of aesthetics is one of those things. When I was a kid I loved the teams and players that I loved, but I never really stopped to think what solidified them in my memory and made them instantly recognizable to me. Now, thirty-some years later, and after having had the fortune to experience many cultures other than my own, I can safely deduce that a sport’s aesthetic depends on the local or national culture as much as it depends on the sport itself. And the way all that gets molded in a single team’s identity becomes so intricate it is difficult to see where each part comes from to shape the whole. Although “futbol” is still in my blood as an Argentinean, I'm old enough to afford a little cynicism about how extremely corporate most popular sports are. Of course, nothing can now take away the joy I got from football in my childhood and early teens. But over the past few years I've been trying to perceive the sport itself in a global context, even alongside other popular sports in different areas of the world. Being a type designer, I naturally focus in my comparisons on the alphabets used in designing different sports experiences. And from that I've come to a few conclusions about my own taste in sports aesthetic, some of which surprised me. I think I like the baseball and basketball aesthetic better than football, hockey, volleyball, tennis, golf, cricket, rugby, and other sports. This of course is a biased opinion. I'm a lettering guy, and hand lettering is seen much more in baseball and basketball. But there’s a bit more to it than that. Even though all sports can be reduced to a bare-bones series of purposes and goals to reach, the rules and arrangements of baseball and basketball, in spite of their obvious tempo differences, are more suited for overall artistic motion than other sports. So when an application of swashed handlettering is used as part of a team’s identity in baseball or basketball, it becomes a natural fit. The swashes can almost be visual representation of a basketball curving in the air on its way to the hoop, or a baseball on its way out of the park. This expression is invariably backed by and connected to bold, sleak lettering, representing the driving force and precision (arms, bat) behind the artistic motion. It’s a simple and natural connective analysis to a designer, but the normal naked eye still marvels inexplicably at the beauty of such logos and wordmarks. That analytical simplicity was the divining rod behind Fan Script. My own ambitious brief was to build a readable yet very artistic sports script that can be a perfect fit for baseball or basketball identities, but which can also be implemented for other sports. The result turned out to be quite beautiful to my eyes, and I hope you find it satisfactory in your own work. Sports scripts like this one are rooted in showcard lettering models from the late 19th and early 20th century, like Detroit’s lettering teacher C. Strong’s — the same models that continue to influence book designers and sign painters for more than a century now. So as you can see, American turn-of-the-century calligraphy and its long-term influences still remain a subject of fascination to me. This fascination has been the engine of most of my work, and it shows clearly in Fan Script. Fan Script is a lively heavy brush face suitable for sports identities. It includes a variety of swashes of different shapes, both connective and non-connective, and contains a whole range of letter alternates. Users of this font will find a lot of casual freedom in playing with different combinations - a freedom backed by a solid technological undercurrent, where OpenType features provide immediate and logical solutions to problems common to this kind of script. One final thing bears mentioning: After the font design and production were completed, it was surprisingly delightful for me to notice, in the testing stage, that my background as a packaging designer seems to have left a mark on the way the font works overall. The modern improvements I applied to the letter forms have managed to induce a somewhat retro packaging appearance to the totality of the typeface. So I expect Fan Script will be just as useful in packaging as it would be in sports identity, logotype and merchandizing. Ale Paul

Paint Brush Script is a Natural Brush handwriting modern calligraphy font. Paint brush offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Julie Brious is a handwritten signature typeface. Its classy energetic look makes it the perfect fit for feminine logos, printed quotes, invitation cards, social media headers, product packaging and a lot more!

Introducing Shabella by Tlatous Type. Shabella is a Modern Handwritten Font. Shabella is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.

Yontrakam is a bold display font with a sharp and sleek appearance, exuding a futuristic and sci-fi vibe. Ideal for conveying special emphasis in diverse media, including posters, packaging, and more.

Aloha Magazine Unique& playful sans serif serif family with 9 Weights Aloha Magazine offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Inspired by Minimalist style then Minimalisty is born! Minimalisty is a stylish signature font with a minimalist look.This font is very suitable for signatures, logos, and making your favourite social media posts.

