The inspiration source for MFC Falconer Monogram is an unusual hand-drawn design from a vintage embroidery publication which relies on rigid geometric letterforms to create an upward stepping framework. This monogram which evokes visions of it embossed or printed on antique baking tins was originally intended to adorn handkerchiefs, but the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format that is either adorned or interwoven decorative elements. Download and view the MFC Falconer Guidebook if you would like to learn a little more. MFC Falconer Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

The Octin Prison font family is a veritable powerhouse of design, boasting seven different weights to choose from, each one exuding an air of rugged toughness that is sure to make a statement. Whether you’re looking to create designs for sports teams, schools, police departments, construction sites, or military units, Octin Prison is the perfect choice for projects that require a no-nonsense, utilitarian aesthetic. What sets Octin Prison apart is its ability to capture the essence of its namesake—the prison system—while also offering a versatility that makes it a great option for a wide range of design themes. The font’s thick, bold strokes and sharp, angular edges create a sense of solidity and permanence, while its sleek, modern lines give it a contemporary edge that is sure to grab attention. With weights ranging from light to black, Octin Prison is a font that can be used for a variety of design purposes. The lighter weights work well for smaller text, providing a clean, legible look, while the heavier weights make for an imposing headline font that demands attention. In conclusion, if you’re looking for a typeface that can capture the essence of ruggedness and durability, while also offering versatility and style, look no further than Octin Prison. It’s a font that is sure to make a statement and leave a lasting impression on anyone who sees it. Check out the rest of the Octin families: Octin Sports, Octin College, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Morguns is a bold type of font that has a different character from other bold fonts, Morguns has a strong but soft character, with an elegant and fresh theme, supported by 4 choices of font types, Morguns is able to answer your current needs who are designing something great . Its weight excels in logos, posters, social media, magazine titles, clothing, large print formats - and anywhere you want to see it. Inspired by the design styles that are currently popular, let's make your imagination come true with Morguns. Features : Lowercase & Uppercase numbers and punctuation multilingual ligatures alternates PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

The revival of this 1932 classic design by W. Schwerdtner for the Stempel Foundry in Germany brings back the fashion and culture of those bygone days. Wedge-shaped vertical strokes are thicker at the top than at the bottom while serifs are somewhat elongated, thin, and pointy. Here is an excellent choice for large display settings where capturing the spirit of the 1920s and 30s is important. Metropolis SG is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

A calligraphic roman sans-serif, with large x-height, the Vershen font is available in four weights, plus a series with small capitals and old-style figures, also in four weights, and finally, a four-weight set of universal fraction generators. The fonts are thoroughly pair-kerned, including all accented characters and letter pairs not commonly found in English, but frequent in other western European languages. Each font package includes both TrueType and PostScript versions, and is avialable in either PC/Win or Macintosh format. Numerals and currency symbols in the standard font set are monospaced for orderly columns; but a narrower numeral '1' is also provided, along with an alternate lowercase 'g' and ampersand.

Periwinkle is a fun and happy digital revival based on an old photo-typositing face. Filled with 1960s and 1970s charm, Periwinkle contains a full set of alternate swash caps as well as a few lowercase swashes and other alternate glyphs to add typographic variation. This font seems to take us back to our childhoods with its curly cues and slightly modulated baseline. Perfect for any project that needs fun, laughter and liveliness! Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

Inspired by ancient Semitic Scripts and designed in broad nib calligraphy, this is one more great font by Dr. Ada Yardeni. A classic serif font, both formal and romantic.

Neufile Grotesk has its roots in some of the earliest commercially available sans-serif typefaces. This highly legible sans-serif design is well-suited for many display and text-based typographic uses. Users can apply the fonts effortlessly to a large number of messages and media, from advertising to book design. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s eight static OpenType font files instead. Those weights run from Extralight through Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Neufile Grotesk Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the eight static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Whichever format you choose, the Neufile Grotesk fonts include several sophisticated OpenType features. In addition to standard ligatures, there are a few discretionary ligatures and a stylistic set replacing “a”, “g”, and “R” with geometric-sans-style forms. Other features include numeral variants – there are proportional and tabular versions of lining figures and oldstyle figures – as well as fractions and numbers in circles. The fonts have arrows and a feature for setting case-sensitive forms, too.

