Rockstyle is a natural, dry brush display font. It is a tough-looking font with a strong brush touch, ready to rock every design you are willing to create. It’s perfect for logos, quotes, posters, clothing, and so much more!

Hola Delight serif font was a very unique retro style-obsessed in the past, but now we are giving this font a unique touch by providing 100+ alternative characters, which can be combined at your command for your best designs.

Madering is an elegant and classic font. It’s perfect for logos, packaging, branding, invitations and much more! The Madering font is a great choice to increase the prominence in your project. Although the typography is traditional, the basic elements are great.

Happy arila Hello, I made two handwritten fonts, one with thickness and can be used for whatever you are working on clarifying what you want to display, and a smooth script font is also here to make your work be sweeter

wondershine is elegant,beauty and smoothless serif display .This font is suitable for invitation cards, decorations, clothing products, greeting cards and others. This font also has uppercase, lowercase, numeric, puntuation and multilingual. and there are several ligature and stylistic alternate.

LD Buttercream is such a great font...it mimics the look of a frosted remembrance on a birthday cake...but it's uses are so universal and fun, you'll find many ways to put this font to work in your clever creations!

Introducing a script font named "Propeller". This font has a trendy look inspired by vintage aircraft ads. It has connected letters with smooth shape and round endings. Intersecting lines are made with a small overlay that gives a tiny volume effect.

Want your type in flowers? With Flowertype all letters, numbers & symbols are made of flowers. Combine flower font styles for many cool possibilities. Flowertype is an extended font, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Flavellya is luxurious, fun and elegant. This script is simply the ideal font for any branding project! The Flavellya font is a great choice to increase the prominence in your project. Although the typography is traditional, the basic elements are great.

Creative Farmhouse is a fun and playful duo font (decorative and handwritten.) The handwritten characters are casual and quirky, while the decorative characters embody endless fun in farmhouse-related objects. Get creative, and use this font to create something spectacular!

These playful letters are perfect for any whimsical designs. There are two versions- one with tickmarked tips and one without. Looks great in all caps as well as mixed-case.

Ann's Valentines are heart-shaped dingbats that are perfect for web design as well as print that you'll use 'til your heart's content. A dingbat to fall in love with.

Slab Serif fonts are also sometimes referred to as ‘Egyptian’, hence the Egypt in the name. This lovely and complex font is based on old woodcut fonts. The upper case only font is brilliant for striking headlines. This OpenType font has support for CE languages and I hope you like it.

This 12-font family employs several unique features including a 2-part Chisel set which allows for the look of stone incised lettering. Hedonic has just a hint of a slab serif and even that is used so sparingly that it almost feels like a sans serif font. Its design does appear to be painfully simple but there are many interesting features including a selection of weights, small caps with old style numerals and display weights that make it very useful. And legible. Old style numerals are included with the small caps and italics. Also for display purposes are two "Chisel" fonts. Used together, set one on top of the other, they create a stylish 3D effect—ideal for logos and headlines or anything that needs a strong graphic punch. Hedonic may not be as eccentric as many fonts out there, but overall it is clean and legible with a few extra flourishes to stand out from the crowd!

The font package Helen Bg Family is in 5 weights and two widths, 18 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic, Light Condensed, Light Condensed Italic, Condensed, Condensed Italic, Bold Condensed, Bold Condensed Italic, Black Condensed and Black Condensed Italic. Helen Bg is made with Bulgarian Design of Cyrillic and is recommended for the publications for Bulgaria. Other version with standard Cyrillic is available from HermesSoft Limited. Typeface design: Vassil Nikolov. Release date: 1991 - 96, HermesSOFT Design notes and Technical data Helen belongs to the typefaces from the humanistic sanserif grotesk fonts. The font is for wide use – from the classical typesetting to the display typography. In the Bulgarian Code Page are included all vowels with accents that are really necessary for the typesetting in Bulgarian language, and are not included in the Cyrillic Code Page: Helen Is available in OpenType PostScript and WEB font formats.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. The TessieLetters fonts contain letter shapes that can be used to construct tessellation patterns. Each family has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the files here for TessieLettersACE, TessieLettersFQ, TessieLettersGJKMN, TessieLettersLL, TessieLettersTT, TessieLettersOSZ, and TessieLettersSingles. Many or these patterns were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. The TessieLetters are picture or dingbat fonts. For fonts of tessellating letter shapes that can be used for text, see the Tescellations family.

Inspired by a few letters in a hand-drawn logotype, Swashington is a serif font with both an early 20th Century feel and yet is evocative of the swash fonts of the 1970s as well. The real meat of this typeface comes with using all the swash and ligature variants allowing for an enormous amount of typographic flair. Starting with the original logo, Jason Walcott was moved to develop these interesting letterforms into a full typeface with all the swashy might he could muster. In addition to a comprehensive set of Swash and Alternate letters, there are also over 270 Discretionary Ligatures that can be used to create different possibilities by mixing and matching. Included with the downloaded fonts are two .pdf files showing all the swashes and ligatures, that can be printed and used for easy reference. All of the alternates are available via the Glyph Palette or with OpenType features. The font includes support for all Latin based and Eastern European languages.