Gord Quick Unique & Playful sans serif serif family with 9 Weights Gord Quick offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Dockyard is a relaxed handwritten font, has a gentle and beautiful flow. This font is perfect for logo, wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Mobern Fashion Unique& playful sans serif serif family with 5 Weights Mobern Fashion offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Beralissa is a script font with a calligraphy style. suitable for social media, logotype, products, advertisements, and so on. contains standard English letters, numbers, punctuation, alternates and several accents that support multilingualism.

Neo Strada is a bold geometric sans serif font that comes in many weights and several alternates. It's perfect for documents, font logos, blogs, social media, marketing campaigns and many other projects!

Yummy Ice Cream is a cute and casual font with a friendly feel. This display font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Simplemind is a modern handwritten font. Simplemind is perfect for product packaging, branding project, magazines, social media, weddings, or just used to express words above the background. It includes multi-lingual support.

Psychoart Typeface , contemporary of Psychedelic Serif font, inspired by 1970’s era. Psychoart offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Cutie Biscuit is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. This font includes TTF, Cutie Biscuit also has multilingual support.

Ledare is a dynamic sans-serif typeface. Created by Mans Greback between years 2019-2021, this expressive font leads the way of your message with confidence and determination. It has a soft, easy-going outlook, yet is formal and rigid. The Ledare family consists of 14 fonts: Thin, ExtraLight, Light, Medium, Bold, ExtraBold and Black, with each weight as italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Joaquin Display is a Brand New Elegant Bubbly Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in funny logos, cartoon posters, and movies. Joaquin Font would be perfect for kid's craft, comic posters, Captions, bubbly texts, and cute funny boards. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, bubbly, warmth, funny, yet still purposed to be versatile The Typeface includes four Weights - Regular, Medium, SemiBold, and Bold All offer wide language support Uppercases and Lowercases. Numerals and extended punctuation. Thank you for taking the time to look into the font

Comicblast is a comic and hand-drawn font family with a universal and timeless design. The font is inspired by the work of acclaimed Belgian comic artists. The font is unique and helps you to complete your designs with a custom and handmade look. This typeface has six styles, available in regular, medium and bold weights, with italic counterparts, all-in-one style-linked. In short: a complete and affordable package for each designer. Comicblast has smooth and round shapes. It looks friendly and casual, is completely handmade and suitable for comics, logos, titles, package design or wherever you need a fun and warmhearted comic font, for all your fantastic designs! Comicblast is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.

Bilokos is a cool and modern display font. Expertly designed to make your creation look out of this world, this font has the potential to take your creative ideas far further. This is a condensed sans serif display font. On the one hand, it has rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles in any medium. It also comes with stylistic alternates of 0-9, A-Z and a-z to satisfy the most demanding professionals. With its large character set, it meets the needs of professionals because it will support several languages of Western Europe, Eastern Europe, Central Europe, Greek and Cyrillic for international communication.

Rooney is based mainly on old-style serif construction principles, such as the angle of stress, the open letterforms and the medium contrast, which lends the typeface a serious feel. Nonetheless Rooney is equipped with rounded shapes and soft curves that add a warm and smooth overall impression. Rooney combines these two different approaches: It has distinctive, original letterforms, but remains very readable and versatile. It includes six weights from Light to Black and Italics. The Rooney family comes with a Pro version, which is intended for professional designers. It contains lots of OpenType features such as small caps, ligatures, different figure sets and alternate glyphs. With around 840 glyphs, Rooney Pro is a powerful tool for any kind of typographical task.

CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.

Kontesa Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies . Kontesa Font would be perfect for branding, headlines, Captions, paragraph, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Nine Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, & Black. All offer wide language support Uppercase Only numerals and extended punctuation. Thank you for taking the time to look into the font.

Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

Cream Opera is a bold sans-serif font family. The combination of simple and geometric elements renders a bold design. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Opera fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all font styles, that will lead you to your next successful project. 10 styles (Thin, Light, Regular, Medium, Bold, Black, Outline, Inline, Stencil, and Western) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it.

