Continental Gothic JNL is elegant and sophisticated... perfect for an Art Deco project needing a font that is not too bold or overpowering.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.

Sketchetik is a hand-drawn font in four styles: light, regular, bold and black. It is recommended for use as a display typeface.

A vintage metal sign saying "No Dogs Allowed" was the model for the ultra-bold Art Deco-influenced lettering comprising Informational Sign JNL.

Jacoby Modular is a geometric sans serif display typeface with six styles. Jacoby Modular is a dynamic, bold typeface with a sculptural feel.

Magnold is a modern bold and elegant serif font. Magnold is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design.

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.

Chiba Script is a casual script font inspired by hand lettering and vintage sign painting. Chiba Script has only single weight, bold weight.

Happy Cloud is a fun, tall handwritten font created by Cultivated Mind. This font features five font weights (Light/Regular/Bold/Black/Heavy).

Cicero Series is a bold decorative serif display font that exudes power, strength, magnificence, prestige. Add this grandiose piece to your font collection.

Khaleefa is a classic, elegant and timeless calligraphy font with a bold twist. Get inspired by its modern feel. Ligature Multilingual PUA encoded

Nothing is as it really should be with Thursday Afternoon. The x-height is jumpy, letters are not in their right places, lines are crunchy, serifs are uneven...the list goes on...but in the end, Thursday Afternoon turns out as a legible and functional font. It has most of the moves from classic serif fonts, but then again it has a mind of its own!

This font is a collection of sketched spruce trees. Some are filled outlines, some are bare trunks and branches, and some are rough squiggles. Each can be used individually to suggest a tree, and the different shapes can be layered in different colors, to suggest texture, or snow cover. There is also a glyph of a mountain range, for a horizon behind your forest.

There is something special about thin fonts. On one side there is the sensitive, charming and warm touch, on other side they are uncompromising, thoroughgoing. Here the contrast can't hide the clear shapes. Hilton Serif and Hilton Sans are a pair of highly legible, subtle and elegant sans-serif and semi-serif display faces. The quality of spacing and kerning are ensured by Igino Marini.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of four or more widths.

Religious symbols are endless much like that amazing variety of types of religion. This font contains nearly 500 glyphs. Many are crosses, but there are other treasures besides. 50% of the profits from this font will be donated to the restoration fund of the historic Beckerath Organ at Trinity Lutheran in Cleveland, Ohio which radically changed the course of organ building in the western hemisphere.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of three or more widths.

This decorative, headline or logotype geometric font consists entirely of uppercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is an extension of the Paragraph fonts family, however the capitals of ParaCap and lower case glyphs of Paragraph are not designed to be used together. That said, you are welcome to try :)

Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!

In HU Ketchup KR, the consonant and vowel strokes are naturally connected to add writing power to the thick headline, and the vowels are shaped like 'ㅅ', adding personality and cuteness at the same time.

DinoTracks is a novelty or letterbox font in which the letters are formed with dinosaur footprints. It is readable at small point sizes, but then one cannot see that the letters are made from footprints

The letters are reminiscent of shiny and tasty glazed donuts. There are three type families, and you can mix them all up to create a decently fun typography. Great for promotional material or package design.

All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.

You might call this a Bodoni Ornate font that Bodoni never made, close examination of this old 1800s font and it's plain to see that the top half of the letters is very Bodoni in appearance. Apple Pie is a revival of and old font from the William Hagar Type Foundry, which I've been able to date back to 1850. The William Hagar type specimen book from the 1850s only shows this font as a caps only typeface plus numbers, later in 1869 MacKellar Smiths and Jordan offered this font with a lowercase. Over a two year period I was able to collect enough letters to begin production of this old decorative font, the type specimen books only showed a small line of text for this font so I would search through old documents on eBay and also shows relating to Ephemera. I could have easily developed a new font based on a very small sample of letters but I wanted to wait and find as many letters as possible, I was unable to find the Q, X, Z and ten lowercase letters so those missing letters are of my own design. New to this font is the addition of an all Caps Greek character set, accented letters for Eastern Central and Western European countries is also within this font. Fill fonts are available for the Apple Pie font, you will need an application that works in layers such as Adobe Photoshop, Adobe Illustrator or Corel Graphics in order to use the Fill fonts. Some Fill fonts may be used as stand alone fonts but the versions for Apple Pie look best when layered behind the parent or main Apple Pie fonts. Be sure to check out the left and right hands located on the Less Than and Greater Than keys.

From the designer, Tim Ahrens... I started designing this typeface about half a year after learning that Frutiger was not a new brand of sweets and that Garamond is not the name of a fragrance. In time it became clear that designing a sans serif must always be considered as a transformation of traditional serifed typefaces instead of deriving it from typefaces that have been derived from others which have been derived from others again. I did not want Aroma to be one of those odourless and tasteless typefaces wich sacrifice a natural feeling and the characteristic shapes of the letters to neutrality. I think that beauty often evolves unintentionally. For example, I am fascinated by the beauty of airfoils, which are actually a careful transformation of a bird's wing. I love their anorganic and abstract shape which still bears the essence and all the complexity of what they are modelled on. This is exactly the formal concept behind Aroma. Many of the outlines are actually parabolics. The small r, for example, consists exclusively of straight lines and parabolics. I decided to give Aroma more stroke contrast than it is usual for sans serif designs. Many strokes are slightly convex, which gives the font an anorganic feeling. The font was intended to have a feel similar to the antiqua. More specifically, it is based on Old Style Faces. The character of those fonts, which were cut during the Renaissance, is still inherent to Aroma.