La Rosaleda Font Duo is a ligature font pair with 30 amazing chic logo templates. With this open type font duo you can explore your creativity in unlimited way. To recreate your brand all you need is mix and match from the La Rosa font duo. This font duo is full of stylish ligatures, so that your writing with La Rosaleda can stand out. - Font Features: All fonts are OpenType fonts All fonts are fully vector designed Accurate kerning for all serif family Amazing ligatures to look natural in script font Alternative characters for script lowercase alphabets Multilingual Support for Both Scrip and Serif All OpenType fonts, Serif and Script. 30 Fully editable logos for Adobe Photoshop or Adobe Illustrator Font installing help file for PC and Mac Web-fonts for Script and Serif

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. This collection contains simple elegant frames, which are easily assembled from modules in different configurations.

April Blossom is a sweet, brush font with a playful character. This fun will look gorgeous on all your branding materials, cards, quotes, and any other lovely projects you are working on.

Look @ Me is a cartoonish, fancy font. Its special features are the different eyes of the capital letters. The letters literally have faces and who knows, probably they may talk to you... ;)

Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.

Moonthy is a beautiful and elegant script font. It features more than 150 alternates that are PUA encoded. This gorgeous script is widely suitable for graphic designs and any other creative projects!

The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.

This display type family was developed with large headlines in mind. While the fonts work will at large size, they are not overbearing and get the point across without being too “shouty”.

Calligrapher Rotunda Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Rotunda calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. The font contains all the Latin glyphs.

Beary is a stylish and modern sans serif font. You can use this font in a variety of projects to create a unique and distinctive look. The Beary font can be used anywhere without the need for opentype support. Beary fonts are available in regular, alternate, and oblique.

This is a modern font inspired in Avant Garde Gothic Latin font. There are 8 ligatures and You can type the Nekudot in them This font is for logos, covers and small texts This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Squire Bond is a line-based Title font, it helps to create stunning clean minimalistic logos and headlines. Classic & Decorative Typography Designs are easy to create using the Squire Bond font Family. The pack includes: * Regular Font * Thin Font * Only Upper-case glyphs * Numbers included * All Special characters included

TT Berlinerins useful links: Specimen PDF | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Berlinerins: TT Berlinerins is a contrast pair of typefaces which is basically our tribute to Berlin. Just like in the city itself where historicity and modernity are intertwined, the elegant script in our font family symbolizes the modern Berlin, and the grotesque inspired by the wood-type poster types of the first third of the 20th century is responsible for the historic component of the city. The idea of this project emerged in the beginning of 2016 when we've met Evgenia Pestova, a calligrapher from Berlin, who shared the contemporary perspective on calligraphy and the city impressions with us. The wood-type grotesque appeared later, after our another colleague had visited Berlin and told us her fascinating story about the things she had seen. The city is full of contrasts—it is very modern and very vintage at the same time. The photographs and the impressions from the trip have also become the basis of our project. That is how we've added a little of old Berlins roughness and inhomogeneity. TT Berlinerins Script contains 998 glyphs, including more than 240 swashes for which we've written a special feature. We've also drawn a large number of ligatures for TT Berlinerins Script and integrated wide support of OpenType features: ordn, frac, case, sups, sinf, numr, dnom, tnum, pnum, calt, liga. TT Berlinerins Grotesk consists of uppercase letters, includes a set of unusual ligatures and wide support of OpenType features: ordn, frac, sups, sinf, numr, dnom, tnum, pnum, liga, salt and two stylistic sets ss01, ss02 for the ampersand. FOLLOW US: Instagram | Facebook | Website TT Berlinerins language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Rhetoric is a friendly display typeface that’s full of personality. The fonts are defined by their roman characters which could be described as “upright italic” – the style traditionally associated with a cursive character set has been applied to the roman glyphs. Rhetoric embraces its curves –exemplified by the voluptuous caps for /A/M/U/V/W/X/Y/ which further enhance this typeface’s quirky nature. This 18-font type family has weights from Hairline to Ultra in both roman and italic. Western European languages are covered in its basic character set, but there are a number of alternates and discretionary ligatures that allow you to embellish your typographic designs. Designed for branding purposes, headlines and short runs of text, Rhetoric will be a worthy addition to your type collection.

Glemada Script Glemada Script New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Glemada Script The comes with 660 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Glemada Script Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-18 Contextual Character Variations.