A cutesy wootsy, love note-writing, school girl font. Cutesy Wootsy PW is available in OpenType, PostScript and TrueType format. The OpenType format includes a handful of ligatures and alternates.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

The Billy family contains three individually useful and fun fonts. When combined, the energy and strengths of the different weights play off each other creating an essential family.

Fabrikat Kompakt (formally known as Fabrikat) is a type family designed by Christoph Koeberlin with creative input of Hannes von Döhren. The Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. Its geometric design is based on German 20th century engineers’ typefaces and has a plain and precise appearance. The shapes are optically corrected, yet retain an uncut charm. They work best in display as well as text sizes. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

M Kai is a design inspired by the popular Kaiti developed in contemporary China. MKai adopts many features of Kaishu, one of the many Chinese writing scripts and calligraphic style. Yet writing style and constructions have been well-unified to meet quality as typeface. Its strokes has relatively heavier stroke beginning and finishing, as well as thinner middle part. It is catered for fine print with little conglutination. Its medium weight makes it more visible at distance and pretty versatile in use. Zhonggong are tightly built with ample character spacing for good individual character recognition. It is best suited for formal body text, set upright (non-slanted), non-condensed.

Buinton Rough is roughed up version of Buinton. There are three versions with increasing distress level. Buinton Rough is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Buinton Rough has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Buinton Rough very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few.

Amanda Manopo is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Amanda Manopo Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Pitriya is a captivating display serif typeface that effortlessly blends classic elegance with a modern twist. Its unique character lies in the harmonious balance between thick and thin strokes, creating a distinct sense of refinement and sophistication. Each letter is meticulously crafted with precision and ornate details, making Pitriya a perfect choice for high-end branding, editorial design, and formal invitations. The serifs are gracefully extended, adding a touch of grandeur to the text, while the ample x-height ensures readability even at smaller sizes. Pitriya is a timeless typeface that commands attention and imparts an air of timeless beauty to any project it graces.

During a ‘type walk’ at the 2007 AtypI conference in Brighton, typographer Phil Baines pointed out what he considered to be a particularly egregious example of over-decorative art nouveau lettering on a war memorial. This made me determined to use it as the basis for a font. Released in Opentype, it now features ligatures, swashes and alternates. It’s not certain if the curved top bars on the E and F are a feature of the original design or due to climbers using them as footholds, but I incorporated them anyway. It has recently been used for invitations and supporting print material for formal charity dinners at the House of Lords.

A highly intrincated set of ornaments inspired from the work of Johann Georg Schwandner (1716-1791). An accurate historical revival and interpretation of Iza W, at Intellecta Design. State-of-art to use in headings, chapter initials from books, magazines and other publications. In Barocque and Renaissance inspired layouts, or modern mixed proposals. If you’re taking a formal approach to your Christmas designs, Schwandner Ornaments from Intellecta Design will provide unparalleled elegance and sophistication. The ornaments and fleurons in this set are intricately drawn, adding a touch of the Victorian era to cards, envelopes, gift tags, and place cards worthy of the grandest holiday feas

Introducing Mollas Typeface Thank you for clicking this page and finding Mollas Typeface, one of the best font collections I've made. Mollas typeface is formal, elegant and can be applied to any design concept. For branding design, header text, online shop, logo design, social media and so on. Mollas typeface has 14 total families from Thin to Heavy, besides that there are many amazing and unique alternative glyphs for your design creation. Its use is very easy and simple. It can be run in design or non-design programs because the Mollas typeface has PUA unicode support. Besides that, the Mollas typeface also has multilingual support. Thank you and enjoy

Blooming Elegant Script Font is a hand-lettered modern calligraphy script with a playful yet elegant nature. It comes in 3 variants : Regular, Mono-line, and Mono-line Bold. The script fonts include Opentype Stylistic Alternates for all lowercase letters, and a selection of Ligatures to add some authenticity to your designs. Included alongside the script fonts, are two companion sans fonts : a neat and sturdy uppercase sans font for more formal-natured designs, and a jaunty, playful uppercase handwritten sans for more casual designs. Also included is a handy set of over 120 lovingly-drawn doodles is also included as 2 separate dingbat fonts.

Introducing The Ralston, A Retro Bold Script font. It was inspired by retro typography designs in 70's. There are more than 432 glyphs in this font including Multilanguage Support. OpenType features with Stylistic Alternates, Contextual Alternate and ligatures in some characters that allows you to mix and match pairs of letters to fit your design. The Ralston is perfectly suitable for made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Files Include: Multilanguage Support Thank You very much, hope you enjoy this fonts !

