Zoya is a humanist sans serif typeface, a versatile font family that stands out with it's warm and natural feel. Humanist sans serifs have roots in calligraphy, their round, dynamic, open forms have higher stroke contrast than the other sans serif classifications. Can be used by any organization that wants to appear simultaneously modern, approachable, active and professional. FEATURES Four weights + Bold Outline / Italics / Numbers & Punctuation / Extensive Language Support / Long term support, free features and bug fixes The font family includes 10 fonts Zoya Light - delicate and edgy Zoya Bold - strong but approachable Zoya Regular and Semi Bold are the balance between the two Zoya Bold Outline - engaging + Italics USE Strong capitals and a smooth, open lowercase are effective in a variety of applications. This font is perfectly suited for headlines, posters, branding, packaging, presentations, logo, quotes, titles, magazines headings, web layouts, advertising, invitations, packaging design, books, and nearly any creative design.

Nvma is based on Roman letterforms which appeared during the period from the earliest extant examples in the sixth or seventh century BC until the end of the third century BC. For Nvma the J, U and W had to be fantasies as they did not exist until much later, similar to the G, numerals and other non-alphabetic signs in the font. Thus not all of the archaic forms are represented in Nvma. Nvma was designed to work with Magma, as it matches the weights and heights for Magma Thin and Magma Titling Thin.

The Catalpa font family is José Scaglione and Veronika Burian’s wood type inspired design for an overwhelming headline presence. It has no regular weights, only four slender and four hulking weights. Catalpa wasn’t made to be normal; it was made to overwhelm, to stand out, to bellow. Catalpa is the first font family within a trilogy that will be released through 2020. Each of the three have a distinct purpose and their own look, but they serve a common goal: to act as a complete family covering an editorial’s wide array of needs. As the first of the three, Catalpa is the bookend font family with a headlining purpose. What requirements are there for a great headline typeface? Distinction, weight, and cohesiveness are a good start. Its distinctiveness must catch attention, it must have a range of weights applicable to its purpose, and its internal consistency and external look must create a cohesive family. Catalpa is a distinct and unified family whose weights are attuned to its single-minded purpose — headlines and large text. Catalpa has only eight styles that are divided into two ranges of weights — four very light weights (Hairline, Thin, Extralight, and Light ) and four very bold ones (Extrabold, Heavy, Black, and Extrablack). The thin and heavy ends of the spectrum also have their own variable fonts, each with one axis of weight so designers can fine-tune their work. The geometric influence of the design is more obvious in the light range, with their line thickness increasing in the classical manner. The bold weights increase more in width and substance to serve well in websites, mobile apps, posters, advertisements, and magazines that aim for impact more than spreading information. As a family, Catalpa gels in big headlines, short sentences, and isolated words. The family has many recognizable features, in the bolder weights especially, like the reversed contrast ‘S, s’ or the angular design of ‘Q, M, W, w, a, f, 2, 3’. Catalpa’s headlining mixture of geometry and quirkiness leaves an impression that is so characteristic of wood type, but designed for substrates and screens.

Cavas Nera modern & elegant font with discretionary ligatures that give each word a different shape. Also contains a swash with an elegant, contrasting, and clean, perfect for logo designs, posters, and various types of promotional media. Including 8 Font weight Thin, ExtraLight, Light, Medium, SemiBold, Bold, ExtraBold, Black. – Standard glyphs uppercase and lowercase letters – Numerals, a large range of punctuation and ligatures. – Swashes. – Multilingual – Works on PC & Mac. Simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿¡ _________________________________________________________________________________________ Image used: All photographs/pictures/logo/vectors used in the preview are not included, they are intended for illustration purposes only. Thank you for your purchase! Hope you enjoy our font!

Tatline Neue is a serif font family of 14 fonts encompassing a wide range of weights — from Thin to Heavy. Tatline Neue was modelled after the original Tatline display font, but this major overhaul resulted not only in updated and tweaked shapes and smother curves, but also in addition of 13 new weights, making Tatline Neue a perfect tool for designers and typographers alike. Each font contains 450 glyphs, multiple sets of numbers, stylistic alternatives for certain glyphs, ligatures, numerators, denominators, old style figures, and other symbols. Tatline Neue can be freely used across Western European, Central European, South Eastern European languages. Tatline Neue was designed from the scratch to keep glyphs consistent across all weights. Thinner fonts are more uniform, with little to no variation in the weight of the strokes. Bolder fonts, on the other hands, are chunky and somewhat comic —in a good way. Tatline Neue was born out of a display font, losing none of its original quirkiness and vibe. While serif fonts are often seen as vintage and orthodox, Tatline Neue strikes a livelier note: one of cheekiness, bizarreness, quirkiness, and expressiveness. Thanks to a wide range of weights, Tatline Neue is a great tool for a variety of projects: whether it's used for plain text in a larger body of text or as a headline font, or even as a key element in a logo creation or brand identity. Tatline Neue is a serif font for those who are tired of seeing the boring in the typography and design; it's a font for explorers, for adventurers, for those who seek to find their own voice.