We have created this family inspired by the old-fashioned stencil letters like those the French army used during the WWI to write on soldiers' clothes, blankets, signals, ammunition, supplies and so on. This is a Didone-style font. We offer two variants for the same font: monospaced or proportionally spaced. Our Open Type specification allows automatic substitution of letters to avoid repeating the same glyph when a letter is repeated (for example “ee” or “bb”)(Not available with accented characters and a few others like “Q” that are never repeated in common use).

This is a display version of a stylized sans serif font family that is very high-waisted and sleek called Bergsland Fashion. This four-font set has a Regular and a Black plus the italics. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Ambrogio Script Inspired by Modern Vintage & Retro style and combination with old American traditional style. Ambrogio script that lets you handwrite. Ideal for logos, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. Multilingual Support To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternatives, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Thank you !

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

Respect! Our tribute to hand lettering culture. This exuberant new script font family draws inspiration from the traditional craftsmanship of sign painting and brush pen calligraphy techniques. Our aim was to create a modern interpretation of brush script, which referenced old-school hand lettering but also adds some contemporary forms, terminations and swashes you might expect to find in street art. The slanted angles and curved steams are designed to give this font an active energy, plenty of attitude and a courageous/brave character. We recommend to combine Timberline with: Turquoise

Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Multilayer Roman font with 8 levels, inspired on ’70-80s, it wears sharp edges and compact proportions, with a way fresh contemporary retro volumetric style, ideal for branding & packaging, logotype, headlines, covers, sign letters, label, ticket design, and even 3D lettering. It contains a variety of design resources like stylistic alternates, sensitive case adaptations, old-style numbers, fractions, ordinals, ligatures, localized forms, all of them are accessible via character set panel. Design period: 2019 & 2021. Release: 2021 Graphic interpretation: Pedro González Concept: Bruno Jara Development: Peggo Fonts Foundry.

Inspired by the more than hundred years old classic Cooper Black, Chunk Black features a hefty character with rounded serifs and a soft yet sturdy overall appearance. Chunk Black provides a timeless and friendly feel and it’s very suitable for product and packaging design and any kind of display purposes from music business to restaurant menus and from t-shirts to band logos. Both Chunk Black and Chunk Black Italic are equipped with several OpenType -features and a total number of 87 alternate characters, set in Swash, Stylistic and Titling Alternates and Discretionary Ligatures.

Multipa takes inspiration from old-style grotesque fonts and reinterprets them for the present. Its contrast structure distinguishes it from other sans serif fonts. Thanks to style sets, letters like t, b, d, k, l are synchronized with capitalization height. It allows you to create powerful typographic designs with body text and heading styles. It is equipped with rich opentype features, style sets and ligatures for professional typography designs. Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

CANNABIS company is a vintage display typeface, it has an old American feel. CANNABIS company typeface includes 5 font styles: serif, sans serif, rough, outline, round. CANNABIS company font with bonus cannabis leaf, hemp, CBD, pre-roll, joint illustrations are great for CBD company logo design; label for cannabis products and CBD packaging design; badges, clothing and t-shirts; posters and headings; distillery and brewery branding design; spirits label design (such as rum, gin, whiskey, bourbon, vodka, tequila, mezcal, beer); coffee and tea; supplements and cosmetics design and much much more.

Steinwald font was named after a mountain range slash nature park in southern Germany. I have to admit that I have never been there, but this font was just screaming for a good German name and I settled on Steinewald (which, in German, means Stone Forest). Steinwald was made by hand and cleaned up by computer. It looks quite neat, but its edges are a bit rough, giving it ‘ye olde handmade look’! Use it for your posters, your product packaging and your supermarket signs. Comes with extensive language support.

CHARACTERISTICS The dark and sharp character of the typeface is a very unique atmosphere. The letter-forms can with broken trees, rotten and old and branches are associated. The partially pointed edges remind thorns (bushes) a rose. APPLICATION AREA The edgy, contrasty horror and fantasy font »Viktors Littl Creepy Horror« would look good at display size for headlines in magazines or websites, movie posters, music covers or webbanner. TECHNICAL SPECIFICATIONS Headline Font / Display Font / Fancy Font »Viktors Littl Creepy Horror« OpenType Font with 354 glyphs - alternative letters and ligatures (with accents & €) & 1 style (regular)

Working on a Star Wars project? This font is in the main Star Wars written language of Aurebesh, and contains all the additional letters found in the language as glyphs. Designed to be a blocky workmanlike font that has the roughness commonly found in Star Wars related visuals. All numbers are also included as well as central punctuation symbols. The name is a very obscure reference to the old Star Wars expanded universe, when a force-sensitive droid self destructed in order for Uncle Owen to purchase R2-D2.

Commercial Script is a sophisticated copperplate script design. Its capitals are elaborate initials, and the lowercase letters join together in the style of real handwriting. Commercial Script's elegant refinement makes it a classic and ever-popular typeface. The spark behind this typeface comes from centries-old English Spencerian copperplate calligraphy. In 1985, the American typefoundry Barnhart Brothers & Spindler released a typeface in this style. This was redesigned by ATF's Morris Fuller Benton in 1906, and ATF released Commercial Script" in 1908. In 1994, Letraset' released this digital version of the typeface."