Khalifah Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Khalifah Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Antura Script is a calligraphic script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Antura Script is an attractive typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or any type of advertising purpose.

Introducing Ouders - Stencil & Regular Font A display font that has a strong and bold look. This font is made by hand so it looks natural and very suitable for vintage and rustic theme. Perfectly made to be applied especially in logos, and the other various formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, stationery, novels, labels or any type of advertising purpose. By combining both styles (stencil and regular) you will create a single design with an old style that is perfect! That's why you have to use this font. If you like the previous styles, you are right to use this font!

Ember is an informal script with a judicious sprinkling of ligatures that give it a flowing freehand liveliness. Neither overly formal and stuffy nor cheap and cheerful, Ember is elegant yet friendly, sophisticated yet approachable, fun and frivolous but stylish and well bred. Ligatures are set to be on automatically, and the stylistic alternates and optional final forms for some of the characters can be toggled on and off using the OpenType panel in design applications with advanced OpenType support. Designer Rian Hughes says that he felt he was "possibly channeling the spirit of Roger Excoffon". Neither pastiche nor revival, Ember does seem to evoke the famous French designer's trademark elegance.

Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond the redesign of various glyphs, giving a less formal tone, more rounded and cheerful. The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega downloading the free trial font in Extrabold version (TT only).

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

Enchante is the handwritten masterpiece typeface for luxury / branding / logotype / wedding invites / greeting cards / promotional graphics. Enchante typeface is completely handmade with more than 300 hours of artistic craftsmanship bringing perfection and aesthetics at its level best. The typeface comes with the following features: OpenType Features & Stylistic Sets The typeface contains 400 glyphs beautifully handcrafted with perfection. 122 stylistic alternatives with 70 lowercase and 52 uppercase letters. 61 unique Swashes & Lines arranged in separate font file to enhance ease of use and efficiency. Powerful OpenType features including multi-set stylistic alternatives and ornaments. Includes extended language support including Western European & Central European sets. What You Get The typeface comes with 2 fonts (Normal, Swashes) so you can easily add decorative elements by simply choosing the Swashes version of the font. The stylistic alternatives and ornaments can be selected via character options within any editing software such as Illustrator, Photoshop, Inkscape etc. The pack contains Desktop fonts (OTF, TTF) and Web Fonts (all EOT, SVG, WOFF, WOFF2) as licensing options. Advanced Kerning & Essential Ligatures: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations.

Goddard is based on some very unsual lettering by Art Nouveau period calligrapher Samuel Welo. It offers a full normal character set, plus mutliple alternate versions of every lower case character and selected upper case characters as well, plus very fancy over-and-under kerning to produce a really unique look, like nothing we've ever done before.

Qwatick is a decorative serifed family with three weights, each with an italic style. It is squarish and has small serifs. The bold style has high contrast and the regular style remains readable even at small point sizes. The family originated as a reworking of the odd display font Quidic, moving it toward normality and greater legibility.

Dex Gothic is another sort of stencil type. Instead of the "normal" routine of blocked-out horizontal or vertical areas, Dex Gothic creates its stencil appearance through the unique placement of diagonals. The result is a technical-like appearance, which bears some resemblance to 1980s technology products. Dex Gothic should be used large in headlines or logos.

Shaunte is eye-catching display bold typeface that comes in four styles: normal, inktraps, rounded, inktraps rounded. a display sans-serif with an inverted or reverse contrast. Its imperfections keep it casual while still providing legibility. Shaunte is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster. etc.

Rohyt is a contemporary Sans-serif typeface made up of 32 fonts across 8 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Brilk font family supports multiple languages and is available as both webfont and desktop font.

Balig Script is signature pen script, available in 2 fonts with 2 styles ( Normal & Bold ), and includes Swashes. It's perfect for signatures, logo type, weddings, posters, brochure or any display use. Balig Script comes with more OpenType features like Stylistic Alternates, Initial Forms, Terminal Forms, and also Standard Ligatures make this font more natural and letter nicely.

Germalt is a geometric typeface made up of 32 fonts across 8 weights with normal and alternate options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Germalt font family supports multiple languages and is available as both webfont and desktop font.

Nordt is a wide sans serif typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Nordt font family supports multiple languages and is available as both webfont and desktop font.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.