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.

Kawara, our newest font, is now available. We produced this display font with a Japanese theme or an Asian font to fulfill the needs of your project with a Japanese theme, but it’s impossible to use an authentic Japanese font because not everyone understands Japanese letters, therefore we present this font as an intermediate alternative. To make your project gorgeous, strong, and bold, we produced this font with the most unique shape imaginable. So, what are you waiting for? Use this font to realize your ambition of having a wonderful project. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Real Enemy - Original Handmade Brush Font is an Authentic brush Font that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Real Enemy has a rough, authentic, and strong characteristic more natural look. Real Enemy Perfect for designs, branding projects, Logo design, Quotes product packaging and another Project that require cool strong brush font.

Introducing Overbillion - Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why Overbillion has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Overbillion Perfect for designs,branding projects, Logo design, Quotes product packaging.

Introducing Reinkies - Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why Reinkies has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, ReinkiesPerfect for designs,branding projects, Logo design, Quotes product packaging.

Offstages - Strong Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Offstages has rough, authentic and strong characteristic more natural look. You can activate Ligature OpenType panel. Offstages Perfect for designs,branding projects, Logo design, Quotes product packaging and another Project thet require cool strong brush font.

Introducing Unofficial – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Unofficial has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging.

Like traditional athletic block typefaces, VTF Charisma is built with chiseled cornersand a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like "a", "c", and "s" demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the "A", "v", and "y" are cropped in a way that further reinforces this motif. These stylistic cues are employed throughout the family’s 7 weights, ranging from Thin to Black with an accompanying Oblique variant for each. VTF Charisma is equipped with a hefty 970 glyphs that support Small Caps, fractions, extensive Latin characters, stylistic alternates and more. Paired with its dynamic charm and strong visual appearance, the family’s horizon of capabilities broadens.

“Mitten” is a bold serif that has a classic and bold style. Depicted to provide basic headlines that are confident and impressive - while still feeling warm and welcoming. there are 3 different styles that you can apply in your design projects. This typeface is perfect for an book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Mitten Features: · 3 Weights font (Regular,Italic,Bold) · Uppercase And Lowercase · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Steravina is an elegant serif font, inspired by FS Renaissance font for serif form, it has vintage and traditional nuances, but it is still clean, aesthetic, and legible. Steravina Include several alternates and ligatures, suitable for any purpose design, long text or short text, posters, headlines, quotes, paragraph, interfaces, logotype, etc. This font is single-weight only, if you need multi-weight of this font, just tell us! What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Martin, a condensed semi-serif with rounded edges and friendly serifs, shows its charme best in short, pointed sentences, in headlines set in about 20 to 36 p. The playing with serifs in a condensed, very characteristic type design is attractive and the technical skill is convincing. More styles are planned. The idea was to try to apply a given design criteria (also see Volker Schnebel's Marita and Manuel fonts) to every single character. In other words, start with a character and develop all of the others from it. This is quite easy for some characters but extremely difficult for others. This process generates creativity and the characters move away from the initial constructed sketch. Together in a typeface, the individual characters are now all of a piece and character.

Enthusiast Behavior - A stylish and quirky new signature font script. Enthusiast Behavior font was created to look as close to a natural handwritten script as possible by including a lot of ligatures, titling, and swash. This font is for those who want to show something smooth and modern. You may use this font to attract modern buyers. The font design seems to show that you have a passion in the business and are giving your love to the products and services you are offering to customers. Because it is an eye-catching signature font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more. Or you can just print it on a t-shirt and the font makes the t-shirt looks interesting to see.

Canapa it a simple humanistic sans serif font family. Canapa's 10 styles are good for friendly oriented package design layouts. Try!

C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

No: Jethro Bodine didn't design this typeface although, to look at it, you might be tempted to think so. Rather, the pattern was a product of the fertile imagination of famed lettering artist Alf Becker. The lowercase letters are the same as the uppercase, but angled differently so, if you want a randomized appearance, you can activate Contextual Alternates and the font will do the shift-key double-clutching needed. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

LiebeCook is a carefully crafted collection of fruit and vegetables, forks and knives, pots and home appliances, in countless variations and sizes for creative flexibility. Create a neatly illustrated cookbook of your favorite recipes, send dinner invitations to your friends, or decorate your restaurant’s menu—with LiebeCook you will surely give your designs a personal touch. More than 170 drawings are included in this single font and can be used in any text or graphics application. Combine LiebeCook with LiebeMenu and LiebeMenuLettering to give your food-related projects a handmade but professional look.