Seraphina is a variable serif font that boasts beauty across 18 distinct styles, ranging from the delicate "Thin" to the boldest "Black". Each style offers italic capabilities, enriching the spectrum of your design possibilities. The elegance encapsulated within each letter creates a captivating impression, making it ideal for branding seeking prominence and fashion styles aiming to convey an elegant and exclusive message. Seraphina beckons to be applied across various design mediums, leaving a distinctive mark on logos, posters, and other design products. With a bestowment of grace and luxury within each character, Seraphina unlocks doors to captivating creations and consistent impressions. It stands as an outstanding choice for design projects that demand a touch of both refined classicism and modernity.

HS Wamda is based on some modern style of Naskh calligraphy which supports Arabic, Persian and Latin with a Sans Serif with subtle round on stems and corners. The typeface has been optimized for corporate identity work, editorial design, book, magazine and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested. It features a small number of ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of five weights (Thin, Light, Regular, Mediums and bold). It can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes.

Jacques Pro Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Mackenzie Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Eight Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Sibylle Schlaich and her friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Schlaich and her fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Styletti Medium is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH."

Cotterway Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Cotterway Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Six Weights - Light, Regular, Medium, SemiBold, Bold and ExtraBold. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. TTF, OTF and WebFonts Included. Thank you for taking the time to look into the font.

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details please see the Camber PDF.

Introducing Romelu Vomelu, a stylish font with a modern concept. Inspired by classic serif fonts and beautiful italics to elevate a logo or display. Romelu Vomelu is a font that is easy to mix and match with other fonts such as sans serif, script and signature, and even the italic font itself. This font consists of Regular and Italic which you can also use for body text, with a medium size, this font is designed to maintain readability and legibility so that it is also suitable for branding your product. Equipped with dozens of ligatures & special characters that can make your design more attractive and classy. What you'll get : Uppercase Lowercase Numbers & punctuation Symbols Stylistic alternates Ligatures Accented characters Thank you for your support!

Altissimo is a display type family, derived from the Ample typeface, it has large x-height, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer's attention. The overall appearance of this type is suitable in setting it as heading, title, headline, etc. The type family consists of seven weights viz. Thin, ExLight, Light, Regular, Medium, Bold and ExBold. Altissimo is designed by Aakash Soneri in a period between 2017 and 2018.

Glot is a ten-member flared terminal sans serif family of typefaces based on a mix of proportions of Roman square capitals and hyper-readable sans serifs. Glot comes in five weights with matching true italics: Light, Regular, Medium, Bold and Black. The Glot family has a wide range and is incredibly functional, working well for longer texts as well as display typography. After designing the house typefaces for a handful of the most predominant multi-player online games out there, we decided that it was time to bring the battlefield to the people. Glot comes armed with ample language support (Central, Eastern, and Western European) and OpenType ornamental spiked alternate characters for when one needs a hint of danger.

Pericano Display is a Brand New Elegant Slab Serif Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Pericano Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile. The Typeface includes Six Weights - Thin, ExtraLight, Light, Regular, Medium, and SemiBold. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.

Enwicken is a Brand New Elegant Slab-Serif Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies . Enwicken Font would be perfect for branding, headlines, Captions, paragraph, and posters . The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile. The Typeface includes 07 Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, & Bold. All offer wide language support, upper and lower cases, numerals and extended punctuation. Thank you for taking the time to look into the font.

There's something satisfying about tweaking to perfection a typeface based on the particular style of lettering applied to a particular kind of paper by a particular human hand. One day, in pursuit of this curious sense of satisfaction, I sat down with a porous pad of lined note paper and printed out the alphabet with a ballpoint pen. I found particularly interesting the bulbous ends of the strokes where the ink soaked in. I couldn't help myself: I drew out the rest of the character set, scanned, hand-traced, and -- as with all 3IP font designs -- manipulated every glyph to an obsessive degree. Named it Cedar Street, after a favorite address of mine. Full release has a single medium weight with a thorough character set.