The rasterized square (clear, therefore 4 as part of the font name) was the constructive basis. The intention was to put all characters within this grid and produce a highly structured, yet lively, resting in itself, display font. Relaxed but exciting, just. An absolutely noteworthy detail are the classical construction principles (based on a typography book from the 50's for poster designers), the so-called optical weighting, derived and slightly exaggerated character elements: The characters are not purely symmetrical and the curve shapes do not close justified with the surrounding square. Loops and tongues slightly hang over; the upper bows are slightly less protruding than lower ones, etc. The kerning is tuned to fit these design details: the white space between the characters match the same filling space.

Linotype Maral is based on an historic Armenian typeface which was originally designed by Henrik Mnatsakanyan. Hrant Papazian has revieved and digitized this four weight type family . Armenian keyboard drivers for Mac OS 9 (and under) as well as for Windows are included when any of the Linotype Maral fonts are purchased. These drivers must be installed before the fonts may be used properly. Linotype Maral will not function properly under Mac OS X, unless you are using the OpenType-format version, which does not work under OS 9! The Linotype Maral family includes four fonts: Linotype Maral Regular, Linotype Maral Oblique, Linotype Maral Bold, Linotype Maral Bold Oblique. The Armenian language is written with its own script. This script and its language are written and spoken in the Republic of Armenia and by the Armenian Diaspora. The Armenian alphabet first appeared around 406 A.D. Its creation is attributed to St. Miesrop Mashtots (died 441), but it is most likely an independent modification and extension of the Greek alphabet created by Gregorian denomination.* * (Source: The book Schrift- und Buchkunst, by Albert Kapr [Leipzig: 1982], references Quadra della storia letteraria della Armenia by Ph. Lukias Somal for this information)

MVB Solano Gothic Bold was originally designed as a display face for the City of Albany, California (located on the San Francisco Bay facing the Golden Gate Bridge and bordering Berkeley). Named for the City’s main street, the typeface needed to work on signage in proximity to early 20th Century buildings, and in contemporary settings. Rather than creating a neutered design to cover all bases, Mark van Bronkhorst chose to develop a simple, strong, condensed face that would offer flexibility of style by providing both retro and more contemporary forms. Solano Gothic has since been expanded to a family offering five weights from Light to Bold. The basic fonts provide upper- and lowercase forms, with figures designed to harmonize within upper- and lowercase settings (the standard figures are not full cap height). The same figures are provided with Small Caps, and align to small cap height. For all-cap settings requiring figures and monetary symbols of full-cap height, there are the “Cap” fonts. An alternate tabular “1” is provided in all fonts so that both fitted and tabular settings of figures are possible (access to alternate characters subject to system or application support).

Mundane information—the sort you might ignore—often appears in the form of very simple, utilitarian lettering, devoid of personality, the sort of industrial lettering you find on old blueprints, park restrooms, and electrical boxes. MVB Diazo is such a thing. It looks like lettering done earnestly with a plastic template. The monoline caps—constructed from straight lines and simple curves—have rounded details as if rendered by a blunt pen on a topographical survey or by a router on a rustic campground sign. The MVB Diazo fonts are compact, available in two widths: Condensed and Extra Condensed. Each width offers four weights from Light to Black. The fonts are perfect for wherever plain and boring letterforms are required. All widths and weights are also available in two distressed textures (#1 and #2) that accentuate the industrial character of the design. Rough #1 is gritty, with finer texture for use at larger sizes. Rough #2 exhibits more damage, the roughness apparent when used at smaller sizes. The Rough fonts include alternates of a number of glyphs so that variation of texture is possible when letters repeat in a word.

The idea behind this typefaces was to combine something retro and vintage with a style of this century. A reference from Vintage Typography, Art Deco, Neo Deco. With an improvised and create something in between those styling. Tiverton created in Serif, Sans-Serif and Script. Within 3 Style, it more helping and easier for create something without "thinking" the font compartment. Features of Sans Serif and Serif are comes with stylistic alternates and you can activated with Contextual Swash button on Adobe Illustrator or Adobe Photoshop, And Catchword such as the preview above, activated with underscore in the beginning and end of the letters, for example : _ the _ (underscore)the(underscore). Features of Tiverton Script are Ligatures, Contextual alternates, Contextual Swashes. no alternates. but Tiverton Script available with 2 Weight, Light and Regular. For a bonus, I create an Ornament Fonts. Special shout for the ornament fonts are for the borders. on the Number Character 0-9 are created for connected borders. for Beginning and end the lines you can press Shift on the Number Character. For example : type !2222@ on the text preview below and see on the Tiverton Ornament.

Are you looking for a robust, contemporary font with strong personality? Sintesi Semi might be exactly what you are looking for. Sintesi Semi is a hybrid font which manages the “synthesis” between Sans and Serif in its own way. Due to its constant stroke the favorite font of the author is closer to a sans serif and scores with its robustness and contemporary style. Its strong serifs though evoke rather a slab serif font. Sintesi Semi builds together with Sintesi (Serif) and Sintesi Sans an extended family. Prove character too, with Sintesi Semi. Download a free trial version of Sintesi Semi with a reduced character set. Check it out!