A tall condensed sans serif font If you are looking for letters with attitude, Madfool is the perfect fit. It's a memorable, strong and elegant typeface. Madfool is a modern clean sans serif font. With bold stroke, fun character. To give you an extra creative work. Madfool font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Madfool font.

Semethone is modern calligraphy font with chic style. It's perfect for branding, wedding invitation, card, signature, watermark for photography and many others. Semethone come with beautiful set of hand lettered uppercase and lowercase, punctuation, multilingual language. This font also equipped with beautiful swashes and ligature which will be perfect for your design project. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

Proudly present "Perfect Colony // Bold Serif Font" Perfect colony is bold and classic serif with elegant curves. This font is perfect for branding, logo design, header text, poster and many other. What inside and what will you get: Uppercase and lowercase letter Number and punctuation Multilingual Support PUA Encoded I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

This sans serif type was completed in 1985, a descendant of the earlier serifed Congress shown for the first time at the Association Typographique International Congress, which proved to be so popular in 1980 at Kiel; designed to present a style equally appealing in European languages. Many characters are more condensed than is usual, while others have been exaggerated. The concept being to bring an equality of importance to the whole, producing a collection of International characters working together in harmony on the page-a common aim that Europeans wish of any Congress.

Sujoka is a distinctive and elegant font with a Japanese flavor that we created. This typeface will suit your demands for a variety of branding projects that require a distinct, distinctive, and appealing design. Use this typeface to respond to your current demands. Logotypes, food banners, branding, banners, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Oliviar Sans Variable is a modern sans serif with Grotesque touch. It's my experimental to study the new trends for the future fonts that is Variable Fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. Created with 8 Masters that export to the traditional OTF to 28 Styles!. On the Applications that support variable fonts such as Adobe Illustrator & Photoshop, you can get more than only 28, you can customize the Weight, Width and Slant. Weight created from Thin (100) to Bold (900), Width created from Standard (100) to Expanded (900) and Slant based on degree angle from 1˚ to 10˚. There is a new slider icons for accessing this features Check on Last Display Image. Another advantage on the Variable fonts are you just need 1 files to install to your computer and it will install all the styles available. All of the Fonts are support for Multilanguage, Carefully Crafted.

Warren Chappell was the original designer of this handsome pen-formed roman typeface introduced by the Stempel Foundry in 1939. It was cast in Germany as Trajanus and named after the Roman emperor whose accomplishments are preserved on the Trajan Column in Rome. This version, Tribunus, retains the same rugged but handsome quality of the oldstyle original. A set of italic oldstyle figures are included with the italic roman. Tribunus is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

ALTERA a typeface based on a logotype André Toet made for a dutch broadcast company. This typeface is in fact carries a transformation in itself: it’s composed of three different weights and shapes. In our humble opinion the possibilities are endless ! So be a sport and use this typeface for logo’s and headings. Kick the can ! Concept/Art Direction/Design: André Toet © 2017

Brasílica is a robust design, with wide proportions, that assimilates influences both from old style and modern types. This wide shapes, as well as the moderate contrast and sturdy serifs make it suitable to different conditions of printing. The sharp corners, as well as the abrupt connections and terminals are remarkable features of this typeface, that renders a sturdy and crisp texture, with a distinct aspect.

MRK Amentus is an elegant and modern sans serif font inspired by mixing humanistic and Grotesk styles. Horizontal oblique lines are the main visual style for this type. It gives an aesthetic dynamic look that is perfect for modern elegant brandings and for headlines. This font is suitable for various purposes such as movies, posters, logos, labels, packaging, branding, editorial design, and any modern purposes.

Codex was designed by Georg Trump and introduced by the font foundry C.E. Weber in 1954. Based on the German Gothic script of the 13th century, this font has the character of handwriting. Its capital letters are extremely big in comparison with the lower case, hence good for contrast in short text, however, this characteristic makes the font better suited to languages which use fewer capital letters.

we would like to introduce one new font which we have released in this march. Murisa Ulyana is our newest font. Still inspired by the oval shape, this font is very cute and eye-catching. It is very fitting if you use it for designs that are cheerful and happy. You can also use it for baby and children's product names. Get it right now.

Introducing new font_ "Adegoke". This is a sans serif font, designed with contrasting countur differences. Gives a simple impression with a thick serif flavor. Some alternative characters are available to give each user freedom in creating headings such as magazines, posters or brands. While the basic character can be used as body text. This font family is also available in oblique style to add variety of users.

Xavier Dupre’s Molto font family is a tonal master, creating tenderness in a slab serif and tempering toughness with flourishes. Slab serifs created their original niche by their ability to grab attention and overwhelm, which caused them to be seen as strong, dominant, and desired fonts, especially in advertising. Slab serifs are the result of placing defined edges on something meant to take up an inordinate amount of space, rather than meant to be graceful. Molto updates this concept to allow a greater, and gentler, range in the lighter weights. Molto’s nine weights are defined by their intended use. The two extreme weights (Hair and Fat) act as display partners for magazines, titles, and posters. The Hair weight is runway ready with its sturdy serifs, breathy internal space, and stable lettershapes that were designed both to perform and impress. Molto’s Fat weight packs maximum punch in a believable way. Its wide and deliberate curves contrast against thin connections and landing strip stems. Molto can be put to perfect use in a fashion magazine using swashy Hair headlines set against its darkest weight. Molto’s seven intermediate weights, with their classic and legible shapes, are meant for texts of all sizes. The notches on diagonals, distinct numerals, and acute terminals grant benefits from caption sizes up to headings. Molto’s refined light weights and punchy heavy weights set the stage for a swashy surprise — alternate capital letters act as refined garments laid atop its concrete skeleton. The Molto font family rejects saving space in favour of intensifying shapes, placing maximum weight on the edges for better legibility and impact. Latin-based digital and printed designs will benefit from Molto’s design voice and breadth. This means UI, video, and online text, and print materials like dictionaries, packaging, advertising, and branding can all put Molto’s robust forms to multipurpose use. Molto successfully creates balance in a slab serif design: an opinionated and striking type family, stalwart in captions and exuberant in display, thanks to swashes which add some originality to the slab category.

German designer Jürgen Weltin designed Linotype Finnegan, a modern text design with roots in the humanist letterforms of the Renaissance. As the recognizable direction of movement in writing runs from upper left to lower right, Weltin mimicked this in his design: Linotype Finnegan's up and down strokes end in residual serifs. All of the thick strokes have a taper; horizontal strokes and curves are noticeably thinner than the verticals. This dynamic nature lends a combination of individualness and energy, along with a high degree of variety, to Linotype Finnegan. Linotype Finnegan is a wholly new and unique typeface. It distinguishes itself through its extreme legibility, originality, and formal excellence. Linotype Finnegan makes fun to read longer texts non-stop. However, the typeface never distracts the attention from the text's content by forcing itself too much into the foreground.

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that's what I call the "raw" form. Raw – no sweeteners added! In this family I tried to redefine this moment in type development for the eternally beautiful "Franklin Gothic". I call the design "Franklin Gothic Raw", not to be confounded with "rough". The family can be used like any good normal typeface, you hardly see any difference to a conventionally cut "Franklin Gothic" in small sizes. The charm of the design becomes obvious the bigger it becomes, then it enhances your design with its imperfections in the outline. "Franklin Gothic Raw" is therefore an extremely versatile family. I created the cuts, that I considered necessary for the seasoned designer who knows what he's doing. Enjoy!

The Joanna® Nova design, by Monotype Studio designer Ben Jones, is an extensive update to Eric Gill’s original Joanna typefaces and brings this much admired – but underused – slab serif typeface into the 21st century. Joanna Nova features 18 fonts – more than twice as many as the original Joanna – with a wide range of weights including thin and ultra black, which were not available in the original design. Every glyph has been redrawn using a variety of reference sources, including Gill’s original sketches and the copper patterns used in Joanna’s initial production. When Jones set out to design Joanna Nova, he saw that the ‘real Joanna’ was not immediately evident. “Some of Gill’s original drawings have a sloped ‘M’; there is also a ‘K’ and ‘R’ with a curled leg and a letter ‘d’ without the flat bottom,” he explained. “Is this Joanna? Or is it the version used to print Gill’s Essay on Typography? Or is it the digital version with which most people are surely more familiar than any other version? Ultimately, I think, none of these and all of these were ‘Joanna’ because, as with any typeface, it is more the idea or concept behind the typeface that makes it what it is. My approach was to create a version of Joanna that appears in your mind when you think of Joanna.” Jones noted that one of the most distinguishing aspects of Joanna is the italics; and that, for reasons unknown, many of the characters in the current versions are much more condensed than those in the hand-set fonts of metal type., The newer designs being almost unusable at small sizes. The italics in Joanna Nova have been reworked to be more legible and closer to their original widths. Joanna Nova expands the original Joanna in several ways that open up new typographic possibilities, These additions include several new weights, support for Greek and Cyrillic scripts, small caps for all scripts in both upright and italic styles, several numeral options and a host of context-sensitive ligatures. The Joanna Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.